Knowledge (XXG)

Ralph Rosenblum

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331: 326:, much to his credit. He was against the wall. I think he was afraid. He was testy, he was slightly short-tempered. He was fearful. He thought he had a real bomb. But he managed to pull it out with his own work. The day the reviews came out, he said to me, 'Well, we pulled this one out by the short hairs, didn't we?' 368:
According to his widow, Davida Rosenblum, "He was an autodidact, especially when it came to his prodigious knowledge of music, and used both jazz and classical music as temporary or permanent scores in many of the films he edited. Many of the composers exposed to his temporary tracks used them as a
250:, Rosenblum broke editing conventions and rules. More importantly, and like her also, his innovations shifted editing away from its traditional reliance on telling a story to the creation of a new and penetrating subjectivity in the feature film." 350:, a popular volume which gave the first insider's explanation of what really goes into film editing. ... In the book Rosenblum revealed that he had saved several films by creatively reshaping the footage, such as 1577: 975: 847: 947: 564: 422: 206: 968: 1572: 307:, who had been Rosenblum's assistant editor on several of Allen's films, became his successor and edited Allen's films for the ensuing twenty years. 166:(1950), which van Dongen produced and directed. Much of Rosenblum's work in the 1950s and early 1960s was in television; he worked on shows such as 141: 961: 759: 719: 622: 398:
as a Full Professor of Film Directing despite having not attended college himself. In his final decade, Rosenblum taught editing at the
364:. Rosenblum's revelations helped bring credit to the film editing profession, and forced scholars to reconsider editorial contributions. 648: 901: 823: 474: 356: 1562: 1380: 1372: 1567: 1169: 211:(1962). These films, which were all serious dramas, were very important to Rosenblum's career; as John Gallagher has noted, 1489: 1368: 494: 279: 703: 299:(1978) was Rosenblum's last film with Allen. Rosenblum and Allen came to a mutual decision that Rosenblum would not edit 984: 290: 115: 89: 1348: 950:. Online access is not available, but the interviews are available to the public. Some of the typescripts are undated. 550: 378: 314:, Allen was actively involved in the editing and was fearful concerning the reception of the film. Allen's biographer 198:, he formed a company, MKR Films, that provided editorial services for television shows, spots, and corporate films. 1461: 1285: 1245: 1201: 534: 1521: 1293: 1253: 462: 482: 246:, Rosenblum imitated devices from several French films of the previous decade, but he also extended them. Like 171: 106:(October 13, 1925 – September 6, 1995) was an American film editor who worked extensively with the directors 1509: 1445: 1437: 1181: 1161: 406: 254: 1297: 1097: 438: 430: 399: 222: 215: 864:
Members of the American Cinema Editors are often credited with the title "A.C.E.". For Rosenblum, see
1557: 1552: 1501: 946:. The original typescripts of the interview transcripts are held by the Billy Rose Theatre Division, 680: 330: 1141: 1045: 867: 510: 395: 230:, depicting the last few moments of life on earth, and the use of concentration camp flashbacks in 186: 1425: 1217: 1133: 754:. History of the American Cinema. Vol. 8. University of California Press. pp. 92–94. 1020: 930: 907: 897: 829: 819: 815: 809: 765: 755: 725: 715: 670: 628: 618: 446: 259: 191: 1493: 1433: 1032: 708: 684: 652: 454: 351: 346:
Ralph Rosenblum did a service to editors everywhere with the 1979 publication of his memoir
149: 868:"Sight, Sound & Story: Manhattan Edit Workshop Delivers on Full Day of Editorial Glory" 1197: 1089: 372:
Rosenblum worked as a director for about five years, commencing with the documentary film
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in Rockport, Maine. For the final four years, he was also an Artist in Residence.
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For the last eight years of his life, Rosenblum taught film and film editing at
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In 1968, Rosenblum was hired as an "editorial consultant" to help a young
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hone a large amount of footage into what became Allen's first film, the
926: 283:. Rosenblum went on to edit the next five of Allen's films, including 937: 942:
Robert Karen interviewed Rosenblum in preparation for their book,
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When the Shooting Stops, the Cutting Begins: A Film Editor's Story
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When the Shooting Stops, the Cutting Begins: A Film Editor's Story
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demonstrated Rosenblum's editorial finesse. The montage ending of
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When the Shooting Stops, the Cutting Begins: A Film Editor's Story
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Cover of the 1986 reprinting of Rosenblum and Karen's 1979 book.
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In 1979, Rosenblum published a book written with Robert Karen,
342:. Gallagher described the importance of this book as follows: 238:
Paul Monaco has summarized Rosenblum's editing innovations on
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in 1945, Rosenblum worked as a filmmaking apprentice in the
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International Dictionary of Film and Filmmakers, Edition 4
382:(1981), which was made for television and which was actor 242:, as well as their influence, as follows, "In his work on 916:
Memoir published by Rosenblum's wife of over forty years.
669:(16 mm film reel). New York: United Nations Film Board. 417:
The director of each film is indicated in parentheses.
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In the 1960s, Rosenblum edited four films directed by
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People of the United States Office of War Information
1316: 991: 257:"Eddie" award (Best Editing of a Feature Film) for 234:, brought Rosenblum his first industry recognition. 85: 77: 67: 49: 28: 21: 707: 360:and Woody Allen's first major film as a director, 348:When the Shooting Stops . . . the Cutting Begins 948:New York Public Library for the Performing Arts 706:. In Pendergast, Tom; Pendergast, Sara (eds.). 565:List of film director and editor collaborations 405:Rosenblum had been selected as a member of the 344: 320: 213: 969: 750:Monaco, Paul (2003). Harpole, Charles (ed.). 8: 944:When the Shooting Stops, the Cutting Begins 697: 695: 693: 608: 606: 538:(de Menil - 1977) (as editorial consultant) 400:International Film and Television Workshops 976: 962: 954: 18: 940:(Interview). Interviewed by Robert Karen. 162:(1948), and was credited as an editor on 644: 642: 613:Rosenblum, Ralph; Karen, Robert (1979). 498:(Allen - 1969) (as editorial consultant) 253:In 1966, Rosenblum was nominated for an 581: 124:, and published an influential memoir 7: 687:, Howard Wierum, William E. Hawley. 1420:Chris King and Gregers Sall (2011) 848:"Ralph Rosenblum, Film Editor, 69" 14: 683:. Editor: Ralph Rosenblum. Cast: 318:quoted Rosenblum about the film: 1573:Best Editing BAFTA Award winners 144:; among his mentors there were 81:Davida Rosenblum (m. 1948–1995) 870:. Motion Picture Editors Guild 866:Ochiva, Dan (August 7, 2013). 655:. Retrieved February 26, 2022. 475:The Night They Raided Minsky's 357:The Night They Raided Minsky's 263:(1965), which was directed by 142:U.S. Office of War Information 1: 423:Long Day's Journey into Night 208:Long Day's Journey into Night 985:BAFTA Award for Best Editing 938:"Ralph Rosenblum interviews" 679:20 minute film. Screenplay: 293:with Wendy Greene Bricmont. 291:BAFTA Award for Best Editing 289:, for which he won the 1977 116:BAFTA Award for Best Editing 814:. Alfred A. Knopf. p.  702:Gallagher, John A. (2000). 649:Remembering Ralph Rosenblum 376:(1980). His films included 1594: 892:Rosenblum, Davida (2008). 617:. New York: Viking Adult. 535:North Star: Mark di Suvero 936:Rosenblum, Ralph (1977). 665:Helen van Dongen (1950). 811:Woody Allen: A biography 1563:American Cinema Editors 651:www.mindspring.com via 407:American Cinema Editors 255:American Cinema Editors 136:Towards the end of the 752:The Sixties: 1960–1969 495:Take the Money and Run 366: 362:Take the Money and Run 335: 328: 322:He managed to rescue 280:Take the Money and Run 236: 1568:American film editors 1298:Christopher Greenbury 1098:Wendy Greene Bricmont 1040:Richard Marden (1971) 894:Reflections: A Memoir 333: 1502:Mikkel E. G. Nielsen 854:. September 8, 1995. 681:Joseph Moncure March 413:Selected filmography 16:American film editor 1349:ValdĂ­s Ă“skarsdĂłttir 1046:Gerald B. Greenberg 714:. St. James Press. 589:Rosenblum, Davida. 396:Columbia University 310:For the last film, 187:The Patty Duke Show 1426:William Goldenberg 1218:Thelma Schoonmaker 1134:Thelma Schoonmaker 852:The New York Times 808:Lax, Eric (1991). 591:"About the author" 336: 114:. He won the 1977 1540: 1539: 1381:Christopher Rouse 1373:Christopher Rouse 1021:Hugh A. Robertson 761:978-0-520-23804-6 721:978-1-55862-449-8 704:"Ralph Rosenblum" 624:978-0-670-75991-0 483:Goodbye, Columbus 478:(Friedkin - 1968) 447:A Thousand Clowns 260:A Thousand Clowns 101: 100: 53:September 6, 1995 1585: 1533: 1525: 1517: 1505: 1497: 1494:Michael McCusker 1485: 1477: 1465: 1457: 1449: 1441: 1434:Daniel P. Hanley 1429: 1421: 1416: 1404: 1392: 1384: 1376: 1360: 1352: 1344: 1336: 1328: 1309: 1301: 1289: 1281: 1273: 1265: 1257: 1249: 1241: 1229: 1221: 1213: 1205: 1193: 1185: 1177: 1170:Michael Chandler 1165: 1157: 1145: 1142:Françoise Bonnot 1137: 1129: 1121: 1113: 1105: 1093: 1077: 1069: 1057: 1049: 1041: 1036: 1033:Richard C. Meyer 1024: 1016: 1008: 1003: 978: 971: 964: 955: 941: 915: 879: 878: 876: 875: 862: 856: 855: 844: 838: 837: 805: 799: 798: 796: 794: 780: 774: 773: 747: 741: 740: 738: 736: 713: 699: 688: 685:Dorothy Peterson 678: 662: 656: 653:Internet Archive 646: 637: 636: 610: 601: 600: 598: 597: 586: 352:William Friedkin 205:, starting with 150:Helen van Dongen 118:for his work on 56: 39:October 13, 1925 38: 36: 19: 1593: 1592: 1588: 1587: 1586: 1584: 1583: 1582: 1543: 1542: 1541: 1536: 1528: 1520: 1508: 1500: 1490:Andrew Buckland 1488: 1480: 1468: 1460: 1452: 1444: 1432: 1424: 1419: 1407: 1395: 1387: 1379: 1369:Richard Pearson 1363: 1355: 1347: 1339: 1331: 1323: 1312: 1304: 1292: 1284: 1276: 1268: 1260: 1252: 1244: 1232: 1224: 1216: 1208: 1198:Peter E. Berger 1196: 1188: 1180: 1168: 1160: 1148: 1140: 1132: 1124: 1116: 1108: 1102:Ralph Rosenblum 1096: 1090:Lynzee Klingman 1080: 1072: 1060: 1052: 1044: 1039: 1027: 1019: 1011: 1007:No Award (1967) 1006: 998: 987: 982: 935: 927:Ralph Rosenblum 923: 904: 891: 886:Further reading 883: 882: 873: 871: 865: 863: 859: 846: 845: 841: 826: 807: 806: 802: 792: 790: 782: 781: 777: 762: 749: 748: 744: 734: 732: 722: 701: 700: 691: 667:Of Human Rights 664: 663: 659: 647: 640: 625: 612: 611: 604: 595: 593: 588: 587: 583: 573: 561: 551:Summer Solstice 442:(Lumet - 1965) 415: 392: 379:Summer Solstice 164:Of Human Rights 159:Louisiana Story 154:Robert Flaherty 134: 132:Life and career 104:Ralph Rosenblum 63: 58: 54: 45: 40: 34: 32: 24: 23:Ralph Rosenblum 17: 12: 11: 5: 1591: 1589: 1581: 1580: 1575: 1570: 1565: 1560: 1555: 1545: 1544: 1538: 1537: 1535: 1534: 1526: 1518: 1506: 1498: 1486: 1478: 1466: 1458: 1454:Margaret Sixel 1450: 1442: 1430: 1422: 1417: 1405: 1393: 1385: 1377: 1361: 1357:Claire Simpson 1353: 1345: 1337: 1333:Daniel Rezende 1329: 1320: 1318: 1314: 1313: 1311: 1310: 1302: 1290: 1282: 1274: 1266: 1258: 1250: 1242: 1230: 1226:Gerry Hambling 1222: 1214: 1210:Gerry Hambling 1206: 1194: 1190:Claire Simpson 1186: 1178: 1166: 1158: 1150:Walt Mulconery 1146: 1138: 1130: 1122: 1114: 1110:Gerry Hambling 1106: 1094: 1078: 1070: 1058: 1050: 1042: 1037: 1029:John C. Howard 1025: 1017: 1009: 1004: 995: 993: 989: 988: 983: 981: 980: 973: 966: 958: 952: 951: 933: 922: 921:External links 919: 918: 917: 902: 881: 880: 857: 839: 824: 800: 784:"Film in 1978" 775: 760: 742: 720: 689: 657: 638: 623: 602: 580: 579: 572: 569: 568: 567: 560: 557: 556: 555: 547: 546:(Allen - 1978) 539: 531: 530:(Allen - 1977) 523: 522:(Allen - 1975) 519:Love and Death 515: 514:(Allen - 1973) 507: 506:(Allen - 1971) 499: 491: 479: 471: 459: 458:(Lumet - 1966) 451: 443: 439:The Pawnbroker 435: 434:(Lumet - 1964) 427: 426:(Lumet - 1962) 414: 411: 391: 388: 386:'s last film. 305:Susan E. Morse 244:The Pawnbroker 240:The Pawnbroker 232:The Pawnbroker 223:The Pawnbroker 133: 130: 99: 98: 87: 83: 82: 79: 75: 74: 69: 65: 64: 59: 57:(aged 69) 51: 47: 46: 41: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1590: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1550: 1548: 1531: 1530:Jennifer Lame 1527: 1523: 1519: 1515: 1514:Elliot Graham 1511: 1507: 1503: 1499: 1495: 1491: 1487: 1483: 1479: 1475: 1474:Jonathan Amos 1471: 1470:Paul Machliss 1467: 1463: 1459: 1455: 1451: 1447: 1443: 1439: 1435: 1431: 1427: 1423: 1418: 1414: 1410: 1406: 1402: 1398: 1394: 1390: 1389:Chris Dickens 1386: 1382: 1378: 1374: 1370: 1366: 1365:Clare Douglas 1362: 1358: 1354: 1350: 1346: 1342: 1338: 1334: 1330: 1326: 1322: 1321: 1319: 1315: 1307: 1306:Pietro Scalia 1303: 1299: 1295: 1291: 1287: 1283: 1279: 1275: 1271: 1267: 1263: 1259: 1255: 1251: 1247: 1243: 1239: 1238:Pietro Scalia 1235: 1231: 1227: 1223: 1219: 1215: 1211: 1207: 1203: 1199: 1195: 1191: 1187: 1183: 1179: 1175: 1171: 1167: 1163: 1159: 1155: 1151: 1147: 1143: 1139: 1135: 1131: 1127: 1123: 1119: 1115: 1111: 1107: 1103: 1099: 1095: 1091: 1087: 1083: 1079: 1075: 1071: 1067: 1063: 1059: 1055: 1054:Ralph Kemplen 1051: 1047: 1043: 1038: 1034: 1030: 1026: 1022: 1018: 1014: 1010: 1005: 1001: 1000:Tom Priestley 997: 996: 994: 990: 986: 979: 974: 972: 967: 965: 960: 959: 956: 949: 945: 939: 934: 932: 928: 925: 924: 920: 913: 909: 905: 903:9781436321785 899: 895: 890: 889: 888: 887: 869: 861: 858: 853: 849: 843: 840: 835: 831: 827: 825:0-394-58349-3 821: 817: 813: 812: 804: 801: 789: 785: 779: 776: 771: 767: 763: 757: 753: 746: 743: 731: 727: 723: 717: 712: 711: 705: 698: 696: 694: 690: 686: 682: 676: 672: 668: 661: 658: 654: 650: 645: 643: 639: 634: 630: 626: 620: 616: 609: 607: 603: 592: 585: 582: 578: 577: 570: 566: 563: 562: 558: 553: 552: 548: 545: 544: 540: 537: 536: 532: 529: 528: 524: 521: 520: 516: 513: 512: 508: 505: 504: 500: 497: 496: 492: 489: 485: 484: 480: 477: 476: 472: 469: 465: 464: 463:The Producers 460: 457: 456: 452: 449: 448: 444: 441: 440: 436: 433: 432: 428: 425: 424: 420: 419: 418: 412: 410: 408: 403: 401: 397: 389: 387: 385: 381: 380: 375: 370: 365: 363: 359: 358: 353: 349: 343: 341: 332: 327: 325: 319: 317: 313: 308: 306: 302: 298: 297: 292: 288: 287: 282: 281: 277: 273: 268: 266: 262: 261: 256: 251: 249: 245: 241: 235: 233: 229: 225: 224: 219: 218: 212: 210: 209: 204: 199: 197: 193: 189: 188: 183: 181: 175: 174: 169: 165: 161: 160: 155: 151: 147: 146:Sidney Meyers 143: 139: 131: 129: 127: 123: 122: 117: 113: 109: 105: 97: 96: 91: 88: 84: 80: 76: 73: 70: 66: 62: 52: 48: 44: 31: 27: 20: 1462:John Gilbert 1401:Bob Murawski 1325:Mary Sweeney 1317:2001–present 1286:David Gamble 1278:Peter Honess 1270:Walter Murch 1246:Michael Kahn 1234:Joe Hutshing 1202:Michael Kahn 1174:Nena Danevic 1154:Bud S. Smith 1118:Peter Zinner 1101: 1086:Sheldon Kahn 1082:Richard Chew 1066:Walter Murch 1062:Richard Chew 943: 893: 885: 884: 872:. Retrieved 860: 851: 842: 810: 803: 791:. Retrieved 787: 778: 751: 745: 735:December 24, 733:. Retrieved 709: 666: 660: 614: 594:. Retrieved 584: 575: 574: 549: 541: 533: 525: 517: 509: 501: 493: 481: 473: 461: 453: 450:(Coe - 1965) 445: 437: 429: 421: 416: 404: 393: 377: 373: 371: 367: 361: 355: 347: 345: 339: 337: 323: 321: 311: 309: 300: 294: 284: 278: 276:mockumentary 269: 258: 252: 243: 239: 237: 231: 227: 221: 216: 214: 207: 203:Sidney Lumet 200: 196:Gene Milford 185: 180:Guy Lombardo 177: 172: 167: 163: 157: 138:World War II 135: 125: 119: 108:Sidney Lumet 103: 102: 93: 90:Best Editing 55:(1995-09-06) 1558:1995 deaths 1553:1925 births 1522:Paul Rogers 1482:Hank Corwin 1409:Kirk Baxter 1397:Chris Innis 1341:Sarah Flack 1294:Tariq Anwar 1262:John Ottman 1254:John Wright 1013:Sam O'Steen 896:. Xlibris. 390:Later years 384:Henry Fonda 272:Woody Allen 112:Woody Allen 72:film editor 1547:Categories 1413:Angus Wall 1074:Dede Allen 874:2015-08-01 596:2015-07-21 571:References 527:Annie Hall 374:Acting Out 286:Annie Hall 248:Dede Allen 168:The Search 121:Annie Hall 95:Annie Hall 68:Occupation 35:1925-10-13 1510:Tom Cross 1446:Tom Cross 1438:Mike Hill 1182:Jim Clark 1162:Jim Clark 1126:Alan Heim 992:1966–2000 912:237789350 793:19 August 788:BAFTA.org 770:249526686 543:Interiors 455:The Group 431:Fail-Safe 324:Interiors 312:Interiors 301:Manhattan 296:Interiors 228:Fail Safe 217:Fail-Safe 61:Manhattan 834:22662351 730:44818539 675:22377084 559:See also 369:guide." 316:Eric Lax 265:Fred Coe 192:Sid Katz 156:'s film 43:Brooklyn 633:4832061 511:Sleeper 503:Bananas 490:- 1969) 190:. With 173:Omnibus 1532:(2023) 1524:(2022) 1516:(2021) 1504:(2020) 1496:(2019) 1484:(2018) 1476:(2017) 1464:(2016) 1456:(2015) 1448:(2014) 1440:(2013) 1428:(2012) 1415:(2010) 1403:(2009) 1391:(2008) 1383:(2007) 1375:(2006) 1359:(2005) 1351:(2004) 1343:(2003) 1335:(2002) 1327:(2001) 1308:(2000) 1300:(1999) 1288:(1998) 1280:(1997) 1272:(1996) 1264:(1995) 1256:(1994) 1248:(1993) 1240:(1992) 1228:(1991) 1220:(1990) 1212:(1989) 1204:(1988) 1192:(1987) 1184:(1986) 1176:(1985) 1164:(1984) 1156:(1983) 1144:(1982) 1136:(1981) 1128:(1980) 1120:(1979) 1112:(1978) 1104:(1977) 1092:(1976) 1076:(1975) 1068:(1974) 1056:(1973) 1048:(1972) 1035:(1970) 1023:(1969) 1015:(1968) 1002:(1966) 910:  900:  832:  822:  768:  758:  728:  718:  673:  631:  621:  554:(1981) 488:Peerce 470:-1967) 468:Brooks 184:, and 86:Awards 78:Spouse 576:Notes 92:1977 1512:and 1492:and 1472:and 1436:and 1411:and 1399:and 1371:and 1296:and 1236:and 1200:and 1172:and 1152:and 1100:and 1088:and 1064:and 1031:and 931:IMDb 908:OCLC 898:ISBN 830:OCLC 820:ISBN 795:2016 766:OCLC 756:ISBN 737:2007 726:OCLC 716:ISBN 671:OCLC 629:OCLC 619:ISBN 220:and 194:and 182:Show 178:The 148:and 110:and 50:Died 29:Born 929:at 816:335 354:'s 1549:: 1367:, 1084:, 906:. 850:. 828:. 818:. 786:. 764:. 724:. 692:^ 641:^ 627:. 605:^ 409:. 303:. 267:. 176:, 170:, 128:. 977:e 970:t 963:v 914:. 877:. 836:. 797:. 772:. 739:. 677:. 635:. 599:. 486:( 466:( 37:) 33:(

Index

Brooklyn
Manhattan
film editor
Best Editing
Annie Hall
Sidney Lumet
Woody Allen
BAFTA Award for Best Editing
Annie Hall
World War II
U.S. Office of War Information
Sidney Meyers
Helen van Dongen
Robert Flaherty
Louisiana Story
Omnibus
Guy Lombardo
The Patty Duke Show
Sid Katz
Gene Milford
Sidney Lumet
Long Day's Journey into Night
Fail-Safe
The Pawnbroker
Dede Allen
American Cinema Editors
A Thousand Clowns
Fred Coe
Woody Allen
mockumentary

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