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559:, the documentary on the making of the film, four attempts were made. The first failed at the five-minute mark. After two more failed attempts, they were left with only enough battery power for one final take. The four hours of daylight available were also nearly gone. Fortunately, the final take was a success and the film was completed at 90 minutes. Tilman Büttner, the director of photography and
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and he himself was very religious. Custine's book mocks
Russian civilization as a thin veneer of Europe on an Asiatic soul. For Custine, Europe was "civilization" while Asia was "barbarism", and his placing of Russia as a part of Asia rather than Europe was meant to deny that Russians had any sort of
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where everything is still beautiful and elegant, and does not want to go any further. The narrator then walks backwards out the hallway and sees many people from different time periods exiting the building together. As he watches them, the narrator quietly departs the procession, leaves the building
394:, has nothing but contempt for Russians; he tells the narrator that they are unable to create or appreciate beauty as "Europeans" do, as demonstrated by the European treasures around him. Each room manifests a different period of Russian history, although the periods are not in chronological order.
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could be reworked in detail: besides many object removals (mainly cables and other film equipment), compositings (e.g. additional snow or fog), stabilisations, selective colour-corrections and digitally added focus changes, the whole film was continuously and dynamically reframed (resized) and for
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In a 2002 interview, Büttner said that film sound was recorded separately. "Every time I did the take, or someone else made a mistake, I would curse, and that would have gotten in, so we did the sound later." Lighting directors of photography on the film were
327:, and implies that he died in some horrible accident and is a ghost drifting through. In each room, he encounters various real and fictional people from various periods in the city's 300-year history. He is accompanied by "the European", who represents the
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civilization worthy of the name. Echoing this sentiment, the film's
European comments that Russia is a theater and that the people he meets are actors. The Marquis's family fortune came from a porcelain works, hence the European's interest in the
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camera. The information was not recorded compressed to tape as usual, but uncompressed onto a hard disk which could hold 100 minutes which was carried behind the cameraman as he traveled from room to room, scene to scene. According to
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it performed strongly in many territories. These include the UK, Japan, Korea, Argentina, and especially the US, where the film remains one of the most successful of both German and
Russian movies of recent decades.
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wrote, "Apart from anything else, this is one of the best-sustained ideas I have ever seen on the screen.... he effect of the unbroken flow of images (experimented with in the past by directors like
Hitchcock and
604:, in which he depicted Russia in extremely unflattering terms. A few biographical elements from Custine's life are shown in the film. Like the European, the Marquis' mother was friends with the Italian sculptor
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is always in first-person) meets another spectral but visible outsider, "the
European", and follows him through numerous rooms of the palace. "The European", a 19th-century French diplomat who appears to be the
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On a winter's day, a small party of men and women arrive by horse-drawn carriage to a minor side entrance of the Winter Palace, dressed in the style of the early 19th century to attend a ball hosted by the
588:'s Inferno system. Avoiding any playouts and using framestore to framestore transfers only, the picture was left uncompressed, before being reprinted onto filmstock for theatrical distribution.
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certain moments even time-warped (slowed down and sped up). This work took several weeks and was mainly executed by editor
Patrick Wilfert under supervision of lead editor Sergei Ivanov on
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reported that 89% of critics gave the film a positive review based on 109 reviews, with an average rating of 7.9/10. The consensus review summary reads, "As successful as it is ambitious,
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porcelain waiting for the diplomatic reception. At the end of the film, which depicts the last imperial ball in 1913, the
European appears to accept Russia as a European nation.
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is a German-Russian co-production. The film grossed $ 3,048,997 in the United States and Canada, with $ 5,641,171 internationally, for a worldwide total of $ 8,690,168.
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device, but repeatedly broken and re-erected. At times, the narrator and the companion interact with the other performers, while at other times they pass unnoticed.
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and
Anatoli Radionov. The director later rejected Büttner's nomination for a European Film Academy award, believing that only the whole film should gain an award.
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The film displays 33 rooms of the museum, which are filled with a cast of over 2,000 actors and three orchestras.
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harassing and striking one of his generals; a spectacular presentation of operas and plays in the era of
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ranked the film 84th in its list of the best films of the 2000s. In a critics' and readers' poll by
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condenses three centuries of
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The narrator's guide, "the
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for Best Film. In addition, Alexander Sokurov was named Best Director at
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is widely regarded as one of the greatest Russian films of all time.
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The St. Petersburg Diary: Inauguration of a monument to Dostoevsky
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magazine, it was voted the 358th greatest film of all time.
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The film was not a huge commercial success, though as an
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Taste of Cinema - Movie Reviews and Classic Movie Lists
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on 23 December 2001, using a one-take single 87-minute
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857:Historical Dictionary of Russian and Soviet Cinema
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932:"Interview: Achieving the Cinematic Impossible"
859:. US: Rowman / Littlefield. pp. 593–594.
557:In One Breath: Alexander Sokurov's Russian Ark
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751:2003 San Francisco Film Critics Circle Awards
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1641:Films shot from the first-person perspective
1606:Cultural depictions of Nicholas II of Russia
787:European Film Award for Best Cinematographer
1616:Cultural depictions of Nicholas I of Russia
1540:Elegy of a life: Rostropovich, Vishnevskaya
532:Alexandra Feodorovna (Charlotte of Prussia)
473:through a side door and looks out upon the
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907:"The 10 Best Russian Movies of All Time"
747:2002 Toronto International Film Festival
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781:in 2003 and was nominated for the 2002
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1626:Films set in art museums and galleries
1611:Cultural depictions of Peter the Great
1397:Sonata for Viola. Dmitri Shostakovitch
905:Vasileva, Mirella (17 February 2018).
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783:European Film Award for Best Director
720:spins a daydream made of centuries."
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517:Alexandra Feodorovna (Alix of Hesse)
421:in 1829; the idyllic family life of
16:2002 Russian experimental drama film
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771:Chicago International Film Festival
759:Argentine Film Critics Association
745:received the Visions Award at the
452:A grand ball follows, held in the
331:, a 19th-century French traveler.
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881:"Festival de Cannes: Russian Ark"
441:making his own coffin during the
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693:received high critical acclaim.
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405:; an imperial audience in which
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1519:The Dialogues with Solzhenitsyn
1491:Hubert Robert. A Fortunate Life
409:is offered a formal apology by
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413:, represented by his grandson
364:The film was entered into the
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1646:German historical drama films
1631:Films set in Saint Petersburg
983:"To the European Film Awards"
546:was recorded in uncompressed
1701:Canadian mystery drama films
1681:2000s Russian-language films
1661:2000s Persian-language films
1459:A Retrospection of Leningrad
806:"Что такое "Русский ковчег""
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338:between Russia and Germany,
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1671:Russian fantasy drama films
789:and a German Camera Award.
336:international co-production
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1726:Finnish multilingual films
1716:Russian multilingual films
1696:German mystery drama films
1094:"Best of the Aughts: Film"
357:. It extensively uses the
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767:2002 Cannes Film Festival
366:2002 Cannes Film Festival
342:was shot entirely in the
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35:Theatrical release poster
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1651:Historical fantasy films
1465:An Example of Intonation
1706:2002 multilingual films
1666:Russian detective films
1267:The Lonely Voice of Man
855:Peter Rollberg (2009).
189:19 April 2003
1576:2000s historical films
738:Awards and nominations
385:. The narrator (whose
1044:"Russian Ark Reviews"
987:The Island of Sokurov
548:high-definition video
503:Mariya Kuznetsova as
346:of the Russian State
174:22 May 2002
1731:2000s Canadian films
1126:www.empireonline.com
1013:"Russian Ark (2002)"
521:Vladimir Baranov as
515:Anna Aleksakhina as
419:Alexander Griboyedov
200:1 May 2003
1132:on 12 October 2011.
885:festival-cannes.com
509:Maksim Sergeyev as
505:Catherine the Great
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466:the grand staircase
460:featuring music by
445:of the city during
403:Catherine the Great
383:Emperor Alexander I
1736:2000s German films
1571:2002 fantasy films
1417:Patience of Labour
1274:Mournful Unconcern
1236:Films directed by
938:. 26 November 2002
816:. 25 December 2001
670:. You can help by
598:Marquis de Custine
498:Marquis de Custine
437:; and a desperate
431:the Imperial Guard
411:the Shah of Persia
392:Marquis de Custine
329:Marquis de Custine
139:Sergei Yevtushenko
1596:Films set in 1913
1591:Films set in 1829
1586:2000s ghost films
1548:
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1530:Elegy of a Voyage
1471:Elegy from Russia
1434:Sonata for Hitler
1412:Evening Sacrifice
1295:The Second Circle
1238:Alexander Sokurov
1122:"Empire Features"
1102:. 7 February 2010
1073:Chicago Sun-Times
993:on 16 August 2007
866:978-0-8108-6072-8
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89:Mariya Kuznetsova
80:Alexander Sokurov
56:Alexander Sokurov
54:Anatoli Nikiforov
45:Alexander Sokurov
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1481:Spiritual Voices
1439:Petersburg Elegy
1407:And Nothing More
1306:Whispering Pages
1288:Save and Protect
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638:arthouse film
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617:In One Breath
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454:Nicholas Hall
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443:900-day siege
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435:Joseph Stalin
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415:Khosrow Mirza
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397:Featured are
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387:point of view
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355:sequence shot
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344:Winter Palace
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321:Winter Palace
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167:Release dates
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127:Sergei Ivanov
125:Stefan Ciupek
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1444:Soviet Elegy
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1428:Moscow Elegy
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1253:The Degraded
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1130:the original
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818:. Retrieved
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310:experimental
308:) is a 2002
284:
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217:Running time
18:
1373:Francofonia
1333:Russian Ark
1191:Russian Ark
1180:Russian Ark
1169:Russian Ark
1158:Russian Ark
1147:Russian Ark
1106:10 February
839:Russian Ark
810:Коммерсантъ
743:Russian Ark
718:Russian Ark
709:Roger Ebert
699:Russian Ark
691:Russian Ark
645:Russian Ark
621:Russian Ark
544:Russian Ark
523:Nicholas II
489:as Narrator
439:Leningrader
370:Russian Ark
359:fourth wall
340:Russian Ark
285:Russian Ark
106:Narrated by
66:Jens Meurer
61:Produced by
41:Directed by
24:Russian Ark
1561:2002 films
1555:Categories
1512:Confession
1196:Metacritic
1048:Metacritic
942:13 October
890:25 October
814:Kommersant
793:References
775:Nika Award
763:Palme d'Or
714:Max Ophüls
703:Metacritic
632:Box office
592:Background
538:Production
475:River Neva
274:Box office
221:96 minutes
204:2003-05-01
193:2003-04-19
178:2002-05-22
145:Production
51:Written by
1380:Fairytale
1354:Alexandra
936:indieWIRE
757:from the
627:Reception
561:Steadicam
352:Steadicam
299:romanized
249:Languages
226:Countries
122:Edited by
1525:dolce...
1163:AllMovie
1078:1 August
1053:22 April
1028:30 April
1023:Fandango
997:1 August
967:1 August
916:8 August
581:one-shot
550:using a
427:children
136:Music by
73:Starring
1347:The Sun
779:Fancine
765:at the
301::
290:Russian
258:Persian
255:Russian
241:Finland
235:Germany
202: (
191: (
176: (
147:company
1326:Taurus
1319:Moloch
1260:Empire
863:
731:Empire
611:Sèvres
606:Canova
266:Budget
238:Canada
232:Russia
184:Cannes
182: (
1422:Maria
1402:Elegy
1361:Faust
1301:Stone
1152:IMDb
1108:2010
1080:2008
1055:2020
1030:2022
999:2008
969:2008
944:2011
918:2022
892:2009
861:ISBN
822:2019
481:Cast
470:1913
376:Plot
1194:at
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