107:
was added to its founders list as his importance in maintaining a mailing list and some helpful suggestions were recognized. Schneider did not edit any of the original issues. He and Korot went on to be the editors after the third issue had begun. There was a split at that time in the editorial
108:
direction and the original vision was altered to comply with that, causing a fissure and
Gershuny's untimely departure. Several subsequent issues were farmed out to other groups and the format and direction shifted yet again. Eleven issues were produced before the organization folded in 1974.
79:
involvement in creating an information environment exclusive of broadcast and corporate media. It became immediately important and popular as it grasped fully what a lot of people had been concerned with and thinking about; giving its introduction a synchronicity of the ideas of the day.
66:
The video journal was begun with a questionnaire sent to a wide variety of interested people. The first issue was a creative editing of the answers to the questionnaire plus some additional special articles. The most outstanding element of
216:
136:
75:. The content itself was a call to pay attention to the way information itself is disseminated. And it was a call to encourage a
95:
who went on to become a
Hollywood producer co-edited Issue #5 of Radical Software along with Dudley Evenson. Dudley's husband
170:
251:
56:
20:
84:
31:
was an early journal on the use of video as an artistic and political medium, started in 1970 in
99:
provided articles, tech drawings and cartoons. Not all members of
Raindance were involved with
212:
206:
132:
126:
92:
40:
188:
154:
245:
104:
32:
96:
88:
91:: some with a philosophical bent, painters, and an aspiring Hollywood producer.
60:
76:
192:
72:
128:
Beyond
Critique: Contemporary Art in Theory, Practice, and Instruction
235:
83:
Its editing was ultimately taken over by its original publisher,
39:
referred to the content of information rather than to a
171:
Creating
Radical Software: A Personal Account | Rhizome
153:
187:, Thousand Oaks, Calif: SAGE Publications, Inc.,
71:video journal was the style and emphasis used in
125:Pamela Fraser; Roger Rothman (6 April 2017).
8:
211:. Bloomsbury Publishing. pp. 114–.
87:, a loosely formed group of like-minded
205:Chris Meigh-Andrews (7 November 2013).
131:. Bloomsbury Publishing. pp. 17–.
117:
156:Feedback: television against democracy
185:Encyclopedia of social movement media
7:
19:For the video game developer, see
14:
181:Melanson. "Radical Software" in:
1:
183:Downing, John, ed. (2011),
268:
18:
57:Phyllis Gershuny (Segura)
35:. At the time, the term
208:A History of Video Art
152:David Joselit (2007).
85:Raindance Corporation
21:Radical Entertainment
16:American art journal
55:video journal were
252:Citizen journalism
218:978-0-85785-189-5
138:978-1-5013-2345-4
259:
236:Radical Software
223:
222:
202:
196:
195:
179:
173:
168:
162:
161:
159:
149:
143:
142:
122:
101:Radical Software
93:Michael Shamberg
69:Radical Software
53:Radical Software
51:The founders of
41:computer program
37:radical software
28:Radical Software
267:
266:
262:
261:
260:
258:
257:
256:
242:
241:
232:
227:
226:
219:
204:
203:
199:
182:
180:
176:
169:
165:
151:
150:
146:
139:
124:
123:
119:
114:
49:
24:
17:
12:
11:
5:
265:
263:
255:
254:
244:
243:
240:
239:
231:
230:External links
228:
225:
224:
217:
197:
174:
163:
144:
137:
116:
115:
113:
110:
48:
45:
15:
13:
10:
9:
6:
4:
3:
2:
264:
253:
250:
249:
247:
237:
234:
233:
229:
220:
214:
210:
209:
201:
198:
194:
190:
186:
178:
175:
172:
167:
164:
158:
157:
148:
145:
140:
134:
130:
129:
121:
118:
111:
109:
106:
105:Ira Schneider
102:
98:
94:
90:
89:videographers
86:
81:
78:
74:
70:
64:
62:
58:
54:
46:
44:
42:
38:
34:
33:New York City
30:
29:
22:
238:archive site
207:
200:
184:
177:
166:
160:. MIT Press.
155:
147:
127:
120:
100:
97:Dean Evenson
82:
68:
65:
52:
50:
36:
27:
26:
25:
61:Beryl Korot
112:References
77:grassroots
193:24438261M
246:Category
73:editing
47:History
215:
191:
135:
213:ISBN
133:ISBN
59:and
248::
189:OL
103:.
63:.
43:.
221:.
141:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.