77:, Chile, Vinay trained with famed Lamperti student, José Pierson, in Mexico. Vinay earned particular renown throughout the operatic world for his interpretation of the role of Otello. For a time, he made the part his own. Perhaps his most significant appearance as Otello occurred in 1947, in a radio broadcast of the opera under the baton of
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production of 1957, with the
Orchester der Bayreuth Festspiele conducted by Hans Knappertsbusch. Ramon Vinay sings Siegmund with Birgit Nillson as Sieglinde. This latter became known as the "Legendary 1957 Bayreuth Production".
132:. In all, he performed it hundreds of times. He is said to be one of the two opera singers to have sung both Otello and Iago (the baritone villain) in Verdi's tragic masterpiece during the course of a career (the other being
171:. Apart from Iago, the baritone parts which he performed included Telramund, Bartolo, Falstaff and Scarpia. In 1971, he also briefly returned from retirement to perform as the Grand Inquisitor in Verdi's
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A fine actor, Vinay was also the first tenor to sing the role of Otello on television. That was in 1948, in the initial telecast of an entire opera from the Met. He also sang Otello at
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with a powerful, dramatic voice. He is probably best remembered for his appearances in the title role of
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Recital live (Arias by Verdi, Leoncavallo, Saint-Saëns, Wagner, duets with Ljuba
Welitsch) – Melodram
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Wagner – Der Ring des
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Richard Wagner, Lohengrin 2. Aufzug: "Erhebe dich, Genossin meiner
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Wagner – Der Ring des
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Even as a tenor, however, his vocal timbre retained its dark, baritonal colouration.
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Wagner – Tristan und Isolde (Jochum/Varnay, Neidlinger, Weber, Malaniuk) – Melodram
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Vinay's overall tenor repertoire was comparatively ample. It also embraced heavy
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Four Famous Met-Tenors of the Past (Peerce, Björling, Tucker) – Preiser – LV
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Wagner – Parsifal (Krauss/Mödl, London, Weber, Uhde, Greindl) – Arlecchino
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Leoncavallo – Pagliacci (Antonicelli/Quarteraro, Warren, Thompson) – Guild
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Wagner – Parsifal (Knappertsbusch/Mödl, Fischer-Dieskau, Greindl) – Myto
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Richard Wagner, Lohengrin 2. Aufzug: "Du wilde
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Wagner – Lohengrin (Sawallisch/Thomas, Silja, Varnay, Crass) – Philips
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Verdi – Otello (Cleva 1950/1951/excerpts/Steber, Guarrera) – Preiser
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313:"The Baritone & Bass (!) Roles of Dramatic Tenor Ramón Vinay"
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He was the son of Jean Vinay Robert and Rosa Sepúlveda. Born in
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Richard Wagner, Walküre 2. Aufzug: "Weh! Weh! Suessestes Weib!"
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Bizet – Carmen (Stokowski/Heidt, Pease, M. Koshetz) – Eklipse
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Dirigent: Wolfgang
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Dirigent: Wolfgang
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Verdi – Otello (Beecham 1958/Stella, Taddei, Modesti) – Idis
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To the list of the selected recordings, could be added the
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Verdi – Otello (Busch/Albanese, Warren) – Preiser
Arkadia
30:(August 31, 1911 – January 4, 1996) was a famous Chilean
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and Chorus. This performance was subsequently issued by
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Dirigent: Clemens Krauss; Festspielhaus
Bayreuth, 1953
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Verdi – Otello (Furtwängler/Martinis, Schöffler) – EMI
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Saint-Saëns – Samson et Dalila (Cellini/Stevens) – VAI
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51:Biography
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