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The Dear Hunter

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622:) was written on piano, so I think it felt right to keep that a focal point. But also, I think, it was a conscious decision to make it a slightly more stripped-down record, as far as the scope and the grandeur goes. The idea was to keep the tone in general a little bit smaller with not so many doubles and big rock guitar and heavy spots on the record...with the lyrics of this new record being transparently about myself, I think it was important to not dehumanize the performances by over-layering them or over-doubling them. As you double vocals, they lose their intimate inflection, and whatever transparent emotion that's trying to be conveyed in them is washed out, which can be a good thing. For this record, I think it was important not to do that. 322:
ridiculous, because if I was to release that, I would be ashamed of myself. There is nothing to it – it's just one subject. I went through something with a girl, and like most immature artist people, you write about it and complain a lot...And that is why I didn't want anyone to hear those (songs from the demo)...I think I did what any writer does – they include themselves in their work to an extent as much as they can, since that is your only real link to humanity – what you experience. So if I am going to try to make anything realistic, all I have to go on is what I learned on my own...It is more that every character is a collection of experiences and feelings I have had about people in the past.
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In May 2006, Casey was "asked to leave" the Receiving End of Sirens and began working on the Dear Hunter's first studio album. He expanded the scope of the project to a six-album story set at the dawn of the 20th century. The story revolved around the birth, life, and abrupt death of a boy known only
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The idea was to take the creative overflow from the Receiving End of Sirens and bottle it up into something that I could keep with me. There was never a plan to take it on the road, or to release it. It was only when things with them went awry that I was given the opportunity to really make it into a
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On February 14, 2020, the Dear Hunter released an orchestral LP in collaboration with composer Brian Adam McCune and San Francisco-based group Awesöme Orchestra through Cave and Canary Goods. The Fox and the Hunt repurposes and expands upon orchestral parts recorded for Act IV and Act V into a fully
371:, Casey recruited Luke Dent of the recently split band Faraway for vocals and keyboards and Erick Serna as a second guitarist. Luke brought in his brother Sam on drums and Erick brought long-time friend Josh Rheault in to play bass. The band entered the studio in late 2006 to record the follow-up to 609:
presented a new challenge: "I've been in the rhythm of writing conceptually. It’s a challenge for me to be more transparent and more honest and more directly from the heart and not filtering it through something. So I think that was really exciting; it was really refreshing." Remarking on the less
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I don't know what the listening public will think, and the last thing I want to do is make any declarations in an attempt to influence the listener. What I can say, is that I haven't been more happy, or felt more creative in years, and I am truly anxious to push myself, and my music, to places I
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I think the reason I wanted it to be set in that time because as the story goes on, things will coincide with world events where starting at that point is really important. The architecture of the time, the colors – all of that influences the songs, but at the same time, it is not supposed to be
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The reason I originally wrote it is obviously because I was bitter. The demos were almost all thematically interchangeable with one another. They are all kind of bitter and about a guy falling in love with a prostitute and stuff. When people call those demos an album, I just think it is a little
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On June 12, 2021, Gavin Castleton announced his departure from the band via their Pillar account (a subscription-based online community in which the band actively participates). Castleton cited being at a point in his life that he cannot " the appropriate time, energy and focus" that the "many
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The story begins with the birth of the main character. The first act is really about the relationship of the mother and son, and what she has to go through to keep him alive and thriving. She decides to raise him removed from harsh realities, and tries to abandon her life as well- but her
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The band began as a side project of Casey Crescenzo when he was a full-time member of the Receiving End of Sirens. The Dear Hunter was originally intended as a vehicle for music Crescenzo had written that did not fit with the sound of the Receiving End of Sirens. Crescenzo affirmed that:
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On June 16, the single "A Night on the Town" became available for streaming on the band's official website, and the album became available for preorder. On the preorder form, the release date of the album was said to be September 4, 2015. The album debuted at No. 39 on the
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In a 2007 interview, Casey stated at that time that he had the overall story of the Dear Hunter mapped out. Casey produced and recorded the EP by himself with the assistance of his brother on drums and mother on backing vocals.
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On February 24, 2011, Alternative Press announced the EPs would be released in multiple formats, including a physical CD containing select tracks from each of the EPs. At some point prior to the completion of
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through Cave and Canary. The album is the first record in the band's sci-fi/fantasy-themed "Indigo Child" saga, introducing the titular city, and its geographical and social structure on a fictional world.
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as "The Dear Hunter." Crescenzo later remarked that the protagonist is "not a hero at all. I do not think he does a single good thing or smart thing in any of the stories." As Crescenzo summarized,
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demos. He created 10 copies on burned CDs that were circulated among his friends and posted online for download. While elements and characters featured on the demos would reappear on the subsequent
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in late September, finishing with a show in San Francisco accompanied by Awesöme Orchestra. The show focused mainly on Act IV and V and a few tracks off the first Acts. In an interview with
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was released May 22, 2007. Originally, the band had written almost 2 hours of music for the album, but managed to trim the run time down to 80 minutes so as to fit on a single compact disc.
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amazing and ambitious TDH events and releases" would require. He also stated these events and releases were "on the near horizon". The band wished Castleton well in the same post.
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was well underway and should be released by the end of 2015. This was announced in conjunction with the Dear Hunter's live album that was released the same day. The live album,
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On October 13, 2021, The Dear Hunter announced an upcoming event for their next release "The Indigo Child" set for October 22, 2021, on their Instagram and Facebook pages.
1843: 605:, which is the first album released by the Dear Hunter that does not have a concept, was released on April 2, 2013. Crescenzo remarked that the non-conceptual nature of 532:, Crescenzo was also conceiving a multi-album arc related to the color spectrum. On April 23, 2010, Crescenzo announced that the Dear Hunter would take a break from the 313:, Crescenzo has confirmed that there was a transformation in how he represented these themes and persons; while the story had its origins in his personal life, the 1838: 946: 344:
For Crescenzo, the decision to begin the story at the beginning of the 20th century was consciously chosen due to the events that would unfold in future acts:
473:(guitar/keys). Wildrick later joined the band as a permanent member, along with Sagan Jacobson of Crown Atlantic on bass and Casey's brother Nick on drums. 1848: 1760: 1022: 676: 254: 1469: 505:. During this time, former bassist Josh Rheault announced on tour that he had rejoined the Dear Hunter on acoustic guitar, backing vocals, and keyboards. 1564: 1659: 546:, would consist of nine EPs, each corresponding to a certain color (specifically, Black, Red, Orange, Yellow, Green, Blue, Indigo, Violet and White). 684:
and #6 on the Independent Albums chart, becoming their 2nd best charting success so far. The band embarked on a month-long North American tour with
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anything beyond fiction. It is supposed to be surreal – it is not like I am writing a concept album about some prostitute that I read a book about.
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On October 25–29, 2021, the Dear Hunter (along with touring keyboardist Aiden Earley) took part on the S.S. Neverender cruise along with
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selling approximately 7,000 copies, both career highs for the band. The Dear Hunter then embarked on a Fall US Tour with bands
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and a part of a common storyline, planned to conclude with a sixth installment. The most recent addition is 2016's
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EP, consisting of orchestral works based on their short film of the same name, and the future concept album saga.
583:. Prior to recording the album, Crescenzo expressed his excitement over working with Watts and further noted that 558:, the Dear Hunter performed the entire three-hour set of EPs in a single show and released it as a DVD, entitled 1645: 73: 1233: 1394: 239:, before becoming his main band in 2006. The band's sound features a wide variety of instruments and styles. 1795: 1732: 1176: 990: 713: 501: 428: 272: 1443: 432: 1591: 1168: 580: 510: 361: 132: 128: 579:, the first album under Crescenzo's new imprint label, Cave & Canary Goods, which is a unit of 469:(drums and bass, respectively), Christopher Tagliaferro of Tiger Riot (bass), and Andy Wildrick of 450:
The band filmed a music video for the song "The Church and the Dime". A book based on the story of
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would most likely not be seen for quite some time. He later announced that the project, titled
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On February 4, 2022, the Dear Hunter announced an upcoming American tour with special guests
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Act II: The Meaning of, and All Things Regarding Ms. Leading (Live from Seattle, WA)
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The Dear Hunter went in to the studio in 2012 with producer Mike Watts to record
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selflessness soon turns her back to old habits, and she ruins herself for him.
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was set for a September 9, 2016 release. The album debuted at #48 on the US
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band originating in Providence, Rhode Island. It began as a side project of
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and Vava. On September 13, the Dear Hunter announced a six track EP titled
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The Dear Hunter embarked on their first headlining tour in mid-2008 with
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On September 12, 2017, the Dear Hunter announced a headlining tour with
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After the headlining tour, the Dear Hunter entered the studio to record
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record, a consideration that Crescenzo weighed before moving forward.
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still haven't ventured, and to create the best possible album I can.
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Maxwell Tousseau – guitar, keyboards, percussion, backing vocals
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The World Is a Beautiful Place & I Am No Longer Afraid to Die
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Heatseekers chart. The band supported the album by touring with
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Most of the band's albums, starting with their 2006 debut album
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Act I: The Lake South, The River North (Live from Seattle, WA)
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On June 22, 2016 Casey Crescenzo announced via Facebook that
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Act II: The Meaning of, and All Things Regarding Ms. Leading
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Act II: The Meaning of, and All Things Regarding Ms. Leading
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Act II: The Meaning of, and All Things Regarding Ms. Leading
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Act II: The Meaning of, and All Things Regarding Ms. Leading
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removed most autobiographical elements in favor of fiction:
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Luke Dent – keyboard, guitar, percussion, backing vocals
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On July 1, 2022, they released their eighth studio album
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project to focus on this concept. He also stated that
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in 2017, and the most recent release being the album
1199:(orchestral LP performed by Awesöme Orchestra, 2019) 1810: 1780: 1710: 1264:"UTG Interview: Casey Crescenzo of The Dear Hunter" 825:Nick Crescenzo – drums, percussion, backing vocals 610:rock-oriented and relatively streamlined nature of 210: 206: 176: 172: 152: 148: 138: 124: 114: 84: 69: 64: 45: 1370:"The Dear Hunter lose 60 percent of their members" 891:Andy Wildrick – guitar, keyboards, backing vocals 885:Josh Rheault – guitar, keyboards, backing vocals 837:Robert Parr – guitar, keyboards, backing vocals 634:On March 3, 2015 Casey Crescenzo announced that 1463: 1461: 616: 585: 346: 337: 319: 296: 1592:""Migrant Returned" Album by The Dear Hunter"" 1257: 1255: 454:was released as part of the deluxe edition of 1653: 8: 1859:Musical groups from Providence, Rhode Island 1628:Lake and the River (The Dear Hunter Fansite) 1761:Act V: Hymns with the Devil in Confessional 1023:Act V: Hymns with the Devil in Confessional 677:Act V: Hymns with the Devil in Confessional 668:Act V: Hymns with the Devil in Confessional 255:Act V: Hymns with the Devil in Confessional 30:Not to be confused with American rock band 1660: 1646: 1638: 42: 1844:Alternative rock groups from Rhode Island 1294: 1292: 1290: 1288: 1286: 1284: 915:Andrew Brown – keyboards, backing vocals 379:'s "100 Bands You Need to Know in 2007." 303:In the winter of 2005 Casey recorded the 595:represents another deferral of the next 1220: 752:On October 22, 2021, the band released 1719:Act I: The Lake South, the River North 1437: 1435: 1433: 1337:"100 Bands You Need to Know in 2007". 975:Act I: The Lake South, the River North 909:Connor Doyle – guitar, backing vocals 903:Nate Patterson – bass, backing vocals 897:Sagan Jacobson – bass, backing vocals 357:Act I: The Lake South, The River North 328:Act I: The Lake South, The River North 245:Act I: The Lake South, the River North 1839:American post-hardcore musical groups 1228: 1226: 1224: 867:Erick Serna – guitar, backing vocals 7: 59:The Dear Hunter in Port Angeles, WA 1849:Musical groups established in 2005 360:was released in September 2006 on 25: 1543:"The Dear Hunter – Chart history" 509:was released on June 23, 2009 on 1444:"POZ Interview: The Dear Hunter" 461:Prior to a string of dates with 53: 1633:Cave & Canary Goods website 445:Fear Before the March of Flames 27:American progressive rock band 1: 1301:"Dear Hunter, The – 04.28.07" 1234:"Interview – Casey Crescenzo" 729:realized instrumental album. 486:You, Me, and Everyone We Know 367:Shortly after the release of 1864:Equal Vision Records artists 1854:Triple Crown Records artists 924:– keyboards, backing vocals 1818:The Receiving End of Sirens 618:Ninety-nine percent of it ( 399:reached No. 39 on the 237:the Receiving End of Sirens 143:The Receiving End of Sirens 1880: 1754:Act IV: Rebirth in Reprise 1015:Act IV: Rebirth in Reprise 637:Act IV: Rebirth in Reprise 628:Act IV: Rebirth in Reprise 299:traditional sort of thing. 29: 1675: 1044:The Color Spectrum – Live 849:Aiden Earley - keyboards 52: 733:Departure of Castleton, 614:, Crescenzo noted that: 235:when he was a member of 1796:All Is as All Should Be 1733:Act III: Life and Death 1395:"Act III release date." 1177:All Is as All Should Be 991:Act III: Life and Death 851:(2021-present; touring) 812:– lead vocals, guitar, 714:All Is as All Should Be 701:All Is as All Should Be 524:Between the release of 502:Act III: Life and Death 493:Act III: Life and Death 456:Act III: Life and Death 429:Scary Kids Scaring Kids 273:All Is as All Should Be 133:Cave & Canary Goods 1051:The Dear Hunter – Live 843:Nick Sollecito – bass 821:(2004–2007, 2010–2011) 778:and Tanner Merritt of 642:The Dear Hunter – Live 624: 590: 560:The Color Spectrum DVD 351: 342: 324: 301: 65:Background information 1197:The Fox and the Hunt 1169:The Migrations Annex 1082:Random EP No. 2 1076:Random EP No. 1 827:(2006, 2007–present) 722:The Fox and the Hunt 581:Equal Vision Records 511:Triple Crown Records 362:Triple Crown Records 34:. For the film, see 18:Random EP (Number 1) 1740:The Color Spectrum 1571:. October 11, 2016 1495:Magnotta, Andrew. 1446:. Property of Zack 1376:. October 19, 2007 1343:(225). April 2007. 1299:Henderson, Steve. 1207:("reimagining" of 999:The Color Spectrum 761:Coheed and Cambria 556:The Color Spectrum 552:The Color Spectrum 543:The Color Spectrum 518:The Color Spectrum 471:the Junior Varsity 261:The Color Spectrum 1826: 1825: 1687:Maxwell Tousseau 1590:Gonzales, Chris. 1522:"The Dear Hunter" 1468:Trimboli, Grant. 1416:Alternative Press 1340:Alternative Press 1240:. January 6, 2009 1238:Change the Record 936: 935: 927: 918: 912: 906: 900: 894: 888: 887:(2007, 2009–2011) 882: 879:Sam Dent – drums 876: 870: 852: 846: 840: 834: 828: 822: 818: 377:Alternative Press 222: 221: 216:TheDearHunter.com 162:Maxwell Tousseau 97:experimental rock 16:(Redirected from 1871: 1802:The Indigo Child 1772:Migrant Returned 1662: 1655: 1648: 1639: 1624: 1623: 1621:Official website 1607: 1606: 1604: 1602: 1587: 1581: 1580: 1578: 1576: 1561: 1555: 1554: 1552: 1550: 1539: 1533: 1532: 1530: 1528: 1518: 1512: 1511: 1509: 1507: 1492: 1486: 1485: 1483: 1481: 1465: 1456: 1455: 1453: 1451: 1442:Richman, Jesse. 1439: 1428: 1427: 1425: 1423: 1407: 1401: 1400:. 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Neverender 726: 705: 686:Gavin Castleton 672: 632: 571: 522: 497: 388: 332: 291: 286: 233:Casey Crescenzo 227:is an American 225:The Dear Hunter 214: 201:Gavin Castleton 199: 197: 195: 193: 191: 189: 187: 185: 183: 177: 167: 165: 163: 161: 159: 157:Casey Crescenzo 115: 60: 48: 47:The Dear Hunter 39: 36:The Deer Hunter 28: 23: 22: 15: 12: 11: 5: 1877: 1875: 1867: 1866: 1861: 1856: 1851: 1846: 1841: 1831: 1830: 1824: 1823: 1821: 1820: 1814: 1812: 1808: 1807: 1805: 1804: 1799: 1792: 1784: 1782: 1778: 1777: 1775: 1774: 1769: 1764: 1757: 1750: 1743: 1736: 1729: 1722: 1714: 1712: 1708: 1707: 1705: 1704: 1699: 1694: 1689: 1684: 1676: 1673: 1672: 1667: 1665: 1664: 1657: 1650: 1642: 1636: 1635: 1630: 1625: 1614: 1613:External links 1611: 1609: 1608: 1596:Tools and Toys 1582: 1556: 1534: 1513: 1487: 1457: 1429: 1402: 1387: 1361: 1346: 1329: 1317: 1280: 1251: 1219: 1217: 1214: 1213: 1212: 1200: 1192: 1189: 1188: 1187: 1181: 1173: 1165: 1157: 1149: 1141: 1133: 1125: 1117: 1109: 1101: 1093: 1085: 1079: 1071: 1068: 1067: 1066: 1060: 1054: 1048: 1038: 1035: 1034: 1033: 1027: 1019: 1011: 1003: 995: 987: 979: 969: 966: 965: 964: 956: 953: 951: 948: 943: 934: 933: 929: 928: 919: 913: 907: 901: 895: 889: 883: 877: 871: 858: 854: 853: 847: 845:(2011–present) 841: 839:(2011–present) 835: 833:(2010–present) 829: 823: 817:(2004–present) 797: 795: 792: 771: 770:(2022–present) 765: 742: 731: 725: 719: 704: 698: 671: 665: 631: 625: 570: 564: 521: 515: 496: 490: 433:Boys Night Out 387: 381: 331: 325: 290: 287: 285: 282: 250:concept albums 220: 219: 212: 208: 207: 204: 203: 188:Nate Patterson 186:Sagan Jacobson 180: 174: 173: 170: 169: 164:Nick Sollecito 160:Nick Crescenzo 154: 150: 149: 146: 145: 140: 136: 135: 126: 122: 121: 118: 112: 111: 105:symphonic rock 86: 82: 81: 71: 67: 66: 62: 61: 58: 50: 49: 46: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1876: 1865: 1862: 1860: 1857: 1855: 1852: 1850: 1847: 1845: 1842: 1840: 1837: 1836: 1834: 1819: 1816: 1815: 1813: 1809: 1803: 1800: 1798: 1797: 1793: 1791: 1790: 1786: 1785: 1783: 1779: 1773: 1770: 1768: 1765: 1763: 1762: 1758: 1756: 1755: 1751: 1749: 1748: 1744: 1742: 1741: 1737: 1735: 1734: 1730: 1728: 1727: 1723: 1721: 1720: 1716: 1715: 1713: 1711:Studio albums 1709: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1683: 1682: 1678: 1677: 1674: 1670: 1663: 1658: 1656: 1651: 1649: 1644: 1643: 1640: 1634: 1631: 1629: 1626: 1622: 1617: 1616: 1612: 1597: 1593: 1586: 1583: 1570: 1566: 1560: 1557: 1544: 1538: 1535: 1523: 1517: 1514: 1502: 1498: 1491: 1488: 1475: 1474:Under the Gun 1471: 1464: 1462: 1458: 1445: 1438: 1436: 1434: 1430: 1418: 1417: 1412: 1406: 1403: 1399: 1396: 1391: 1388: 1375: 1371: 1365: 1362: 1359: 1355: 1350: 1347: 1342: 1341: 1333: 1330: 1326: 1321: 1318: 1306: 1305:Absolute Punk 1302: 1295: 1293: 1291: 1289: 1287: 1285: 1281: 1269: 1268:Under The Gun 1265: 1262:Lion, Brian. 1258: 1256: 1252: 1239: 1235: 1229: 1227: 1225: 1221: 1215: 1210: 1206: 1205: 1201: 1198: 1195: 1194: 1190: 1185: 1182: 1179: 1178: 1174: 1171: 1170: 1166: 1163: 1162: 1158: 1155: 1154: 1150: 1147: 1146: 1142: 1139: 1138: 1134: 1131: 1130: 1126: 1123: 1122: 1118: 1115: 1114: 1110: 1107: 1106: 1102: 1099: 1098: 1094: 1091: 1090: 1086: 1083: 1080: 1077: 1074: 1073: 1069: 1064: 1061: 1058: 1055: 1052: 1049: 1046: 1045: 1041: 1040: 1036: 1031: 1028: 1025: 1024: 1020: 1017: 1016: 1012: 1009: 1008: 1004: 1001: 1000: 996: 993: 992: 988: 985: 984: 980: 977: 976: 972: 971: 968:Studio albums 967: 962: 959: 958: 954: 949: 942: 941: 932: 923: 920: 914: 908: 902: 896: 890: 884: 878: 872: 866: 865: 864: 863: 859: 857: 848: 842: 836: 830: 824: 815: 811: 808: 807: 806: 805: 801: 800: 793: 791: 788: 783: 781: 777: 769: 766: 764: 762: 757: 755: 750: 747: 740: 736: 732: 730: 723: 720: 718: 716: 715: 710: 702: 699: 697: 695: 691: 687: 683: 682:Billboard 200 679: 678: 669: 666: 664: 662: 658: 654: 652: 645: 643: 639: 638: 629: 626: 623: 621: 615: 613: 608: 604: 600: 598: 594: 589: 584: 582: 578: 577: 568: 565: 563: 561: 557: 553: 547: 545: 544: 539: 535: 531: 527: 519: 516: 514: 512: 508: 504: 503: 494: 491: 489: 487: 483: 479: 474: 472: 468: 464: 463:Circa Survive 459: 457: 453: 448: 446: 442: 438: 437:Circa Survive 434: 430: 426: 422: 418: 414: 410: 409:Saves the Day 406: 402: 398: 394: 393: 385: 382: 380: 378: 374: 370: 365: 363: 359: 358: 350: 345: 341: 336: 329: 326: 323: 318: 316: 312: 308: 307: 300: 295: 288: 283: 281: 279: 275: 274: 269: 268: 263: 262: 257: 256: 251: 247: 246: 240: 238: 234: 230: 226: 217: 213: 209: 205: 202: 198:Andrew Brown 192:Andy Wildrick 181: 175: 171: 158: 155: 151: 147: 144: 141: 137: 134: 130: 127: 123: 119: 113: 110: 106: 102: 98: 94: 90: 87: 83: 79: 75: 72: 68: 63: 56: 51: 44: 41: 37: 33: 19: 1801: 1794: 1789:The Branches 1787: 1771: 1766: 1759: 1752: 1745: 1738: 1731: 1724: 1717: 1701: 1696: 1691: 1686: 1679: 1668: 1601:November 22, 1599:. 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Billboard 1244:December 7, 950:Discography 926:(2016–2021) 917:(2015–2016) 911:(2010–2013) 905:(2008–2010) 899:(2007–2008) 893:(2007–2010) 881:(2006–2007) 875:(2006–2007) 869:(2006–2011) 694:Pop Matters 190:Erick Serna 109:baroque pop 1833:Categories 1569:PopMatters 1216:References 482:Eye Alaska 425:The Format 139:Spinoff of 93:indie rock 74:Providence 32:Deerhunter 1697:Rob Parr 1506:April 14, 1480:April 14, 1450:April 14, 1354:Billboard 1310:April 14, 1273:April 14, 1153:Violet EP 1145:Indigo EP 1121:Yellow EP 1113:Orange EP 780:O'Brother 651:Billboard 401:Billboard 280:in 2022. 264:in 2011, 182:Luke Dent 1358:Allmusic 1325:Band Bio 1161:White EP 1129:Green EP 1097:Black EP 940:Timeline 184:Sam Dent 101:art rock 1811:Related 1767:Antimai 1747:Migrant 1380:May 11, 1211:, 2023) 1209:Migrant 1137:Blue EP 1030:Antimai 1007:Migrant 819:, bass 804:Current 794:Members 787:Antimai 768:Antimai 620:Migrant 612:Migrant 607:Migrant 603:Migrant 593:Migrant 576:Migrant 567:Migrant 530:Act III 507:Act III 289:Origins 284:History 278:Antimai 267:Migrant 211:Website 153:Members 1186:(2021) 1180:(2017) 1172:(2013) 1164:(2011) 1156:(2011) 1148:(2011) 1140:(2011) 1132:(2011) 1124:(2011) 1116:(2011) 1108:(2011) 1105:Red EP 1100:(2011) 1092:(2010) 1084:(2008) 1078:(2007) 1065:(2024) 1059:(2023) 1053:(2015) 1047:(2013) 1032:(2022) 1026:(2016) 1018:(2015) 1010:(2013) 1002:(2011) 994:(2009) 986:(2007) 978:(2006) 963:(2004) 931: 862:Former 741:(2021) 737:, and 724:(2020) 703:(2017) 690:Eisley 670:(2016) 630:(2015) 569:(2013) 538:Act IV 526:Act II 520:(2011) 495:(2009) 484:, and 452:Act II 443:, and 417:Thrice 397:Act II 386:(2007) 330:(2007) 248:, are 125:Labels 85:Genres 80:, U.S. 70:Origin 1191:Other 955:Demos 814:organ 661:Gates 478:Lydia 373:Act I 369:Act I 1603:2023 1577:2019 1551:2016 1529:2015 1508:2013 1482:2013 1452:2013 1424:2011 1382:2013 1312:2013 1275:2013 1246:2015 1037:Live 688:and 659:and 657:CHON 534:Acts 528:and 441:Ours 315:Acts 311:Acts 1781:EPs 1070:EPs 653:200 597:Act 1835:: 1594:. 1567:. 1499:. 1472:. 1460:^ 1432:^ 1413:. 1372:. 1356:, 1303:. 1283:^ 1266:. 1254:^ 1236:. 1223:^ 782:. 763:. 663:. 562:. 513:. 480:, 447:. 439:, 435:, 431:, 427:, 423:, 419:, 415:, 411:, 407:, 364:. 131:, 107:, 103:, 99:, 95:, 91:, 76:, 1661:e 1654:t 1647:v 1605:. 1579:. 1553:. 1531:. 1510:. 1484:. 1454:. 1426:. 1384:. 1314:. 1277:. 1248:. 38:. 20:)

Index

Random EP (Number 1)
Deerhunter
The Deer Hunter
The Dear Hunter in Port Angeles, WA
Providence
Rhode Island
Progressive rock
indie rock
experimental rock
art rock
symphonic rock
baroque pop
Triple Crown
Cave & Canary Goods
The Receiving End of Sirens
Casey Crescenzo
Gavin Castleton
TheDearHunter.com
progressive rock
Casey Crescenzo
the Receiving End of Sirens
Act I: The Lake South, the River North
concept albums
Act V: Hymns with the Devil in Confessional
The Color Spectrum
Migrant
All Is as All Should Be
Dear Ms. Leading
Act I: The Lake South, The River North
Triple Crown Records

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