271:, the pressures of real estate speculation, the complexities of art and culture acting as community catalysts, and the hopes and fears surrounding shifting neighborhood dynamics." The exhibitions focus on local participation was intended to celebrate the neighborhood and its existing members rather than use art as a way to draw the general public toward a community, thus making it desirable to new residents, instead of addressing contemporary realities.
263:' in Brooklyn which received a 25.2% rent rate increase in 2014. Each installation in the exhibition was located at sites throughout the neighborhood, significant of black radical self-determination, expression, and world building. The sites reflected a history of how Weeksville’s institutional lineage has traversed what Jonathan Tarleton describes in his article
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and hoofing. The ring shout is a tradition that was developed during slavery in
America as an attempt to blend African spirituality with Baptist and Methodist sects of Christianity who censured the Africana dance and drum rituals. In the dance, 12 dancers move in clockwise circles with steady rhythm,
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The dancers in
Bumbray's piece displayed "variation in their movement," and walked about the stage as if they were just going about their daily rituals in a "dance that pretends to be just walking: people perambulating in a wide circle with a sinking, drumlike tread," as
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for “Outstanding
Emerging Choreographer," and in the same year she was recipient of the Harlem Stage Fund for New Work. Bumbray is currently the Senior Program Manager of the Arts Exchange at The Open Society Foundations the
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in New York State. The show displayed the work of four artists who through their installations engaged with the communities in and around the
Weeksville Heritage Center. The installations focused on
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critic Brian
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critic, Ben Ratlif described the performance as, "motion and music and memory, entwined" in his 2012 review.
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site, a
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Rashida
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and catchphrases in a manner that almost disguises the remnants of
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list of the Best
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in May 2012. It was also performed again at
Queensbridge Park as part of
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was performed in collaboration with Dance Diaspora Collective at the
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with a focus on Contemporary Art and Performance Studies in 2010.
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among others. She most recently served as the guest curator of
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New York University Graduate School of Arts and Science alumni
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in African American Studies and Theater & Dance from
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Funk, God, Jazz, and Medicine: Black Radical Brooklyn
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Funk, God, Jazz, and Medicine: Black Radical Brooklyn
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Funk, God, Jazz, and Medicine: Black Radical Brooklyn
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