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in Rio de
Janeiro, was praised in the press but did not lead to a long-term career as a concert pianist. Instead, Gnattali began a career in Rio as a successful conductor and arranger of popular music—activities which tended to divert his attention from other genres. Financial needs led him to work
249:, was inaugurated in 1936, Gnattali immediately became involved. He remained an influential figure in the institution for 30 years, conducting and providing sophisticated arrangements of popular music. He gradually developed the radio's house band, building it up to become a full
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and traditional
Brazilian strains. Over the decades, the emphasis Gnattali placed on these components shifted towards jazz in the early 1950s and back towards the Brazilian popular styles by the start of the 1960s. He composed several major
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materials, he continued to dream of becoming a major concert artist. The chance of winning a post as piano professor at the
National Music Institute in Rio de Janeiro, with the support of the newly installed President of Brazil,
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with his cousin Olga
Fossati. When he was 9 he received an award from the Italian consul for conducting a children's orchestra in arrangements of his own. In the following years, he also learned the
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and music teacher. His father, Alessandro
Gnattali, had been a carpenter in Italy, but after arriving in Brazil applied his passion for music to creating a new career for himself as a successful
240:(following the Revolution of 1930), who received the musician in person, disappointingly came to nothing (though Gnattali later commented that the encounter with Vargas changed his life).
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and flute) exposed him to lifelong critical attacks from
Brazilian musical traditionalists who resented the "jazzing up" of the genre. Conversely, some of his serious concert pieces (
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sympathies he also went on to organize a strike of the musicians' union in 1921). The couple had five children, three of whom, including Radamés, were named after characters from
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In parallel, he pursued a career as a self-taught composer of classical music. While beginning to compose music influenced by
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for radio stations and record companies as a pianist, conductor and arranger of popular music. His background music for
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into the concert hall. In doing this, he was inspired by his friends from the world of popular music, including
442:(graduation thesis, adapted) (in Portuguese). UECE – Universidade Estadual do Ceará (State University of Ceará)
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pieces, involving strings, woodwind and brass (rather than the traditional accompaniments with two guitars,
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Gnattali's musical career straddled popular and classical genres and their traditions. His arrangements of
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and
Chiquinho do Acordeom ("Accordion Chiquinho"), for each of whom he composed dedicated concert pieces.
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and his clever arrangements of the tunes and dances of the day made him a successful figure.
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dates from this period. Back in Porto Alegre due to lack of money, Gnattali founded the
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94:(27 January 1906 – 3 February 1988) was a Brazilian composer of both classical and
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included the song "Meu Amigo Radamés" as a tribute to Radamés in his final album,
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and dances. In 1920, at the age of 14, he entered the School of Fine Arts at the
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and started playing these instruments in a successful group called
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at the end of the 19th century. His mother, Adélia
Fossati, was a
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Perdigão, Mateus de
Oliveira; Martins, Mônica Dias (2006).
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Radamés
Gnattali: Sonatina em ré maior para flauta e piano
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with his mother at the age of 6, and went on to learn the
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Dicionário Cravo Albin da Música Popular Brasileira
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433:"2. O itinerário musical de Rademés Gnattali"
138:and conductor (as a union leader with strong
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85:Composer, Conductor, Orchestrator, Arranger
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324:scores, including three solo
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568:Radamés Gnattali website
376:Gnattali, Nelly (1997).
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623:National anthem writers
524:(subscription required)
35:Radamés Gnattali (1950)
618:20th-century composers
217:B-flat piano concerto
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128:emigrated from Italy
98:music, as well as a
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505:"Gnattali, Radamés"
537:"Radamés Gnattali"
510:Grove Music Online
462:"Radamés Gnattali"
378:"Radamés Gnattali"
335:Antonio Brasileiro
282:música de concerto
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68:(1988-02-03)
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294:mouth organ
577:Categories
342:References
270:cavaquinho
175:cavaquinho
136:bassoonist
47:1906-01-27
549:4 October
474:4 October
326:concertos
274:accordion
251:orchestra
207:Quarteto
140:anarchist
114:Biography
100:conductor
542:AllMusic
338:(1994).
286:mandolin
278:tamborin
108:arranger
76:, Brazil
57:, Brazil
290:marimba
132:pianist
96:popular
545:. Rovi
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322:guitar
171:guitar
167:violin
155:Ernani
106:, and
436:(PDF)
266:samba
260:Music
163:piano
144:Verdi
551:2013
519:2013
476:2013
448:2013
399:2013
386:ISBN
317:jazz
296:and
173:and
152:and
149:Aida
63:Died
41:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
