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Dionysia

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42: 669:, when only three plays were performed), though it is unknown whether they were performed continuously on one day, or over the course of the five-day festival. Until 449 BC, only dramatic works were awarded prizes in the agon, but after that time, actors also became eligible for recognition. It was considered a great honour to win the comedic prize at the City Dionysia, despite the belief that comedies were of secondary importance. The 713: 684:. His plays, along with other fifth-century BC writers, were often re-staged during this period. At least one revival was presented each year at City Dionysia. It has been suggested that audiences may have preferred to see well-known plays re-staged, rather than financially support new plays of questionable quality; or alternately, that revivals represented a 692:. Nevertheless, plays continued to be written and performed until the 2nd century BC, when new works of both comedy and tragedy seem to have been eliminated. After that point drama continued to be produced, but prizes were awarded to wealthy producers and famous actors rather than the long-dead playwrights whose work was being performed. 387:
Because the various towns in Attica held their festivals on different days, it was possible for spectators to visit more than one festival per season. It was also an opportunity for Athenian citizens to travel outside the city if they did not have the opportunity to do so during the rest of the year.
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Classics Department, stages a competition every April wherein groups of high school students produce unique adaptations of the same play. The competition aims to engage the themes and style of the ancient plays with renewed vigor and an accessible, thought provoking frame. Several notable schools
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During the fifth century BC, five days of the festival were set aside for performance, though scholars disagree exactly what was presented each day. At least three full days were devoted to tragic plays, and each of three playwrights presented his set of three tragedies and one
434:(the lunar month straddling the vernal equinox, i.e., Mar.-Apr in the solar calendar), three months after the rural Dionysia, probably to celebrate the end of winter and the harvesting of the year's crops. According to tradition, the festival was established after 1226:
Center for Creative works produces and performs an adaptation each spring. The purpose of the enterprise is to educate and entertain, and adaptations occasionally go beyond Greek theater for inspiration (for example, the 2013 Spring adaptation of the
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in the mid-5th century BC, various gifts and weapons showcasing Athens' strength were carried as well. Also included in the procession were bulls to be sacrificed in the theatre. The most conspicuous members of the procession were the
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Educational charity The Iris Project holds a Dionysia Festival every year with Year Eight students from Cheney School, who adapt and modernise Aristophanes plays. The festival is usually hosted at Corpus Christi College, Oxford.
376:. Some festivals may have included dramatic performances, possibly of the tragedies and comedies that had been produced at the City Dionysia the previous year. This was more common in the larger towns, such as 442:, had chosen to become part of Attica. The Eleuthereans brought a statue of Dionysus to Athens, which was initially rejected by the Athenians. Dionysus then punished the Athenians with a 695:
Another procession and celebration was held on the final day, when the judges chose the winners of the tragedy and comedy performances. The winning playwrights were awarded a wreath of
549:) offered their musical and lyrical services. After these competitions, the bulls were sacrificed, and a feast was held for all the citizens of Athens. A second procession, the 676:
Impressive tragic output continued without pause through the first three quarters of the fourth century BC, and some scholars consider this time a continuation of the
1584: 1665: 311:. It was probably a very ancient festival, perhaps not originally associated with Dionysus. This "rural Dionysia" was held during the winter, in the month of 809:
Most of our knowledge of the winners of the City Dionysia and the Lenaea festival comes from a series of damaged inscriptions referred to as the Fasti (
513:, made of wood or bronze, aloft on poles, and a cart pulled a much larger phallus. Basket-carriers and water and wine-carriers participated in the 610:
was purified by the sacrifice of a bull. According to tradition, the first performance of tragedy at the Dionysia was by the playwright and actor
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was also used to give praise to notable citizens, or often foreigners, who had served Athens in some beneficial way during the year. During the
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festival, held earlier in the year, featured comedy more prominently and officially recognized comic performances with prizes in 442 BC.
450:, which was cured when the Athenians accepted the cult of Dionysus. This was recalled each year by a procession of citizens carrying 1876: 1835: 1821: 1773: 1759: 1738: 1563: 1439: 1252: 796: 586:, orphaned children of those who had been killed in battle were also paraded in the Odeon, possibly to honour their fathers. The 80: 622:, a common symbol for Dionysus, and this "prize" possibly suggests the origin of the word "tragedy" (which means "goat-song"). 1895: 1787: 734: 680:. Though much of the work of this period is either lost or forgotten, it is considered to owe a great debt to the playwright 88: 1592: 1910: 1856: 529:(χορηγοί, "sponsors", literally: "chorus leaders"), who were dressed in the most expensive and ornate clothing. After the 1236: 777: 562:
The next day, the playwrights announced the titles of the plays to be performed, and judges were selected by lot: the "
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This also allowed travelling companies of actors to perform in more than one town during the period of the festival.
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and eligible for their own prizes. Each of five comic writers presented a single play (except during the
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competitions. These were extremely competitive, and the best flute players and celebrity poets (such as
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The urban festival was a relatively recent invention. This ceremony fell under the auspices of the
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The Athenian Acropolis: History, Mythology, and Archaeology From the Neolithic Era to the Present
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in the 6th century BC . This festival was held probably from the 10th to the 16th of the month
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Inscriptional records for the dramatic festivals in Athens: IG II2 2318-2325 and related texts
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Inscriptional records for the dramatic festivals in Athens: IG II2 2318-2325 and related texts
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The festival has inspired people through the present day, as a celebration of humanity (see
1163: 677: 195: 148: 101: 69: 61: 31: 273:, which took place in different parts of the year. They were also an essential part of the 1730: 1194: 948: 590:
could be used for other announcements as well; in 406 BC the death of the playwright
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The archon prepared for the City Dionysia as soon as he was elected, by choosing his two
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and the productions themselves are quite popular, selling out on all ticketed venues.
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which ties together the civilizing and humane force of plays in the ancient world
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on the successive days. Most of the extant Greek tragedies, including those of
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contests until 487/6 BC, when comic poets were officially admitted to the
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This article is about the ancient Greek festival. For the flowering plant, see
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originally took place, but after the mid-5th century BC, it was held in the
538: 502: 447: 373: 556: 509:(εἰσαγωγή, "introduction"). As with the Rural Dionysia, they also carried 362:
procession was completed, there were contests of dancing and singing, and
1088: 994: 898: 846: 464: 443: 246: 53: 1255:. Adaptations are cut to twenty minutes, and source plays have included 1135: 988: 737: in this section. Unsourced material may be challenged and removed. 611: 510: 505:, carrying the wooden statue of Dionysus Eleuthereus, the "leading" or 452: 439: 423: 381: 377: 321: 254: 1691: 1531: 958:, son of Aeschylus; Sophocles took 2nd place; Euripides took 3rd with 422:) was the urban part of the festival, possibly established during the 1314: 670: 546: 294: 242: 84: 57: 49: 1558:. Cambridge, England: Cambridge University Press. pp. 307–330. 1857:"Rites of Passage in Ancient Greece: Literature, Religion, Society" 1733:
and Froma I. Zeitlin. Princeton: Princeton University Press, 1990.
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Nothing to Do with Dionysos? Athenian Drama in Its Social Context
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Goldhill, Simon (1987). "The Great Dionysia and Civic Ideology".
1262: 662: 619: 308: 265:. The Dionysia actually consisted of two related festivals, the 706: 696: 555:(κῶμος), occurred afterwards, which was most likely a drunken 1647: 1725:
Simon Goldhill, "The Great Dionysia and Civic Ideology", in
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for the glory of Athens from before the devastation of the
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The other two days of the festival were likely devoted to
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celebrate Dionysia as a holiday and use a version of the
219: 172: 125: 485:(πάρεδροι, "reeves", literally: "by the chair") and ten 1345:(new ed.). Harlow, England: Longman. p. 222. 261:. It was the second-most important festival after the 1411: 1409: 1407: 979:, nephew of Aeschylus; Sophocles took 2nd place with 216: 198: 169: 151: 128: 122: 104: 1794:
Millis, Benjamin Willard; Olson, S. Douglas (2012).
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Millis, Benjamin Willard; Olson, S. Douglas (2012).
566:" (προαγών, "pre-contest"). It is unknown where the 493:("pomp", "procession") was held, in which citizens, 201: 154: 107: 1842:
The List of the Victors in Comedies at the Dionysia
1746:, "Procession and Celebration at the Dionysia", in 213: 166: 119: 1780:The Sacred and Civil Calendar of the Athenian Year 946:438 BC - Sophocles; Euripides took 2nd place with 343:(ὀβελιαφόροι – who carried long loaves of bread), 1754:. Ann Arbor: University of Michigan Press, 1993. 1612: 1610: 1816:. Oxford: Clarendon Press, 1953 (2nd ed. 1968). 1768:. Cambridge: Cambridge University Press, 1999. 1578: 1576: 618:") in 534 BC. His award was reportedly a 351:(ὑδριαφόροι – who carried jars of water), and 8: 1666:"Dionysia 2021: Aristophanes Under Lockdown" 1420:. Boston: Allyn & Bacon. pp. 18–25. 1387:. Boston: Allyn & Bacon. pp. 18–26. 347:(σκαφηφόροι – who carried other offerings), 339:(κανηφόροι – young girls carrying baskets), 34:. For the ancient Roman dancer-actress, see 416:Dionysia ta en Astei – Διονύσια τὰ ἐν Ἄστει 307:), probably celebrating the cultivation of 298: 207: 181: 160: 134: 113: 1748:Theater and Society in the Classical World 1261:by Euripides and the entire collection of 438:, a town on the border between Attica and 1830:. Oxford: Oxford University Press, 1996. 1372:. New York: Harper & Row. p. 87. 797:Learn how and when to remove this message 1624:. New York Classics Club. Archived from 1222:take) and an exposition of culture. The 395:parodied the Rural Dionysia in his play 355:(ἀσκοφόροι – who carried jars of wine). 329:(φαλλοφόροι). Also participating in the 40: 1331: 420:Dionysia ta Megala – Διονύσια τὰ Μεγάλα 249:, the central events of which were the 27:Festivals of Dionysus in ancient Athens 1247:from the area participate, including 1242:The New York Classical Club, through 1235:). Collaborators flock from all over 7: 1142:); Aristophanes took 2nd place with 735:adding citations to reliable sources 418:, also known as the Great Dionysia, 1855:Padilla, Mark William, ed. (1999). 1798:. Leiden Boston: Brill. p. 1. 1481:Masterpieces of Classic Greek Drama 1456:. Leiden Boston: Brill. p. 1. 821:II 2319-24) and the Victors Lists ( 1434:(Sesta edizione: Roma-Bari 2004). 703:Known winners of the City Dionysia 319:(πομπή), the procession, in which 25: 1556:The Cambridge Companion to Horace 1369:Dictionary of Classical Mythology 1162:Aristophanes took 2nd place with 1814:The Dramatic Festivals of Athens 1342:Longman Pronunciation Dictionary 711: 517:here, as in the Rural Dionysia. 194: 147: 100: 1056:(? = exact year not preserved) 833:(? = exact year not preserved) 722:needs additional citations for 1812:Sir Arthur Pickard-Cambridge. 1782:, Princeton University Press. 1668:. 12 June 2021. Archived from 1430:Mastromarco, Giuseppe: (1994) 1416:Brockett, Oscar Gross (1968). 1383:Brockett, Oscar Gross (1968). 654:) watched from the front row. 285:The Dionysia was originally a 89:Archaeological Museum of Delos 1: 1840:Carl A. P. Ruck. IG II 2323: 614:(from whom we take the word " 501:on the southern slope of the 1828:Athenian religion: A History 1906:Festivals in ancient Athens 1901:Greek festivals of Dionysus 1844:. Leiden: E.J. Brill, 1967. 1512:Journal of Hellenic Studies 925:); Sophocles took 2nd place 1927: 1554:Harrison, Stephen (2007). 537:led their choruses in the 29: 1778:Mikalson, Jon D. (1975), 1648:"The Iris Project - Home" 1432:Introduzione a Aristofane 1366:Zimmerman, J. E. (1964). 520:During the height of the 325:(φαλλοί) were carried by 299: 253:performances of dramatic 1339:Wells, John C. (2000) . 1178:410 BC – Plato the Comic 652:agonothetai – ἀγωνοθἐται 642:, were performed at the 237:: Διονύσια) was a large 60:riding on a tiger, from 1477:Smith, Helaine (2005). 1224:University of Houston's 1117:426 BC - Aristophanes ( 305:Dionysia ta kat' agrous 300:Διονύσια τὰ κατ' ἀγρούς 257:and, from 487 BC, 87:, late 2nd century BC, 36:Dionysia (stage artist) 1418:History of the Theatre 1385:History of the Theatre 91: 1896:Ancient Greek theatre 1485:. Greenwood. p.  598:Dramatic performances 594:was announced there. 559:through the streets. 391:The comic playwright 62:the House of Dionysos 44: 1911:December observances 1277:Modern followers of 1244:Fordham University's 1172:took 3rd place with 1109:took 2nd place with 1029:401 BC - Sophocles ( 1008:405 BC – Euripides ( 999:409 BC – Sophocles ( 966:428 BC – Euripides ( 937:) (year approximate) 931:447 BC – Sophocles ( 928:449 BC – Herakleides 919:458 BC – Aeschylus ( 907:463 BC – Aeschylus ( 894:Seven Against Thebes 891:467 BC – Aeschylus ( 860:472 BC – Aeschylus ( 731:improve this article 245:in honor of the god 1869:Bucknell University 1764:Jeffrey M. Hurwit. 1124:423 BC – Cratinus ( 1023:Alcmaeon in Corinth 644:Theatre of Dionysus 608:Theatre of Dionysus 499:Theatre of Dionysus 446:affecting the male 414:The City Dionysia ( 275:Dionysian Mysteries 70:was once controlled 1744:Susan Guettel Cole 1652:irisproject.org.uk 1628:on 9 December 2013 1617:McGowan, Matthew. 1295:Athenian festivals 1210:Modern adaptations 1131:422 BC – Cantharus 1105:427 BC - Unknown; 1072:458 BC – Euphonius 1035:(posthumous award) 1032:Oedipus at Colonus 1017:Iphigenia in Aulis 875:4?? BC - Nothippus 463:, rather than the 92: 52:depicting the god 1805:978-90-04-23201-3 1496:978-0-313-33268-5 1463:978-90-04-23201-3 1352:978-0-582-36467-7 1285:to calculate it. 1205:154 BC – Chairion 1202:183 BC – Philemon 916:460 BC - Aristias 807: 806: 799: 781: 690:Peloponnesian War 667:Peloponnesian War 584:Peloponnesian War 572:Odeon of Pericles 461:Archons of Athens 47:Hellenistic Greek 16:(Redirected from 1918: 1882: 1809: 1706: 1705: 1703: 1702: 1688: 1682: 1681: 1679: 1677: 1662: 1656: 1655: 1644: 1638: 1637: 1635: 1633: 1614: 1605: 1604: 1602: 1600: 1595:on 24 April 2013 1580: 1571: 1569: 1551: 1545: 1543: 1507: 1501: 1500: 1484: 1474: 1468: 1467: 1449: 1443: 1428: 1422: 1421: 1413: 1402: 1395: 1389: 1388: 1380: 1374: 1373: 1363: 1357: 1356: 1336: 1126:The Wicker Flask 904:4?? BC - Mesatus 802: 795: 791: 788: 782: 780: 739: 715: 707: 678:classical period 372:) would perform 302: 301: 232: 231: 228: 227: 224: 221: 218: 215: 212: 209: 206: 203: 200: 191: 190: 187: 186: 183: 180: 177: 174: 171: 168: 165: 162: 159: 156: 153: 144: 143: 140: 139: 136: 133: 130: 127: 124: 121: 118: 115: 112: 109: 106: 32:Dionysia (plant) 21: 1926: 1925: 1921: 1920: 1919: 1917: 1916: 1915: 1886: 1885: 1879: 1861:Bucknell Review 1854: 1851: 1849:Further reading 1826:Robert Parker. 1806: 1793: 1731:John J. Winkler 1715: 1710: 1709: 1700: 1698: 1690: 1689: 1685: 1675: 1673: 1664: 1663: 1659: 1646: 1645: 1641: 1631: 1629: 1616: 1615: 1608: 1598: 1596: 1582: 1581: 1574: 1566: 1553: 1552: 1548: 1509: 1508: 1504: 1497: 1476: 1475: 1471: 1464: 1451: 1450: 1446: 1429: 1425: 1415: 1414: 1405: 1396: 1392: 1382: 1381: 1377: 1365: 1364: 1360: 1353: 1338: 1337: 1333: 1328: 1291: 1212: 1199:185 BC – Laines 1119:The Babylonians 1054: 857:4?? BC - Euetes 831: 803: 792: 786: 783: 740: 738: 728: 716: 705: 646:. The archons, 600: 574:on the foot of 522:Athenian Empire 479: 412: 407: 283: 197: 193: 150: 146: 103: 99: 39: 28: 23: 22: 15: 12: 11: 5: 1924: 1922: 1914: 1913: 1908: 1903: 1898: 1888: 1887: 1884: 1883: 1877: 1850: 1847: 1846: 1845: 1838: 1824: 1810: 1804: 1791: 1776: 1762: 1741: 1723: 1720:The Acharnians 1718:Aristophanes, 1714: 1711: 1708: 1707: 1683: 1672:on 9 July 2021 1657: 1639: 1606: 1583:Harvey, John. 1572: 1564: 1546: 1524:10.2307/630070 1502: 1495: 1469: 1462: 1444: 1423: 1403: 1390: 1375: 1358: 1351: 1330: 1329: 1327: 1324: 1323: 1322: 1317: 1312: 1307: 1302: 1297: 1290: 1287: 1283:Attic calendar 1211: 1208: 1207: 1206: 1203: 1200: 1197: 1191: 1185: 1179: 1176: 1148: 1140:The Flatterers 1132: 1129: 1122: 1115: 1112:The Banqueters 1103: 1097: 1091: 1085: 1079: 1073: 1070: 1064: 1053: 1050: 1049: 1048: 1042: 1036: 1027: 1006: 997: 991: 985: 973: 964: 952: 944: 938: 929: 926: 917: 914: 910:The Suppliants 905: 902: 901:took 2nd place 889: 876: 873: 867: 858: 855: 849: 830: 827: 813:II 2318), the 805: 804: 719: 717: 710: 704: 701: 650:, and judges ( 602:Following the 599: 596: 478: 469: 411: 408: 406: 403: 398:The Acharnians 282: 281:Rural Dionysia 279: 267:Rural Dionysia 26: 24: 18:Rural Dionysia 14: 13: 10: 9: 6: 4: 3: 2: 1923: 1912: 1909: 1907: 1904: 1902: 1899: 1897: 1894: 1893: 1891: 1880: 1878:0-8387-5418-X 1874: 1870: 1866: 1862: 1858: 1853: 1852: 1848: 1843: 1839: 1837: 1836:0-19-814979-4 1833: 1829: 1825: 1823: 1822:0-19-814258-7 1819: 1815: 1811: 1807: 1801: 1797: 1792: 1789: 1785: 1781: 1777: 1775: 1774:0-521-42834-3 1771: 1767: 1763: 1761: 1760:0-472-10281-8 1757: 1753: 1749: 1745: 1742: 1740: 1739:0-691-06814-3 1736: 1732: 1728: 1724: 1721: 1717: 1716: 1712: 1697: 1693: 1687: 1684: 1671: 1667: 1661: 1658: 1653: 1649: 1643: 1640: 1627: 1623: 1620: 1613: 1611: 1607: 1594: 1590: 1586: 1579: 1577: 1573: 1567: 1565:9780521536844 1561: 1557: 1550: 1547: 1541: 1537: 1533: 1529: 1525: 1521: 1517: 1513: 1506: 1503: 1498: 1492: 1488: 1483: 1482: 1473: 1470: 1465: 1459: 1455: 1448: 1445: 1441: 1440:88-420-4448-2 1437: 1433: 1427: 1424: 1419: 1412: 1410: 1408: 1404: 1400: 1394: 1391: 1386: 1379: 1376: 1371: 1370: 1362: 1359: 1354: 1348: 1344: 1343: 1335: 1332: 1325: 1321: 1318: 1316: 1313: 1311: 1308: 1306: 1303: 1301: 1298: 1296: 1293: 1292: 1288: 1286: 1284: 1280: 1275: 1271: 1269: 1268: 1267:Metamorphoses 1264: 1260: 1259: 1254: 1250: 1245: 1240: 1238: 1234: 1230: 1225: 1221: 1217: 1209: 1204: 1201: 1198: 1196: 1192: 1190: 1186: 1184: 1180: 1177: 1175: 1171: 1167: 1166: 1161: 1157: 1153: 1149: 1147: 1146: 1141: 1137: 1133: 1130: 1127: 1123: 1120: 1116: 1114: 1113: 1108: 1104: 1102: 1098: 1096: 1092: 1090: 1086: 1084: 1080: 1078: 1074: 1071: 1069: 1065: 1063: 1059: 1058: 1057: 1051: 1047: 1043: 1041: 1037: 1034: 1033: 1028: 1025: 1024: 1019: 1018: 1013: 1012: 1007: 1004: 1003: 998: 996: 992: 990: 986: 984: 983: 978: 974: 971: 970: 965: 963: 962: 957: 953: 951: 950: 945: 943: 939: 936: 935: 930: 927: 924: 923: 918: 915: 912: 911: 906: 903: 900: 896: 895: 890: 887: 886: 881: 877: 874: 872: 868: 865: 864: 859: 856: 854: 850: 848: 844: 840: 836: 835: 834: 828: 826: 824: 820: 816: 812: 801: 798: 790: 779: 776: 772: 769: 765: 762: 758: 755: 751: 748: –  747: 743: 742:Find sources: 736: 732: 726: 725: 720:This section 718: 714: 709: 708: 702: 700: 698: 693: 691: 687: 683: 679: 674: 672: 668: 664: 660: 655: 653: 649: 645: 641: 637: 633: 629: 623: 621: 617: 613: 609: 605: 597: 595: 593: 589: 585: 581: 577: 573: 569: 565: 560: 558: 554: 553: 548: 544: 540: 536: 532: 528: 523: 518: 516: 512: 508: 504: 500: 496: 492: 488: 484: 477: 473: 470: 468: 466: 462: 457: 455: 454: 449: 445: 441: 437: 433: 429: 425: 421: 417: 409: 405:City Dionysia 404: 402: 400: 399: 394: 389: 385: 383: 379: 375: 371: 370: 365: 361: 356: 354: 350: 346: 342: 338: 337: 332: 328: 324: 323: 318: 314: 310: 306: 296: 292: 288: 280: 278: 276: 272: 271:City Dionysia 268: 264: 260: 256: 252: 248: 244: 240: 236: 230: 189: 142: 97: 90: 86: 82: 79: 75: 71: 67: 63: 59: 55: 51: 48: 43: 37: 33: 19: 1864: 1860: 1841: 1827: 1813: 1795: 1779: 1765: 1747: 1726: 1719: 1699:. 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Retrieved 1593:the original 1588: 1555: 1549: 1518:(1): 58–76. 1515: 1511: 1505: 1480: 1472: 1453: 1447: 1431: 1426: 1417: 1393: 1384: 1378: 1368: 1361: 1341: 1334: 1276: 1272: 1265: 1256: 1241: 1232: 1213: 1183:Cephisodoros 1173: 1164: 1159: 1156:The Revelers 1155: 1143: 1139: 1125: 1118: 1110: 1107:Aristophanes 1055: 1030: 1021: 1015: 1009: 1000: 980: 967: 959: 947: 932: 922:The Oresteia 920: 908: 892: 883: 871:Polyphrasmon 863:The Persians 861: 832: 822: 818: 814: 810: 808: 793: 784: 774: 767: 760: 753: 741: 729:Please help 724:verification 721: 694: 675: 656: 651: 647: 624: 603: 601: 587: 579: 567: 563: 561: 550: 534: 530: 526: 519: 514: 506: 490: 486: 482: 480: 475: 471: 458: 451: 432:Elaphebolion 428:Peisistratus 419: 415: 413: 396: 393:Aristophanes 390: 386: 367: 359: 357: 352: 349:hydriaphoroi 348: 345:skaphephoroi 344: 341:obeliaphoroi 340: 334: 330: 327:phallophoroi 326: 320: 316: 304: 289:festival in 284: 270: 266: 95: 93: 78:South Aegean 56:as a winged 1752:Ruth Scodel 1320:Panathenaia 1305:Bacchanalia 1300:Anthesteria 1258:The Bacchae 1220:Aristotle's 1216:Nietzsche's 1189:Poseidippus 1095:Pherecrates 1011:The Bacchae 1002:Philoctetes 982:Oedipus Rex 885:Triptolemus 825:II 2325). 815:Didascaliae 787:August 2023 659:dithyrambic 539:dithyrambic 263:Panathenaia 241:in ancient 1890:Categories 1788:0691035458 1701:2021-09-27 1692:"Calendar" 1397:Mikalson, 1310:Ganachakra 1249:Stuyvesant 1170:Phrynichus 969:Hippolytus 843:Phrynichus 837:Pre 484 - 757:newspapers 746:"Dionysia" 648:epimeletai 628:satyr play 487:epimelētai 436:Eleutherae 374:dithyrambs 366:(led by a 358:After the 353:askophoroi 336:kanephoroi 291:Eleutherae 251:theatrical 1696:Hellenion 1540:145343153 1279:Hellenism 1231:, titled 1193:278 BC – 1187:290 BC – 1181:402 BC – 1165:The Birds 1152:Ameipsias 1150:414 BC – 1134:421 BC – 1101:Hermippus 1099:435 BC – 1093:437 BC – 1087:43? BC - 1081:446 BC – 1075:450 BC – 1066:472 BC – 1062:Chionides 1060:486 BC – 1044:3?? BC - 1040:Astydamas 1038:372 BC – 993:415 BC – 987:416 BC – 977:Philocles 975:427 BC – 956:Euphorion 954:431 BC – 942:Euripides 940:441 BC – 880:Sophocles 878:468 BC – 869:471 BC – 853:Aeschylus 851:484 BC – 839:Choerilus 686:nostalgia 682:Euripides 640:Sophocles 636:Euripides 632:Aeschylus 592:Euripides 576:Acropolis 543:Simonides 503:Acropolis 448:genitalia 313:Poseideon 255:tragedies 76:) in the 1289:See also 1195:Philemon 1174:Solitary 1089:Cratinus 1046:Aphareus 995:Xenocles 949:Alcestis 934:Antigone 899:Aristias 847:Pratinas 616:thespian 535:chorēgoí 527:chorēgoí 507:eisagōgē 483:páredroi 465:basileus 369:choregos 364:choruses 269:and the 259:comedies 247:Dionysus 239:festival 96:Dionysia 54:Dionysos 1871:Press. 1729:, eds. 1713:Sources 1622:Theater 1619:"Ph.D." 1589:Theater 1237:America 1136:Eupolis 1083:Callias 989:Agathon 829:Tragedy 771:scholar 612:Thespis 588:proagōn 580:proagōn 568:proagōn 564:proagōn 557:revelry 511:phalloi 476:Proagon 453:phalloi 440:Boeotia 424:tyranny 410:Origins 382:Eleusis 378:Piraeus 322:phalloi 68:(which 1875:  1834:  1820:  1802:  1786:  1772:  1758:  1750:, ed. 1737:  1676:4 July 1632:8 June 1599:8 June 1562:  1538:  1532:630070 1530:  1493:  1460:  1438:  1399:p. 137 1349:  1315:Lenaia 1263:Ovid's 1077:Crates 1068:Magnes 1052:Comedy 773:  766:  759:  752:  744:  671:Lenaia 638:, and 606:, the 578:. The 547:Pindar 533:, the 495:metics 444:plague 295:Attica 243:Athens 85:Greece 81:region 74:Athens 58:daimon 50:mosaic 1867:(1). 1865:XLIII 1536:S2CID 1528:JSTOR 1326:Notes 1253:Regis 1233:Ilium 1229:Iliad 1145:Peace 961:Medea 778:JSTOR 764:books 663:agons 604:pompe 552:kōmos 531:pompē 515:pompe 491:pompē 472:Pompe 360:pompe 333:were 331:pompe 317:pompe 309:vines 287:rural 235:Greek 66:Delos 1873:ISBN 1832:ISBN 1818:ISBN 1800:ISBN 1784:ISBN 1770:ISBN 1756:ISBN 1735:ISBN 1678:2021 1634:2013 1601:2013 1585:"Dr" 1560:ISBN 1491:ISBN 1458:ISBN 1436:ISBN 1347:ISBN 1251:and 750:news 620:goat 545:and 474:and 380:and 94:The 1520:doi 1516:107 1442:p.3 1218:or 897:); 733:by 697:ivy 426:of 83:of 72:by 64:at 1892:: 1863:. 1859:. 1694:. 1650:. 1609:^ 1587:. 1575:^ 1534:. 1526:. 1514:. 1489:. 1406:^ 1270:. 1168:; 1020:, 1014:, 845:, 841:, 823:IG 819:IG 811:IG 699:. 634:, 456:. 401:. 384:. 303:– 293:, 277:. 233:; 205:aɪ 192:, 158:aɪ 145:, 111:aɪ 45:A 1881:. 1808:. 1790:. 1722:. 1704:. 1680:. 1654:. 1636:. 1603:. 1568:. 1542:. 1522:: 1499:. 1487:1 1466:. 1401:. 1355:. 1160:; 1158:) 1154:( 1138:( 1128:) 1121:) 1026:) 1005:) 972:) 913:) 888:) 882:( 866:) 817:( 800:) 794:( 789:) 785:( 775:· 768:· 761:· 754:· 727:. 297:( 229:/ 226:ə 223:ʃ 220:ɪ 217:n 214:ˈ 211:ə 208:. 202:d 199:ˌ 196:/ 188:/ 185:ə 182:. 179:i 176:ʃ 173:ɪ 170:n 167:ˈ 164:ə 161:. 155:d 152:ˌ 149:/ 141:/ 138:ə 135:. 132:i 129:z 126:ɪ 123:n 120:ˈ 117:ə 114:. 108:d 105:ˌ 102:/ 98:( 38:. 20:)

Index

Rural Dionysia
Dionysia (plant)
Dionysia (stage artist)

Hellenistic Greek
mosaic
Dionysos
daimon
the House of Dionysos
Delos
was once controlled
Athens
South Aegean
region
Greece
Archaeological Museum of Delos
/ˌd.əˈnɪzi.ə/
/ˌd.əˈnɪʃi.ə/
/ˌd.əˈnɪʃə/
Greek
festival
Athens
Dionysus
theatrical
tragedies
comedies
Panathenaia
Dionysian Mysteries
rural
Eleutherae

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