902:. Prior to this incident, Vahideh had posted on her social media page about anonymous personal threats, including threats from a non-Iranian individual with a knife. On October 17 Iranian police arrested ten individuals suspected of being involved in the murders, including "the main killer". Four people were arrested by police days after the killing for their alleged involvement. One of them later confessed to being the killer, saying that he was a former employee of Mehrjui who harbored a grudge against him "due to financial issues". He was subsequently sentenced to death in February 2024 while the three others received prison terms ranging from eight to 36 years for being accomplices to the crime.
552:. Mehrjui got the idea for the film when a friend suggest that he investigate the black market and illicit blood traffic in Iran. Horrified with what he found, Mehrjui took the idea to Gholamhossein Sa'edi, who had written a play on the subject, "Aashghaal-duni". The play became the basis for the script, which then had to be approved by the Ministry of Culture before production could begin. With pressure from the Iranian medical community, approval was delayed for a year until Mehrjui began shooting the film in 1974. The film stars Saeed Kangarani, Esmail Mohammadi,
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at a local blood bank. Ali begins giving blood and eventually works for Dr. Sameri in luring blood donors, despite spreading diseases in the process. Ali meets another doctor (Nassirian) who is attempting to establish a legitimate blood bank, and helps Dr. Sameri in sabotaging his plans. Ali also meets and becomes the lover of a young nurse, played by
Fourouzan. As Ali becomes more and more involved in the illegal blood trafficking, his father's health worsens until he finally dies and Ali must decide what path his life will take. The film's title,
283:, whom Mehrjui credited with teaching him how to work with actors. Mehrjui was dissatisfied with the film program due to its emphasis on the technical aspects of film and the quality of most of the teachers. Mehrjui said of his educators, "They wouldn't teach you anything very significant... because the teachers were the kind of people who had not been able to make it in Hollywood themselves... bring the rotten atmosphere of Hollywood to the class and impose it on us." He switched his major to
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His only naive hope is that he will win the national lottery. When he discovers that his wife is the mistress of his town's wealthiest landowner, Taghi escapes to the local forest where he experiences a brief moment of peace and harmony. His wife comes looking for him, and in a fit of rage Taghi murders her and is eventually caught for his crime.
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732:. The film, seen as an allegory for the recent revolution, is about a group of high school students who join forces and rebel against their authoritative and abusive school principal. Film critic Hagir Daryoush criticized both the film and Mehrjui as propaganda and a work of the new regime more than Mehrjui himself.
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In the film, Nassirian plays Taghi, a miserable civil servant whose life spirals into chaos. He spends his days as an unhappy mail carrier and has two night jobs in order to pay his debts. His misery has caused impotence and he is experimented upon by an amateur herbalist who is one of his employers.
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In the film, Kangarani plays Ali, a teenager who has brought his dying father (Mohammadi) to Tehran in order to find medical treatment. They are too poor to afford any help from the local hospital, but Dr. Sameri (Entezami) offers them money in exchange for giving illegal and unsafe blood donations
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In the film, Nassirian plays a simple, naive villager who goes to Tehran to find a wife. While in the big city he is treated roughly and constantly fooled by local hustlers and con artists. When he goes into a dress shop to purchase a wedding gown, he meets a beautiful young woman (Fakhri
Khorvash)
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In the film, Entezami stars as Masht Hassan, a peasant in an isolated village in southern Iran. Hassan has a close relationship with his cow, which is his only possession (Mehrjui said that
Entezami even resembled a cow in the film). When other people from Hassan's village discover that the cow has
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and piano. He spent a lot of time going to the movies, particularly
American films which were un-dubbed and inter-spliced with explanatory title cards that explained the plot throughout the films. At this time Mehrjui started to learn English so as to better enjoy the films. The film that had the
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movement and is considered a turning point in the history of
Iranian cinema. The public received it with great enthusiasm, despite the fact that it had ignored all the traditional elements of box office attraction. It was screened internationally and received high praise from many film critics.
268:. At the age of 12, Mehrjui built a 35 mm projector, rented two-reel films and began selling tickets to his neighborhood friends. Although raised in a religious household, Mehrjui said that, at the age of 15, "The face of God gradually became a little hazy for me, and I lost my faith."
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been mysteriously killed, they decide to bury the cow and tell Hassan that it has run away. While in mourning for the cow, Hassan goes to the barn where it was kept and begins to assume the cow's identity. When his friends attempt to take him to a hospital, Hassan commits suicide.
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Mehrjui stated that he, "enthusiastically took part in the revolution, shooting miles of reels of its daily events". After the revolution, the censorship of the
Pahlavi regime was lifted, and for a time, artistic freedom seemed to flourish in the country. It was reported that the
386:, and he had been arrested sixteen times. When it was finally released in 1970, it was highly praised and won an award at the Ministry of Culture's film festival, but it was still denied an export permit. In 1971, the film was smuggled out of Iran and submitted to the
294:. The magazine's intention was to bring contemporary Persian literature to western readers. During this time he wrote his first script with the intention of filming it in Iran. He moved back to Tehran in 1965, and found employment as a journalist and screenwriter.
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on
Iranian television and liked it, calling it "very instructive" and commissioning new prints to be made for distribution. However the Khomeini government would go on to impose its own rules for censorship in Iran, specifically laws that were in accordance to
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From 1966 to 1968 he was a teacher at Tehran's Center for
Foreign Language Studies, where he taught classes in literature and English language. He also gave lectures on films and literature at the Center for Audiovisual Studies through the
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to increase human rights and intellectual freedoms in Iran. Because of a crowded film marketplace, the film premiered in Paris, and then was released internationally where it received rave reviews and was compared to
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The film was co-sponsored by the
Ministry of Culture but encountered opposition from the Iranian medical establishment and was banned for three years. It was finally released in 1977, with help from pressure from the
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where, without programming or subtitles, it became the largest event of that year's festival. It won the
International Critics Award at Venice, and later that year, Entezami won the Best Actor Award at the
792:. Though the film could be distributed legally in Iran since the country has no official copyright relations with the United States, Salinger had his lawyers block a planned screening of the film at
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and is from a story by Fereydoon Doostdar. The film was sponsored by the Iranian Institute for the Intellectual Development of Children and Young Adults, whose filmmaking department was co-founded by
356:. Sa'edi was a friend of Mehrjui and suggested the idea to him when Mehrjui was looking for a suitable second film, and they collaborated on the script. Through Sa'edi, Mehrjui met the actors
382:, despite being one of the first two films in Iran to receive government funding. This was most likely due to Sa'edi being a controversial figure in Iran. His work was highly critical of the
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in 1974. He was also commissioned by the Iranian Blood Transfusion Center to create three short documentaries about safe and healthy blood donations. The films were used by the
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and proposes to her. The young woman turns out to be a prostitute who rejects him and takes his money, spending him back to his village empty handed but more world-wise.
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and remained there for several years, along with several other Iranian refugees in France. During this time he made a feature-length semi-documentary about the poet
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Modern Iranian cinema begins with Mehrjui. Mehrjui introduced realism, symbolism, and the sensibilities of art cinema. His films have some resemblance with those of
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230:(1969), is considered to be the first film of this movement. Most of his films are inspired by literature and adapted from Iranian and foreign novels and plays.
769:(1989), a portrait of an intellectual whose life is falling apart, Mehrjui sought to depict his generation's post-revolutionary turn from politics to mysticism.
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364:, who were performing in one of Sa'edi's plays. Mehrjui would work with Entezami and Nassirian throughout his career. The film's score was composed by musician
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in 1998. Mehrjui called Salinger's action "bewildering", explaining that he saw his film as "a kind of cultural exchange". His follow-up film, 1997's
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was screened at the Sepas Film Festival in Tehran in 1971 where it won awards for Best Film and Best Director. Later that year it was screened at the
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875:"Listen to me, I can't take it anymore," he said. "I want to fight . Kill me, do whatever you want with me...destroy me, but I want my right.
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The one constant in Mehrjui's work was his attention to the discontents of contemporary, primarily urban, Iran. His film
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of 1979 were causing a gradual loosening of strict censorship laws, which Mehrjui and other artists had great hopes for.
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On 14 October 2023, Mehrjui and his wife, Vahideh Mohammadifar, were found stabbed to death in their home in the city of
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In March 2022, Mehrjui publicly denounced the state censorship. In front of a filled cinema crowd, Mehrjui announced,
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in several countries for years. In 1978, the Iranian Ministry of Health commissioned Mehrjui to make the documentary
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to be released and gaining international recognition, Mehrjui was busy directing two more films. In 1970 he shot
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1997:
1884:"Dariush Mehrjui and Vahideh Mohammadifar: Man sentenced to death for murders of Iranian director and his wife"
802:, is a melodrama about an urban, upper-middle-class couple who learn that the wife is unable to bear children.
1848:"Revered Iranian Auteur Dariush Mehrjui and Wife Stabbed to Death at Home Outside Tehran, State Media Reports"
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In 1985, Mehrjui and his family returned to Iran and Mehrjui resumed his film career under the new regime.
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was voted the best Iranian film ever by readers and contributors to the Iranian journal Film Monthly.
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1588:"UCLA Film and Television Archive Presents Dariush Mehrjui: Trapeze Without a Net, July 15 to Aug. 1"
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205:; 8 December 1939 – 14 October 2023) was an Iranian filmmaker and a member of the
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Wakeman, John. World Film Directors, Volume 2. The H. W. Wilson Company. 1988. 663-669.
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Lifetime Achievement Award, 1st Diorama International Film Festival & Market (2019)
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838:(1999) has been hailed as the apotheosis of the director's examination of the Iranian
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film series. The film was not financially successful. But his second feature film,
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1753:"'I Can't Stand It Anymore': Prominent Iranian Filmmaker Blasts State Censorship"
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Their funeral was held at Roudaki Performance Hall in Tehran, with tributes from
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1174:, 451 p. (Mage Publishers, Washington, DC, 2007); Chapter IV, pp. 107–134:
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for a modern-day Iranian setting. He went back to Iran later in 1970 to shoot
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The film is adapted from a short story by renowned Iranian literary figure
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1700:"همه آنچه باید درباره داریوش مهرجویی بدانید / مرور ویدیوییِ آثار مهرجویی"
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In 1973 Mehrjui began directing what was to be his most acclaimed film,
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Dariush Mehrjui was born on 8 December 1939 to a middle-class family in
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and at the Sepas Film festival. Internationally it was screened at the
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1823:"جزئیات جدید از قتل داریوش مهرجویی و همسرش/ سرنخی که همسر مهرجویی داد"
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Mehrjui has received 49 national and international awards, including:
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During this time, Iran was going through great political changes. The
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to become an Islamic Republic on 1 April 1979, and to approve a new
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had been ongoing since 1978 through strikes and demonstrations. The
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Producers who won the Audience Choice of Best Film Crystal Simorgh
1971:
Firouzan Films Iranian Movie Hall of Fame Inductee Dariush Mehrjui
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Daryoush Mehrjui and his wife, Vahideh Mohammadifar, were found
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345:), brought him national and international recognition. The film
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1993:
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Because of the cycle of the universe, my heart is bleeding.
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movement of the early 1970s, which also included directors
448:, wanted to do a no-problem film." The film also starred
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to be released, Mehrjui worked on several documentaries.
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Several of Iran's prominent actors (Entezami, Nassirian,
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Fédération Internationale de la Presse Cinématographique
271:
In 1959, Mehrjui moved to the United States to study at
1384:"Iran Chamber Society: Iranian Cinema: Dariush Mehrjui"
1862:"Iran Police Arrest 'Main Killer' Of Director: Report"
635:, a documentary on the Isamailis, was commissioned by
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1669:"Iranian Film Is Canceled After Protest By Salinger"
1641:"Iranian Film Is Canceled After Protest By Salinger"
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497:), which starred Nassirian, Entezami and Jaleh Sam.
1986:, FirouzanFilms, 25 November 2008: (4 min 37 sec).
290:Mehrjui started his own literary magazine in 1964,
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671:in armed street fighting. Iran voted by national
667:and rebel troops overwhelmed troops loyal to the
527:, where it received the Interfilm Award, and the
1910:"Iranians pay tribute to slain director Mehrjui"
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2957:Producers who won the Best Film Crystal Simorgh
1864:. Dow Jones & Company, Inc. 18 October 2023
1522:"7th Moscow International Film Festival (1971)"
1410:"Famed Iranian Filmmaker Is Killed in His Home"
873:
2597:
2219:
2005:
1771:"فوری/ داریوش مهرجویی و همسرش به قتل رسیدند!"
651:Film career after the 1979 Iranian Revolution
8:
2937:University of California, Los Angeles alumni
1281:"the murder of Daryush Mehrjui and his wife"
1172:Masters & Masterpieces of Iranian Cinema
735:In 1981, Mehrjui and his family traveled to
429:, and Jafar Vali) played roles in the film.
2967:Crystal Simorgh for Best Screenplay winners
1255:"داریوش مهرجویی نشاندار شد + فیلم - ایسنا"
782:, an unauthorized loose film adaptation of
523:, where it received a special mention, the
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2012:
1998:
1990:
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2952:Crystal Simorgh for Best Director winners
1132:San Sebastián International Film Festival
1195:
531:, where it was screened as part of the
525:22nd Berlin International Film Festival
468:. It was a commercial success in Iran.
258:strongest impact on him as a child was
894:on 14 October 2023, in their villa in
511:) faced the same censorship issues as
466:7th Moscow International Film Festival
1408:Nikounazar, Leily (15 October 2023).
1279:Farhadi, Parastoo (14 October 2023).
714:Hayat-e Poshti Madrese-ye Adl-e Afagh
414:Tranquility in the Presence of Others
273:University of California, Los Angeles
212:Mehrjui was a founding member of the
120:University of California, Los Angeles
7:
1698:TABNAK, تابناک | (14 October 2023).
1667:Mckinley, Jesse (21 November 1998).
1639:Mckinley, Jesse (21 November 1998).
327:Mehrjui made his debut in 1966 with
2235:Crystal Simorgh for Best Screenplay
1142:Chicago International Film Festival
663:collapsed on 11 February 1979 when
479:and began writing an adaptation of
393:Chicago International Film Festival
202:
1552:"The Cycle (1977) - Awards - IMDb"
747:in 1983. It was shown at the 1983
687:of the country, in December 1979.
568:, refers to a line from a poem by
517:Tehran International Film Festival
378:was banned for over a year by the
368:. The film was completed in 1969.
249:. He showed interest in painting
25:
2613:Crystal Simorgh for Best Director
1978:Dariush Mehrjui discusses The Cow
287:and graduated from UCLA in 1964.
1948:
279:. One of his teachers there was
49:
2922:Persian-language film directors
2947:Iranian documentary filmmakers
1594:. 16 June 1999. Archived from
976:Journey to the Land of Rimbaud
1:
1777:(in Persian). 14 October 2023
1446:"The Films of Darius Mehrjui"
1204:"MIFF 1999 Schedule (MIFF 2)"
866:
851:in 1969, Mehrjui, along with
475:in 1970, Mehrjui traveled to
331:, a big budget parody of the
27:Iranian filmmaker (1939–2023)
1912:. Arab News. 18 October 2023
1757:Radiofreeeurope/Radioliberty
1497:"Massoud Mehrabi - Articles"
1472:""The Cow", Dariush Mehrjui"
647:, about kidney transplants.
380:Ministry of Culture and Arts
1850:. Variety. 15 October 2023.
637:Iranian National Television
311:Early film career 1966–1972
207:Iranian Academy of the Arts
2998:
2982:Deaths by stabbing in Iran
2874:Mohammad Ali Bashe Ahangar
2856:Mohammad Hossein Mahdavian
1574:, Encyclopædia Britannica.
883:
813:Cinematic style and legacy
720:) in 1980. The film stars
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2241:
2028:
1561:– via www.imdb.com.
929:Mehrjui's films include:
886:Murder of Dariush Mehrjui
745:Voyage au Pays de Rimbaud
641:World Health Organization
529:1972 Cannes Film Festival
48:
41:
2064:The School We Used to Go
1176:Dariush Mehrjui; The Cow
970:The School We Used to Go
241:Early life and education
174:(died 2023)
42:
18:Rumi's Kimia (film)
2942:People murdered in Iran
2932:UCLA Film School alumni
2927:Film people from Tehran
2770:Mohammad-Hossein Latifi
2330:Houshang Moradi Kermani
1797:"داریوش مهرجویی درگذشت"
978:(1983) (documentary in
677:theocratic constitution
2977:Iranian murder victims
2912:Iranian film directors
1501:www.massoudmehrabi.com
877:
809:was released in 2019.
805:His last film, titled
776:In 1995, Mehrjui made
712:Mehrjui then directed
324:
2917:Iranian screenwriters
2722:Rasoul Mollagholipour
1957:at Wikimedia Commons
1628:U.S. Copyright Office
1622:28 March 2007 at the
1572:Iran Islamic Republic
867:2022 'Kill me' speech
718:The School We Went to
582:Carter administration
318:
253:, music, and playing
2972:2023 murders in Iran
2774:Amir-Shahab Razavian
2680:Rakhshan Bani-Etemad
2422:Rakhshan Bani-Etemad
2336:Rakhshan Bani-Etemad
2278:Masoud Jafari Jozani
1775:روزنامه دنیای اقتصاد
1751:Esfandiari, Golnaz.
1598:on 24 September 2015
880:Murder and aftermath
753:London Film Festival
749:Venice Film Festival
618:events leading up to
611:Berlin Film Festival
533:Directors' Fortnight
521:Venice Film Festival
477:Berkeley, California
388:Venice Film Festival
354:Gholamhossein Sa'edi
300:University of Tehran
277:Department of Cinema
165:Vahideh Mohammadifar
2674:Varuzh Karim-Masihi
2374:Hamid Farrokhnezhad
2326:Mohammad-Ali Talebi
2254:Alireza Davoodnejad
1732:on 31 December 2006
1388:www.iranchamber.com
722:Ezzatollah Entezami
605:. The film won the
597:Pier Paolo Pasolini
554:Ezzatollah Entezami
224:. His second film,
105:Cause of death
2822:Abolhassan Davoudi
2816:Ahmad-Reza Darvish
2752:Ahmad-Reza Darvish
2692:Mohammad Bozorgnia
2562:Babak Khajeh Pasha
2460:Homayoun Shahnavaz
2450:Abolhassan Davoodi
2402:Peyman Ghasemkhani
2020:Films directed by
1890:. 12 February 2024
1677:The New York Times
1646:The New York Times
1414:The New York Times
1152:Fajr Film Festival
657:Iranian Revolution
627:While waiting for
622:Iranian Revolution
432:While waiting for
427:Jamshid Mashayekhi
384:Pahlavi government
358:Ezzatolah Entezami
325:
319:Mehrjui on set of
157:(divorced)
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2888:
2840:Ebrahim Hatamikia
2804:Parviz Sheikhtadi
2792:Ebrahim Hatamikia
2716:Ebrahim Hatamikia
2704:Kiumars Pourahmad
2662:Mohsen Makhmalbaf
2579:
2578:
2430:Mohsen Abdolvahab
2358:Ebrahim Hatamikia
2314:Hassan Gholizadeh
2292:Mohsen Makhmalbaf
2201:
2200:
1953:Media related to
1803:. 14 October 2023
1726:"Dariush Mehrjui"
1452:on 24 August 2007
915:Mohammad Rasoulof
696:Ruhollah Khomeini
560:, and Fourouzan.
192:
191:
151:Faryar Javaherian
135:Years active
16:(Redirected from
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2740:Rasul Sadr-Ameli
2728:Bahman Farmanara
2650:Abbas Kiarostami
2627:
2606:
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2592:
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2571:
2526:Mohammad Davoudi
2512:Kambuzia Partovi
2506:Kambuzia Partovi
2417:
2408:Kambuzia Partovi
2390:Rasul Sadr-Ameli
2386:Kambuzia Partovi
2310:Asghar Abdollahi
2287:
2272:Majid Gharizadeh
2267:
2249:
2228:
2221:
2214:
2205:
2014:
2007:
2000:
1991:
1980:
1952:
1937:
1928:
1922:
1921:
1919:
1917:
1906:
1900:
1899:
1897:
1895:
1880:
1874:
1873:
1871:
1869:
1858:
1852:
1851:
1844:
1838:
1837:
1835:
1833:
1819:
1813:
1812:
1810:
1808:
1793:
1787:
1786:
1784:
1782:
1767:
1761:
1760:
1748:
1742:
1741:
1739:
1737:
1728:. Archived from
1722:
1716:
1715:
1713:
1711:
1695:
1689:
1688:
1686:
1684:
1673:
1664:
1658:
1657:
1655:
1653:
1636:
1630:
1614:
1608:
1607:
1605:
1603:
1584:
1575:
1569:
1563:
1562:
1560:
1558:
1548:
1542:
1541:
1539:
1537:
1528:. Archived from
1518:
1512:
1511:
1509:
1507:
1493:
1487:
1486:
1484:
1482:
1468:
1462:
1461:
1459:
1457:
1448:. Archived from
1442:
1433:
1432:
1430:
1428:
1405:
1399:
1398:
1396:
1394:
1380:
1369:
1366:
1297:
1296:
1294:
1292:
1276:
1270:
1269:
1267:
1265:
1251:
1245:
1244:
1242:
1240:
1226:
1220:
1219:
1217:
1215:
1210:on 23 March 2007
1206:. Archived from
1200:
919:Bahman Farmanara
892:stabbed to death
861:Iranian New Wave
789:Franny and Zooey
751:and at the 1983
730:Abbas Kiarostami
661:Iranian monarchy
471:After finishing
422:Iranian New Wave
260:Vittorio De Sica
214:Iranian New Wave
204:
175:
158:
92:
70:
68:
53:
32:
21:
2997:
2996:
2992:
2991:
2990:
2988:
2987:
2986:
2892:
2891:
2890:
2885:
2880:Behrouz Afkhami
2844:Bahram Tavakoli
2834:Vahid Jalilvand
2810:Parviz Shahbazi
2698:Dariush Mehrjui
2668:Dariush Mehrjui
2638:Yadollah Samadi
2623:
2615:
2610:
2580:
2575:
2567:
2550:Tahmineh Bahram
2488:Behrouz Afkhami
2454:Farid Mostafavi
2440:Shadmehr Rastin
2426:Farid Mostafavi
2413:
2396:Parviz Shahbazi
2364:Tahmineh Milani
2320:Dariush Mehrjui
2304:Yadollah Samadi
2298:Dariush Mehrjui
2283:
2263:
2245:
2237:
2232:
2202:
2197:
2179:Good to Be Back
2171:The Orange Suit
2024:
2022:Dariush Mehrjui
2018:
1976:
1955:Dariush Mehrjui
1946:
1941:
1940:
1929:
1925:
1915:
1913:
1908:
1907:
1903:
1893:
1891:
1882:
1881:
1877:
1867:
1865:
1860:
1859:
1855:
1846:
1845:
1841:
1831:
1829:
1821:
1820:
1816:
1806:
1804:
1795:
1794:
1790:
1780:
1778:
1769:
1768:
1764:
1750:
1749:
1745:
1735:
1733:
1724:
1723:
1719:
1709:
1707:
1697:
1696:
1692:
1682:
1680:
1671:
1666:
1665:
1661:
1651:
1649:
1638:
1637:
1633:
1624:Wayback Machine
1615:
1611:
1601:
1599:
1586:
1585:
1578:
1570:
1566:
1556:
1554:
1550:
1549:
1545:
1535:
1533:
1532:on 3 April 2014
1520:
1519:
1515:
1505:
1503:
1495:
1494:
1490:
1480:
1478:
1470:
1469:
1465:
1455:
1453:
1444:
1443:
1436:
1426:
1424:
1407:
1406:
1402:
1392:
1390:
1382:
1381:
1372:
1367:
1300:
1290:
1288:
1278:
1277:
1273:
1263:
1261:
1253:
1252:
1248:
1238:
1236:
1228:
1227:
1223:
1213:
1211:
1202:
1201:
1197:
1192:
1164:
1148:Crystal Simorgh
1128:Golden Seashell
1121:
1095:Good To Be Back
1087:The Orange Suit
927:
888:
882:
869:
845:Since his film
815:
743:for French TV,
653:
544:
450:Fakhri Khorvash
313:
308:
265:Bicycle Thieves
243:
237:, near Tehran.
195:Dariush Mehrjui
180:
177:
173:
169:
166:
160:
156:
152:
116:Alma mater
100:
94:
90:
89:14 October 2023
81:
72:
71:8 December 1939
66:
64:
56:
55:Mehrjui in 2018
44:
37:
36:Dariush Mehrjui
28:
23:
22:
15:
12:
11:
5:
2995:
2993:
2985:
2984:
2979:
2974:
2969:
2964:
2959:
2954:
2949:
2944:
2939:
2934:
2929:
2924:
2919:
2914:
2909:
2904:
2894:
2893:
2887:
2886:
2884:
2883:
2877:
2871:
2868:Reza Mirkarimi
2865:
2859:
2853:
2847:
2837:
2831:
2828:Saeed Roustayi
2825:
2819:
2813:
2807:
2801:
2798:Asghar Farhadi
2795:
2789:
2786:Asghar Farhadi
2783:
2777:
2767:
2764:Asghar Farhadi
2761:
2755:
2749:
2746:Reza Mirkarimi
2743:
2737:
2731:
2725:
2719:
2713:
2707:
2701:
2695:
2689:
2683:
2677:
2671:
2665:
2659:
2656:Kianoush Ayari
2653:
2647:
2644:Kianoush Ayari
2641:
2635:
2629:
2620:
2617:
2616:
2611:
2609:
2608:
2601:
2594:
2586:
2577:
2576:
2574:
2573:
2565:
2559:
2553:
2546:Ida Panahandeh
2539:
2529:
2522:Mohsen Gharaie
2519:
2516:Houman Seyyedi
2509:
2503:
2500:Saeed Roustayi
2497:
2494:Roya Mohaghegh
2491:
2485:
2482:Behnam Behzadi
2479:
2476:Mostafa Kiayee
2473:
2470:Asghar Farhadi
2467:
2457:
2447:
2444:Reza Mirkarimi
2437:
2434:Naghmeh Samini
2419:
2411:
2405:
2399:
2393:
2383:
2377:
2367:
2361:
2355:
2349:
2346:Reza Maghsoodi
2339:
2333:
2323:
2317:
2307:
2301:
2295:
2289:
2281:
2275:
2269:
2261:
2251:
2242:
2239:
2238:
2233:
2231:
2230:
2223:
2216:
2208:
2199:
2198:
2196:
2195:
2190:
2183:
2174:
2167:
2160:
2157:Tehran, Tehran
2153:
2146:
2139:
2132:
2125:
2118:
2111:
2104:
2097:
2090:
2085:
2078:
2076:The Wild Bafti
2073:
2066:
2061:
2054:
2049:
2042:
2035:
2029:
2026:
2025:
2019:
2017:
2016:
2009:
2002:
1994:
1988:
1987:
1973:
1968:
1962:Darius Mehrjui
1945:
1944:External links
1942:
1939:
1938:
1931:Darius Mehrjui
1923:
1901:
1875:
1853:
1839:
1814:
1788:
1762:
1743:
1717:
1690:
1672:(fee required)
1659:
1631:
1609:
1576:
1564:
1543:
1513:
1488:
1463:
1434:
1400:
1370:
1298:
1271:
1246:
1221:
1194:
1193:
1191:
1188:
1187:
1186:
1163:
1160:
1159:
1158:
1155:
1145:
1135:
1120:
1117:
1116:
1115:
1107:
1099:
1091:
1083:
1075:
1067:
1059:
1051:
1043:
1035:
1027:
1019:
1011:
1005:
997:
994:The Wild Bafti
991:
983:
973:
967:
959:
953:
945:
937:
926:
923:
884:Main article:
881:
878:
868:
865:
814:
811:
794:Lincoln Center
784:J. D. Salinger
741:Arthur Rimbaud
685:Supreme Leader
652:
649:
645:Peyvast kolieh
543:
537:
473:Agha-ye Hallou
461:Agha-ye Hallou
452:and Entezami.
438:Agha-ye Hallou
420:initiated the
312:
309:
307:
304:
242:
239:
203:داریوش مهرجویی
190:
189:
186:
182:
181:
179:
178:
171:
167:
164:
163:
161:
154:
150:
149:
146:
144:
140:
139:
136:
132:
131:
128:
124:
123:
117:
113:
112:
106:
102:
101:
95:
93:(aged 83)
87:
83:
82:
73:
62:
58:
57:
54:
46:
45:
43:داریوش مهرجویی
39:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2994:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2918:
2915:
2913:
2910:
2908:
2905:
2903:
2900:
2899:
2897:
2881:
2878:
2875:
2872:
2869:
2866:
2863:
2860:
2857:
2854:
2851:
2848:
2845:
2841:
2838:
2835:
2832:
2829:
2826:
2823:
2820:
2817:
2814:
2811:
2808:
2805:
2802:
2799:
2796:
2793:
2790:
2787:
2784:
2781:
2778:
2775:
2771:
2768:
2765:
2762:
2759:
2756:
2753:
2750:
2747:
2744:
2741:
2738:
2735:
2732:
2729:
2726:
2723:
2720:
2717:
2714:
2711:
2708:
2705:
2702:
2699:
2696:
2693:
2690:
2687:
2684:
2681:
2678:
2675:
2672:
2669:
2666:
2663:
2660:
2657:
2654:
2651:
2648:
2645:
2642:
2639:
2636:
2633:
2632:Khosrow Sinai
2630:
2626:
2622:
2621:
2618:
2614:
2607:
2602:
2600:
2595:
2593:
2588:
2587:
2584:
2570:
2566:
2563:
2560:
2557:
2556:Kazem Daneshi
2554:
2551:
2547:
2543:
2542:Arsalan Amiri
2540:
2537:
2533:
2530:
2527:
2523:
2520:
2517:
2513:
2510:
2507:
2504:
2501:
2498:
2495:
2492:
2489:
2486:
2483:
2480:
2477:
2474:
2471:
2468:
2465:
2464:Shahram Asadi
2461:
2458:
2455:
2451:
2448:
2445:
2441:
2438:
2435:
2431:
2427:
2423:
2420:
2416:
2412:
2409:
2406:
2403:
2400:
2397:
2394:
2391:
2387:
2384:
2381:
2380:Bahram Beyzai
2378:
2375:
2371:
2370:Khosrow Sinai
2368:
2365:
2362:
2359:
2356:
2353:
2350:
2347:
2343:
2342:Kamal Tabrizi
2340:
2337:
2334:
2331:
2327:
2324:
2321:
2318:
2315:
2311:
2308:
2305:
2302:
2299:
2296:
2293:
2290:
2286:
2282:
2279:
2276:
2273:
2270:
2266:
2262:
2259:
2258:Ebrahim Makki
2255:
2252:
2248:
2244:
2243:
2240:
2236:
2229:
2224:
2222:
2217:
2215:
2210:
2209:
2206:
2194:
2191:
2189:
2188:
2184:
2182:
2181:
2180:
2175:
2173:
2172:
2168:
2166:
2165:
2161:
2159:
2158:
2154:
2152:
2151:
2147:
2145:
2144:
2140:
2138:
2137:
2133:
2131:
2130:
2129:To Stay Alive
2126:
2124:
2123:
2119:
2117:
2116:
2115:The Pear Tree
2112:
2110:
2109:
2105:
2103:
2102:
2098:
2096:
2095:
2091:
2089:
2086:
2084:
2083:
2079:
2077:
2074:
2072:
2071:
2067:
2065:
2062:
2060:
2059:
2055:
2053:
2050:
2048:
2047:
2043:
2041:
2040:
2036:
2034:
2031:
2030:
2027:
2023:
2015:
2010:
2008:
2003:
2001:
1996:
1995:
1992:
1985:
1981:
1979:
1974:
1972:
1969:
1967:
1963:
1960:
1959:
1958:
1956:
1951:
1943:
1936:
1932:
1927:
1924:
1911:
1905:
1902:
1889:
1885:
1879:
1876:
1863:
1857:
1854:
1849:
1843:
1840:
1828:
1824:
1818:
1815:
1802:
1798:
1792:
1789:
1776:
1772:
1766:
1763:
1758:
1754:
1747:
1744:
1731:
1727:
1721:
1718:
1705:
1701:
1694:
1691:
1679:
1678:
1670:
1663:
1660:
1648:
1647:
1642:
1635:
1632:
1629:
1625:
1621:
1618:
1613:
1610:
1597:
1593:
1592:Business Wire
1589:
1583:
1581:
1577:
1573:
1568:
1565:
1553:
1547:
1544:
1531:
1527:
1523:
1517:
1514:
1502:
1498:
1492:
1489:
1477:
1476:openDemocracy
1473:
1467:
1464:
1451:
1447:
1441:
1439:
1435:
1423:
1419:
1415:
1411:
1404:
1401:
1389:
1385:
1379:
1377:
1375:
1371:
1365:
1363:
1361:
1359:
1357:
1355:
1353:
1351:
1349:
1347:
1345:
1343:
1341:
1339:
1337:
1335:
1333:
1331:
1329:
1327:
1325:
1323:
1321:
1319:
1317:
1315:
1313:
1311:
1309:
1307:
1305:
1303:
1299:
1286:
1282:
1275:
1272:
1260:
1256:
1250:
1247:
1235:
1234:www.namava.ir
1231:
1225:
1222:
1209:
1205:
1199:
1196:
1189:
1185:
1184:0-934211-85-X
1181:
1177:
1173:
1169:
1168:Hamid Dabashi
1166:
1165:
1161:
1156:
1153:
1149:
1146:
1143:
1139:
1136:
1133:
1129:
1126:
1125:
1124:
1118:
1113:
1112:
1108:
1105:
1104:
1100:
1097:
1096:
1092:
1089:
1088:
1084:
1081:
1080:
1076:
1073:
1072:
1068:
1065:
1064:
1060:
1057:
1056:
1055:To Stay Alive
1052:
1049:
1048:
1044:
1041:
1040:
1039:The Pear Tree
1036:
1033:
1032:
1028:
1025:
1024:
1020:
1017:
1016:
1012:
1009:
1006:
1003:
1002:
998:
995:
992:
989:
988:
984:
981:
977:
974:
971:
968:
965:
964:
960:
957:
954:
951:
950:
946:
943:
942:
938:
935:
932:
931:
930:
924:
922:
920:
916:
912:
911:Masoud Kimiai
908:
903:
901:
897:
896:Meshkin Dasht
893:
887:
879:
876:
872:
864:
862:
858:
857:Masoud Kimiai
854:
853:Nasser Taqvai
850:
849:
843:
841:
837:
836:
835:The Pear Tree
830:
828:
824:
820:
812:
810:
808:
803:
801:
800:
795:
791:
790:
785:
781:
780:
774:
772:
768:
767:
766:
759:
756:
754:
750:
746:
742:
738:
733:
731:
727:
726:Ali Nassirian
723:
719:
715:
710:
708:
703:
702:
697:
694:
688:
686:
682:
678:
674:
670:
666:
662:
658:
650:
648:
646:
642:
638:
634:
630:
625:
623:
619:
614:
612:
609:Prize at the
608:
604:
603:
598:
594:
593:
592:Los Olvidados
588:
583:
577:
575:
571:
570:Hafiz Shirazi
567:
561:
559:
558:Ali Nassirian
555:
551:
550:
541:
538:
536:
534:
530:
526:
522:
518:
514:
510:
506:
502:
498:
496:
492:
488:
487:
482:
481:Georg Büchner
478:
474:
469:
467:
463:
462:
457:
453:
451:
447:
443:
439:
435:
430:
428:
423:
419:
415:
411:
410:Nasser Taqvai
407:
406:
401:
400:Masoud Kimiai
396:
394:
389:
385:
381:
377:
373:
369:
367:
366:Hormoz Farhat
363:
362:Ali Nassirian
359:
355:
350:
348:
344:
340:
339:
334:
330:
322:
317:
310:
305:
303:
301:
295:
293:
288:
286:
282:
278:
274:
269:
267:
266:
261:
256:
252:
248:
240:
238:
236:
231:
229:
228:
223:
222:Nasser Taqvai
219:
218:Masoud Kimiai
215:
210:
208:
200:
196:
187:
183:
162:
148:
147:
145:
141:
137:
133:
129:
125:
121:
118:
114:
111:(stab wounds)
110:
107:
103:
98:
88:
84:
80:
76:
63:
59:
52:
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33:
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2862:Mehdi Jafari
2850:Narges Abyar
2780:Majid Majidi
2758:Majid Majidi
2734:Majid Majidi
2710:Majid Majidi
2697:
2686:Sirus Alvand
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2150:Rumi's Kimia
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1914:. Retrieved
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1888:The Guardian
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1730:the original
1720:
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1706:(in Persian)
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1681:. Retrieved
1675:
1662:
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1644:
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1627:
1617:Circular 38a
1612:
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1596:the original
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1530:the original
1525:
1516:
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1454:. Retrieved
1450:the original
1425:. Retrieved
1413:
1403:
1391:. Retrieved
1387:
1289:. Retrieved
1287:(in Persian)
1284:
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1258:
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1233:
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1208:the original
1198:
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827:Satyajit Ray
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566:Dayereh mina
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91:(2023-10-14)
29:
2907:2023 deaths
2902:1939 births
2625:Not Awarded
2536:Nima Javidi
2247:Not Awarded
2164:Beloved Sky
2136:Mum's Guest
2070:The Tenants
2052:The Postman
1894:12 February
1827:www.alef.ir
1801:www.irna.ir
1602:26 February
1536:24 December
1456:26 February
1285:CafehDanesh
1264:19 November
1239:19 November
1138:Silver Hugo
1079:Beloved Sky
1063:Mum's Guest
987:The Lodgers
956:The Postman
925:Filmography
840:bourgeoisie
707:Islamic law
587:Luis Buñuel
509:The Postman
495:The Postman
416:, the film
398:Along with
321:The Postman
292:Pars Review
281:Jean Renoir
2896:Categories
1916:18 October
1868:19 October
1832:14 October
1807:14 October
1781:14 October
1736:15 October
1710:14 October
1557:15 October
1506:15 October
1481:15 October
1427:15 October
1393:15 October
1291:14 October
1214:15 October
1190:References
1162:Literature
934:Diamond 33
673:referendum
665:guerrillas
333:James Bond
329:Diamond 33
285:philosophy
251:miniatures
127:Occupation
67:1939-12-08
2569:No winner
2415:No winner
2285:No winner
2265:No winner
2058:The Cycle
2046:Mr. Naive
2033:Almaas 33
1422:0362-4331
963:The Cycle
949:Mr. Naive
819:Rosselini
693:Ayatollah
629:The Cycle
613:in 1978.
602:Accattone
549:The Cycle
542:1973–1978
540:The Cycle
442:Mr. Naive
275:' (UCLA)
138:1966–2023
130:Filmmaker
2193:La minor
2143:Santouri
2088:The Lady
1620:Archived
1230:"Namava"
1111:La minor
1071:Santouri
1008:The Lady
807:Laminor,
786:'s book
681:Khomeini
679:whereby
185:Children
2122:The Mix
2039:The Cow
1984:YouTube
1683:5 April
1652:5 April
1626:of the
1259:isna.ir
1047:The Mix
941:The Cow
848:The Cow
823:De Sica
683:became
505:Postchi
491:Postchi
486:Woyzeck
343:The Cow
255:santoor
227:The Cow
199:Persian
176:
172:
168:
159:
155:
143:Spouses
2882:(2024)
2876:(2023)
2870:(2022)
2864:(2021)
2858:(2020)
2852:(2019)
2846:(2018)
2836:(2017)
2830:(2016)
2824:(2015)
2818:(2014)
2812:(2013)
2806:(2012)
2800:(2011)
2794:(2010)
2788:(2009)
2782:(2008)
2776:(2007)
2766:(2006)
2760:(2005)
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2742:(2002)
2736:(2001)
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2718:(1998)
2712:(1997)
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2646:(1986)
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2628:(1983)
2572:(2024)
2564:(2023)
2558:(2022)
2552:(2021)
2538:(2020)
2528:(2019)
2518:(2018)
2508:(2017)
2502:(2016)
2496:(2015)
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2484:(2013)
2478:(2012)
2472:(2011)
2466:(2010)
2456:(2009)
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2300:(1990)
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2268:(1985)
2260:(1984)
2250:(1983)
2187:Ghosts
2082:Hamoun
1420:
1182:
1119:Awards
1114:(2020)
1106:(2014)
1103:Ghosts
1098:(2013)
1090:(2012)
1082:(2010)
1074:(2007)
1066:(2004)
1058:(2002)
1050:(2000)
1042:(1998)
1034:(1996)
1026:(1995)
1018:(1993)
1010:(1991)
1004:(1990)
1001:Hamoun
996:(1988)
990:(1987)
980:France
972:(1981)
966:(1975)
958:(1971)
952:(1970)
944:(1969)
936:(1967)
855:, and
825:, and
771:Hamoon
765:Hamoun
633:Alamut
405:Qeysar
323:(1971)
306:Career
247:Tehran
122:(UCLA)
109:Murder
99:, Iran
75:Tehran
2108:Leila
1031:Leila
900:Karaj
799:Leila
737:Paris
235:Karaj
170:
153:
97:Karaj
2548:and
2534:and
2524:and
2462:and
2452:and
2442:and
2432:and
2388:and
2372:and
2344:and
2328:and
2312:and
2256:and
2101:Pari
2094:Sara
1966:IMDb
1935:IMDb
1918:2023
1896:2024
1870:2023
1834:2023
1809:2023
1783:2023
1738:2023
1712:2023
1685:2007
1654:2007
1604:2007
1559:2023
1538:2012
1526:MIFF
1508:2023
1483:2023
1458:2007
1429:2023
1418:ISSN
1395:2023
1293:2023
1266:2021
1241:2021
1216:2023
1180:ISBN
1154:2004
1144:1998
1134:1993
1023:Pari
1015:Sara
917:and
779:Pari
724:and
701:Gaav
698:saw
669:Shah
655:The
620:the
595:and
513:Gaav
446:Gaav
434:Gaav
418:Gaav
408:and
376:Gaav
360:and
347:Gaav
338:Gaav
220:and
86:Died
79:Iran
61:Born
1982:on
1964:at
1933:at
863:".
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