Knowledge (XXG)

Rashid Johnson

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497: 508: 650: 40: 683:. MCA Pamela Alper Associate Curator Julie Rodrigues Widholm curated the exhibition in close collaboration with the artist. The exhibition was a survey of the previous ten years of the artist's work. Additionally, a new work commissioned by the MCA was shown for the first time. The exhibition subsequently travelled to the 877:
His use of shea butter and tiles in his, respective, sculptural and mosaic work have significant meaning to Johnson. The former being a "signifier of African identity," whereas the latter have a more personal connection for him. As a student, a Russian and Turkish Bathouse became a place of refuge,
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publication, Johnson works in a variety of media with physical and visual materials that have independent artistic significance and symbolism but that are augmented by their connections to black history. According to the culture publication Flavorpill, he challenges his viewers with photography and
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Johnson is known for several bodies of work in different media, including photography and painting. In addition to photography, Johnson makes audio installations, video, and sculpture. Johnson is known for both his unusual artistic productions and for his process of combining various aspects of
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song combined with a blunt video. Artner became a Johnson detractor in 2005 when Johnson had this and another simultaneous exhibit appearing in Chicago. He described Johnson's exploration of the politics of race as "sloganeering or cute self-advertising" in his two-dimensional works, and his
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during the summer of 2003 with a three-week exhibition. He explored the "historical and contemporary nature of photography". At that time, he was represented by George N'Namdi, who owned G.R. N'Namdi, the oldest African-American-owned, exhibiting commercial gallery in the country.
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and premiered at Sundance Film Festival in January 2019. HBO Films acquired the movie hours before its premiere. Critical reception of the film was mixed. Richard Roeper gave the film a rating of 3/4 stars, and noted the actors' "electric" performances. Troy Patterson wrote in the
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exhibition at the Studio Museum in 2001 is credited with launching Johnson's career. The curator of the show, Thelma Golden, is credited with coining the term "post-black art" in relation to that exhibit, although some suggest the term is attributable to the 1995 book
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of feet, hands, and elbows in shapes such as cubes, church windows and ships. This was a considered as study in racial identity because the body parts were not identifiable. Also in 2002, presenting his photographic work using chicken bones, Johnson exhibited at the
350:, was named for the papers that freed slaves were required to keep to prove their freedom. The exhibition was described as being as much a cultural commentary as an imagery display, and it related to the previous "Chickenbones" exhibit. He geometrically arranged 3506: 804:'s struggles with its problematic source material are uneven but overall compelling, thanks largely to Ashton Sanders' poised work in the central role." Johnson won "Outstanding Directing in a Motion Picture (Television)" at the 475:. He addressed distraction and relief from reality through art and fantasy. Johnson used photos, video and site-specific installation to study escapist tendencies through often with a sense of humor that bordered on the absurd. 854:
writer Regina Hackett described Johnson as an artist who avoids the struggles of black people and explores their strengths, while inserting himself as subject in his "aesthetic aspirations" through a variety of forums.
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Johnson has garnered national attention for both his unusual subject matter and for his process. In addition to portrait photography, Johnson is known for his use of a 19th-century process that uses
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Johnson's two-panel mosaic, ceramic, and branded wood work commissioned for the Opera's interior grand tier landings. The same year, Johnson's works were added to the permanent collections of the
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that the movie "isn't a masterpiece" but "has much to admire", citing its "striking visual compositions", "tense atmosphere", and "Sanders' nuanced performance". Review aggregation site
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apolitical three-dimensional installations as "glib and superficial" representations. He classified Johnson's work as more suitable for the audience seeking nothing more than American
1072: 3471: 316:, who is a favorite of Johnson's. The term post-black now refers to art in which race and racism are prominent, but where the importance of the interaction of the two is diminished. 5297: 3389: 174:, and a Vietnam-war veteran father, Jimmy Johnson, who was an artist but worked in electronics. His parents divorced when he was 2 years old and his mother remarried a man of 5149: 3776: 303:
As a college junior, he opened his first show at the Schneider Gallery. By 2000, he had earned a reputation for his unique photo-printing process and political content. The
3838: 3806: 591:. Although he is generally referred to as a photographer and sometimes referred to as a sculptor, in certain contexts, he has been referred to as an artist-magician. 3606: 3449: 5252: 3194: 5322: 5317: 3733: 507: 240:, his contemporary audiences have a greater understanding of the "black experience," which has enabled him to achieve a deeper race and identity interaction. 4238: 1662: 496: 2814: 3572: 4028: 1838: 5081: 3091: 4428: 5292: 5272: 5267: 3143: 985: 4234: 1878: 1154: 800:
gives the film a score of 61%, based on reviews from 51 critics, and an average rating of 6.10/10, with the general consensus stated as follows: "
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exhibition that seemed to clearly address manners in which questions about race have been asked and answered on American sports fields of play.
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wondering whether he was viewing a warning or exhortation. However, at the same time he participated in the Wadsworth Atheneum Museum of Art's
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that was supposed to be menacing and abrasive, but that was perceived as interesting and amusing. His Summer 2007 "Stay Black and Die" work in
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Johnson has staged numerous solo shows at museums and galleries in the United States and internationally. His notable solo shows include
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Johnson followed a generation of black artists who focused on the "black experience" and grew up in a generation that was influenced by
3221: 3168: 821:"I was very proud when Barack got the nomination, ... But I wasn't proud for black people—I was kind of proud for white people." 4945: 4508: 4368: 4300: 3706: 1811: 1183: 1171: 790:
that the film suffered from "intelligent grappling with a classic text" that is ultimately "obsolete". Jennifer Vineyard wrote in the
5137: 4104: 1636: 5047: 4775: 3066:"A24 Lands 'Native Son' WW Rights Package: Rashid Johnson Helms, Ashton Sanders To Lead Ensemble On Richard Wright Novel Adaptation" 2841: 1574: 1413: 5115: 3766: 39: 4809: 2989:"Christie's Sold More Than $ 2 Billion Worth of Art in New York, But Its 20th and 21st Century Auctions Had Major Disappointments" 5307: 4640: 3828: 3668: 2166: 1254: 2875: 5262: 699: 4576: 684: 371: 248: 233: 4877: 3672: 580:... that says nothing worth saying about race." Other Chicago critics describe Johnson's subsequent work as relatively hip. 378:
and used partially illuminated subjects against deep black backgrounds. He also exhibited his homeless men work, including
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Johnson uses "alchemy, divination, astronomy, and other sciences that combine the natural and spiritual worlds" to augment
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feel with his prints with the application of pigment using broad brush strokes. He uses a 8-by-10-inch (20 by 25 cm)
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in December 2004. He presented replicas of three outfits worn by African-American politicians. He included a late 1960s
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with him viewing the white tiles as a canvas. He would even take his college assigned-reading in there with him.
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Throughout that latter 2010's, Johnson addressed the idea of mental health in multiple series of works, namely
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Alan G. Artner said Johnson's audio selection imposed his artistry on all the other exhibits since he chose a
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exhibition almost all artists had their first chance to exhibit in the country of the others. In this forum,
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Common Ground: Discovering Community in 150 Years of Art, Selections From the Collection of Julia J. Norrell
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He took part in the Chicago Department of Cultural Affairs artist Open Studio Program rotation in the
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seeds placed directly onto photographic paper and exposed to light using an iron-reactive process.
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announced their first solo exhibition with Johnson at their Upper East Side location in New York.
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Post-War and Contemporary Art Sale in London of June 2022, Johnson's wax and spray enamel work "
4292: 4260: 3390:"Artists in Residence Rashid Johnson and Sheree Hovsepian can't help but bring their work home" 2520:"Wisdom hard to find in 'Fool's Paradise' - Show explores meaning of place, but mostly is lost" 323:. The subject matter was a series of stereotypical African-American food culture items such as 4504: 3602: 3229: 2962: 2906: 2849: 2556: 2457: 2262: 1946: 1778: 1753: 1402: 1209: 1034: 965: 844:
sculpture that present the creation and dissemination of norms and expectations. However, the
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von Rhein, John; Reich, Howard; Artner, Alan G; Christiansen, Richard (December 30, 2001).
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describes the productions resulting from his processes as lacking complexity or depth.
827: 778: 630: 129: 3014:"Bonhams : Stik Triumphs at Bonhams Post-War and Contemporary Art Sale in London" 2670: 2612:"The art of elsewhere - Art lovers can sample other galleries while the IMA is closed" 2488:"Electric talents left idle - Versteeg's show can be interesting, falls short overall" 2072:"Prominence of artists makes exhibit important - Pieces by artists work well together" 1974:"Setting Your Sites - Web Favorites Reveal Personality Traits Of Prominent Chicagoans" 5241: 4199: 1391: 1146: 1093: 949: 599: 453: 445: 143: 2293:"Textured Paint, In a Riot Of Color - British And Caribbean Influences Are Apparent" 2258:"Artists - on display - Public project gives observers a peek into artistic process" 2162:"National Black Arts Festival: VISUAL ARTS: 15 visions of African-American identity" 830:
concept in the context of his country electing its first African American president?
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Chickenbones and Watermelon Seeds: The African American Experience as Abstract Art
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As a post-black artist, his mixed-media work, such as his Spring 2008 exhibition
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of the same name. It was announced in 2018 that Johnson had tapped playwright
770: 607: 556: 324: 221:. While at the School of the Art Institute of Chicago, one of his mentors was 4967: 4831: 4632: 4394: 4360: 4126: 3994: 3233: 2966: 2853: 1602: 5171: 2876:"Rashid Johnson Museum Of Contemporary Art Solo Exhibition Opens This Month" 1158: 1018: 871: 867: 560: 4899: 4530: 3039:"Rashid Johnson on broken men, the black body and why Trump is bad for art" 2421:"10 artists make 'Crossings' - Exhibit features works from Taiwan, Chicago" 1603:"Overblown ego: Parents don't do kids any favors when they praise too much" 717:. He also began serving on the boards of Performa, Ballroom Marfa, and the 691:
in Atlanta. The Perez Art Museum Miami, acquired the two-dimensional piece
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was part of the Corcoran Gallery of Art November 2004 – January 2005
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This article is about the artist. For the inmate and social activist, see
3313: 2817:. The Solomon R. Guggenheim Foundation. November 28, 2011. Archived from 2709: 2621: 2561: 2529: 2497: 2462: 2430: 2398: 2366: 2334: 2302: 2267: 2235: 2203: 2171: 2138: 2081: 2015: 1983: 1951: 1783: 1691:"Q&A: Rashid Johnson on Making Art "About the Bigger Issues in Life"" 989: 583:
The following year, after obtaining his master's degree, he moved to the
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descent. Johnson has stated that growing up his family was based in
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artist exchange program exhibition featuring five emerging Chicago
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Rosenberg, Karen; Cotter, Holland; Johnson, Ken (March 28, 2008).
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In November 2011, Johnson was named one of six finalists for the
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Johnson was born in Illinois to an academic and scholar mother,
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In 2013, Johnson was one of the commissioned artists for the
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in the lead role of Bigger Thomas. The film was produced by
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The Production of Escapism: A Solo Project by Rashid Johnson
4029:"Self-Portrait with my hair parted like Frederick Douglass" 3304:"Attachments. What Would You Take from a Burning Building?" 2955:"In Rashid Johnson's Mosaics, Broken Lives Pieced Together" 4429:"The New Negro Escapist Social and Athletic Club (Marcus)" 4161:"The New Negro Escapist Social and Athletic Club (Emmett)" 2552:"A '60s-inspired installation is trip that's worth taking" 1143:
The New Negro Escapist Social and Athletic Club (Thurgood)
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In 2021, the Metropolitan Opera in New York City unveiled
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The New Negro Escapist Social and Athletic Club (Thurgood)
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exhibition appeared in several other places including the
3169:"Two strong stars enhance a 'Native Son' updated for now" 1313:; Detroit Institute of Arts; and Whitney Museum, New York 1099:
Self-Portrait with my hair parted like Frederick Douglass
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Otobong Nkanga Wins $ 100,000 Nasher Prize for Sculpture
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The New Negro Escapist Social and Athletic Club (Marcus)
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The New Negro Escapist Social and Athletic Club (Emmett)
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He has also participated in many group shows, including
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The New Negro Escapist Social and Athletic Club (Emmett)
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The New Negro Escapist Social and Athletic Club (Emmett)
3464:"Rashid Johnson: The Rise and Fall of the Proper Negro" 1073:
National Museum of African American History and Culture
695:, produced right after the MCA show was open, in 2013. 3767:"IBCA 2005 INTERNATIONAL BIENNALE OF CONTEMPORARY ART" 3092:"Rashid Johnson to Direct Adaptation of 'Native Son'" 2905:. Museum of Contemporary Art, Chicago. Archived from 641:" that was a challenge to either condemn or endorse. 319:
Johnson's most controversial exhibition was entitled
2357:"Artists' 'Perfect Union' a view to a complex world" 629:, right). The exhibit was described as "a fictional 2842:"Fusing Identity: Dollops of Humor and Shea Butter" 633:of African-American intellectuals, a cross between 598:, Johnson exhibited a life-sized photographic nude 432:In conjunction with the Renaissance Society at the 109: 101: 91: 83: 75: 61: 49: 30: 5138:"The Bruising: For Jules, The Bird, Jack and Leni" 2389:"Day by Day - What's new, promising or a best bet" 874:, which forces him to interact with his subjects. 154:and his work has been exhibited around the world. 1451: 1449: 1372:(2021), National Gallery of Art, Washington, D.C. 1271:(2014), National Gallery of Art, Washington, D.C. 606:exhibition at the Jack Shainman Gallery left one 2226:"Collector finds common ground in diverse works" 2194:"A 'spiritual' collection - On view at Corcoran" 1637:"Meet Dr. Johnson-Odim, Dominican's new provost" 1351:The Bruising: For Jules, The Bird, Jack and Leni 1814:. Flavorpill. September 9, 2008. Archived from 819: 777:to adapt the novel into a screenplay, and cast 616:For Love of the Game: Race and Sport in America 146:at the Studio Museum in Harlem. He studied at 125:(born 1977) is an American artist who produces 4063:"The Evolution of the Negro Political Costume" 1661:Suarez de Jesus, Carlos (September 13, 2012). 1540: 1538: 1536: 467:Johnson explored the theme of escapism at the 5298:School of the Art Institute of Chicago alumni 1914:"ART IN REVIEW; National Black Fine Art Show" 1748:Drury, Amalie (December 2008). "The Artist". 1575:"Looking Deeply at the Art of Rashid Johnson" 906:. They live in New York City and have a son. 530:During the summer of 2005, he took part in a 366:In 2002 he exhibited his homeless men in the 16:American artist and film director (born 1977) 8: 2788:"Six Named as Finalists for Hugo Boss Prize" 1328:(2019), Metropolitan Museum of Art, New York 1108:The Evolution of the Negro Political Costume 1039:Prospect. 4: The Lotus in Spite of the Swamp 438:The Evolution of the Negro Political Costume 3448:: CS1 maint: numeric names: authors list ( 1192:(2010), Museum of Contemporary Art, Chicago 2286: 2284: 2105:. Galerie Guido W. Baudach. Archived from 1767: 1765: 1763: 1689:Goldstein, Andrew M. (December 31, 2013). 866:, and exposure to sunlight. He achieves a 38: 27: 2953:Sheets, Hilarie M. (September 23, 2021). 2065: 2063: 2061: 2059: 1837:Stackhouse, Christopher (April 4, 2012). 886:Johnson served on the jury that selected 587:in New York City, where he taught at the 2760:"The Topic Is Race; the Art Is Fearless" 2192:Shaw-Eagle, Joanna (November 13, 2004). 2038:"Review: Rashid Johnson/Monique Meloche" 986:Institute for Contemporary Art, Richmond 758:Johnson made his directorial debut with 5050:from the original on September 24, 2021 4235:Zeitz Museum of Contemporary Art Africa 3975:from the original on September 24, 2017 3423:"8 Things to Know About Rashid Johnson" 3278:"NAACP Winners 2020: The Complete List" 2481: 2479: 2006:"The Met pays homage to Jackie Kennedy" 1940:Fuller, Janet Rausa (October 8, 2000). 1872: 1870: 1868: 1866: 1772:Fuller, Janet Rausa (October 8, 2000). 1717:Woods, Ange-Aimée (February 21, 2014). 1445: 1408:Ruth Addison, Kate Fowle, Anton Belov, 1155:Zeitz Museum of Contemporary Art Africa 469:Indianapolis Museum of Contemporary Art 5146:Crystal Bridges Museum of American Art 4948:from the original on November 14, 2022 4744:from the original on December 12, 2022 4579:from the original on November 14, 2022 4443:from the original on November 14, 2022 4307:from the original on November 14, 2022 4241:from the original on November 14, 2022 4207:from the original on November 14, 2022 3709:from the original on December 15, 2021 3561:"Rashid Johnson: Message to Our Folks" 3441: 3090:Kinsella, Eileen (February 21, 2017). 2903:"Rashid Johnson: Message to Our Folks" 2486:Artner, Alan G. (September 30, 2005). 2291:Cohen, Keri Guten (November 9, 2003). 1806: 1804: 1802: 1800: 1355:Crystal Bridges Museum of American Art 219:School of the Art Institute of Chicago 152:School of the Art Institute of Chicago 70:School of the Art Institute of Chicago 5253:African-American contemporary artists 4982:from the original on November 3, 2020 4846:from the original on November 3, 2020 4647:from the original on February 5, 2018 4545:from the original on January 20, 2022 4477:from the original on November 7, 2021 4409:from the original on November 3, 2020 4335:Pennsylvania Academy of the Fine Arts 4107:from the original on December 9, 2019 4009:from the original on November 3, 2020 3941:from the original on February 3, 2022 3809:from the original on October 28, 2020 3675:from the original on October 15, 2021 2987:Kazakina, Katya (November 18, 2022). 1743: 1741: 1176:Pennsylvania Academy of the Fine Arts 926:The Rise and Fall of the Proper Negro 594:In an ensemble 2006 showing entitled 269:Institute of Contemporary Photography 7: 5323:20th-century African-American people 5318:21st-century African-American people 5220:from the original on August 15, 2022 5152:from the original on August 15, 2022 5118:from the original on August 15, 2022 5084:from the original on August 15, 2022 5070:"Anxious Red Painting November 29th" 5016:from the original on August 15, 2022 4880:from the original on August 15, 2022 4812:from the original on August 15, 2022 4681:from the original on August 15, 2022 4613:from the original on August 15, 2022 4375:from the original on August 15, 2022 4341:from the original on August 15, 2022 4141:from the original on August 15, 2022 4043:from the original on August 15, 2022 3893:"Rashid Johnson, Liverpool Biennial" 3841:from the original on August 15, 2022 3609:from the original on August 15, 2022 3493:Vaughn, Kenya (September 19, 2013). 3474:from the original on August 15, 2022 3368:Maximilíano Durón (5 October 2023), 3220:Vineyard, Jennifer (April 1, 2019). 3064:Fleming, Mike Jr. (March 15, 2018). 2129:"Reception To Open 3 Shows At Diggs" 1429:Rashid Johnson: Message to Our Folks 954:Rashid Johnson: Message to Our Folks 423:National Register of Historic Places 4778:from the original on April 18, 2021 4511:from the original on August 3, 2021 4437:Museum of Contemporary Art, Chicago 4273:from the original on April 25, 2022 4175:from the original on August 5, 2022 4075:from the original on August 5, 2022 4037:Museum of Contemporary Art, Chicago 3873:from the original on March 26, 2022 3747:from the original on March 24, 2022 3569:Museum of Contemporary Art, Chicago 3541:from the original on April 23, 2022 3276:Variety Staff (February 23, 2020). 2840:Spears, Dorothy (January 5, 2012). 2550:Hawkins, Margaret (April 6, 2007). 2518:Artner, Alan G. (August 31, 2006). 2419:Artner, Alan G. (August 11, 2005). 1774:"13 a lucky number for arts lovers" 1601:Rice, Chris Maul (March 17, 2022). 1386:, Sampada Aranke, Akili Tommasino, 1170:(2009), Brooklyn Museum, New York; 1103:Museum of Contemporary Art, Chicago 1053:Notable works in public collections 958:Museum of Contemporary Art, Chicago 677:Museum of Contemporary Art, Chicago 357:Museum of Contemporary Art, Chicago 277:Museum of Contemporary Art, Chicago 243:His work has been exhibited at the 4369:San Francisco Museum of Modern Art 4301:Fine Arts Museums of San Francisco 4127:"Black Steel in the Hour of Chaos" 3575:from the original on March 3, 2022 3509:from the original on June 16, 2017 3388:Browne, Alix (November 25, 2014). 3344:"An interview with Rashid Johnson" 2874:Rousseau, Caryn (April 16, 2012). 2786:Vogel, Carol (November 25, 2011). 2758:Cotter, Holland (March 30, 2008). 2582:Nelson, Karin (December 9, 2007). 2355:Camper, Fred (December 17, 2004). 2070:Shawver, D.B. (January 26, 2002). 1573:Shaw, Cameron (October 28, 2015). 1545:Hackett, Regina (August 9, 2007). 1332:Anxious Red Painting November 29th 1184:San Francisco Museum of Modern Art 1172:Fine Arts Museums of San Francisco 361:UBS 12 x 12: New Artists, New Work 14: 5186:from the original on July 5, 2022 4914:from the original on July 5, 2022 3907:from the original on May 11, 2021 3779:from the original on May 19, 2021 3641:from the original on May 24, 2022 3116:Ebiri, Bilge (January 27, 2019). 2387:Slosarek, Steve (March 4, 2005). 1912:Johnson, Ken (February 4, 2000). 1484:Johnson, Ken (December 5, 2008). 1414:Garage Museum of Contemporary Art 928:(2003), Monique Meloche Gallery, 826:—Rashid Johnson, comments on the 744:Anxious Men and Anxious Audiences 116:, brother & Maya Odim, sister 4641:Los Angeles County Museum of Art 4327:"Thurgood in the House of Chaos" 4293:"Thurgood in the House of Chaos" 4261:"Thurgood in the House of Chaos" 3669:Virginia Commonwealth University 2929:"Tribe • Pérez Art Museum Miami" 2643:"The Listings: June 30 - July 6" 2167:The Atlanta Journal-Constitution 2004:Kilian, Micheal (May 20, 2001). 1972:Maes, Nancy (January 11, 2001). 1456:Cotter, Holland (May 11, 2001). 1397:Monica Davis, Claudia Schreier, 1334:(2020), Art Institute of Chicago 1255:Los Angeles County Museum of Art 1129:(2008), Whitney Museum, New York 1127:Black Steel in the Hour of Chaos 956:(2012-2013), originating at the 506: 495: 5293:Artists from Evanston, Illinois 5273:Columbia College Chicago alumni 5268:African-American film directors 4395:"Thurgood in the Hour of Chaos" 4361:"Thurgood in the Hour of Chaos" 3799:"Rashid Johnson. ILLUMInations" 3142:Rea, Naomi (January 25, 2019). 2610:Berry, S.L. (January 7, 2005). 2451:Nance, Kevin (August 2, 2005). 2160:Cullum, Jerry (July 19, 2002). 1635:West, Stan (January 16, 2007). 1366:(2021), Cleveland Museum of Art 572:exhibition as a "conflation of 448:, a 1980s running suit worn by 182:and that his family celebrated 3661:"Provocations: Rashid Johnson" 1514:"Planner. Our Critic' Choices" 1294:; and Whitney Museum, New York 1186:; and Whitney Museum, New York 685:Mildred Lane Kemper Art Museum 372:Winston-Salem State University 249:Whitney Museum of American Art 234:Black Entertainment Television 1: 5258:American contemporary artists 3302:Eskin, Leah (June 17, 2001). 2323:Stein, Lisa (June 20, 2003). 2256:Lenoir, Lisa (May 18, 2003). 2044:. Newcity Communications, Inc 1486:"The Art Fair as Outlet Mall" 1168:Thurgood in the Hour of Chaos 915:2012: David C. Driskell Prize 902:Johnson is married to artist 739:, (2012). Sold for £264,900. 726:Surrender Painting "Sunshine" 338:In 2002, he exhibited at the 5303:Film directors from Illinois 4607:Virginia Museum of Fine Arts 4539:Solomon R. Guggenheim Museum 2698:Eagan, Matt (June 7, 2007). 1877:Wiens, Ann (November 2008). 1242:Virginia Museum of Fine Arts 1223:Solomon R. Guggenheim Museum 982:Provocations: Rashid Johnson 412:North Carolina Museum of Art 388:National Black Arts Festival 5278:American conceptual artists 4866:"Untitled Anxious Audience" 4806:Museum of Fine Arts, Boston 4633:"Four for the Talking Cure" 3470:. Monique Meloche Gallery. 2700:"Examining Sports and Race" 2224:Sung, Ellen (May 7, 2006). 1292:Museum of Fine Arts, Boston 436:, Rashid Johnson exhibited 374:. The exhibit was entitled 5339: 5313:African-American sculptors 5044:Metropolitan Museum of Art 4968:"Untitled (Anxious Crowd)" 4934:"Untitled (Anxious Crowd)" 4900:"Untitled (Anxious Crowd)" 4772:Metropolitan Museum of Art 3421:Paddle8 (April 15, 2015). 1552:Seattle Post-Intelligencer 1433:Museum of Contemporary Art 1399:Rashid Johnson: The Hikers 1288:Metropolitan Museum of Art 934:The Production of Escapism 851:Seattle Post-Intelligencer 715:Metropolitan Museum of Art 658:Metropolitan Museum of Art 394:in July and August 2002. 253:Metropolitan Museum of Art 189:Johnson was raised in the 18: 5002:"Untitled Escape Collage" 4942:Detroit Institute of Arts 4730:"Contemporary Collection" 4573:Detroit Institute of Arts 3805:. Universes in Universe. 1879:"Spot On: Rashid Johnson" 1419:Julie Rodrigues Widholm, 1298:Untitled Anxious Audience 1251:Four for the Talking Cure 1233:Detroit Institute of Arts 938:Indianapolis Contemporary 344:Charleston, West Virginia 257:Detroit Institute of Arts 37: 5078:Art Institute of Chicago 3935:Art Institute of Chicago 3829:"Shanghai Biennale 2012" 1887:Columbia College Chicago 1307:Untitled (Anxious Crowd) 1064:Art Institute of Chicago 862:, a transparent organic 841:Columbia College Chicago 815:Techniques and processes 668:. In 2012, mega-gallery 346:. The exhibit, entitled 245:Art Institute of Chicago 211:Columbia College Chicago 205:major, he earned a 2000 148:Columbia College Chicago 66:Columbia College Chicago 5308:Sculptors from Illinois 5214:National Gallery of Art 5180:Cleveland Museum of Art 4908:Cleveland Museum of Art 4738:Baltimore Museum of Art 4709:National Gallery of Art 4169:National Gallery of Art 3969:Smithsonian Institution 2231:The News & Observer 1317:Untitled Escape Collage 1311:Cleveland Museum of Art 1279:Baltimore Museum of Art 1137:National Gallery of Art 1077:Smithsonian Institution 1015:Studio Museum in Harlem 806:51st NAACP Image Awards 532:Chicago Cultural Center 5263:American photographers 5206:"Untitled Anxious Red" 4675:Pérez Art Museum Miami 3503:The St. Louis American 2933:Pérez Art Museum Miami 2036:Calder, Jaime (2008). 1264:Pérez Art Museum Miami 823: 687:in St. Louis, and the 661: 426:Page Brothers Building 300: 273:Brooklyn Museum of Art 267:, Washington, DC; the 265:Corcoran Museum of Art 5172:"Standing Broken Men" 5112:Storm King Art Center 4463:"Our People, Kind of" 4337:. December 28, 2014. 3703:Storm King Art Center 2617:The Indianapolis Star 2394:The Indianapolis Star 2134:Winston-Salem Journal 2077:Charleston Daily Mail 1724:Colorado Public Radio 1359:Bentonville, Arkansas 1346:New Windsor, New York 1342:Storm King Art Center 1002:New Windsor, New York 998:Storm King Art Center 765:a film adaptation of 652: 458:United States Senator 434:University of Chicago 331:, chicken bones, and 295: 207:Bachelor of Fine Arts 5288:Artists from Chicago 5182:. January 26, 2022. 5010:Dallas Museum of Art 4874:Milwaukee Art Museum 4531:"The New Black Yoga" 4471:Museum of Modern Art 3866:Prospect New Orleans 3834:Power Station of Art 2705:The Hartford Courant 2199:The Washington Times 1851:on September 5, 2015 1425:Madeleine Grynsztejn 1370:Untitled Anxious Red 1321:Dallas Museum of Art 1302:Milwaukee Art Museum 1200:Museum of Modern Art 1043:Prospect New Orleans 1031:54th Venice Biennale 711:Museum of Modern Art 681:Message to Our Folks 536:contemporary artists 479:Post-graduate career 310:The End of Blackness 275:, New York; and the 21:Kevin Rashid Johnson 4599:"The Sweet Science" 3529:"Smoke and Mirrors" 3402:on October 31, 2015 3045:. November 25, 2019 2881:The Huffington Post 2821:on October 19, 2013 1364:Standing Broken Men 1196:Our People, Kind of 724:In 2022, Johnson's 675:In April 2012, the 520:, unknown; Bottom: 471:in a show entitled 263:, Minneapolis; the 215:Master of Fine Arts 172:Cheryl Johnson-Odim 4910:. March 24, 2020. 4100:Seattle Art Museum 3901:Liverpool Biennial 3740:The New York Times 3603:Hauser & Wirth 3350:. November 8, 2020 3226:The New York Times 2959:The New York Times 2846:The New York Times 2793:The New York Times 2765:The New York Times 2737:The New York Times 2676:The New York Times 2648:The New York Times 2589:The New York Times 2298:Detroit Free Press 1919:The New York Times 1580:The New York Times 1491:The New York Times 1463:The New York Times 1403:Hauser & Wirth 1219:The New Black Yoga 1139:, Washington, D.C. 1122:Seattle Art Museum 1047:Liverpool Biennial 966:Hauser & Wirth 689:High Museum of Art 670:Hauser & Wirth 662: 645:Rise to prominence 612:The New York Times 452:in the '80s and a 376:Seeing in the Dark 348:Manumission Papers 301: 199:Evanston, Illinois 5036:"The Broken Five" 4505:Walker Art Center 3173:Chicago Sun-Times 2584:"Snuggle and Sip" 2557:Chicago Sun-Times 2458:Chicago Sun-Times 2263:Chicago Sun-Times 1947:Chicago Sun-Times 1779:Chicago Sun-Times 1754:Chicago, Illinois 1238:The Sweet Science 1210:Walker Art Center 1035:Shanghai Biennale 942:Smoke and Mirrors 839:. According to a 719:Guggenheim Museum 700:Performa Biennial 623:The Dead Lecturer 487:The Dead Lecturer 392:City Gallery East 359:, as part of the 261:Walker Art Center 195:Chicago, Illinois 120: 119: 84:Years active 5330: 5230: 5229: 5227: 5225: 5202: 5196: 5195: 5193: 5191: 5168: 5162: 5161: 5159: 5157: 5134: 5128: 5127: 5125: 5123: 5100: 5094: 5093: 5091: 5089: 5066: 5060: 5059: 5057: 5055: 5032: 5026: 5025: 5023: 5021: 4998: 4992: 4991: 4989: 4987: 4964: 4958: 4957: 4955: 4953: 4930: 4924: 4923: 4921: 4919: 4896: 4890: 4889: 4887: 4885: 4862: 4856: 4855: 4853: 4851: 4828: 4822: 4821: 4819: 4817: 4794: 4788: 4787: 4785: 4783: 4760: 4754: 4753: 4751: 4749: 4726: 4720: 4719: 4717: 4715: 4697: 4691: 4690: 4688: 4686: 4663: 4657: 4656: 4654: 4652: 4629: 4623: 4622: 4620: 4618: 4595: 4589: 4588: 4586: 4584: 4565:"River Crossing" 4561: 4555: 4554: 4552: 4550: 4527: 4521: 4520: 4518: 4516: 4493: 4487: 4486: 4484: 4482: 4459: 4453: 4452: 4450: 4448: 4425: 4419: 4418: 4416: 4414: 4391: 4385: 4384: 4382: 4380: 4357: 4351: 4350: 4348: 4346: 4323: 4317: 4316: 4314: 4312: 4289: 4283: 4282: 4280: 4278: 4257: 4251: 4250: 4248: 4246: 4223: 4217: 4216: 4214: 4212: 4195:"Rashid Johnson" 4191: 4185: 4184: 4182: 4180: 4157: 4151: 4150: 4148: 4146: 4123: 4117: 4116: 4114: 4112: 4091: 4085: 4084: 4082: 4080: 4059: 4053: 4052: 4050: 4048: 4025: 4019: 4018: 4016: 4014: 3991: 3985: 3984: 3982: 3980: 3957: 3951: 3950: 3948: 3946: 3923: 3917: 3916: 3914: 3912: 3889: 3883: 3882: 3880: 3878: 3857: 3851: 3850: 3848: 3846: 3825: 3819: 3818: 3816: 3814: 3795: 3789: 3788: 3786: 3784: 3763: 3757: 3756: 3754: 3752: 3736: 3731:(May 11, 2001). 3725: 3719: 3718: 3716: 3714: 3691: 3685: 3684: 3682: 3680: 3657: 3651: 3650: 3648: 3646: 3625: 3619: 3618: 3616: 3614: 3591: 3585: 3584: 3582: 3580: 3557: 3551: 3550: 3548: 3546: 3525: 3519: 3518: 3516: 3514: 3490: 3484: 3483: 3481: 3479: 3460: 3454: 3453: 3447: 3439: 3437: 3435: 3418: 3412: 3411: 3409: 3407: 3398:. 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Archived from 1874: 1861: 1860: 1858: 1856: 1847:. Archived from 1839:"Rashid Johnson" 1834: 1828: 1827: 1825: 1823: 1818:on July 21, 2009 1812:"Rashid Johnson" 1808: 1795: 1794: 1792: 1790: 1769: 1758: 1757: 1745: 1736: 1735: 1733: 1731: 1714: 1708: 1707: 1705: 1703: 1686: 1680: 1679: 1677: 1675: 1658: 1652: 1651: 1649: 1647: 1632: 1626: 1625: 1623: 1621: 1598: 1592: 1591: 1589: 1587: 1570: 1564: 1563: 1561: 1559: 1542: 1531: 1530: 1528: 1526: 1509: 1503: 1502: 1500: 1498: 1481: 1475: 1474: 1472: 1470: 1453: 1081:Washington, D.C. 904:Sheree Hovsepian 882:Other activities 831: 808:for his work on 775:Suzan Lori-Parks 767:Richard Wright's 707:The Broken Nine, 510: 499: 419:Chicago Landmark 384:Atlanta, Georgia 271:, New York; the 255:, New York; the 251:, New York; the 193:neighborhood of 96:Sheree Hovsepian 42: 28: 5338: 5337: 5333: 5332: 5331: 5329: 5328: 5327: 5238: 5237: 5234: 5233: 5223: 5221: 5204: 5203: 5199: 5189: 5187: 5170: 5169: 5165: 5155: 5153: 5142:Crystal Bridges 5136: 5135: 5131: 5121: 5119: 5104:"Stacked Heads" 5102: 5101: 5097: 5087: 5085: 5068: 5067: 5063: 5053: 5051: 5034: 5033: 5029: 5019: 5017: 5000: 4999: 4995: 4985: 4983: 4966: 4965: 4961: 4951: 4949: 4932: 4931: 4927: 4917: 4915: 4898: 4897: 4893: 4883: 4881: 4864: 4863: 4859: 4849: 4847: 4830: 4829: 4825: 4815: 4813: 4796: 4795: 4791: 4781: 4779: 4762: 4761: 4757: 4747: 4745: 4728: 4727: 4723: 4713: 4711: 4699: 4698: 4694: 4684: 4682: 4665: 4664: 4660: 4650: 4648: 4631: 4630: 4626: 4616: 4614: 4597: 4596: 4592: 4582: 4580: 4563: 4562: 4558: 4548: 4546: 4529: 4528: 4524: 4514: 4512: 4497:"The Treatment" 4495: 4494: 4490: 4480: 4478: 4461: 4460: 4456: 4446: 4444: 4427: 4426: 4422: 4412: 4410: 4393: 4392: 4388: 4378: 4376: 4359: 4358: 4354: 4344: 4342: 4325: 4324: 4320: 4310: 4308: 4291: 4290: 4286: 4276: 4274: 4266:Brooklyn Museum 4259: 4258: 4254: 4244: 4242: 4225: 4224: 4220: 4210: 4208: 4193: 4192: 4188: 4178: 4176: 4159: 4158: 4154: 4144: 4142: 4125: 4124: 4120: 4110: 4108: 4093: 4092: 4088: 4078: 4076: 4068:Brooklyn Museum 4061: 4060: 4056: 4046: 4044: 4027: 4026: 4022: 4012: 4010: 3993: 3992: 3988: 3978: 3976: 3959: 3958: 3954: 3944: 3942: 3925: 3924: 3920: 3910: 3908: 3891: 3890: 3886: 3876: 3874: 3859: 3858: 3854: 3844: 3842: 3827: 3826: 3822: 3812: 3810: 3797: 3796: 3792: 3782: 3780: 3765: 3764: 3760: 3750: 3748: 3729:Cotter, Holland 3727: 3726: 3722: 3712: 3710: 3693: 3692: 3688: 3678: 3676: 3659: 3658: 3654: 3644: 3642: 3627: 3626: 3622: 3612: 3610: 3595:"The Gathering" 3593: 3592: 3588: 3578: 3576: 3559: 3558: 3554: 3544: 3542: 3534:SculptureCenter 3527: 3526: 3522: 3512: 3510: 3492: 3491: 3487: 3477: 3475: 3468:Monique Meloche 3462: 3461: 3457: 3440: 3433: 3431: 3420: 3419: 3415: 3405: 3403: 3387: 3386: 3382: 3367: 3363: 3353: 3351: 3348:Apollo Magazine 3342: 3341: 3328: 3318: 3316: 3309:Chicago Tribune 3301: 3300: 3296: 3286: 3284: 3275: 3274: 3270: 3261: 3259: 3253: 3252: 3248: 3238: 3236: 3219: 3218: 3214: 3204: 3202: 3201:. April 5, 2019 3193: 3192: 3188: 3178: 3176: 3175:. April 5, 2019 3167: 3166: 3162: 3152: 3150: 3141: 3140: 3136: 3126: 3124: 3115: 3114: 3110: 3100: 3098: 3089: 3088: 3084: 3074: 3072: 3063: 3062: 3058: 3048: 3046: 3037: 3036: 3032: 3022: 3020: 3018:www.bonhams.com 3012: 3011: 3007: 2997: 2995: 2986: 2985: 2981: 2971: 2969: 2952: 2951: 2947: 2937: 2935: 2927: 2926: 2922: 2912: 2910: 2901: 2900: 2896: 2886: 2884: 2873: 2872: 2868: 2858: 2856: 2839: 2838: 2834: 2824: 2822: 2813: 2812: 2808: 2798: 2796: 2785: 2784: 2780: 2770: 2768: 2757: 2756: 2752: 2742: 2740: 2732:"Art in Review" 2729: 2728: 2724: 2714: 2712: 2697: 2696: 2692: 2682: 2680: 2679:. July 27, 2007 2671:"Art in Review" 2669: 2668: 2664: 2654: 2652: 2651:. June 30, 2006 2641: 2640: 2636: 2626: 2624: 2609: 2608: 2604: 2594: 2592: 2581: 2580: 2576: 2566: 2564: 2549: 2548: 2544: 2534: 2532: 2525:Chicago Tribune 2517: 2516: 2512: 2502: 2500: 2493:Chicago Tribune 2485: 2484: 2477: 2467: 2465: 2450: 2449: 2445: 2435: 2433: 2426:Chicago Tribune 2418: 2417: 2413: 2403: 2401: 2386: 2385: 2381: 2371: 2369: 2362:Chicago Tribune 2354: 2353: 2349: 2339: 2337: 2330:Chicago Tribune 2322: 2321: 2317: 2307: 2305: 2290: 2289: 2282: 2272: 2270: 2255: 2254: 2250: 2240: 2238: 2223: 2222: 2218: 2208: 2206: 2191: 2190: 2186: 2176: 2174: 2159: 2158: 2154: 2144: 2142: 2127: 2126: 2122: 2112: 2110: 2109:on June 9, 2011 2101: 2100: 2096: 2086: 2084: 2069: 2068: 2057: 2047: 2045: 2035: 2034: 2030: 2020: 2018: 2011:Chicago Tribune 2003: 2002: 1998: 1988: 1986: 1979:Chicago Tribune 1971: 1970: 1966: 1956: 1954: 1939: 1938: 1934: 1924: 1922: 1911: 1910: 1906: 1896: 1894: 1893:on July 3, 2010 1876: 1875: 1864: 1854: 1852: 1836: 1835: 1831: 1821: 1819: 1810: 1809: 1798: 1788: 1786: 1771: 1770: 1761: 1747: 1746: 1739: 1729: 1727: 1716: 1715: 1711: 1701: 1699: 1688: 1687: 1683: 1673: 1671: 1668:Miami New Times 1660: 1659: 1655: 1645: 1643: 1634: 1633: 1629: 1619: 1617: 1607:Chicago Tribune 1600: 1599: 1595: 1585: 1583: 1572: 1571: 1567: 1557: 1555: 1544: 1543: 1534: 1524: 1522: 1519:Chicago Tribune 1511: 1510: 1506: 1496: 1494: 1483: 1482: 1478: 1468: 1466: 1455: 1454: 1447: 1442: 1435:, Chicago, 2012 1384:Claudia Rankine 1380: 1375: 1326:The Broken Five 1112:Brooklyn Museum 1055: 946:SculptureCenter 922: 912: 900: 884: 846:Chicago Tribune 833: 825: 817: 798:Rotten Tomatoes 769:acclaimed 1940 756: 666:Hugo Boss Prize 654:The Broken Five 647: 589:Pratt Institute 585:Lower East Side 570:Fool's Paradise 553:Chicago Tribune 528: 527: 526: 525: 513: 512: 511: 502: 501: 500: 491: 490: 481: 386:as part of the 329:black-eyed peas 314:Debra Dickerson 290: 285: 223:Gregg Bordowitz 201:, a suburb. A 168: 114:Chaka Patterson 68: 57: 54: 45: 44:Johnson in 2008 33: 24: 17: 12: 11: 5: 5336: 5334: 5326: 5325: 5320: 5315: 5310: 5305: 5300: 5295: 5290: 5285: 5280: 5275: 5270: 5265: 5260: 5255: 5250: 5240: 5239: 5232: 5231: 5197: 5163: 5129: 5095: 5061: 5027: 4993: 4976:Whitney Museum 4959: 4925: 4891: 4857: 4840:Whitney Museum 4823: 4789: 4755: 4721: 4692: 4658: 4624: 4590: 4556: 4522: 4488: 4454: 4420: 4403:Whitney Museum 4386: 4352: 4318: 4284: 4252: 4218: 4186: 4152: 4135:Whitney Museum 4118: 4086: 4054: 4020: 4003:Whitney Museum 3986: 3952: 3918: 3884: 3852: 3820: 3790: 3758: 3720: 3686: 3652: 3634:Drawing Center 3620: 3586: 3552: 3520: 3485: 3455: 3413: 3380: 3361: 3326: 3294: 3268: 3246: 3212: 3199:The New Yorker 3186: 3160: 3134: 3108: 3082: 3056: 3030: 3005: 2979: 2945: 2920: 2894: 2866: 2832: 2806: 2778: 2750: 2722: 2690: 2662: 2634: 2602: 2574: 2542: 2510: 2475: 2443: 2411: 2379: 2347: 2315: 2280: 2248: 2216: 2184: 2152: 2141:. 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and the 994:The Crisis 828:post black 802:Native Son 788:New Yorker 761:Native Son 748:Broken Men 608:art critic 557:art critic 489:Exhibition 325:watermelon 166:Early life 127:conceptual 76:Occupation 5040:MetMuseum 4768:MetMuseum 4501:WalkerArt 3927:"Michael" 3444:cite news 3234:0362-4331 2967:0362-4331 2854:0362-4331 1620:April 17, 1615:418486600 1159:Cape Town 1019:IBCA 2005 1010:Freestyle 894:in 2024. 872:Deardorff 868:painterly 596:Scarecrow 548:Crossings 540:Kaohsiung 414:in 2006. 305:Freestyle 217:from the 135:Freestyle 110:Relatives 62:Education 5218:Archived 5184:Archived 5150:Archived 5116:Archived 5082:Archived 5048:Archived 5014:Archived 4980:Archived 4946:Archived 4912:Archived 4878:Archived 4844:Archived 4810:Archived 4776:Archived 4742:Archived 4701:"Planet" 4679:Archived 4645:Archived 4611:Archived 4577:Archived 4543:Archived 4509:Archived 4475:Archived 4441:Archived 4407:Archived 4373:Archived 4339:Archived 4305:Archived 4271:Archived 4239:Archived 4205:Archived 4173:Archived 4139:Archived 4105:Archived 4073:Archived 4041:Archived 4007:Archived 3973:Archived 3961:"Calvin" 3939:Archived 3937:. 1998. 3905:Archived 3897:Bienniel 3871:Archived 3839:Archived 3807:Archived 3777:Archived 3745:Archived 3707:Archived 3673:Archived 3639:Archived 3607:Archived 3573:Archived 3539:Archived 3507:Archived 3472:Archived 3354:March 9, 3314:Newsbank 3070:Deadline 3049:March 9, 2913:June 10, 2887:June 21, 2710:Newsbank 2622:Newsbank 2562:Newsbank 2530:Newsbank 2498:Newsbank 2463:Newsbank 2431:Newsbank 2399:Newsbank 2367:Newsbank 2335:Newsbank 2303:Newsbank 2268:Newsbank 2236:Newsbank 2204:Newsbank 2172:Newsbank 2139:Newsbank 2113:June 10, 2082:Newsbank 2016:Newsbank 1984:Newsbank 1952:Newsbank 1784:Newsbank 1696:Artspace 1641:Oak Park 1611:ProQuest 1353:(2021), 1340:(2020), 1319:(2018), 1309:(2018), 1300:(2017), 1286:(2015), 1284:Untitled 1277:(2015), 1262:(2013), 1253:(2012), 1246:Richmond 1240:(2011), 1231:(2011), 1221:(2011), 1208:(2010), 1198:(2010), 1145:(2008), 1135:(2008), 1120:(2007), 1118:Untitled 1110:(2004), 1101:(2003), 1094:New York 1088:(1999), 1086:Jonathan 1071:(1999), 1062:(1998), 1049:(2021). 1041:(2017), 1037:(2012); 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Index

Kevin Rashid Johnson

Columbia College Chicago
School of the Art Institute of Chicago
Sheree Hovsepian
Chaka Patterson
conceptual
post-black art
Freestyle
curated
Thelma Golden
Columbia College Chicago
School of the Art Institute of Chicago
black history
Cheryl Johnson-Odim
Nigerian
afrocentrism
Kwanzaa
Wicker Park
Chicago, Illinois
Evanston, Illinois
photography
Bachelor of Fine Arts
Columbia College Chicago
Master of Fine Arts
School of the Art Institute of Chicago
Gregg Bordowitz
hip hop
Black Entertainment Television
pop culture

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