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2000 »Ein
Musikinstrument geht um die Welt. Zur Verflechtung lokaler, nationaler und internationaler Kontexte im Bamakoer Jenbe-Spiel«. In: Bauer, Ulrich, Henrik Egbert und Frauke Jäger (Hrsg.), Interkulturelle Beziehungen und Kulturwandel in Afrika. Beiträge zur Globalisierungsdebatte. Frankfurt a.
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2005 »Drumming for Money and
Respect. The Commercialization of Traditional Celebration Music in Bamako«. In: Jansen, Jan and Stephen Wooten (eds.), Wari Matters: Ethnographic Explorations of money in the Mande World. LIT Verlag,
437:
2005 »A Musical
Instrument Travels Around the World: Jenbe Playing in Bamako, in West Africa, and Beyond«. In: Post, Jennifer (ed.), Ethnomusicology: A Contemporary Reader. NY: Routledge Press, 161–185.
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2004 »Die
Kommerzialisierung der Hochzeitsfestmusik in Bamako«. In: Beck, Kurt, Till Förster und Hans Peter Hahn (Hrsg.), Blick nach vorn. Festgabe für Gerd Spittler zum 65. Geburtstag. Köln: Köppe, S.
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2001 »Festmusik: Zur
Ethnographie musikalischer Gattungen in Westafrika«. In: Marianne Bröcker(Hrsg.), Berichte aus dem ICTM-Nationalkomitee Deutschland IX/X. Bamberg: Universitätsbibliothek, S. 19–50.
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2003 »City rhythms: The urbanization of local drum/dance celebration music in Bamako«. In:Jansen, Jan (ed.), Experts in Mandé. Leiden: Nederlandse
Vereniging van Afrika Studies, pp. 1–24.
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for one year in 1997/98, performing at well over a hundred traditional weddings, spirit possession dances and other celebrations on the basis of being hired by the late
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1997 »Bewegung, Zeit und
Pulsation. Theorierelevante Aspekte der Jenbemusik in Bamako«. In: Jahrbuch für musikalische Volks- und Völkerkunde 16: 59–70.
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were accomplished with the help of locally and traditionally minded drummers whose playing is presented in his book and the corresponding CD.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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2000 »A Musical
Instrument Travels Around the World: Jenbe Playing in Bamako, in West Africa, and Beyond«. In: The World of Music 42/3: 7–46.
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2007 »Performing
Audience: On the Social Constitution of Focused Interaction at Celebrations in Mali«. In: Anthropos 102.2007/1: 3–18.
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428:(in Vorbereitung): West African Percussion. One World–Many Musics, vol. 6 (DVD). Rotterdam: Codarts / Hogeschool voor de Kunsten.
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2004 Festmusik als Arbeit, Trommeln als Beruf. Jenbe-Spieler in einer westafrikanischen GroĂźstadt. Berlin: Reimer.
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1998 »Jenbe Music in Bamako: Microtiming as Formal Model and
Performance Practice«. In: Iwalewa-Forum 2: 24–46.
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Gibson, Gloria J.; Daniel B. Reed (December 1, 2003).
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