Knowledge (XXG)

Radio Luxembourg

Source πŸ“

463: 2171:'s "In the Days Before Rock and Roll" (chosen mainly because of its mention of the radio station), before "At the End of the Day" (one of their closedown songs) was played heading into the top of the hour (even though DJ Jeff Graham had said that they were going to play the original closedown tune, it was not in fact the original song, but a later version the station used as the original was not located, "It's Time To Say Goodnight"). The station then went satellite and shortwave (15350 kHz) only, with the first songs played being " 2396:, Radio Luxembourg's parent company, was an initial minority shareholder in the UK's Channel Five terrestrial analogue television channel, launched in 1997. RTL became the majority shareholder from 2006, when it had been re-branded as "Five". It was one of more than fifty television stations that RTL owned throughout Europe. Unlike RTL's television stations in Belgium, Germany and the Netherlands, most of which are explicitly branded as RTL, Five did not significantly acknowledge its Luxembourg heritage on-air. RTL sold Five to 2494:(1439 kHz for Luxembourg and 719 kHz for Free Europe), the jamming also affected Radio Luxembourg's signal. Even though western popular music was considered undesirable by socialist regimes, legal prosecution was rare, although not unheard of. The music appealed to young people as something forbidden, and listening to it became a social ritual. It also strongly influenced contemporary underground culture and music in Czechoslovakia. 300:(BBC), whose shares were owned by British and American electrical companies. Although in theory the BBC could have sold sponsored airtime, its income instead came from selling its own brand of licensed radio receivers manufactured by its owners. This arrangement lasted until 1927, when the broadcasting licence of the original BBC was allowed to expire. The assets of the former commercial company were then sold to a new non-commercial 1074: 425:(which the Luxembourg government refused to sign) came into effect, and shortly afterwards Radio Luxembourg started a regular schedule of English-language transmissions from 8:15 am to midnight on Sundays, and at various times during the rest of the week. In February, Radio Luxembourg began broadcasting in both French and English on a new 200 kW transmitter on 230 kHz (1304 metres) in the long-wave band. 3035: 244: 42: 330:, which leased time on transmitters in continental Europe and resold it as sponsored English-language programming aimed at audiences in Britain and Ireland. Because Plugge successfully demonstrated that state monopolies such as that of the BBC could be broken, other parties became attracted to the idea of creating a new commercial radio station specifically for this purpose. 684:(which this time the Luxembourg government did sign), which allocated the country two high-power frequencies, one on long wave and the other on medium wave. Eventually all English programming moved to medium wave, with long wave being dedicated to French programmes, while German, Dutch and other languages used medium wave during the daytime. 2322:
and with advertising content aimed at a UK audience. Initially this only broadcast until 7 pm and ended with an announcement specifically encouraging listeners to switch to Radio Luxembourg on 1440 kHz medium wave. Atlantic 252 switched to 24-hour broadcasts around the time that Radio Luxembourg
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By the middle of 1968, even the two Caroline offshore stations had left the air and, while other attempts were made to restart offshore radio commercial broadcasts aimed at the UK in the early 1970s, Luxembourg did not face commercial competition, only a growing increase in audience share by more BBC
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In the years from 1933 to 1939, the English-language service of Radio Luxembourg gained a large audience in the UK and other European countries, with sponsored programming aired from noon until midnight on Sundays and at various times during the rest of the week. Around 11% of Britons listened to it
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Following the merger of the English-language service of Radio Luxembourg I with the new English-language service of Radio Luxembourg II on 208 metres medium wave, the station came to be known as Radio Luxembourg. A British company, Radio Luxembourg (London) Ltd, controlled the programme content and
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When the Allied armed forces vacated the Radio Luxembourg premises at the close of World War II, the English-language service attempted to restart transmissions to the United Kingdom as a full-time commercial radio station using the European long-wave band, once more under the management of Stephen
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signal was strong and unaffected during daylight hours by fading or interference. Following the success of this first offshore station, others soon followed, mostly broadcasting from off the Essex coast or in the Thames Estuary. These transmissions were later extended around the clock and featured
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at night that covered the British Isles, although reception was strongest in northern England. By restricting the service to night-time, the sales representatives were able to sell most of the available airtime both for spot commercials and for sponsored programmes. One spot commercial that became
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served his last few months in Luxembourg, and this led to his employment by Stephen Williams on 21 June 1946. Williams soon left the station and Everitt found himself in charge of a small on-air staff of three women and one man. Because of the dearth of advertising available in English, the early
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Anen became inspired by the activities of Captain Plugge, who was using transmitters licensed in other countries to broadcast English-language radio programmes to Britain and Ireland, whose governments had not licensed commercial broadcasting. On 11 May 1929, he brought together a group of mainly
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passed into British law, and forced all but the two Caroline stations off the air by eliminating their means of selling commercial advertising in the UK. As well as closing down offshore "pirate radio", the British government instructed the BBC to create its own non-commercial replacement, named
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began daytime commercial transmissions to southern England from a ship anchored less than four miles off the Essex coast (the station later acquired a second ship, and moved the first to the Irish Sea). Radio Caroline's opening announcement identified it as "Your all-day music station" – a clear
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As a result of this competition, Radio Luxembourg gradually abandoned pre-recorded sponsored programmes for a more flexible continuity. Its new format featured mainly spot advertising within record programmes presented live by resident disc jockeys in Luxembourg, some of them recruited from the
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During this period, and particularly from about 1960, the station's output came to be more explicitly targeted at the growing teenage market, with increasing emphasis on pop music. Drama productions, comedy, variety and sports programming disappeared altogether. By about 1963, almost all the
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and other contemporary popular music. Under good weather conditions, and especially at night, people as far as eastern Czechoslovakia, Poland, Estonia, Lithuania and Leningrad could listen to the station. Eastern Bloc governments did not use jammers to prevent people from listening to Radio
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worked as editor-in-chief and trilingual head spokeswoman for the station in German, English and French. In May 1932, Radio Luxembourg began high-powered test transmissions aimed directly at Britain and Ireland (which proved, inadvertently, to be the first radio modification of the
1026:– joined Radio Luxembourg on 21 June 1946 after being demobbed from British Army in Luxembourg. He was hired by Stephen Williams and when Williams returned to the UK, Everitt took over his job. In later years he became the London-based boss of the entire English-language operation. 2379:) but the transmitter power was reduced, and by 2008 was not receivable outside Luxembourg itself (essentially, a test transmission). Simulcasts over the Internet also stopped in 2009. Both the station and its website made numerous references to the old 208 service. 1673:
listeners. The Survey was conducted during the last quarter of 1982 by British Market Research Bureau for Radio Luxembourg (London) Ltd. By the time the survey appeared, the programme line-up below had changed in various ways, including the death of
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On 19 December 1929, the government of Luxembourg passed a law awarding a monopoly licence to operate a commercial radio broadcasting franchise from the Grand Duchy. On 29 December, this licence was awarded to the Society, which in turn created the
1032:– joined in May 1948 and he and Everitt ran the English service in Luxembourg by themselves until 1950 due to the lack of advertising income. Then Johnson returned to England to develop his singing career and later returned to join Pete Murray. 2190:
The satellite and shortwave service continued until midnight on 30 December 1992. The closedown night was relayed on various stations, including the old 208 wavelength. The Van Morrison song was the next-to-last record that night, followed by
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on medium wave. The English programmes of Radio Luxembourg moved on 2 July 1951, from long wave to the medium wave frequency of 208 metres (1439 kHz). The controversy over the station's broadcasting frequencies had been resolved with the
1117:, London W1. This was never made clear to listeners, who were allowed to form the incorrect impression that all the presenters were broadcasting from the Grand Duchy or, alternatively, assume that all the programmes were recorded in London. 1120:
A conspiracy of silence operated throughout this period between sworn enemies Radio Luxembourg and the BBC, each of which never mentioned the existence of the other, although many famous names appeared on both, often almost simultaneously.
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telephone lines to broadcast from London, many English-language programmes were recorded there and flown to Luxembourg. Despite the opposition, by 1938 many British companies advertised on Radio Luxembourg and fellow European broadcaster
3047: 968:, one of its biggest singing stars, to perform more upbeat material than her traditional repertoire, she refused, and signed up to record 42 shows for Luxembourg instead – which, she said, also paid better. Likewise, the comedy series 1646:
services. For a time in the late 1960s Luxembourg advertised itself as "The O.I.S. – the Only Independent Station on the Air". In 1973, the BBC radio monopoly within the UK was finally ended by new legislation allowing
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during the week, preferring Luxembourg's light music and variety programmes to the BBC. Up to half of Britons did so before 10:15 am on weekdays when the BBC did not broadcast, and at weekends when it followed the
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used for these tests carried a signal far superior to anything previously received from outside the country. The British government accused Radio Luxembourg of "pirating" the various wavelengths it was testing.
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morning shows on long wave quickly disappeared and made way for French-language programmes. More contractions followed and this led to cuts in more of the morning, afternoon and evening programming in English.
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A group of holiday-making English Radio Luxembourg fans, pictured in front of the main entrance to the Transmitting Station. The date is Wednesday 9 August 1939, three weeks before the declaration of war.
1405:– joined the team in 1956, becoming Chief Announcer and staying until 1966, when he left to work for BBC radio. He returned to Luxembourg in 1975 and remained on the staff until his death in 1982. 1130:
station's output was based around the playing of music on discs; the mainstream evening audience for middle-aged "family entertainment" had by this time largely migrated from radio to television.
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13a. Veronika Ε tefečkovΓ‘: RTL Group today Extract of bachelor's degree thesis Radio Luxembourg and its importance for auditors in the socialist Czechoslovakia (oral history) – PDF file in English
563:(The anthem of this children's show was still being celebrated by fan sites in 2007. Another version of the Ovaltineys programming began again after World War II on Radio Luxembourg over its 215:). In the late 1930s, and again in the 1950s and 1960s, it had large audiences across Britain and Ireland with its programmes of popular entertainment, and was an important forerunner of 964:
Radio Luxembourg also served as a refuge for stars and shows previously heard on the BBC but with whom the BBC had fallen out for one reason or another. Thus, when in 1951 the BBC wanted
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on 30 December 1991 (the station did return to the analogue 208/1440 for one night a year later when the station finally closed its digital service), the last record played on AM being
1538:, which began transmissions at the end of September 1967. While Luxembourg again almost had the UK commercial airwaves to itself, it was still restricted to evening and night hours. 2140:
In 1989, hoping to build a new audience, Luxembourg in English once more returned with a daytime schedule for the first time since the early 1950s, but this time it was aimed at
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The station had planned to start regular broadcasts on 4 June 1933, but the complaints caused Radio Luxembourg to keep shifting its wavelength. The English service was leased to
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The wavelengths and frequencies used by the English service of Radio Luxembourg changed throughout the years, although "208" was by far the longest-lasting and most famous one.
1497:. Many of these programmes were sponsored by record companies, and in order to include as many records as possible, most programmes played little more than half of each record. 446:
The BBC and successive British governments continued to oppose the competition, citing Radio Luxembourg's use of an unauthorised frequency. As the station could not use
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By the start of the 1950s, sponsorship of the English service had begun to grow once more, and while initially some of the English-language programmes continued via
3107: 582:– the first station manager, who resumed his duties with the English service when the station resumed commercial English-language transmissions after World War II 3082: 1657:
audience and advertising, while a brief replay of competition for audiences began to emerge from off the British coastline with new radio ship transmissions.
3102: 3072: 2457:– radio programme schedules and features after 1951 until 1959 whose name varied as it was merged with other publications and issued by various publishers. 622:
government closed the radio station to protect the neutrality of the country during World War II. The station and its transmitters were taken over by the
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Details of Radio Luxembourg programming and presenters in English from 1951 until 1958 are drawn from the monthly publications known collectively as
455:. The stations thus exposed millions of Britons and British companies to commercial broadcasting, which contributed to the creation of the commercial 3097: 1510:
reference both to Luxembourg's night-time-only broadcasts, and to the BBC's patchy pop music coverage. The first song played was "Not Fade Away" by
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Ursula Brennan – Patricia Giles – Beatrice Feltes – John De Denghy – record presenters who all left the station with Stephen Williams around 1948.
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The English-language service of Radio Luxembourg began in 1933 as one of the earliest commercial radio stations broadcasting to both the UK and
2172: 974:, terminated by the BBC after six years, transferred to Radio Luxembourg for a period in 1950–51 before the BBC relented and revived the show. 354:. With its central location in western Europe, the Grand Duchy was an ideal site for broadcasts to many nations, including the United Kingdom. 3087: 3127: 3122: 896: 2986:
Mass Media Moments in the United Kingdom, the USSR and the US, by Gilder, Eric. – "Lucian Blaga" University of Sibiu Press, Romania. 2003
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In 1983, Radio Luxembourg marked its fiftieth anniversary as a station, but the British commercial radio stations kept whittling away the
1369:, the remarkable American disc-jockey whose programmes in the States cause excitement to rise to a fever pitch, presents "Rock 'n' roll"." 2445:– radio publication pre-World War II that published programme schedules for all the European continental stations broadcasting in English 3067: 1014: 769:– a version of the popular show that was originally broadcast before World War II over the original Radio Luxembourg long-wave station. 579: 407: 2817: 2754: 2527: 2469:
See also: "Radio-Luxembourg, Histoire d'un mΓ©dia privΓ© d'envergure europΓ©enne", by David DOMINGUEZ MULLER, L'Harmattan, Paris, 2007.
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It was this second wavelength that eventually became dedicated to English-language programming after 6 pm under the slogan of "
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Radio Luxembourg enjoyed a monopoly of English-language commercial radio programming heard in the UK until, in March 1964,
623: 3025: 2997:"Radio-Luxembourg, Histoire d'un mΓ©dia privΓ© d'envergure europΓ©enne", by David DOMINGUEZ MULLER, L'Harmattan, Paris, 2007 2180: 1337: 1202: 765: 297: 85: 2072: 1462: 440: 2848: 2654:
Nicholas, SiΓ’n (1999). "The People's Radio: The BBC and its Audience, 1939–1945". In Hayes, Nick; Hill, Jeff (eds.).
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shut down its medium wave broadcasts. Atlantic 252 closed down in 2002 and the long wave frequency is now used for
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This article is about the English-language radio station that broadcast between 1933 and 1992. For other uses, see
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record show on Saturday nights over Radio Luxembourg, which is beamed to most of the countries of Free Europe."
346:. Within two years, the government of Luxembourg had reached an agreement to subsidize the station to broadcast 2430: 1089:
The station sign-on time at dusk varied between summer and winter to allow maximum benefit to be gained from a
1017:– the English service manager before World War II, resumed his duties when commercial broadcasting began again. 715:
signal could be received satisfactorily in the United Kingdom only after dark, when it was able to strike the
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Some programmes were live disc-jockey presentations by the team of "resident announcers" from the studios in
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a monopoly of radio broadcasting on UK territory and prohibited all forms of advertising over the domestic
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The following disc-jockeys recorded shows in the London studios at 38 Hertford Street: Peter Aldersley,
634:) and others. When Allied forces took over Luxembourg in September 1944, the station was transferred to 320: 1722: 1023: 664: 601: 2637: 2132:
During the 1980s one of the station's slogans was "Planet earth's biggest commercial radio station".
1976: 1221: 978: 477: 226:, continued its involvement in broadcasts to a UK audience with the British TV channel then known as 2420: 2319: 1626: 585: 447: 211:. It boasted the most powerful privately owned transmitter in Europe (200 kW, broadcasting on 3017: 2245: 1423: 1061: 1041: 804:, "Pilot of the future" – fifteen-minute serial heard Monday-to-Friday and featuring the voice of 3092: 2966: 2919:"Radio Luxembourg and its importance for auditors in the socialist Czechoslovakia (oral history)" 2491: 2350: 2332: 1511: 1434: 596: 535: 24: 2893:"Radio Luxembourg and its significance for listeners in socialist Czechoslovakia (oral history)" 2328: 2198:
The 208 service from that moment on carried the German-language service, identifying itself as "
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to become the first manager of the English-language service of Radio Luxembourg. Programmes in
3039: 2987: 2750: 2702: 2659: 2565: 2559: 2487: 2335:. The voice of Henry Owens was also heard on promotions for both stations in the early 1990s. 2192: 2096: 2018: 1428: 1265: 1194: 988: 954: 917: 862: 529: 99: 2451:– radio publication after World War II that published news about Radio Luxembourg in English. 2994:– This work includes a study of European commercial radio from both Luxembourg and offshore. 2825: 1478: 1286: 1177: 1095: 1055: 945: 787: 704: 639: 495: 456: 415: 2408:
Radio Luxembourg was also broadcast on RTL's various European TV channels after closedown.
2956: 2397: 2202:– Der Oldiesender". This medium wave broadcast shut down at midnight on 31 December 2015. 1252: 1114: 1110: 1049: 688: 422: 406:
in the United Kingdom. In December 1933, Radio Publicity (London) transferred 23-year-old
316: 203:. The station provided a way to circumvent British legislation which until 1973 gave the 1073: 2807:
Source: Peter Alex, "Who's Who in Pop Radio", London, 1966 (British Library: 000047169)
2739: 2531: 2324: 2249: 2223: 2184: 2100: 2061: 2040: 2027: 1585: 1575: 1506: 1181: 1172: 1159: 1099: 452: 363: 327: 312: 227: 208: 707:, during 1965), offered to buy the morning time from 6 am to 9 am for his own show on 196:. It is known in most non-English languages as RTL (for Radio Television Luxembourg). 3061: 2561:
Crossing the Ether: Pre-war Public Service Radio and Commercial Competition in the UK
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On 1 January 1934, a new international agreement, the Lucerne Convention or European
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to force the Luxembourg government to issue them a commercial broadcasting licence.
3051: 2478: 2327:. Presenters common to both Atlantic 252 and Radio Luxembourg include Jeff Graham, 2311: 2297: 2268: 2210: 2168: 2086: 2077: 1675: 1595: 1566: 1560: 1514:, which could be interpreted as a dig at Luxembourg's fluctuating signal strength. 1494: 1482: 1454: 1402: 1291: 1270: 1225: 1035: 805: 773: 631: 216: 2980: 2371:
called Radio Luxembourg began in 2005. It was briefly available in the UK using
2237: 2176: 2141: 2023: 1924: 1702: 1616: 1610: 1535: 1486: 1377: 841: 809: 411: 386: 243: 41: 2983:, a book by Alan Bailey about his career at Radio Luxembourg from 1958 to 1975. 2866: 2465:– radio programme schedules and features publication during the 1960s and 1970s 1380:
presents news, music and personalities recorded at the Embassy Club in London."
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the latest dance music sponsored by a medication "for cuts, burns and bruises."
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In 1922, the British government awarded a monopoly broadcasting licence to the
2482: 2125: 1458: 1366: 1341: 1058:– joined with Drexler, Beynon and Mitchell; remained in Luxembourg until 1956. 995: 934: 716: 643: 619: 391: 193: 1522:
many different broadcasting formats, though pop music on discs predominated.
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These were some of the shows heard in 1935 as listed in the 3 May edition of
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debuted on 3 December 1933 under the editorial guidance of Stephen Williams.
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With no possibility of commercial broadcasting available from inside the UK,
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Radio Luxembourg was one of few channels through which people living in the
2393: 2376: 2368: 2340: 2303: 2278: 2229: 2199: 2149: 2081: 2068: 2052: 1581: 1570: 1446: 1442: 984: 965: 846: 700: 546: 375: 305: 223: 212: 28: 1280:– with Keith Fordyce, playing the latest British and American hit records. 2791:"'A true music man': Tributes to industry exec, DJ and manager Tony Hall" 2315: 2152: 1103: 800: 740: 558: 395: 1113:, while others were pre-recorded in the company's British studios at 38 2461: 1384: 1145: 1106:, spelt K-E-Y-N-S-H-A-M" into a household name throughout the country. 1090: 1078: 812:
on BBC radio. This serial began on 2 July 1951 and ran for five years.
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French entrepreneurs to form the Luxembourg Society for Radio Studies (
268: in this section. Unsourced material may be challenged and removed. 200: 1133:
These were some of the shows heard in December 1956, as listed in the
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on long wave, a second but less powerful wavelength was opened up as
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in 1940, and were used for English-language propaganda broadcasts by
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These were some of the shows heard in March 1952 as reported in the
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Pressure Group: The Campaign for Commercial Television in England
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burned into the minds of every Radio Luxembourg listener was for
1038:– joined after Johnson departed but Drexler left after one month. 410:
from directing its English-language programmes transmitted over
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Resident announcers in Luxembourg during this period included:
2346: 2164: 2090: 1589: 1361:– "120 minutes of exciting, non-stop, action-packed radio ... 854: 394:). The reaction of the British government was hostile, as the 237: 204: 35: 783:– "anything you want to know" (Sundays, Wednesdays, Fridays). 2720: 2718: 2656:'Millions like us'?: British culture in the Second World War 1637:
All the ex-Radio London DJs worked later for BBC Radio One.
748:, the programme listing guide to Radio Luxembourg in English 2611: 3014:
on the history of the English service of Radio Luxembourg
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analogue night-time service. The end eventually came for
1052:– all joined with Drexler and left shortly after Drexler. 551:
gramophone records presented by a football pools company.
726:", referring to the entertainers heard on the station. 2367:
An English-language classic rock digital station from
1336:– Benny Lee presents the latest recordings from EMI's 1010:
Resident announcers in Luxembourg at different times:
3023: 944:– dance music with Russ Morgan Orchestra compered by 2588:, Michigan State University Press, 1969, pp.158–159. 508:
sponsored medication programme "for asthma suffers".
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programme listings magazine for March 1955, page 4.
1102:, turning the previously obscure Somerset town of " 443:schedule of only serious and religious programmes. 172: 155: 143: 66:. Unsourced material may be challenged and removed. 2738: 2586:National and International Systems of Broadcasting 1665:These were shows heard in 1982 as reported in the 1437:(became Chief Announcer after Alldis left in 1966) 360:La SociΓ©tΓ© Luxembourgeoise d'Γ‰tudes Radiophoniques 2867:"Behind the Iron Curtain | Radio Luxembourg" 1064:– joined Everitt, Johnson and Murray in May 1951. 27:. For the modern German-language descendant, see 23:. For the modern French-language descendant, see 16:Multilingual commercial broadcaster in Luxembourg 2699:Days Seemed Longer: Early Years of a Broadcaster 2612:"In Erinnerung an Eva Siewert. Eine Spurensuche" 1613:, Radio London Big – L 266, Radio Caroline South 1383:10:30 pm – Philips' Fanfare – records from this 1324:– presented by the Italian State Tourist Office. 534:sponsored by a football pools coupon company in 338:In 1924, radio technician FranΓ§ois Anen built a 691:who was better known at Hawaiian radio station 2952:with name variations and different publishers. 2649: 2647: 2005:Some other presenters in the 1970s and 1980s: 1623:, Radio Caroline 199, Radio London Big – L 266 2741:The Information Revolution and World Politics 1224:, later heard on Tuesdays as well, replacing 542:2:00 pm – English service ends until 2:30 pm. 192:was a multilingual commercial broadcaster in 8: 2677: 2675: 138: 2849:"RTL sells Channel Five to Richard Desmond" 2314:, an English-language pop music station on 2302:In 1989, Radio Luxembourg's parent company 1517:In Caroline's primary reception areas, her 1098:'s "Infra-Draw Method" of winning money on 642:purposes for the remainder of the war (see 376:Compagnie Luxembourgeoise de Radiodiffusion 2658:. Liverpool University Press. p. 66. 2213:(under the professional name Chris Holmes) 1650:, funded by the sale of advertising time. 744:Monday-to-Friday serial as it appeared in 137: 2271:DJ. Canadian, on Caroline as Judy Murphy) 638:control on 9 September 1944 and used for 304:, which operated under a UK charter from 284:Learn how and when to remove this message 219:and modern commercial radio in Britain. 126:Learn how and when to remove this message 2818:"Wrong tune played at 1440AM closedown?" 1198:– starring listeners caught in the act. 921:– Adventists' Union religious programme. 319:captain and entrepreneur (and from 1935 3030: 2564:. John Libbey Publishing. p. 254. 2550: 1546:The presenters included the following: 1354:– results of the matches played today. 2473:Political significance in Eastern Bloc 2173:When Will You (Make My Telephone Ring) 786:11.00 PM – Top Twenty – introduced by 719:and bounce back to the British Isles. 3108:Radio stations disestablished in 1992 2701:. London: Eyre Methuen. p. 123. 2686:. Secker and Warburg. pp. 25–27. 2036:David Lee Stone (former Laser 558 DJ) 1531:Marine Broadcasting Offences Act 1967 821:, serial heard from Monday to Friday. 7: 3083:1992 disestablishments in Luxembourg 2745:. Rowman & Littlefield. p.  699:(and later became the morning DJ at 514:the Irish Concert recorded programme 350:concerts and plays performed in the 266:adding citations to reliable sources 64:adding citations to reliable sources 1789:– with Rob Jones and Barry Alldis. 1713:– with Barry Alldis and Rob Jones. 1137:programme schedule for that month: 222:Radio Luxembourg's parent company, 3103:Radio stations established in 1933 3073:Mass media companies of Luxembourg 2824:. 26 February 2007. Archived from 2528:International Broadcasting Company 2106:Ollie Henry (wife of Stuart Henry) 1823:– with Rob Jones and Benny Brown. 1751:– with Rob Jones and Benny Brown. 1310:, recorded on location in the UK. 711:, but his offer was rejected. The 512:12:30 pm – Golden Hour of Music – 328:International Broadcasting Company 14: 3078:1933 establishments in Luxembourg 2601:Forest Press, Heswall, 1996, p.5. 2510:Radio Luxembourg (disambiguation) 953:Bringing Christ to the Nations – 555:5:30 pm – League of Ovaltineys – 547:Vernon's All-Star Variety Concert 378:) to be identified on the air as 21:Radio Luxembourg (disambiguation) 3118:Defunct shortwave radio stations 3113:Defunct mass media in Luxembourg 3045: 3033: 3020:β€”The Last Day of 208 (streaming) 2780:, Norwich, 1972, SBN 903 61900 8 2426:Junglinster Longwave Transmitter 1867:with Bob Stewart and Mike Hollis 1699:Star Chart and Top 30 UK Singles 1667:Radio Luxembourg Research Report 488:: 12:00 noon – Musical Voyage – 302:British Broadcasting Corporation 242: 230:until it was sold in July 2010. 40: 3098:English-language radio stations 1969:– with Stuart and Ollie Henry. 1915:– with Stuart and Ollie Henry. 1693:– with Stuart and Ollie Henry. 1604:, Radio London Big – L 266, BBC 1209:Dawn Bible Students Association 1081:in Brussels, Belgium. July 1958 998:to do a special taped 1/2 hour 738:March 1952 advertising for the 724:208 – Your station of the stars 372:Luxembourg Broadcasting Company 342:transmitter in his home in the 253:needs additional citations for 51:needs additional citations for 2969:who played the voice parts of 2486:Luxembourg, but did do so for 2389:Channel 5 (British TV channel) 1901:– with Stuart and Ollie Henry. 1779:Daily Mirror Rock and Pop Club 506:12:15 pm – Do-Do Broadcasts – 1: 2847:Welsh, James (23 July 2010). 2737:Hanson, Elizabeth C. (2008). 2490:and, since the stations used 2437:Radio Luxembourg publications 2345:Andrew Turner, ex newsreader 1935:(repeat) – with Bob Stewart. 1678:in the middle of the survey: 991:of the Towers of London, for 385:From 1932, German journalist 334:Formation of Radio Luxembourg 3088:Radio stations in Luxembourg 2967:The obituary of Noel Johnson 2155:satellite to supplement the 808:who also played the part of 404:Radio Publicity (London) Ltd 298:British Broadcasting Company 3128:Counterculture of the 1960s 3123:Counterculture of the 1950s 1387:presented by Guy Standeven. 1365:and at approximately 9:30: 1086:sold the advertising time. 845:– every Wednesday starring 557:presented by the makers of 3146: 3068:International broadcasters 2959:reference is cited in the 2822:The Radio Luxembourg Forum 2386: 2360: 2357:Radio Luxembourg (digital) 2295: 2144:audiences using a 24-hour 1578:, Radio London Big – L 266 1563:, Radio London Big – L 266 1251:– Mel Thompson presenting 893:Old Fashioned Revival Hour 801:The Adventures of Dan Dare 776:– "the famous Memory Man". 618:On 21 September 1939, the 176:30 December 1992 18: 2599:From International Waters 2524:– German-language station 2522:Radio Luxembourg (German) 2518:– French-language station 2516:Radio Luxembourg (French) 2512:– other language services 2383:Five (television channel) 2375:(digital broadcasts over 2205:Presenters in the 1990s: 971:Much-Binding-in-the-Marsh 766:Ovaltiney's Concert Party 604:(Chief Announcer in 1938) 344:Grand Duchy of Luxembourg 161:3 December 1933 2973:on Radio Luxembourg and 2431:FM- and TV-mast Hosingen 2287:Legacy from 1992 onwards 2195:'s "Maybe the Morning". 983:magazine reported that " 842:The Story of Dr. Kildare 2308:RaidiΓ³ TeilifΓ­s Γ‰ireann 1957:– with Rodney Collins. 1648:Independent Local Radio 987:Radio made a deal with 2917:Ε tefečkovΓ‘, Veronika. 2891:Ε tefečkovΓ‘, Veronika. 2797:. London. 9 July 2019. 2506:– the new 2005 service 2504:Radio Luxembourg (DRM) 2404:Background information 2363:Radio Luxembourg (DRM) 1633:, Radio Caroline South 1631:Swinging Radio England 1621:British Forces Network 1180:show presented by Sir 1082: 933:– quiz programme with 866:– religious broadcast. 749: 624:invading German forces 467: 352:Luxembourgish language 234:Background and origins 2871:Radioluxembourg.co.uk 2697:Plomley, Roy (1980). 2682:Wilson, H.H. (1961). 2558:Street, Sean (2006). 1989:– with Barry Alldis. 1893:– with Stuart Henry. 1837:Top 30 Easy Listening 1773:with Rodney Collins; 1076: 876:Music From the Ballet 737: 650:Second commercial era 530:Littlewoods Broadcast 465: 2828:on 29 September 2007 2638:"kona HAARPoon 2017" 2492:harmonic frequencies 2339:Charlie Wolf, ex DJ 2277:Jessie Brandon, (ex 1981:– with Bob Stewart. 1943:– with Barry Alldis. 1885:– with Benny Brown. 1839:– with Benny Brown. 1831:– with Bob Stewart. 1801:– with Benny Brown. 1759:– with Barry Alldis. 1741:Battle of the Giants 1529:In August 1967, the 1278:Rockin' To Dreamland 1222:Herbert W. Armstrong 1147:Butlin's Beaver Club 1077:Radio Luxembourg at 931:Chance of a Lifetime 833:– odds announcement. 756:programme schedule: 682:1948 Copenhagen plan 429:First commercial era 324:member of parliament 262:improve this article 60:improve this article 2640:. 19 February 2017. 2421:Marnach transmitter 2412:Transmitter history 2148:transponder on the 2001:– with Mike Hollis. 1847:– with Mike Hollis. 1809:– with Mike Hollis. 1526:offshore stations. 1091:skywave propagation 911:with Peter Madren. 885:with Wilfrid Thomas 831:Soccer of Leicester 677:Radio Luxembourg II 448:General Post Office 326:) – set up his own 315:– a former British 140: 2940:General references 2778:The Wireless Stars 2543:Specific citations 2351:Laser Hot Hits 576 2087:David "Kid" Jensen 1913:The Record Journal 1877:– with Rob Jones. 1739:with John Knight; 1512:the Rolling Stones 1217:The World Tomorrow 1083: 750: 673:Radio Luxembourg I 468: 459:during the 1950s. 321:Conservative Party 75:"Radio Luxembourg" 25:RTL (French radio) 2584:Walter B. Emery, 2530:– IBC created by 2488:Radio Free Europe 2400:on 23 July 2010. 2222:Bob Stewart, (ex- 2193:Marion Montgomery 1987:Midnight Memories 1266:Double Your Money 1195:Candid Microphone 989:Harry Alan Towers 977:On 7 April 1956, 955:The Lutheran Hour 918:Voice of Prophecy 909:Scottish Requests 897:Charles E. Fuller 863:Back to the Bible 697:J. Akuhead Pupule 498:and sponsored by 313:Leonard F. Plugge 294: 293: 286: 187: 186: 136: 135: 128: 110: 3135: 3050: 3049: 3048: 3038: 3037: 3036: 3029: 3018:Radio Luxembourg 3012:Official website 2981:208 It was Great 2933: 2932: 2930: 2928: 2923: 2914: 2908: 2907: 2905: 2903: 2897: 2888: 2882: 2881: 2879: 2877: 2863: 2857: 2856: 2844: 2838: 2837: 2835: 2833: 2814: 2808: 2805: 2799: 2798: 2787: 2781: 2774: 2768: 2767: 2765: 2763: 2744: 2734: 2728: 2722: 2713: 2712: 2694: 2688: 2687: 2679: 2670: 2669: 2651: 2642: 2641: 2634: 2628: 2627: 2625: 2623: 2608: 2602: 2595: 2589: 2582: 2576: 2575: 2555: 2481:could listen to 2267:Jodie Scott (ex 1891:Spotlight On ... 1711:Sunday's Top 20s 1352:Amateur Football 1290:– religion with 1287:Hour of Decision 1249:The Capitol Show 1207:– religion from 1204:Frank and Ernest 1178:Edward R. Murrow 1096:Horace Batchelor 1024:Geoffrey Everitt 1015:Stephen Williams 705:Honolulu, Hawaii 665:Geoffrey Everitt 663:During the war, 640:black propaganda 602:S.P. Ogden-Smith 580:Stephen Williams 496:Reginald Purdell 408:Stephen Williams 380:Radio Luxembourg 289: 282: 278: 275: 269: 246: 238: 190:Radio Luxembourg 183: 181: 168: 166: 141: 139:Radio Luxembourg 131: 124: 120: 117: 111: 109: 68: 44: 36: 3145: 3144: 3138: 3137: 3136: 3134: 3133: 3132: 3058: 3057: 3056: 3046: 3044: 3034: 3032: 3024: 3008: 3003: 2937: 2936: 2926: 2924: 2921: 2916: 2915: 2911: 2901: 2899: 2895: 2890: 2889: 2885: 2875: 2873: 2865: 2864: 2860: 2846: 2845: 2841: 2831: 2829: 2816: 2815: 2811: 2806: 2802: 2789: 2788: 2784: 2775: 2771: 2761: 2759: 2757: 2736: 2735: 2731: 2725:Radio Pictorial 2723: 2716: 2709: 2696: 2695: 2691: 2681: 2680: 2673: 2666: 2653: 2652: 2645: 2636: 2635: 2631: 2621: 2619: 2610: 2609: 2605: 2596: 2592: 2583: 2579: 2572: 2557: 2556: 2552: 2540: 2500: 2475: 2443:Radio Pictorial 2439: 2414: 2406: 2398:Richard Desmond 2391: 2385: 2365: 2359: 2306:teamed up with 2300: 2294: 2289: 2284: 2138: 2130: 1967:Top 30 Rockshow 1875:Top 30 Futurist 1863:Top of the Pops 1859:The Number Ones 1829:American Top 30 1663: 1643: 1544: 1503: 1481:, Ray Orchard, 1396: 1255:' new releases. 1253:Capitol Records 1150:– with "Uncle" 1127: 1115:Hertford Street 1111:Luxembourg City 1071: 1050:Warren Mitchell 1008: 732: 657: 652: 616: 611: 591:Charles Maxwell 576: 478:Radio Pictorial 473: 436: 431: 423:Wavelength Plan 336: 317:Royal Air Force 290: 279: 273: 270: 259: 247: 236: 179: 177: 164: 162: 158: 151: 132: 121: 115: 112: 69: 67: 57: 45: 32: 17: 12: 11: 5: 3143: 3142: 3139: 3131: 3130: 3125: 3120: 3115: 3110: 3105: 3100: 3095: 3090: 3085: 3080: 3075: 3070: 3060: 3059: 3055: 3054: 3042: 3022: 3021: 3015: 3007: 3006:External links 3004: 3002: 3001: 2998: 2995: 2984: 2978: 2964: 2953: 2945: 2944: 2943: 2941: 2935: 2934: 2909: 2883: 2858: 2839: 2809: 2800: 2782: 2776:George Nobbs, 2769: 2756:978-0742538535 2755: 2729: 2714: 2707: 2689: 2671: 2664: 2643: 2629: 2616:Eva-siewert.de 2603: 2597:Mike Leonard, 2590: 2577: 2570: 2549: 2548: 2547: 2546: 2544: 2539: 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Sings 1320:10:45 pm – 1283:11:30 pm – 1276:10:00 pm – 1247:10:00 pm – 1214:11:30 pm – 1201:11:15 pm – 1056:Pete Murray 951:11:00 pm – 946:Pete Murray 940:10:00 pm – 891:11:00 pm – 860:11:00 pm – 818:Perry Mason 810:Dick Barton 788:Pete Murray 779:10:45 pm – 597:John Bewley 412:Radio Paris 387:Eva Siewert 274:August 2023 157:Launch date 3062:Categories 3040:Luxembourg 2762:26 October 2571:0861966686 2538:References 2329:Cass Jones 2310:to create 2274:Nik Martin 2242:Tony Adams 2126:Nick Abbot 1999:Love Songs 1813:Wednesdays 1661:Programmes 1551:Pete Brady 1542:Presenters 1459:David Gell 1394:Presenters 1367:Alan Freed 1357:8:00 pm – 1342:Parlophone 1334:Record Hop 1313:9:30 pm – 1261:Wednesdays 1170:9:30 pm – 1157:8:30 pm – 1125:Programmes 1006:Presenters 996:Alan Freed 935:Dick Emery 881:8:30 pm – 837:Wednesdays 815:9:30 pm – 772:9:15 pm – 730:Programmes 717:ionosphere 660:Williams. 644:Radio 1212 630:(known as 620:Luxembourg 574:Presenters 545:2:30 pm – 528:1:30 pm – 518:1:00 pm – 500:Halls Wine 471:Programmes 392:ionosphere 194:Luxembourg 180:1992-12-30 165:1933-12-03 149:Luxembourg 116:March 2012 86:newspapers 3093:RTL Group 2957:Hal Lewis 2876:6 October 2795:MusicWeek 2394:RTL Group 2377:shortwave 2369:RTL Group 2341:Laser 558 2304:RTL Group 2279:Laser 558 2258:Steve Joy 2230:Mark Page 2200:RTL Radio 2136:1989–1992 2093:Radio One 2082:Radio 270 2069:Radio 390 2053:Mike Read 2046:Rob Jones 1995:Earthlink 1947:Saturdays 1941:Earthlink 1899:Earthlink 1851:Thursdays 1845:Earthlink 1807:Earthlink 1795:Top 30 UK 1783:Top 30 UK 1757:Earthlink 1719:Earthlink 1641:1968–1988 1582:Simon Dee 1576:Dave Cash 1571:Radio 270 1501:1964–1967 1463:Tony Hall 1447:Alan Dell 1443:Sam Costa 1431:, 1957–60 1348:Saturdays 1300:Thursdays 1069:1954–1963 980:Billboard 966:Vera Lynn 927:Saturdays 914:11:00 pm 872:Thursdays 851:Hollywood 847:Lew Ayres 689:Hal Lewis 687:In 1955, 655:1946–1956 614:1940–1945 536:Liverpool 434:1933–1939 306:the Crown 224:RTL Group 213:long wave 173:Dissolved 29:RTL Radio 2971:Dan Dare 2498:See also 2316:longwave 2163:at 3 am 2014:Neil Fox 1983:Midnight 1977:Marlboro 1971:11:00 pm 1929:11:00 pm 1887:Midnight 1879:11:00 pm 1833:11:00 pm 1763:Tuesdays 1707:11:00 pm 1429:Don Moss 1419:Ted King 1359:Jamboree 1338:Columbia 1234:Tuesdays 1104:Keynsham 827:Tuesdays 741:Dan Dare 559:Ovaltine 340:100-watt 3026:Portals 2622:9 March 2462:Fab 208 2320:Ireland 1991:1:00 am 1959:7:00 pm 1951:6:45 pm 1937:1:00 am 1923:– with 1917:9:00 pm 1909:7:00 pm 1905:Fridays 1895:1:00 am 1871:9:00 pm 1855:7:00 pm 1841:1:00 am 1825:9:00 pm 1817:7:00 pm 1803:1:00 am 1791:9:00 pm 1767:6:45 pm 1753:1:00 am 1733:6:45 pm 1729:Mondays 1721:– with 1715:1:00 am 1701:– with 1695:9:00 pm 1687:7:00 pm 1683:Sundays 1536:Radio 1 1374:Tonight 1344:labels. 1330:Fridays 1306:– with 1240:– with 1220:– with 1190:Mondays 1163:– with 1142:Sundays 1079:Expo 58 905:Fridays 796:Mondays 761:Sundays 636:US Army 520:Zam-Buk 486:Sundays 416:English 362:) as a 201:Ireland 178: ( 163: ( 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