789:, who had become one of the Salvation Front's most prominent critics, and who, Doina Jela argues, was thus being subjected to intimidation from the part of former Securitate operatives who supported the new authorities. Also according to Jela, Cesereanu read the letters in their entirety (something which their addressee had always refused to do) and used their many claims and calumnies as evidence of a distorted and violent image Romanians in general had of the world at large. Of the book's perspective on the Mineriads, Marino wrote: "Written in sobre, calm manner, with outstanding clarity, well-informed, this 'bitter story' (which we have all lived through) at the level of the best Romanian contributions in this field. And more than once above these." Noting the impact of "the author's literary talent" on her scientific work, he praised the work for its "fluent style, without any aridity."
20:
663:" aimed to provide material for a "trial of communism" in Romania. Paul Cernat argues that there may be a subtle connection between Cesereanu's fiction and her historical studies, indicating that the "archeology of nocturnal phantasms", a common theme in Cesereanu's poetry, may share focus with her interest in " 'domesticating' a savage imagination" Romanians have developed around the issue of communist terror.
707:
executioners". She also noted that, in addition to this category and the smaller one, comprising people who assume "a collective memory", there are those who assume a "neither pro- nor against position, because they have done nothing against the communist regime, but where obedient." She added: "I place my confidence in the youngsters and their appetite for the truth."
601:
poet and woman pianist to a submarine. Codrescu, who noted that he and his collaborator on the poem only met once in person by the time they started work, described the piece as "the complete story of a difficult love", commented on the writing process: "I was a sleepwalker and an obsessive person. I
252:
series on cultural issues, aired by the same station during 2000. Cesereanu also organized two cultural events in her native city: a poetry symposium in 1998 and an art exhibit in 1999. The Cluj-Napoca
Writers' Association granted her its Poetry Award on two separate occasions (1994, 2005), and its
682:
and the Gulag should be judged in competition to one another, as I do not believe in a hierarchy of horror. Horror is horror, there is no room set for a first prize with a wreath and then a second place, a third etc. Between the regimes that have produced the
Holocaust and those that have produced
743:), and looks into the radicalism of the communist newspapers which monopolized information after 1947. The main focus, Cesereanu writes in the book, was on the "spectacular-inventive" use of "the law breaking register, the bestial, the putrid-excremental and the lecherous ones." According to
792:
Although critically acclaimed, the book raised some concerns that, in particular through its choice of title, it was over-generalizing mentalities not necessarily shared by the entire
Romanian society. While himself objecting to this possibility of misinterpretation, Mihăilescu notes that
706:
In particular, Cesereanu focused on preserving the memory of the
Romanian penitentiary system, objecting to a tendency toward "passivity and indifference", which, she argues, is present among those who have "collaborated with the communist regime" or are among "the more or less symbolic
447:("The Schizoid Ocean"), both noted for their interrogative and occasionally violent stances, have been defined by the author herself as "extremely attached to a culture of corporality", depicting "battles with myself, with Death, with love, with God." The poetry volume
544:, and recollections from her childhood. Cesereanu's other Partly expanding on her earlier themes, the pieces were defined by Cernat as "exercises in virtuosity", and noted for their "imaginative exuberance". However, the critic objected to their "inkhorn" and "
112:
Born in Cluj-Napoca, Ruxandra
Cesereanu is the daughter of writer Domețian Teodoziu Cesereanu and his wife Aurora, a teacher. She graduated from the Natural Sciences High School (now the Onisifor Ghibu High School), and studied Philology at the UBB's
992:
659:, indicated she was "one of the most industrious literary historians, analysts of mentalities, of the ethno-psychologies etc." Speaking in 2004, she noted that her contributions in the study of what she calls "the Romanian
613:, who recommended it for publishing. It was issued in a luxury edition of 150 copies, bound in velvet and illustrated with works by the Cluj-Napoca-based artist Radu Chio. The two authors wrote a second collaborative poem,
451:("The Woman-Crusader") was imagined by the author as a dialog between the several aspects of femininity and four men, each standing for one of the main images of the male: "Magister (her master), the Brother, the Lover and
710:
Cesereanu's research into violence also extended to investigating the tradition of abusive and demeaning language in
Romanian journalistic prose, from the 19th century onwards. She subsequently published the 2003 study
834:. Cesereanu herself commented on her choice of title, indicating that she had aimed for "corporalization and personalization", and rejecting speculation that she was unfavorably comparing Romanians to other peoples.
172:
In 1994, Cesereanu began teaching at the UBB's
Faculty of Letters, and moved on to the Faculty of Political Sciences' Journalism Department in 2000. She was the recipient of several scholarships: in 1992, the
235:
since 2001. She is also a member of the UBB's Center for
Imagination Studies and of the Echinox Cultural Foundation. In addition to her work as a writer and commentator, Cesereanu has also produced a short
494:
that is at once spectacular and abysmal, but also into the emptiness of this world. A book that has fulfilled me as both a writer and a woman." Cernat defines the volume as "the inkhorn myth-making of the
528:, based on the Arthurian legend, is one of many cultural references in the book: the other stories reference a wide range of cultural symbols, featuring, among other things, the imaginary symposium of
1663:
1365:, poetry, bilingual edition, translated by Giovanni Magliocco, Foreward by Giovanni Magliocco, Afterword by Ilona Duță, Illustrations by Rada Niță Josan, Bucharest, Vinea Publishing House, 2023
837:
Cesereanu also coordinated two volumes documenting the livelihood of marginalized categories in the post-revolutionary period. According to Cernat, they are both written as "experimental
38:
poet, essayist, short story writer, novelist, and literary critic. Also known as a journalist, academic, literary historian and film critic, Cesereanu holds a teaching position at the
1240:("Venice with Violet Veins. Letters of a Courtesan"), poems, Second Edition, Introduction by Giovanni Magliocco, Afterword by Ilona-Manuela Duță, Editura Fractalia, București, 2016
750:
In its final part, the volume investigates the proliferation of abusive language and threats in the
Romanian press of the early 1990s, focusing on papers who supported the ruling
1867:
683:
the Gulag there were differences in the practice of terror, but the goal was one and the same." She also indicated that her investigations also dealt with politically motivated "
861:
826:. Adrian Marino commented that, although the book could not provide an exact portrayal of Romanian references to violence, it could serve as a study in "ethno-
1877:
1872:
1852:
1862:
1725:
1797:
1792:
1812:
1184:("Made in Romania. Urban Subcultures upon the Close of the 20th Century and the Start of the 21st Century"), essay, Editura Limes, Cluj-Napoca, 2005
1069:
635:
Cesereanu dedicated part of her work to researching the impact of communist-organized state persecution, and to the historical investigation of
797:
documents a number of unusual connections between violent images in the
Romanian press. He thus comments that the "imprecations" found in the
1802:
1178:("The Gulag Reflected in the Romanian Consciousness. The Memories and Literature of Communist Prisons and Camps"), essay, Polirom, Iaşi, 2005
589:
In June 2007, Cesereanu and Codrescu published a lengthy experimental poem they authored together, which was completed through the means of
1827:
1822:
367:
Ruxandra Cesereanu is married to Corin Braga, the dean of UBB's Faculty of Letters since 2008. She signs her works with her maiden name.
57:, many of which attracted critical acclaim in her native country. They are believed by several commentators to have been influenced by
1897:
1847:
1807:
751:
715:("The Violent Imaginary of the Romanians"), which analyzes the references to violence in articles authored by the celebrated writers
1882:
1817:
1787:
976:
1857:
1842:
666:
Cesereanu notes that, although not a trained historian, she sought to contribute material that would bridge a gap in traditional
995:, which offered the basis for the regime's retrospective condemnation, and to the judicial reform measures advanced by Băsescu.
1892:
1887:
284:
548:" aspects, raising concern that the author's tendency to "reveal the conventions of her own narratives" echoed "pedantry".
1832:
385:
216:(1999–2000). She then received a four-month research grant in France, followed by two creativity grants in, respectively,
101:
89:
980:
937:
1782:
1777:
602:
wrote like a madman and expected immediate replies from Ruxandra, and if the answer did not come on time, I went into
296:
174:
53:
The author of several proses and poetry volumes, Cesereanu became noted for her lyrical depictions of femininity and
1541:
1291:, poems, translated by Adam J. Sorkin, Claudia Litvinchievici, Madalina Mudure and the poet, 2008, Black Widow Press
1837:
1121:
467:
woman, the mystic, the profligate woman etc." This focus on female passion, which she noted was akin to an act of "
228:
200:, "The Inferno of the Prison System as Reflected in the Romanian Consciousness"), Cesereanu was the recipient of a
39:
308:
264:
117:-Spanish Department, graduating in 1985. She received her graduation diploma with a thesis on the work of poet
807:
768:
777:
609:
Cesereanu noted that, although begun as a game, the writing drew praise from the influential Romanian writer
1722:
1191:
925:
877:
610:
552:
1284:, poems, translated by Adam J. Sorkin, Claudia Litvinchievici and the poet, NYC, Meeting Eyes Bindery, 2004
1772:
949:
70:
1095:
1085:
623:
314:
984:
865:
425:
66:
913:
644:
500:
290:
1045:
885:
1767:
1701:
988:
873:
854:
823:
747:, this signified that the material dealt with was of a "maximal triviality, vulgarity and violence."
510:
332:
189:
148:, Cesereanu was working in Cluj-Napoca, where she was an editor for the Film Distribution Section of
1620:
953:
909:
656:
165:
1625:
1616:
1582:
1546:
1137:
1059:
901:
897:
744:
433:
326:
320:
241:
205:
145:
129:
1176:
Gulagul în conștiinţa românească. Memorialistica și literatura închisorilor și lagărelor comuniste
945:
802:
893:
720:
636:
564:
380:
Cesereanu has a large number of contributions to literature, which, according to literary critic
209:
921:
421:
405:
224:. She became a Lecturer (2002) and then a Prelector (2003) for the UBB's Journalism Department.
1664:"Ruxandra Cesereanu: 'Ce anume trebuie păstrat în memorie? Totul: istoria, victimele, călăii' "
762:
1132:
869:
857:
575:
533:
260:
232:
201:
114:
1108:("Venice with Violet Veins. Letters of a Courtesan"), poems, Editura Dacia, Cluj-Napoca, 2002
499:
and of traveling relishes into an extravagant spectacle of female stances". Literary critic
1692:
957:
941:
905:
881:
413:
237:
193:
182:
93:
19:
100:. She has also contributed essays and coordinated research on various aspects of Romania's
1729:
1201:
917:
732:
597:("The Forgiven Submarine"), it is structured as a set of poetry lessons, handed down by a
579:
78:
1421:, online edition, poetry, translated by Aurora Ceserean and Francois Breda, Amazon, 2020
1068:("Journey to the Center of Hell. The Gulag in the Romanian Modern Conscience"), essay,
961:
933:
929:
716:
667:
582:. According to Cesereanu, Codrescu welcomed the new trend, and identified himself as a
397:
118:
975:
The signers accused the most radical anti-Băsescu parties, a core group including the
436:
calls her "the most original, but also the most paradoxical writer from Cluj-Napoca".
1761:
1733:
1013:
965:
889:
811:
786:
724:
464:
429:
213:
503:
describes it as "imbued in sexuality", and notes that some have even compared it to
831:
736:
675:
671:
652:
648:
460:
149:
128:
After being assigned a teaching position in 1988, she taught Romanian language and
1055:
133:
1182:
Made in Romania. Subculturi urbane la sfârșit de secol XX și început de secol XXI
1537:
969:
819:
773:
756:
545:
496:
455:." The book also depicts women through "a series of portraits", comprising "the
381:
137:
97:
47:
1277:, poems, translated by Claudia Litvinchievici, Binghamton, esf publishers, 1997
1587:
1335:
Noah's Literary Ark for Gourmets. Studies and Essays in Comparative Literature
993:
Presidential Commission for the Study of the Communist Dictatorship in Romania
740:
692:
684:
640:
639:
during the 1950s and 60s, as set in place by the communist secret police, the
541:
505:
417:
409:
401:
360:
302:
58:
1330:, poetry, translated by Adam J. Sorkin with the poet, Black Widow Press, 2023
563:"). According to her own definition, it implies "the transposition of a semi-
991:. The letter noted that this group had objected to both the findings of the
838:
827:
815:
798:
782:
700:
679:
491:
472:
389:
249:
54:
1752:
1305:, novel, translated by Alistair Ian Blyth, 2015, Lavender Ink, New Orleans
1222:, poem-roman scris în colaborare cu Marius Conkan, Cartea Românească, 2011
16:
Romanian poet, essayist, short story writer, novelist, and literary critic
696:
688:
603:
560:
536:
nations, an account involving the metamorphosis of a virgin fisherman in
468:
456:
255:
1430:, online edition, short stories, translated by Dragos Ioan, Amazon, 2020
1317:
Romania - From Communism to Post-Communism. Studies and Essays. Roumanie
1495:
1147:
1099:
728:
598:
537:
529:
490:(or "Trikephalos"). She speaks of it as: "A book of initiation into an
408:, who also noted that Cesereanu took inspiration from the tradition of
393:
355:
338:
77:. She is also noted for collaborating with Romanian-born American poet
62:
35:
590:
567:
555:
approach to poetry, theorizing a style for which she coined the term
480:
452:
217:
178:
82:
1312:, essay, translated by Carmen Borbely, Mimesis Edizioni, Milan, 2021
841:". She has also contributed a book on the 1989 Romanian Revolution (
1066:
Călătorie spre centrul infernului. Gulagul în conștiinţa românească
1386:, fiction, translated by Selyem Zsuzsa, Pecs, Jelenkor Kiado, 2009
1035:
660:
221:
141:
96:
and society, and in particular with the history of repression and
18:
670:. At the time, speaking of the prison system set in place in the
192:
in 1997, with a thesis on the impact of communist persecution on
144:. In 1989, the year when the communist regime was toppled by the
125:, or "Death, Dreaming and Sleep in the Work of Mihai Eminescu").
1298:, poetry, translated by Andrei Codrescu, 2009, Black Widow Press
814:, and that some of the more scornful pamphlets published by the
618:
163:
s staff the following year. She also worked as a journalist for
152:. In 1990, she became an editor for the film and movie magazine
1166:"), reportages (as editor), Editura Tritonic, Cluj-Napoca, 2004
388:". Much of her early work, Cernat argues, is characterized by "
69:, while Cesereanu herself identified some of her writings with
1667:
1358:, poetry, translated by Giovanni Magliocco, Rome, Aracne, 2015
1351:, poetry, translated by Giovanni Magliocco, Rome, Aracne, 2012
972:
accusing parliamentary parties of benefiting from the crisis.
540:, a memoir of the author's own love for the British rock band
617:("The Alchemic Feast"), originally published on Cesereanu's
412:
and legends, in particular in pieces where she reinterprets
282:, Cesereanu had her articles hosted by publications such as
868:
decision. Together with 49 other intellectuals (among them
818:
Arghezi served as an inspiration to the ultra-nationalists
524:, a collection of short stories. The eponymous micro-novel
198:
Infernul concentraționar reflectat în conștiinţa românească
88:
Several of Cesereanu's studies deal with the impact of the
1501:
1146:("December 1989. Deconstruction of a Revolution"), essay,
1094:("Panopticon. Political Torture in 20th Century"), essay,
104:, as well as on the history of journalism in her country.
1022:("Garden of Delights"), poems, Echinox, Cluj-Napoca, 1993
1393:
novel, translated by Noemi Karascony, Napkut Kiado, 2021
1114:("Trikephalos"), novel, Editura Dacia, Cluj-Napoca, 2002
845:, "December 1989. The Deconstruction of a Revolution").
806:
resemble the "appeals to assassination" authored by the
384:, makes her "one of the most creative literary women in
853:
In early 2007, Cesereanu became involved in supporting
647:, who referred to Cesereanu as one in a "Cluj-Napocan,
1028:("Live Zone"), poems, Editura Dacia, Cluj-Napoca, 1993
263:
Award in the Essay category (1998), and received the
253:
Essay Award in 1998 and 2001. She is a recipient of
181:, and in 1995 she received a similar grant from the
1379:, poetry, translated by Visky Zsolt, Koinonia, 2007
1356:
Venezia dalla vene viola. Lettere di una cortigiana
1128:
Fărâme, cioburi, așchii dintr-o Curte a Miracolelor
1120:("The Violent Imaginary of the Romanians"), essay,
1078:("The Body-The Soul"), poems, Călin Stegerean, 1998
551:Early in the 2000s, Ruxandra Cesereanu took a more
81:on two poems, both of which were completed through
1321:du Communisme au Post-Communisme. Etudes et essais
1238:Veneţia cu vene violete. Scrisorile unei curtezane
1106:Veneția cu vene violete. Scrisorile unei curtezane
420:. Cesereanu's collaborator and literary historian
1407:, novel, translated by Hristo Boev, Perseus, 2016
1310:Panopticon. Political Torture in the 20th Century
1012:("Voyage Through Looking Glasses"), micro-novel,
691:of the early 1990s, during which miners from the
248:, "Thirteen Churches", 1998), and a four-episode
1250:Scrisoare către un prieten și înapoi către țară
475:" series of poems she published under the title
439:Cesereanu's early poems, grouped in the volumes
1502:Babeș-Bolyai University Faculty of Letters site
781:. Notably, this chapter of the book focuses on
123:Moartea, visual şi somnul în opera lui Eminescu
1488:
1486:
1484:
1482:
1480:
1478:
1054:("Schizoid Ocean"), poems, Editura Marineasa,
987:, of representing the legacy of communism and
830:", a concept first used by Romanian historian
1476:
1474:
1472:
1470:
1468:
1466:
1464:
1462:
1460:
1458:
678:, Cesereanu stated: "I do not think that the
8:
1144:Decembrie '89. Deconstrucția unei revoluții
843:Decembrie '89. Deconstrucţia unei revoluţii
204:to the United States, affiliating with the
1609:
1607:
1605:
1603:
1601:
1599:
1597:
1574:
1572:
1570:
1568:
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1564:
1562:
1560:
1558:
1556:
1530:
1294:Ruxandra Cesereanu & Andrei Codrescu,
1092:Panopticum. Tortura politică în secolul XX
1084:("The Crusader-Woman"), anthology, poems,
1034:("Fall Over the City"), poems, Transpres,
1868:Academic staff of Babeș-Bolyai University
1715:
1713:
1711:
1688:
1686:
1684:
1682:
1680:
1678:
1676:
1528:
1526:
1524:
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1518:
1516:
1514:
1512:
1510:
42:(UBB), and is an editor for the magazine
1190:("The Birth of Liquid Desires"), prose,
471:", is also present in the "letters of a
416:and retells the mythical search for the
1655:
1454:
1156:, poems, Editura Vinea, Bucharest, 2004
486:In 2002, Cesereanu published the novel
400:techniques. The links with Onirism and
177:granted her a one-year study course in
1653:
1651:
1649:
1647:
1645:
1643:
1641:
1639:
1637:
1635:
727:, provides an overview of the violent
350:, as well as in Columbia University's
1723:"Scrisoarea celor 50 de intelectuali"
7:
1258:, Casa de Editură Max Blecher, 2021.
1216:, Editura Humanitas, București, 2010
651:'trident' " of essayists, alongside
570:into poetry". She then publicized a
270:In addition to her contributions to
1878:21st-century Romanian women writers
1873:20th-century Romanian women writers
1088:, Cluj-Napoca & Bucharest, 1999
1853:Central European University alumni
1542:"Cu colacul, pe marea de fantasme"
1363:Femeia-cruciat / La donna-crociato
1070:Editura Fundaţiei Culturale Române
1044:("The Purgatories"), short prose,
621:and later printed by the magazine
240:for the Cluj-Napoca branch of the
14:
1863:Romanian television personalities
1204:, Editura Brumar, Timișoara, 2007
1200:("The Forgiven Submarine"), with
1130:("Bits, Shards, Splinters from a
1798:21st-century Romanian historians
1793:20th-century Romanian historians
1210:, Editura Vinea, București, 2008
1004:Originally published in Romanian
739:(in particular that used by the
231:since 1994, and of the Romanian
1813:Romanian women literary critics
1583:"Românii şi imaginarul violent"
1118:Imaginarul violent al românilor
795:Imaginarul violent al românilor
713:Imaginarul violent al românilor
404:have also been noted by critic
132:at educational institutions in
1444:, online edition, Amazon, 2021
631:Literary and historical essays
1:
1252:, Pitești, Paralela 45, 2018.
227:Cesereanu is a member of the
1803:Romanian literary historians
1172:, prose, Polirom, Iaşi, 2005
1136:"), reportages (as editor),
687:" in general, including the
574:, which was notably read by
61:and its Romanian successor,
34:(born August 17, 1963) is a
1828:21st-century Romanian poets
1823:20th-century Romanian poets
1428:Le toucher et autres contes
1337:, Milan, AlboVersorio, 2023
1323:, Milan, AlboVersorio, 2022
1188:Nașterea dorințelor lichide
443:("Garden of Delights") and
376:Poetry and prose of fiction
242:national television channel
175:Central European University
1914:
1504:; retrieved March 31, 2008
1246:, Editura Charmides, 2014.
1226:Un singur cer deasupra lor
1160:A doua Curte a Miracolelor
386:post-revolutionary Romania
65:, and seen as examples of
28:Ruxandra-Mihaela Cesereanu
23:Ruxandra-Mihaela Cesereanu
1898:Women literary historians
1848:Romanian magazine editors
1808:Romanian literary critics
1753:Ruxandra Cesereanu's blog
1736:release, February 7, 2007
1668:LiterNet Publishing House
1493:(in English and Romanian)
1328:California (on the Somes)
1234:, Editura Charmides, 2014
606:fits like a girl would."
73:and with the coined term
1883:Romanian anti-communists
1818:Romanian women novelists
1788:Romanian women essayists
1629:, Nr. 195, November 2003
1442:Tres cuentos fantasmales
1032:Cădere deasupra orașului
808:Romanian Communist Party
752:National Salvation Front
424:describes her prose as "
1858:Romanian schoolteachers
1843:Romanian women bloggers
1058:, 1998; second edition
926:Horia-Roman Patapievici
699:" crowds protesting in
637:political imprisonments
477:Veneţia cu vene violete
428:", while historian and
229:Romanian Writers' Union
40:Babeș-Bolyai University
1893:Women magazine editors
1888:Romanian women editors
1550:, Nr. 283, August 2005
1500:, downloadable at the
1228:, roman, Polirom, 2013
1010:Călătorie prin oglinzi
938:Șerban Rădulescu-Zoner
862:impeachment referendum
520:, Cesereanu published
371:Literary contributions
102:post-communist history
71:psychedelic experience
32:Ruxandra-Mihaela Braga
24:
1244:California (pe Someș)
1232:California (Pe Someș)
985:Greater Romania Party
572:Delirionist Manifesto
483:with Violet Veins").
267:Prose Prize in 2005.
246:Treisprezece biserici
22:
1833:Romanian women poets
1670:, September 10, 2004
1591:, Nr. 746, June 2004
1440:Ruxandra Cesereanu,
1426:Ruxandra Cesereanu,
1417:Ruxandra Cesereanu,
1403:Ruxandra Cesereanu,
1389:Ruxandra Cesereanu,
1382:Ruxandra Cesereanu,
1375:Ruxandra Cesereanu,
1361:Ruxandra Cesereanu,
1354:Ruxandra Cesereanu,
1347:Ruxandra Cesereanu,
1333:Ruxandra Cesereanu,
1326:Ruxandra Cesereanu,
1315:Ruxandra Cesereanu,
1308:Ruxandra Cesereanu,
1301:Ruxandra Cesereanu,
1287:Ruxandra Cesereanu,
1280:Ruxandra Cesereanu,
1273:Ruxandra Cesereanu,
989:political corruption
824:Corneliu Vadim Tudor
463:, the crusader, the
1626:Observator Cultural
1547:Observator Cultural
1140:, Cluj-Napoca, 2003
1096:Institutul European
1086:Editura Paralela 45
1052:Oceanul schizoidian
1016:, Cluj-Napoca, 1989
950:Vladimir Tismăneanu
674:and throughout the
445:Oceanul Schizoidian
327:Convorbiri Literare
321:Observator Cultural
206:Columbia University
146:Romanian Revolution
1783:Romanian essayists
1778:Postmodern writers
1728:2007-04-03 at the
1581:Răzvan Brăileanu,
1296:Forgiven Submarine
1020:Grădina deliciilor
981:Conservative Party
849:Political advocacy
721:Ion Luca Caragiale
593:exchanges. Titled
516:Three years after
441:Grădina deliciilor
358:literary magazine
210:Harriman Institute
188:After receiving a
25:
1838:Romanian bloggers
1695:Submarinul iertat
1621:"Românul violent"
1198:Submarinul iertat
1194:, Bucharest, 2007
1192:Cartea Românească
1164:Cour des Miracles
1133:Cour des Miracles
1124:, Bucharest, 2003
1072:, Bucharest, 1998
1062:, Bucharest, 2006
1048:, Bucharest, 1997
968:), she signed an
914:Dan C. Mihăilescu
878:Mircea Cărtărescu
860:, who was facing
785:received by poet
731:discourse of the
645:Dan C. Mihăilescu
611:Mircea Cărtărescu
595:Submarinul iertat
576:Romanian American
501:Dan C. Mihăilescu
459:little girl, the
414:Arthurian legends
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1263:Translated works
1220:Ținutul Celălalt
1046:Editura Albatros
977:Social Democrats
958:Traian Ungureanu
942:Victor Rebengiuc
906:Gabriel Liiceanu
886:Livius Ciocârlie
754:, in particular
624:România Literară
615:Ospăţul alchimic
315:România Literară
238:documentary film
194:Romanian culture
183:Soros Foundation
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870:Adriana Babeți
858:Traian Băsescu
850:
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717:Mihai Eminescu
695:assailed the "
668:historiography
657:Ştefan Borbély
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465:schizophreniac
449:Femeia-cruciat
398:psychoanalytic
392:", related to
377:
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261:Ion Negoiţescu
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67:Postmodernism
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33:
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1042:Purgatoriile
1041:
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1019:
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974:
946:Dan Tapalagă
852:
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832:Sorin Antohi
801:
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778:România Mare
776:
767:
761:
755:
749:
737:World War II
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709:
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676:Eastern Bloc
672:Soviet Union
665:
653:Marta Petreu
634:
622:
614:
608:
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588:
583:
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556:
553:experimental
550:
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487:
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476:
461:femme fatale
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150:Transylvania
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27:
26:
1768:1963 births
1538:Paul Cernat
1112:Tricephalos
970:open letter
894:Sabina Fati
820:Eugen Barbu
774:nationalist
584:delirionist
565:psychedelic
557:delirionism
518:Tricephalos
509:, a French
488:Tricephalos
410:fairy tales
382:Paul Cernat
352:Intermarium
259:magazine's
98:penal labor
85:exchanges.
75:delirionism
48:Cluj-Napoca
1762:Categories
1588:Revista 22
1449:References
1435:in Spanish
1384:Utoferfiak
1342:in Italian
1268:in English
983:, and the
866:Parliament
839:reportages
741:Iron Guard
693:Jiu Valley
685:fratricide
641:Securitate
542:Pink Floyd
506:Emmanuelle
426:postmodern
422:Doina Jela
418:Holy Grail
402:Surrealism
396:and using
361:Contrafort
303:Revista 22
265:Lions Club
130:literature
59:Surrealism
1412:in French
1122:Humanitas
1056:Timișoara
855:President
828:onthology
816:left-wing
799:far right
783:hate mail
763:Dimineaţa
701:Bucharest
689:Mineriads
680:Holocaust
492:eroticism
473:courtesan
432:activist
390:mannerism
250:talk show
169:in 1998.
108:Biography
55:eroticism
1726:Archived
1419:Demences
1405:Anghelus
1391:Angelus,
1282:Lunacies
1026:Zona vie
757:Adevărul
604:hysteric
561:delirium
546:didactic
511:softcore
469:exorcism
457:neurotic
356:Moldovan
354:and the
285:Cuvântul
276:Apostrof
256:Apostrof
233:PEN Club
138:Bistrița
115:Romanian
36:Romanian
1666:at the
1303:Angelus
1214:Angelus
1170:Nebulon
1148:Polirom
729:fascist
599:beatnik
578:writer
559:(from "
538:Tunisia
526:Nebulon
522:Nebulon
394:Onirism
348:Echinox
344:Memoria
339:Orizont
297:Familia
291:Tribuna
63:Onirism
1102:, 2001
1038:, 1994
979:, the
964:, and
697:Golani
591:e-mail
568:trance
530:Balkan
513:film.
481:Venice
453:Christ
272:Steaua
218:Rhodes
179:Prague
158:Steaua
140:, and
134:Năsăud
83:e-mail
44:Steaua
1699:, in
1623:, in
1585:, in
1544:, in
1036:Sibiu
999:Works
661:Gulag
309:Vatra
222:Arles
161:'
154:Ecran
142:Avrig
1349:Coma
1208:coma
1100:Iaşi
822:and
735:and
723:and
655:and
619:blog
532:and
497:eros
346:and
278:and
220:and
810:'s
769:Azi
212:in
190:PhD
92:on
46:in
30:or
1764::
1732:,
1710:^
1675:^
1634:^
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1596:^
1555:^
1540:,
1509:^
1457:^
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