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Raffaele Mirate

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in Buenos Aires during that house's first season in 1857. He returned to Buenos Aires in 1860, also making appearances in Montevideo and Rio de Janeiro while he was in South America. He retired in 1861, but came out of retirement two year later to sing at the Teatro di San Carlo from 1863 to 1866.
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who had an active career from the 1830s through the 1860s. Known for his intelligent phrasing and bright and powerful vocal timbre, he was regarded as an outstanding interpreter of the tenor roles in the early and middle period operas of
219:" was hailed as the highlight of the opera's premiere performance on 11 March 1851. A more commanding Duke than some subsequent tenors, he went on to perform the role over 190 times during the rest of his career. 425: 361: 133:. His first opera performance was in a school production in 1834. His official opera début came three years later at the Teatro Nuovo in Naples as the title hero in Donizetti's 415: 193:
During the late 1840s and early 1850s, Mirate was busy singing at the opera houses of Venice, Genoa and Milan. In 1848 he participated in the world premiere of
186:, who was a frequent collaborator with Verdi, was in attendance at these Rome performances and likened Mirate's voice to the great lyric tenor, 156:
in Paris where he attracted wide acclaim singing roles in operas by Donizetti, Rossini, and Bellini. He made his first appearance at
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to great success. In 1844 he was again a guest at the Théâtre-Italien in Paris. In 1845 he was heard at the
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From 1854 to 1855, Mirate performed with great success at La Scala, notably singing Manrico in Verdi's
205:, and it is at this house that he portrayed the role with which he became most identified, the Duke in 405: 400: 322: 216: 194: 153: 126: 247: 231: 145: 140: 267: 178: 187: 162: 103: 99: 223: 167: 119: 95: 317: 283: 259: 251: 239: 312: 311:
to the approval of the composer. He sang in Boston and New York in 1856 and then at the
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Mirate sang at several more premieres at La Fenice, including portraying Don Carlo in
394: 172: 84:. He notably created the role of the Duke of Mantua in the world premiere of Verdi's 307: 211: 202: 91: 86: 333: 157: 123: 115: 75:(3 September 1815 – November 1895) was a celebrated Italian operatic 35: 316:
While there he sang in two world premieres, portraying Rodrigo in
76: 39: 246:(1854). He also appeared in numerous world premieres at the 290:(1856). In 1857 he portrayed Casimiro in the premiere of 201:
at La Scala. By 1850 he was the highest paid singer at
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in 1851. He was also a highly regarded interpreter of
62: 54: 46: 28: 21: 362:Raffaele Biography at operissimo.com (in German) 250:in Naples during the 1850s, including Admeto in 426:Musicians from the Kingdom of the Two Sicilies 8: 18: 416:19th-century Italian male opera singers 345: 215:. His performance of the bravura aria " 357: 355: 353: 351: 349: 282:(1855), and a role in the premiere of 7: 380:. L'Almanacco di Gherardo Casaglia 94:roles, excelling in the operas of 14: 58:Celebrated Italian operatic tenor 160:in 1840 as Amenofi in Rossini's 152:In 1839 Mirate arrived at the 1: 326:and Icilio in Mercadante's 442: 372:Casaglia, Gherardo (2005). 336:in 1895 at the age of 80. 300:Teatro Comunale di Bologna 274:(1853), the title role in 258:(1852), the title role in 143:in Venice as Edgardo in 131:Regio Collegio di Musica 118:, Mirate was a pupil of 411:Italian operatic tenors 238:(1851), and Arminio in 230:(1850), Don Alvaro in 266:(1852), Cassandro in 184:Francesco Maria Piave 170:in Rome as Jacopo in 228:Elisabetta di Valois 127:Girolamo Crescentini 16:Italian opera singer 421:Singers from Naples 288:Margherita Pusterla 248:Teatro di San Carlo 232:Francesco Malipiero 199:Giovanna di Fiandra 176:and Charles VII in 146:Lucia di Lammermoor 141:Teatro San Cassiano 276:Ferdinando Tommasi 268:Saverio Mercadante 217:La donna è mobile 188:Napoleone Moriani 182:. The librettist 104:Gioachino Rossini 100:Gaetano Donizetti 70: 69: 63:Years active 433: 385: 383: 370: 364: 359: 224:Antonio Buzzolla 168:Teatro Argentina 120:Alessandro Busti 96:Vincenzo Bellini 32:3 September 1815 19: 441: 440: 436: 435: 434: 432: 431: 430: 391: 390: 389: 388: 381: 376:Raffaele Mirate 371: 367: 360: 347: 342: 318:Errico Petrella 284:Giovanni Pacini 260:Nicola De Giosa 252:Giuseppe Staffa 240:Giovanni Pacini 236:Fernando Cortez 195:Carlo Boniforti 179:Giovanna d'Arco 154:Théâtre Italien 122:and the famous 112: 73:Raffaele Mirate 42: 33: 24: 23:Raffaele Mirate 17: 12: 11: 5: 439: 437: 429: 428: 423: 418: 413: 408: 403: 393: 392: 387: 386: 365: 344: 343: 341: 338: 292:Emanuele Muzio 163:Mosè in Egitto 136:Torquato Tasso 111: 108: 82:Giuseppe Verdi 68: 67: 64: 60: 59: 56: 52: 51: 48: 44: 43: 34: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 438: 427: 424: 422: 419: 417: 414: 412: 409: 407: 404: 402: 399: 398: 396: 379: 377: 369: 366: 363: 358: 356: 354: 352: 350: 346: 339: 337: 335: 332:. He died in 331: 330: 325: 324: 319: 314: 310: 309: 303: 301: 297: 296:La sorrentina 293: 289: 285: 281: 277: 273: 269: 265: 261: 257: 253: 249: 245: 241: 237: 233: 229: 225: 220: 218: 214: 213: 208: 204: 200: 196: 191: 189: 185: 181: 180: 175: 174: 173:I due Foscari 169: 165: 164: 159: 155: 150: 148: 147: 142: 138: 137: 132: 128: 125: 121: 117: 109: 107: 105: 101: 97: 93: 89: 88: 83: 78: 74: 65: 61: 57: 53: 50:November 1895 49: 45: 41: 37: 31: 27: 20: 382:(in Italian) 375: 368: 327: 321: 313:Teatro ColĂłn 308:Il trovatore 306: 304: 295: 287: 280:Guido Colmar 279: 271: 264:Guido Colmar 263: 255: 244:La punizione 243: 235: 227: 221: 210: 198: 192: 177: 171: 161: 151: 144: 134: 113: 85: 72: 71: 406:1895 deaths 401:1815 births 66:1830s-1860s 395:Categories 340:References 55:Occupation 212:Rigoletto 203:La Fenice 110:Biography 92:bel canto 87:Rigoletto 334:Sorrento 329:Virginia 158:La Scala 124:castrato 114:Born in 323:Celinda 298:at the 272:Statira 256:Alceste 129:at the 116:Naples 102:, and 36:Naples 207:Verdi 77:tenor 40:Italy 47:Died 29:Born 320:'s 294:'s 286:'s 278:'s 270:'s 262:'s 254:'s 242:'s 234:'s 226:'s 209:'s 197:'s 397:: 348:^ 302:. 190:. 149:. 106:. 98:, 38:, 384:. 378:" 374:"

Index

Naples
Italy
tenor
Giuseppe Verdi
Rigoletto
bel canto
Vincenzo Bellini
Gaetano Donizetti
Gioachino Rossini
Naples
Alessandro Busti
castrato
Girolamo Crescentini
Regio Collegio di Musica
Torquato Tasso
Teatro San Cassiano
Lucia di Lammermoor
Théâtre Italien
La Scala
Mosè in Egitto
Teatro Argentina
I due Foscari
Giovanna d'Arco
Francesco Maria Piave
Napoleone Moriani
Carlo Boniforti
La Fenice
Verdi
Rigoletto
La donna è mobile

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