Knowledge (XXG)

Bruce Conner

Source 📝

980:
Bay Area’s most important all-around artist". Critic Kenneth Baker concluded that the "apocalyptic and psychedelic qualities" of Conner's work "play well against the shrill vulgarity, social desperation and economic cruelty of current domestic and world affairs. It lends the show an uncanny timeliness.". Artist Julia Couzens wrote that it was a "staggering exhibition" in which "he viewer walks into a searching, visionary world of masquerades, dark desire, mordant wit and spiritual transcendence.". Remarking on the exhibition, artist Sarah Hotchkiss called Conner's career "fascinating and enduringly salient" and offered that it was difficult to write about his practice in "both a concise and comprehensive way" because "here's just so much
434:, and other national publications. Later that year Conner had the first exhibition at the Batman Gallery, in San Francisco; Ernest Burden, owner and designer of the Designer's Gallery in San Francisco assisted Conner and the Batman owners and had the entire gallery painted black, similar to the last show at the Designer's Gallery to showcase Bruce's work, and the show received very favorable reviews locally. Another exhibition in New York in 1961 again received positive notices. 724:
the name "Anonymous." Conner also made collages from old engravings, and completed (depending on how they are counted) three or four experimental films. He also used computer-based graphics programs to translate older engraving collages into large-sized woven tapestries, and made paper-based prints in that way as well. Various other artistic projects were completed as well, including in the year of his death a large assemblage titled
379:. Conner coined the name as a play on 'Scavengers Protective Society'. A 1959 exhibition at the Spatsa Gallery in San Francisco involved an early exploration by Conner into the notion of artistic identity. To publicize the show, the gallery printed up and distributed an exhibition announcement in the form of a small printed card with black borders (in the manner of a death announcement) with the text "Works by the Late Bruce Conner." 5665: 1178: 292: 511:, Conner was signed into a New York gallery contract in the early 1960s, which stipulated stylistic and personal restraint beyond Conner's freewheeling nature. It is unlikely that Conner would ever sign such a restrictive document. Many send-ups of artistic authorship followed, including a five-page piece Conner had published in a major art publication in which Conner's making of a 1506:"Bruce Conner: I sent announcements to eight or nine people, ten people probably, telling them that they were all members of the Rat Bastard Protective Association. I was president. They should pay their dues. The next meeting was scheduled at my house. Then it was scheduled after that for every couple of weeks at Fred Martin's, or Joan Brown's, or Wally's house, or wherever." 979:
critic Charles Demarais observed that there were "something like 18 discrete galleries" in the show and "that virtually every room seems to contain at least one masterwork.". He also called it "the best art museum exhibition of 2016, brilliantly unraveling the complex and conflicting personae of the
723:
Conner announced his retirement at the time of the "2000 BC" exhibition, but in fact continued to make art until shortly before his death. However, much of this work, including in particular the many inkblot drawings he made, including a series responding to 9/11, were presented using pseudonyms or
255:
and moved to San Francisco. His first solo shows in San Francisco, in 1958 and 1959, featured paintings, drawings, prints, collages, assemblages, and sculpture. The Designer's Gallery in San Francisco held Bruce's third solo show. The gallery featured black panels which set off his drawings. One of
410:
in 1970, but greatly deteriorated in subsequent years, such that the museum kept it in storage for long periods and Conner at times asked that it not be shown or suggested it no longer existed. In 2015–2016, another attempt to restore the work was undertaken, involving months-long efforts by two
939:
called the exhibition an "extravaganza" and "a massive tribute, with some 250 works in nearly 10 media." Smith described Conner as a "polymathic nonconformist" who was "one of the great outliers of American Art" and "fearlessly evolved into one of America’s first thoroughly multidisciplinary
279:
past, these works established Conner as a leading figure within the international assemblage "movement." Generally, these works do not have precise meanings, but some of them suggest what Conner saw as the discarded beauty of modern America, the deforming impact of society on the individual,
1573:
The title also puns on the Pre Raphaelite Brotherhood; its initials the RBPA mirroring the PRB thus mocking the branding of a style and the cowering into clans of so many artists. Its members included Jay de Feo, Michael McClure, Manuel Neri and Joan Brown. See Rebecca Solnit, ‘Heretical
967:, which is shown in its own room in the exhibition. That film, Hoberman wrote, “seems like an exemplary—and rare—instance of twentieth-century religious art” for which “he word ‘awe-inspiring’ barely communicates the cumulative sense of wonder and dread” experienced while watching it. 711:. The exhibition, which featured specially built in-gallery screening rooms for Conner's films as well as selected assemblages, felt-tip pen and inkblot drawings, engraving collages, photograms, and conceptual pieces, was seen at the Walker, the Modern Art Museum in Fort Worth, the 1517:
Michael Ducan, Art in America, "The Self and Its Symbols", May 2000,...from 1959 to 1966...the Manuel Neri, Joan Brown, Jay DeFeo, Wally Hedrick, Wallace Berman, Jess, George Herms, and Bruce Conner... group was jokingly dubbed by Bruce Conner the Rat Bastard Protective
515:, banana, bacon, lettuce, and Swiss cheese sandwich was reported step-by-step in great detail, with numerous photographs, as though it were a work of art. Just before Conner moved to Mexico in 1961, he repainted a worn sign on a road surface so that it read "Love". 386:—a small human figure sculpted in black wax, mouth agape as if in pain and partially wrapped in nylon stockings, seated in—and partly tied by the stockings to—a small, old wooden child's high chair—literally made headlines when displayed at San Francisco's 778:"perfectly captures Conner's anger over the commercialization of Kennedy's death" while also examining the media's mythic construction of JFK and Jackie — a hunger for images that "guaranteed that they would be transformed into idols, myths, Gods." 271:, complex amalgams of found objects such as women's stockings, bicycle wheels, broken dolls, fur, fringe, costume jewelry, and candles, often combined with collaged or painted surfaces. Erotically charged and tinged with echoes of both the 260:, was displayed in the gallery window. The painting showed a nude inside a form representing a clam shell. A local policeman confronted the gallery owners to get it removed, "as children in the neighborhood might see the painting." The 770:(1967) which features repetitive, found footage of the Kennedy assassination paired with a soundtrack of radio broadcasts of the event and consumerist and other imagery — including the film's final image of a close-up of a " 487:
In 1964, Conner had a show at the Batman Gallery in San Francisco that lasted just three days, with Conner never leaving the gallery. The show was announced only via a small notice in the want ads of the
853:
Conner also continued to work on editioned prints and tapestries during the last 10 years of his life. These works often used digital technology to revisit earlier imagery and themes; for example, his
314:
was a "poverty film", in that instead of shooting his own footage Conner used compilations of old newsreels and other old films. He skillfully re-edited that footage, set the visuals to a recording of
766:
Conner's works are often metamedia in nature, offering commentary and critique on the media — especially television and its advertisements — and its effect on American culture and society. His film
946:, suggested that Conner "possessed the third or inner eye, meaning he was capable of microscopic and macroscopic vision, of delving into the visceral while attaining a state of illumination." 247:
on a scholarship. His first solo gallery show in New York City took place in 1956 and featured paintings. In 1957 Bruce Conner dropped out of the Master of Fine Arts (MFA) program at the
324:, and created an entertaining and thought-provoking 12-minute film, that while non-narrative has things to say about the experience of watching a movie and the human condition. In 1994, 657:. Conner would pose in front of large pieces of photo paper, which after being exposed to light and then developed produced images of Conner's body in white against a dark background. 478:
was assassinated. Conner filmed the television coverage of the event and edited and re-edited the footage with stock footage into another meditation on violence which he titled
4416: 5767: 1529: 304:
Conner also began making short movies in the late 1950s. He explicitly titled his movies in all capital letters. Conner's first and possibly most famous film was entitled
5747: 1869: 728:. Conner also in late 2007 directed and approved an outdoor installation of a large painting, resulting in what one observer suggested is a final work-in-progress. 5772: 5722: 2136: 1200: 1963: 5812: 5757: 5717: 740:(1958). His subsequent films are most often fast-paced collages of found footage or of footage shot by Conner; however, he made numerous films, including 1631: 5802: 1560: 1168: 696:, is an example of the artist's collages that are both mystical and symbolic. It is an engraving collage, with glue, melted plastic and charred wood. 5697: 881:
Conner, who had twice announced his own death as a conceptual art event or prank, died on July 7, 2008, and was survived by his wife, American artist
500:. Also that year, Conner decided he would no longer make assemblages, even though it was precisely such work that had brought him the most attention. 5787: 5762: 1944: 5732: 5712: 5702: 973:
opened at the San Francisco Museum of Modern Art on October 29, 2016, with some 85 works added to those seen at New York's Museum of Modern Art.
2040: 1925: 1694: 5752: 2267: 2001: 1438: 1414: 1181: 5281: 2380: 2373: 1501:
Smithsonian Archives of American Art, Interview with Bruce Conner, Conducted by Paul Karlstrom in San Francisco, California, August 12, 1974
5737: 470:, despite the increasing popularity of his work. The two — along with their just-born son, Robert — returned to the USA and were living in 443:, a 4-minute, 43 second black-and-white quick edit collage of found footage and film that Conner had shot himself, set to a soundtrack of 2440: 1206: 1816: 5817: 5797: 4476: 1194: 926: 898: 496:. Toward the end of 1964, London's Robert Fraser Gallery hosted a show of Conner's work, which the artist documented in a film called 5209: 5807: 5742: 96: 4428: 1802: 1719: 1536: 5792: 549:
into prints. One of Conner's drawings was used (in boldly colored variations) on the cover of the August, 1967 issue (#9) of the
2214: 1229: 736:
His innovative technique of skillfully montaged shots from pre-existing borrowed or found footage can be seen in his first film
5707: 1832: 964: 1595: 5430: 5423: 5245: 712: 261: 5022: 1695:
On Rotation: Will Brown Selects INHERENT VICE: THIS IS NOT A BRUCE CONNER EXHIBITION Rosa Center for Contemporary Art|di Ros
1323: 749:
Conner was among the first to use pop music for film soundtracks. His films are now considered to be the precursors of the
407: 2184: 1500: 1301: 5777: 4452: 2566: 1574:
Constellations: Notes on California, 1946–61’, in Sussman, ed., Beat Culture and the New America, 69–122, especially 71.
2198: 1217: 235:
degree. During this time as a student he visited New York City. Conner worked in a variety of media from an early age.
5782: 5727: 5523: 5451: 4500: 4285: 2223: 2185:
Watch Bruce Conner's film, "MEA CULPA" with music by Brian Eno and David Byrne, from "My Life in the Bush of Ghosts".
1472: 5472: 5381: 2339: 1078: 244: 3769: 2855: 3328: 2260: 4390: 3936: 3237: 1911: 1624: 1188: 952: 637:
During the 1970s Conner focused on drawing and photography, including many photos of the late 1970s West Coast
224: 3029: 223:, when Conner was four. He attended high school in Wichita, Kansas. Conner studied at Wichita University (now 2162: 2128: 5530: 5416: 4592: 4488: 3127: 3050: 2433: 1949: 1930: 1851: 1837: 1290: 975: 396: 5657: 5614: 5465: 4536: 3817: 3249: 3153: 2331: 2210:"21st Century BC" (an accounting of Conner's art work during the final approximately ten years of his life 1070: 814: 742: 693: 662: 575: 530: 329: 281: 248: 228: 92: 1982: 869:, were translated from digitally manipulated scans of small-scale paper collages, made in the 1990s from 672:
In the 1980s and 1990s Conner continued to work on collages, including ones using religious imagery, and
5593: 5516: 4813: 3699: 3538: 2959: 2883: 2680: 2307: 2253: 2227: 1906: 1028: 580: 232: 4750: 4736: 4146: 2096: 1887: 5692: 5687: 5650: 5437: 5293: 4181: 2500: 2218: 2041:"On Rotation: Will Brown Selects INHERENT VICE: THIS IS NOT a BRUCE CONNER EXHIBITION | di Rosa" 930: 910: 906: 746:, his 30-plus-minute meditation on the atom bomb, that are almost achingly deliberate in their pace. 613: 551: 343:
In 1959, Conner founded what he called the Rat Bastard Protective Association. Its members included
1174:
2014: Inherent Vice: This is Not a Bruce Conner Exhibition, January 18 – April 27, di Rosa, Napa, CA
5495: 4952: 4945: 4524: 4512: 4320: 4234: 4153: 3908: 3901: 3776: 3657: 2848: 2550: 2347: 2172: 1086: 866: 665:, is an example with the artist crouching on a stool. Conner also began to draw elaborately-folded 418:
A New York City exhibition of assemblages and collage in late 1960 garnered favorable attention in
333: 757:, who said, “Bruce’s movies changed my entire concept of editing. In fact, much of the editing of 555:. He also made collages made from 19th-century engraving images, which he first exhibited as The 518:
Conner produced work in a variety of forms from the 1960s forward. He was an active force in the
17: 5668: 5479: 5374: 5331: 5269: 5257: 5173: 4848: 4806: 4397: 4132: 3950: 3489: 3475: 3370: 3225: 3201: 3085: 2671: 2426: 2323: 1756: 1461: 1102: 1062: 935: 420: 402: 5197: 5105: 4959: 2209: 1705: 1361: 5402: 5305: 5042: 4994: 4966: 4873: 4834: 4799: 4708: 4638: 4622: 4090: 4062: 3922: 3615: 3531: 3433: 3398: 3165: 2945: 2911: 2792: 2299: 2193: 1968: 1600: 1554: 1369: 1331: 1002: 862: 858: 704: 630:; the artist shot the proceedings in 85mm, revisiting this footage in 2004 to create his film 616:" as the soundtrack. (In 1996 he created a longer version of the film, setting it to music by 526: 439: 337: 315: 252: 212: 180: 106: 57: 2082: 1680: 1527:
James Boaden, Ruin of the Nineteenth Century: The Assemblage Work of Bruce Conner, 1957–1962
5635: 5628: 5367: 5147: 5056: 5049: 4980: 4882: 4841: 4792: 4743: 4548: 4440: 4334: 4327: 4160: 3985: 3943: 3762: 3678: 3580: 3573: 3566: 3559: 3482: 3384: 3342: 3314: 2929: 2799: 2764: 2757: 2743: 2722: 2637: 2530: 2366: 2144: 1813: 1094: 894: 854: 677: 268: 176: 110: 4174: 5621: 5572: 5558: 5551: 5112: 5015: 4827: 4820: 4722: 4694: 4687: 4659: 4611: 4464: 4383: 4355: 4250: 4125: 4013: 3978: 3866: 3859: 3803: 3755: 3664: 3552: 3405: 3377: 3177: 3099: 3092: 3071: 3008: 2966: 2876: 2869: 2827: 2771: 1820: 1720:
Garrett Caples, "Sincerely, Bruce Conner: A Final Work-in-Progress?" at Poetry Foundation
1635: 1257: 802: 774:" button — may be the Conner film with the most visceral impact. Bruce Jenkins wrote that 534: 475: 387: 348: 220: 4257: 4076: 3852: 3356: 2708: 1613: 645:'s "Mongoloid" as a soundtrack. Conner in the 1970s also created along with photographer 448: 2152: 1583: 390:
in December 1959 and January 1960. A meditation or perhaps comment on the then pending
5579: 5509: 5502: 5444: 5388: 5358: 5221: 5133: 5063: 5008: 4987: 4910: 4903: 4896: 4757: 4715: 4701: 4680: 4631: 4376: 4369: 4348: 4341: 4292: 4271: 4264: 4188: 4027: 3845: 3838: 3831: 3810: 3794: 3727: 3713: 3601: 3510: 3440: 3419: 3412: 3335: 3321: 3307: 3189: 3120: 3057: 3001: 2938: 2918: 2897: 2834: 2694: 2464: 1987: 1362:"Bruce Conner, San Francisco Artist With 1950s Beat Roots, Dies at 74 (Published 2008)" 1250:
Editions du Centre Pompidou, Paris, n° 107, avril 2009, p. 52-75. (text in French)
626: 522: 426: 391: 364: 264:
stood behind the gallery's right to display it, and the matter never became an issue.
5681: 5600: 5565: 5458: 5140: 5084: 5070: 4917: 4778: 4673: 4666: 4652: 4362: 4243: 4111: 4006: 3964: 3915: 3873: 3748: 3741: 3706: 3671: 3622: 3594: 3517: 3113: 3043: 3015: 2987: 2890: 2806: 2778: 2750: 2736: 2729: 2715: 2623: 2603: 2541: 2521: 2493: 2407: 2315: 1892: 1682: 1036: 942: 754: 621: 556: 519: 512: 504: 480: 471: 360: 320: 276: 76: 1791: 1734: 5395: 5233: 5126: 5098: 5033: 5001: 4973: 4938: 4931: 4924: 4889: 4855: 4771: 4729: 4580: 4569: 4559: 4306: 4278: 4216: 4209: 4195: 4167: 4139: 4104: 4097: 4069: 4055: 4041: 4020: 3929: 3887: 3880: 3720: 3692: 3643: 3629: 3503: 3468: 3363: 3349: 3286: 3213: 3106: 3064: 2862: 2687: 2402: 1780: 1393: 961: 538: 376: 372: 368: 3608: 291: 288:. Social commentary and dissension remained a common theme among his later works. 2205:
On Bruce Conner (may he rest in peace); Memorial by Daniel Abdal-Hayy Moore, 2008
2054: 2018:
The Renegades: American Avant-Garde Film, 1960--1973-Walker Art Center on YouTube
1646: 406:
headlined its article, "The Unliked 'Child'". The sculpture was acquired by the
5607: 5488: 5347: 5338: 5154: 5077: 4118: 4083: 3999: 3992: 3734: 3636: 3524: 3454: 3391: 3268: 3134: 2994: 2952: 2904: 2841: 2820: 2813: 2785: 2701: 2644: 2484: 2204: 947: 882: 790: 750: 646: 617: 609: 597: 460: 444: 415:, a retrospective exhibition which opened at Museum of Modern Art in July 2016. 352: 285: 200: 160: 126: 5537: 5091: 4862: 4785: 4764: 4645: 4313: 4299: 4048: 4034: 3971: 3894: 3783: 3650: 3587: 3447: 3277: 3078: 3036: 2973: 2630: 2397: 2240: 2232: 2215:
Inventory of Photographs from the Bruce Conner Papers (graphic), ca. 1958–1995
2028: 2017: 1668: 838: 759: 585: 546: 356: 272: 80: 1657: 1373: 1335: 451:." The movie premiered in 1962; most suggest the film concerns sex and war. 5586: 5544: 5409: 5119: 4202: 3957: 3824: 3545: 3496: 3461: 3022: 2449: 1210: 1205:
2021: Stations: Some Recent Acquisitions, January 8, 2021 – April 11, 2021,
960:(1976), assembled from previously classified government footage of the 1946 870: 810: 700: 681: 650: 638: 593: 344: 188: 114: 2201:
by Bruce Conner in the collection of the San Francisco Museum of Modern Art
2068: 1193:
2016-17: Bruce Conner: It's All True, October 29, 2016 – January 22, 2017,
267:
Conner first attracted widespread attention with his moody, nylon-shrouded
2002:"Bruce Conner, Artist who Twice Declared Himself Dead, Lives on at SFMoMA" 676:
drawings that have been shown in numerous exhibitions, including the 1997
3426: 3293: 2662: 2651: 2612: 2596: 2582: 2473: 2123: 2029:
Bruce Conner – Intro / THREE SCREEN RAY – Art + Music – MOCAtv on YouTube
192: 118: 1216:
2022: Bruce Conner: Light of Darkness, October 8, 2022 – March 5, 2023,
688:
continues to underscore the essentially visionary nature of his work. '
545:-like drawings, many of which he subsequently (in the very early 1970s) 5185: 4223: 3685: 3300: 2589: 2573: 2559: 2291: 2189: 994: 925:, a career-spanning retrospective of Conner's work co-organized by the 673: 666: 542: 306: 296: 196: 184: 144: 130: 122: 394:
execution, the work horrified many. "It's Not Murder, It's Art," the
2507: 1199:
2017: Bruce Conner: It's All True, February 22, 2017 – May 22, 2017,
715:
in San Francisco, and the Museum of Contemporary Art in Los Angeles.
685: 562:
He also made a number of short films in the mid-1960s in addition to
216: 172: 1964:"A uniquely powerful force: Kenneth Baker on Bruce Conner at SFMoMA" 1260:, Bruce Jenkins, Peter Boswell. Walker Art Center, Minneapolis 1999. 753:
genre. They have inspired other filmmakers, such as Conner's friend
411:
conservators. The work was successfully restored and displayed in
1983:"Witty, harrowing work of artist Bruce Conner approaches greatness" 1926:"Masterworks found in every gallery of Bruce Conner retrospective" 1596:"MoMA Breathes New Life Into Bruce Conner’s Gas Chamber Sculpture" 290: 336:. Conner subsequently made nearly two dozen mostly non-narrative 2980: 2514: 1324:"Bruce Conner's Darkness That Defies Authority (Published 2016)" 782: 642: 2422: 2249: 2245: 2083:"Bruce Conner | Museo Nacional Centro de Arte Reina Sofía" 1473:
SHINE A LIGHT: THE ART OF BRUCE CONNER – Artfourm International
1745: 680:. Throughout Conner's entire body of work, the recurrence of 2418: 1767:
Jenkins, Bruce. "Bruce Conner's Report: Contesting Camelot.
1291:
The Persistence of Vision – (2004) Summer 2004 – THE SHOCKER
1462:
10 Weirdest Avant-Garde Films Of The 50s, Ranked|ScreenRant
1187:
2016: Bruce Conner: It's All True, July 3–October 2, 2016,
917:
Bruce Conner: It's All True (2016 Retrospective Exhibition)
1246:
Sophie DannenmĂŒller: "Bruce Conner et les Rats de l'Art",
1171:, November 8 – December 20, Kohn Gallery, Los Angeles, CA 484:. The film was issued several times as it was re-edited. 916: 492:. Part of the exhibition is documented in Conner's film 1746:
Fog City Mavericks by Gary Lava – Part 2 of 5 on Vimeo
1485:
Heretical Constellations: Notes on California, 1946–61
933:, opened at the latter institution. Roberta Smith of 699:
In 1999, to accompany a traveling exhibition, a major
596:'s magnum opus from her San Francisco apartment, with 1256:
Exh. cat. edited by Joan Rothfuss. Contributions by
5323: 5164: 5032: 4872: 4621: 4610: 4417:
A Sunday Afternoon on the Island of La Grande Jatte
4407: 4233: 3793: 3276: 3267: 3144: 2928: 2670: 2661: 2456: 2390: 2358: 2283: 2153:"An Appraisal: An Artist of the Cutting-Room Floor" 503:According to Conner's friend and fellow film-maker 171:(November 18, 1933 – July 7, 2008) was an American 156: 137: 102: 88: 65: 39: 32: 1669:Devo | Mongoloid | Official Demo Video on YouTube 592:(1967), documenting the removal of fellow artist 584:(1966), featuring music sung by and danced to by 1945:"Bay Area visual art shows through the holidays" 1264:Bruce Conner: In the Estheticization of Violence 940:artists." Poet and critic John Yau, writing in 781:Conner's collaborations with musicians include 351:(with whom Conner attended school in Wichita), 1771:Ed. Ted Perry. Indiana University Press, 2006. 1164:2010: Les Rencontres d'Arles festival, France; 219:. His well-to-do middle-class family moved to 2434: 2261: 1302:Meet Bruce Conner, Film-Maker – Rolling Stone 690:May the Heart of the Tin Woodsman be with You 8: 5356: 5345: 2539: 2528: 2482: 2471: 2163:"Appreciation: Humor was Bruce Conner's Art" 1833:"Prolific Beat era artist Bruce Conner dies" 1679:SF Weekly profile of Conner by Peter Byrne: 1266:, by Frederic Colier, 2002, Book Case Engine 1248:Les Cahiers du MusĂ©e national d'art moderne, 763:came directly from watching Bruce’s films." 608:(1967), a three-minute color wild ride with 211:Bruce Conner was born November 18, 1933, in 2610: 1177:2015: Bruce Conner: Somebody Else's Prints 845:(1966), featured a song recorded by Basil. 437:In 1961, Conner completed his second film, 4618: 3273: 2667: 2441: 2427: 2419: 2268: 2254: 2246: 243:In 1955, Conner studied for six months at 29: 2055:"BRUCE CONNER: it's ALL TRUE | MoMA" 1271:The Music and Sound of Experimental Film, 1201:Museo Nacional Centro de Arte Reina SofĂ­a 709:2000 BC: The Bruce Conner Story, Part II 624:invited Conner to the location shoot for 537:. He also made—using the new-at-the-time 1852:"Finding Aid to the Bruce Conner Papers" 1273:New York: Oxford University Press, 2017. 1254:2000 BC: The Bruce Conner Story Part II. 956:, focused on Conner’s movies, including 893:The Bruce Conner papers are held by the 857:editions, created in collaboration with 837:). His film of dancer and choreographer 5748:Artists from the San Francisco Bay Area 2159:July 12, 2008; retrieved July 12, 2008. 1708:the glade of theoric ornithic hermetica 1283: 578:that was rejected as being "too fast;" 1559:: CS1 maint: archived copy as title ( 1552: 1182:San Jose Institute of Contemporary Art 525:of the mid-1960s as a collaborator in 239:Early career (mid 1950s / early 1960s) 5773:University of Colorado Boulder alumni 5768:University of Nebraska–Lincoln alumni 5282:Six Characters in Search of an Author 1888:"An Artist Who Possessed a Third Eye" 1685:Bruce Conner, retrieved July 12, 2008 825:) and three more films with Gleeson ( 328:was selected for preservation by the 7: 2097:"Stations: Some Recent Acquisitions" 1355: 1353: 1351: 1317: 1315: 1313: 1311: 1309: 692:from 1981, in the collection of the 231:, where he graduated in 1956 with a 5723:20th-century American photographers 2101:Morris and Helen Belkin Art Gallery 1792:Bruce Conner. CROSSROADS. 1976|MoMA 1757:Bruce Conner, R.I.P.|The New Yorker 1647:BRUCE CONNER: LOOKING FOR MUSHROOMS 1207:Morris and Helen Belkin Art Gallery 1142:(three screen installation) (2006) 1136:(three screen installation) (2006) 455:Mid-career (early 1960s to c. 2000) 5813:20th-century American male artists 5758:People from Wichita County, Kansas 5718:21st-century American male artists 4477:Nude Descending a Staircase, No. 2 1907:"The Creepy World of Bruce Conner" 1195:San Francisco Museum of Modern Art 927:San Francisco Museum of Modern Art 899:University of California, Berkeley 873:illustrations from Bible stories. 25: 18:Rat Bastard Protective Association 5803:Brooklyn Museum Art School alumni 1269:Rogers, Holly and Jeremy Barham: 703:of his work was published by the 574:(1965), an advertisement for the 275:tradition and of San Francisco's 5698:American experimental filmmakers 5664: 5663: 1769:Masterpiece of Modernist Cinema. 1489:Beat Culture and the New America 5788:20th-century American sculptors 5763:Wichita State University alumni 2132:obituary retrieved July 8, 2008 1169:Crossroads & Works on Paper 5733:American contemporary painters 5713:21st-century American painters 5703:20th-century American painters 5431:Grosvenor School of Modern Art 5424:Fourth dimension in literature 2233:Excerpts for one of his films 400:headlined; its competitor the 262:American Civil Liberties Union 1: 5753:People from McPherson, Kansas 2069:"Bruce Conner: It's All True" 1322:Smith, Roberta (2016-06-30). 719:Late career (c. 2000 to 2008) 464: 408:New York Museum of Modern Art 27:American artist (1933 - 2008) 1856:Online Archive of California 1491:. pp. 69–122, especially 71. 459:Conner and his wife, artist 5738:American postmodern artists 5524:List of avant-garde artists 4501:The Cabinet of Dr. Caligari 1360:Johnson, Ken (2008-07-09). 661:, in the collection of the 541:—intricate black-and-white 5834: 5382:Classical Hollywood cinema 2340:Take the 5:10 to Dreamland 2241:Interview with Tosh Berman 1706:"The 21st Century BC," at 1079:Take the 5:10 to Dreamland 909:, in conjunction with the 827:Take the 5:10 to Dreamland 382:A work of Conner's titled 245:Brooklyn Museum Art School 5818:Funk art movement artists 5798:Sculptors from California 5645: 4453:Les Demoiselles d'Avignon 1629:, issue # 9 (August 1967) 1180:, February 13 – May 16, 1146:His Eye is on the Sparrow 5808:American collage artists 5743:Painters from California 3238:The Master and Margarita 2174:Letter from Bruce Conner 1912:New York Review of Books 1189:The Museum of Modern Art 1116:Television Assassination 953:New York Review of Books 831:Television Assassination 641:scene. A 1978 film used 225:Wichita State University 5793:American male sculptors 5531:List of modernist poets 5417:Fourth dimension in art 4593:Meshes of the Afternoon 2167:San Francisco Chronicle 2130:San Francisco Chronicle 1950:San Francisco Chronicle 1931:San Francisco Chronicle 1838:San Francisco Chronicle 1819:April 20, 2009, at the 1814:Bruce Conner tapestries 1803:The Brooklyn Rail – Art 1735:CROSSROADS-BRUCE CONNER 1634:March 26, 2012, at the 1584:Photo of Conner's CHILD 976:San Francisco Chronicle 885:, and his son, Robert. 604:as the soundtrack; and 397:San Francisco Chronicle 5708:American male painters 5615:Second Viennese School 5357: 5346: 3250:The Sound and the Fury 3154:In Search of Lost Time 2611: 2540: 2529: 2483: 2472: 1781:BREAKAWAY-BRUCE CONNER 1508: 1235:Carnegie International 1218:FundaciĂł Antoni TĂ pies 694:Honolulu Museum of Art 663:Honolulu Museum of Art 649:a series of life-size 576:New York Film Festival 531:Family Dog Productions 330:National Film Registry 301: 282:violence against women 249:University of Colorado 229:University of Nebraska 97:University of Colorado 93:University of Nebraska 5594:Reactionary modernism 5517:List of art movements 2235:Looking for Mushrooms 2228:Kadist Art Foundation 2155:, by Manohla Dargis, 1504: 1241:Selected bibliography 1122:Looking for Mushrooms 1050:Looking for Mushrooms 905:was preserved by the 883:Jean Sandstedt Conner 849:Prints and tapestries 795:Looking for Mushrooms 606:Looking for Mushrooms 294: 233:bachelor of fine arts 5438:Hanshinkan Modernism 5294:The Threepenny Opera 5210:PellĂ©as et MĂ©lisande 2219:The Bancroft Library 2165:, by Kenneth Baker, 2148:(of London) obituary 1972:, November 18, 2016. 1953:, November 18, 2016. 1874:Academy Film Archive 1870:"Preserved Projects" 1627:San Francisco Oracle 1124:(long version, 1996) 931:Museum of Modern Art 911:Pacific Film Archive 907:Academy Film Archive 614:Tomorrow Never Knows 552:San Francisco Oracle 44:Bruce Guldner Conner 5778:Artists from Kansas 5496:International Style 5246:Afternoon of a Faun 4525:Battleship Potemkin 4429:Mont Sainte-Victoir 2008:, October 28, 2016. 1991:, November 3, 2016. 1934:, October 28, 2016. 1614:LONDON ONE MAN SHOW 1022:Easter Morning Raga 797:(long version) and 498:London One Man Show 334:Library of Congress 133:, conceptual pranks 5783:Collage filmmakers 5728:Assemblage artists 5375:Buddhist modernism 5332:American modernism 5258:The Rite of Spring 3226:The Sun Also Rises 3202:The Magic Mountain 2374:America is Waiting 2324:Marilyn Times Five 2157:The New York Times 2138:The New York Times 1366:The New York Times 1328:The New York Times 1110:America is Waiting 1063:Marilyn Times Five 936:The New York Times 819:America is Waiting 527:Liquid light shows 463:, moved to Mexico 421:The New York Times 403:News-Call Bulletin 338:experimental films 302: 5675: 5674: 5403:Experimental film 5319: 5318: 5306:Waiting for Godot 4606: 4605: 3263: 3262: 3166:The Metamorphosis 2416: 2415: 2181:(September, 2005) 2179:The Brooklyn Rail 2000:Sarah Hotchkiss, 1969:The Art Newspaper 1943:Charles Demarais 1924:Charles Demarais 1601:The Art Newspaper 1483:Solnit, Rebecca. 863:Magnolia Editions 859:Donald Farnsworth 855:Jacquard tapestry 805:and Terry Riley ( 705:Walker Art Center 602:Sketches of Spain 570:. These include 529:at the legendary 509:Film at Wit's End 490:Los Angeles Times 316:Ottorino Respighi 253:Boulder, Colorado 166: 165: 107:Experimental film 58:McPherson, Kansas 54:November 18, 1933 16:(Redirected from 5825: 5667: 5666: 5638: 5636:Vulgar modernism 5631: 5629:Underground film 5624: 5617: 5610: 5603: 5596: 5589: 5582: 5575: 5568: 5561: 5554: 5547: 5540: 5533: 5526: 5519: 5512: 5505: 5498: 5491: 5482: 5475: 5468: 5461: 5454: 5452:Hippie modernism 5447: 5440: 5433: 5426: 5419: 5412: 5405: 5398: 5391: 5384: 5377: 5370: 5368:Bloomsbury Group 5363: 5362: 5352: 5351: 5341: 5334: 5312: 5311: 5300: 5299: 5288: 5287: 5276: 5275: 5264: 5263: 5252: 5251: 5240: 5239: 5228: 5227: 5216: 5215: 5204: 5203: 5192: 5191: 5180: 5179: 5157: 5150: 5143: 5136: 5129: 5122: 5115: 5108: 5101: 5094: 5087: 5080: 5073: 5066: 5059: 5052: 5045: 5025: 5018: 5011: 5004: 4997: 4990: 4983: 4976: 4969: 4962: 4955: 4948: 4941: 4934: 4927: 4920: 4913: 4906: 4899: 4892: 4885: 4865: 4858: 4851: 4844: 4837: 4830: 4823: 4816: 4809: 4802: 4795: 4788: 4781: 4774: 4767: 4760: 4753: 4746: 4739: 4732: 4725: 4718: 4711: 4704: 4697: 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4619: 4599: 4598: 4587: 4586: 4575: 4574: 4565: 4564: 4555: 4554: 4549:Un Chien Andalou 4543: 4542: 4531: 4530: 4519: 4518: 4513:Ballet MĂ©canique 4507: 4506: 4495: 4494: 4483: 4482: 4471: 4470: 4459: 4458: 4447: 4446: 4441:The Starry Night 4435: 4434: 4423: 4422: 4400: 4393: 4386: 4379: 4372: 4365: 4358: 4351: 4344: 4337: 4330: 4323: 4316: 4309: 4302: 4295: 4288: 4281: 4274: 4267: 4260: 4253: 4246: 4226: 4219: 4212: 4205: 4198: 4191: 4184: 4177: 4170: 4163: 4156: 4149: 4142: 4135: 4128: 4121: 4114: 4107: 4100: 4093: 4086: 4079: 4072: 4065: 4058: 4051: 4044: 4037: 4030: 4023: 4016: 4009: 4002: 3995: 3988: 3981: 3974: 3967: 3960: 3953: 3946: 3939: 3932: 3925: 3918: 3911: 3904: 3897: 3890: 3883: 3876: 3869: 3862: 3855: 3848: 3841: 3834: 3827: 3820: 3813: 3806: 3786: 3779: 3772: 3770:Toulouse-Lautrec 3765: 3758: 3751: 3744: 3737: 3730: 3723: 3716: 3709: 3702: 3695: 3688: 3681: 3674: 3667: 3660: 3653: 3646: 3639: 3632: 3625: 3618: 3611: 3604: 3597: 3590: 3583: 3576: 3569: 3562: 3555: 3548: 3541: 3534: 3527: 3520: 3513: 3506: 3499: 3492: 3485: 3478: 3471: 3464: 3457: 3450: 3443: 3436: 3429: 3422: 3415: 3408: 3401: 3394: 3387: 3380: 3373: 3366: 3359: 3352: 3345: 3338: 3331: 3324: 3317: 3310: 3303: 3296: 3289: 3274: 3256: 3255: 3244: 3243: 3232: 3231: 3220: 3219: 3208: 3207: 3196: 3195: 3184: 3183: 3172: 3171: 3160: 3159: 3137: 3130: 3123: 3116: 3109: 3102: 3095: 3088: 3081: 3074: 3067: 3060: 3053: 3046: 3039: 3032: 3025: 3018: 3011: 3004: 2997: 2990: 2983: 2976: 2969: 2962: 2955: 2948: 2941: 2921: 2914: 2907: 2900: 2893: 2886: 2879: 2872: 2865: 2858: 2851: 2844: 2837: 2830: 2823: 2816: 2809: 2802: 2795: 2788: 2781: 2774: 2767: 2760: 2753: 2746: 2739: 2732: 2725: 2718: 2711: 2704: 2697: 2690: 2683: 2668: 2654: 2647: 2640: 2633: 2626: 2617: 2616: 2606: 2599: 2592: 2585: 2576: 2569: 2562: 2553: 2546: 2545: 2535: 2534: 2531:Der Blaue Reiter 2524: 2517: 2510: 2503: 2496: 2489: 2488: 2478: 2477: 2467: 2443: 2436: 2429: 2420: 2270: 2263: 2256: 2247: 2111: 2110: 2108: 2107: 2093: 2087: 2086: 2079: 2073: 2072: 2065: 2059: 2058: 2051: 2045: 2044: 2043:. 20 March 2015. 2037: 2031: 2026: 2020: 2015: 2009: 1998: 1992: 1979: 1973: 1960: 1954: 1941: 1935: 1922: 1916: 1915:, July 15, 2016. 1903: 1897: 1884: 1878: 1877: 1866: 1860: 1859: 1848: 1842: 1829: 1823: 1811: 1805: 1800: 1794: 1789: 1783: 1778: 1772: 1765: 1759: 1754: 1748: 1743: 1737: 1732: 1726: 1717: 1711: 1703: 1697: 1692: 1686: 1677: 1671: 1666: 1660: 1655: 1649: 1644: 1638: 1622: 1616: 1611: 1605: 1592: 1586: 1581: 1575: 1571: 1565: 1564: 1558: 1550: 1548: 1547: 1541: 1535:. Archived from 1534: 1525: 1519: 1515: 1509: 1498: 1492: 1481: 1475: 1470: 1464: 1459: 1453: 1452: 1450: 1449: 1435: 1429: 1428: 1426: 1425: 1411: 1405: 1404: 1402: 1400: 1390: 1384: 1383: 1381: 1380: 1357: 1346: 1345: 1343: 1342: 1319: 1304: 1299: 1293: 1288: 1140:Three Screen Ray 965:atomic bomb test 901:. Conner's film 895:Bancroft Library 678:Whitney Biennial 469: 466: 175:who worked with 140: 72: 53: 51: 30: 21: 5833: 5832: 5828: 5827: 5826: 5824: 5823: 5822: 5678: 5677: 5676: 5671: 5662: 5654: 5641: 5634: 5627: 5622:Structural film 5620: 5613: 5606: 5599: 5592: 5585: 5578: 5573:New Objectivity 5571: 5564: 5559:Neo-romanticism 5557: 5552:Neo-primitivism 5550: 5543: 5536: 5529: 5522: 5515: 5508: 5501: 5494: 5487: 5478: 5471: 5464: 5457: 5450: 5443: 5436: 5429: 5422: 5415: 5408: 5401: 5394: 5387: 5380: 5373: 5366: 5355: 5344: 5337: 5330: 5315: 5309: 5303: 5297: 5291: 5285: 5279: 5273: 5267: 5261: 5255: 5249: 5243: 5237: 5231: 5225: 5219: 5213: 5207: 5201: 5198:VerklĂ€rte Nacht 5195: 5189: 5183: 5177: 5171: 5160: 5153: 5146: 5139: 5132: 5125: 5118: 5111: 5104: 5097: 5090: 5083: 5076: 5069: 5062: 5055: 5048: 5041: 5028: 5021: 5014: 5007: 5000: 4993: 4986: 4979: 4972: 4965: 4958: 4951: 4944: 4937: 4930: 4923: 4916: 4909: 4902: 4895: 4888: 4881: 4868: 4861: 4854: 4847: 4840: 4833: 4826: 4819: 4812: 4805: 4798: 4791: 4784: 4777: 4770: 4763: 4756: 4749: 4742: 4735: 4728: 4721: 4714: 4707: 4700: 4693: 4686: 4679: 4672: 4665: 4658: 4651: 4644: 4637: 4630: 4613: 4602: 4596: 4590: 4584: 4578: 4572: 4568: 4562: 4558: 4552: 4546: 4540: 4534: 4528: 4522: 4516: 4510: 4504: 4498: 4492: 4486: 4480: 4474: 4468: 4462: 4456: 4450: 4444: 4438: 4432: 4426: 4420: 4414: 4403: 4396: 4389: 4382: 4375: 4368: 4361: 4354: 4347: 4340: 4333: 4326: 4319: 4312: 4305: 4298: 4291: 4284: 4277: 4270: 4263: 4256: 4249: 4242: 4229: 4222: 4215: 4208: 4201: 4194: 4187: 4180: 4173: 4166: 4159: 4152: 4145: 4138: 4131: 4124: 4117: 4110: 4103: 4096: 4089: 4082: 4075: 4068: 4061: 4054: 4047: 4040: 4033: 4026: 4019: 4012: 4005: 3998: 3991: 3984: 3977: 3970: 3963: 3956: 3949: 3942: 3935: 3928: 3921: 3914: 3907: 3900: 3893: 3886: 3879: 3872: 3865: 3858: 3851: 3844: 3837: 3830: 3823: 3816: 3809: 3802: 3789: 3782: 3775: 3768: 3761: 3754: 3747: 3740: 3733: 3726: 3719: 3712: 3705: 3698: 3691: 3684: 3677: 3670: 3663: 3656: 3649: 3642: 3635: 3628: 3621: 3614: 3607: 3600: 3593: 3586: 3579: 3572: 3565: 3558: 3551: 3544: 3537: 3530: 3523: 3516: 3509: 3502: 3495: 3488: 3481: 3474: 3467: 3460: 3453: 3446: 3439: 3432: 3425: 3418: 3411: 3404: 3397: 3390: 3383: 3376: 3369: 3362: 3355: 3348: 3341: 3334: 3327: 3320: 3313: 3306: 3299: 3292: 3285: 3259: 3253: 3247: 3241: 3235: 3229: 3223: 3217: 3211: 3205: 3199: 3193: 3187: 3181: 3175: 3169: 3163: 3157: 3151: 3140: 3133: 3126: 3119: 3112: 3105: 3098: 3091: 3084: 3077: 3070: 3063: 3056: 3049: 3044:Lowell (Robert) 3042: 3035: 3028: 3021: 3014: 3007: 3000: 2993: 2986: 2979: 2972: 2965: 2958: 2951: 2944: 2937: 2924: 2917: 2910: 2903: 2896: 2889: 2882: 2875: 2868: 2861: 2854: 2847: 2840: 2833: 2826: 2819: 2812: 2805: 2798: 2791: 2784: 2777: 2770: 2763: 2756: 2749: 2742: 2735: 2728: 2721: 2714: 2707: 2700: 2693: 2686: 2679: 2657: 2650: 2643: 2636: 2629: 2622: 2609: 2602: 2595: 2588: 2581: 2572: 2565: 2558: 2549: 2538: 2527: 2520: 2513: 2506: 2499: 2492: 2481: 2470: 2463: 2452: 2447: 2417: 2412: 2386: 2354: 2279: 2274: 2140:obituary 7/9/08 2120: 2115: 2114: 2105: 2103: 2095: 2094: 2090: 2081: 2080: 2076: 2067: 2066: 2062: 2053: 2052: 2048: 2039: 2038: 2034: 2027: 2023: 2016: 2012: 1999: 1995: 1981:Julia Couzens, 1980: 1976: 1961: 1957: 1942: 1938: 1923: 1919: 1904: 1900: 1896:, July 9, 2016. 1885: 1881: 1868: 1867: 1863: 1850: 1849: 1845: 1841:, July 8, 2008. 1831:Kenneth Baker, 1830: 1826: 1821:Wayback Machine 1812: 1808: 1801: 1797: 1790: 1786: 1779: 1775: 1766: 1762: 1755: 1751: 1744: 1740: 1733: 1729: 1724:, June 29, 2011 1718: 1714: 1704: 1700: 1693: 1689: 1683:Dennis Hopperon 1678: 1674: 1667: 1663: 1656: 1652: 1645: 1641: 1636:Wayback Machine 1623: 1619: 1612: 1608: 1604:, July 4, 2016. 1593: 1589: 1582: 1578: 1572: 1568: 1551: 1545: 1543: 1539: 1532: 1530:"Archived copy" 1528: 1526: 1522: 1516: 1512: 1499: 1495: 1487:, in Sussman . 1482: 1478: 1471: 1467: 1460: 1456: 1447: 1445: 1437: 1436: 1432: 1423: 1421: 1413: 1412: 1408: 1398: 1396: 1392: 1391: 1387: 1378: 1376: 1359: 1358: 1349: 1340: 1338: 1321: 1320: 1307: 1300: 1296: 1289: 1285: 1280: 1258:Kathy Halbreich 1243: 1226: 1161: 1134:Eve-Ray-Forever 1016:Ten Second Film 990: 929:and New York's 919: 891: 879: 851: 803:Patrick Gleeson 734: 721: 572:Ten Second Film 535:Avalon Ballroom 476:John F. Kennedy 467: 457: 388:De Young Museum 349:Michael McClure 256:his paintings, 241: 227:) and later at 209: 138: 84: 74: 70: 61: 55: 49: 47: 46: 45: 35: 28: 23: 22: 15: 12: 11: 5: 5831: 5829: 5821: 5820: 5815: 5810: 5805: 5800: 5795: 5790: 5785: 5780: 5775: 5770: 5765: 5760: 5755: 5750: 5745: 5740: 5735: 5730: 5725: 5720: 5715: 5710: 5705: 5700: 5695: 5690: 5680: 5679: 5673: 5672: 5655: 5647: 5646: 5643: 5642: 5640: 5639: 5632: 5625: 5618: 5611: 5604: 5597: 5590: 5583: 5580:Poetic realism 5576: 5569: 5562: 5555: 5548: 5541: 5534: 5527: 5520: 5513: 5510:Late modernity 5506: 5503:Late modernism 5499: 5492: 5485: 5484: 5483: 5476: 5469: 5455: 5448: 5445:High modernism 5441: 5434: 5427: 5420: 5413: 5406: 5399: 5392: 5389:Degenerate art 5385: 5378: 5371: 5364: 5359:Ballets Russes 5353: 5342: 5335: 5327: 5325: 5321: 5320: 5317: 5316: 5314: 5313: 5301: 5289: 5277: 5265: 5253: 5241: 5229: 5217: 5205: 5193: 5181: 5168: 5166: 5162: 5161: 5159: 5158: 5151: 5144: 5137: 5130: 5123: 5116: 5109: 5102: 5095: 5088: 5081: 5074: 5067: 5060: 5053: 5046: 5038: 5036: 5030: 5029: 5027: 5026: 5019: 5012: 5005: 4998: 4991: 4984: 4977: 4970: 4963: 4956: 4949: 4942: 4935: 4928: 4921: 4914: 4907: 4900: 4893: 4886: 4878: 4876: 4870: 4869: 4867: 4866: 4859: 4852: 4845: 4838: 4831: 4824: 4817: 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4627: 4625: 4616: 4608: 4607: 4604: 4603: 4601: 4600: 4588: 4576: 4566: 4556: 4544: 4532: 4520: 4508: 4496: 4484: 4472: 4460: 4448: 4436: 4424: 4411: 4409: 4405: 4404: 4402: 4401: 4394: 4387: 4380: 4373: 4366: 4359: 4352: 4345: 4338: 4331: 4324: 4317: 4310: 4303: 4296: 4289: 4282: 4275: 4268: 4261: 4254: 4247: 4239: 4237: 4231: 4230: 4228: 4227: 4220: 4213: 4206: 4199: 4192: 4185: 4178: 4171: 4164: 4157: 4150: 4143: 4136: 4129: 4122: 4115: 4108: 4105:Ray (Satyajit) 4101: 4098:Ray (Nicholas) 4094: 4087: 4080: 4073: 4066: 4059: 4052: 4045: 4038: 4031: 4024: 4017: 4010: 4003: 3996: 3989: 3982: 3975: 3968: 3961: 3954: 3947: 3940: 3933: 3926: 3919: 3912: 3905: 3898: 3891: 3884: 3877: 3870: 3863: 3856: 3849: 3842: 3835: 3828: 3821: 3814: 3807: 3799: 3797: 3791: 3790: 3788: 3787: 3780: 3773: 3766: 3759: 3752: 3745: 3738: 3731: 3724: 3717: 3710: 3703: 3696: 3689: 3682: 3675: 3668: 3661: 3654: 3647: 3640: 3633: 3626: 3619: 3612: 3605: 3598: 3591: 3584: 3577: 3570: 3563: 3556: 3549: 3542: 3535: 3528: 3521: 3514: 3507: 3500: 3493: 3486: 3479: 3472: 3465: 3458: 3451: 3444: 3437: 3430: 3423: 3416: 3409: 3402: 3395: 3388: 3381: 3374: 3367: 3360: 3353: 3346: 3339: 3332: 3325: 3318: 3311: 3304: 3297: 3290: 3282: 3280: 3271: 3265: 3264: 3261: 3260: 3258: 3257: 3245: 3233: 3221: 3209: 3197: 3190:The Waste Land 3185: 3173: 3161: 3148: 3146: 3142: 3141: 3139: 3138: 3131: 3124: 3117: 3110: 3103: 3096: 3089: 3082: 3075: 3068: 3061: 3054: 3047: 3040: 3033: 3026: 3019: 3012: 3005: 2998: 2991: 2984: 2977: 2970: 2963: 2956: 2949: 2942: 2934: 2932: 2926: 2925: 2923: 2922: 2915: 2908: 2901: 2894: 2887: 2880: 2873: 2866: 2859: 2852: 2845: 2838: 2831: 2824: 2817: 2810: 2803: 2796: 2789: 2782: 2775: 2768: 2761: 2754: 2747: 2740: 2733: 2726: 2719: 2712: 2705: 2698: 2691: 2684: 2676: 2674: 2665: 2659: 2658: 2656: 2655: 2648: 2641: 2634: 2627: 2620: 2619: 2618: 2600: 2593: 2586: 2579: 2578: 2577: 2563: 2556: 2555: 2554: 2547: 2536: 2518: 2511: 2504: 2501:Constructivism 2497: 2490: 2479: 2468: 2460: 2458: 2454: 2453: 2448: 2446: 2445: 2438: 2431: 2423: 2414: 2413: 2411: 2410: 2405: 2400: 2394: 2392: 2391:Related topics 2388: 2387: 2385: 2384: 2377: 2370: 2362: 2360: 2356: 2355: 2353: 2352: 2344: 2336: 2328: 2320: 2312: 2304: 2296: 2287: 2285: 2281: 2280: 2275: 2273: 2272: 2265: 2258: 2250: 2244: 2243: 2238: 2230: 2221: 2212: 2207: 2202: 2199:Selected works 2196: 2187: 2182: 2170: 2160: 2150: 2142: 2134: 2126: 2119: 2118:External links 2116: 2113: 2112: 2088: 2074: 2060: 2046: 2032: 2021: 2010: 1993: 1988:Sacramento Bee 1974: 1962:Kenneth Baker 1955: 1936: 1917: 1898: 1879: 1861: 1843: 1824: 1806: 1795: 1784: 1773: 1760: 1749: 1738: 1727: 1712: 1698: 1687: 1672: 1661: 1650: 1639: 1617: 1606: 1594:Emily Sharpe, 1587: 1576: 1566: 1520: 1510: 1493: 1476: 1465: 1454: 1439:"Bruce Conner" 1430: 1415:"Bruce Conner" 1406: 1394:"Bruce Conner" 1385: 1347: 1305: 1294: 1282: 1281: 1279: 1276: 1275: 1274: 1267: 1261: 1251: 1242: 1239: 1225: 1222: 1221: 1220: 1214: 1203: 1197: 1191: 1185: 1184:, San Jose, CA 1175: 1172: 1165: 1160: 1157: 1156: 1155: 1152:Easter Morning 1149: 1143: 1137: 1131: 1125: 1119: 1113: 1107: 1099: 1091: 1083: 1075: 1067: 1059: 1056:Permian Strata 1053: 1047: 1044:The White Rose 1041: 1033: 1025: 1019: 1013: 1007: 999: 989: 986: 921:In July 2016, 918: 915: 890: 887: 878: 875: 850: 847: 799:Easter Morning 733: 730: 720: 717: 627:Cool Hand Luke 590:The White Rose 559:One Man Show. 523:counterculture 474:in 1963, when 456: 453: 427:The New Yorker 392:Caryl Chessman 365:Wallace Berman 240: 237: 208: 205: 164: 163: 158: 154: 153: 141: 135: 134: 104: 103:Known for 100: 99: 90: 86: 85: 75: 73:(aged 74) 67: 63: 62: 56: 43: 41: 37: 36: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5830: 5819: 5816: 5814: 5811: 5809: 5806: 5804: 5801: 5799: 5796: 5794: 5791: 5789: 5786: 5784: 5781: 5779: 5776: 5774: 5771: 5769: 5766: 5764: 5761: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5729: 5726: 5724: 5721: 5719: 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5689: 5686: 5685: 5683: 5670: 5660: 5659: 5658:Postmodernism 5653: 5652: 5644: 5637: 5633: 5630: 5626: 5623: 5619: 5616: 5612: 5609: 5605: 5602: 5601:Metamodernism 5598: 5595: 5591: 5588: 5584: 5581: 5577: 5574: 5570: 5567: 5566:New Hollywood 5563: 5560: 5556: 5553: 5549: 5546: 5542: 5539: 5535: 5532: 5528: 5525: 5521: 5518: 5514: 5511: 5507: 5504: 5500: 5497: 5493: 5490: 5486: 5481: 5477: 5474: 5470: 5467: 5463: 5462: 5460: 5459:Impressionism 5456: 5453: 5449: 5446: 5442: 5439: 5435: 5432: 5428: 5425: 5421: 5418: 5414: 5411: 5407: 5404: 5400: 5397: 5393: 5390: 5386: 5383: 5379: 5376: 5372: 5369: 5365: 5361: 5360: 5354: 5350: 5349: 5343: 5340: 5336: 5333: 5329: 5328: 5326: 5322: 5308: 5307: 5302: 5296: 5295: 5290: 5284: 5283: 5278: 5272: 5271: 5266: 5260: 5259: 5254: 5248: 5247: 5242: 5236: 5235: 5230: 5224: 5223: 5218: 5212: 5211: 5206: 5200: 5199: 5194: 5188: 5187: 5182: 5176: 5175: 5170: 5169: 5167: 5163: 5156: 5152: 5149: 5145: 5142: 5138: 5135: 5131: 5128: 5124: 5121: 5117: 5114: 5110: 5107: 5103: 5100: 5096: 5093: 5089: 5086: 5082: 5079: 5075: 5072: 5068: 5065: 5061: 5058: 5054: 5051: 5047: 5044: 5040: 5039: 5037: 5035: 5031: 5024: 5020: 5017: 5013: 5010: 5006: 5003: 4999: 4996: 4992: 4989: 4985: 4982: 4978: 4975: 4971: 4968: 4964: 4961: 4957: 4954: 4950: 4947: 4943: 4940: 4936: 4933: 4929: 4926: 4922: 4919: 4915: 4912: 4908: 4905: 4901: 4898: 4894: 4891: 4887: 4884: 4880: 4879: 4877: 4875: 4871: 4864: 4860: 4857: 4853: 4850: 4846: 4843: 4839: 4836: 4832: 4829: 4825: 4822: 4818: 4815: 4811: 4808: 4804: 4801: 4797: 4794: 4790: 4787: 4783: 4780: 4776: 4773: 4769: 4766: 4762: 4759: 4755: 4752: 4748: 4745: 4741: 4738: 4734: 4731: 4727: 4724: 4720: 4717: 4713: 4710: 4706: 4703: 4699: 4696: 4692: 4689: 4685: 4682: 4678: 4675: 4671: 4668: 4664: 4661: 4657: 4654: 4650: 4647: 4643: 4640: 4636: 4633: 4629: 4628: 4626: 4624: 4620: 4617: 4615: 4609: 4595: 4594: 4589: 4583: 4582: 4577: 4571: 4567: 4561: 4557: 4551: 4550: 4545: 4539: 4538: 4533: 4527: 4526: 4521: 4515: 4514: 4509: 4503: 4502: 4497: 4491: 4490: 4485: 4479: 4478: 4473: 4467: 4466: 4461: 4455: 4454: 4449: 4443: 4442: 4437: 4431: 4430: 4425: 4419: 4418: 4413: 4412: 4410: 4406: 4399: 4395: 4392: 4388: 4385: 4381: 4378: 4374: 4371: 4367: 4364: 4360: 4357: 4353: 4350: 4346: 4343: 4339: 4336: 4332: 4329: 4325: 4322: 4318: 4315: 4311: 4308: 4304: 4301: 4297: 4294: 4290: 4287: 4286:Hundertwasser 4283: 4280: 4276: 4273: 4269: 4266: 4262: 4259: 4255: 4252: 4248: 4245: 4241: 4240: 4238: 4236: 4232: 4225: 4221: 4218: 4214: 4211: 4207: 4204: 4200: 4197: 4193: 4190: 4186: 4183: 4179: 4176: 4172: 4169: 4165: 4162: 4158: 4155: 4151: 4148: 4144: 4141: 4137: 4134: 4130: 4127: 4123: 4120: 4116: 4113: 4109: 4106: 4102: 4099: 4095: 4092: 4088: 4085: 4081: 4078: 4074: 4071: 4067: 4064: 4060: 4057: 4053: 4050: 4046: 4043: 4039: 4036: 4032: 4029: 4025: 4022: 4018: 4015: 4011: 4008: 4004: 4001: 3997: 3994: 3990: 3987: 3983: 3980: 3976: 3973: 3969: 3966: 3962: 3959: 3955: 3952: 3948: 3945: 3941: 3938: 3934: 3931: 3927: 3924: 3920: 3917: 3913: 3910: 3906: 3903: 3899: 3896: 3892: 3889: 3885: 3882: 3878: 3875: 3871: 3868: 3864: 3861: 3857: 3854: 3850: 3847: 3843: 3840: 3836: 3833: 3829: 3826: 3822: 3819: 3815: 3812: 3808: 3805: 3801: 3800: 3798: 3796: 3792: 3785: 3781: 3778: 3774: 3771: 3767: 3764: 3760: 3757: 3753: 3750: 3746: 3743: 3739: 3736: 3732: 3729: 3725: 3722: 3718: 3715: 3711: 3708: 3704: 3701: 3697: 3694: 3690: 3687: 3683: 3680: 3676: 3673: 3669: 3666: 3662: 3659: 3655: 3652: 3648: 3645: 3641: 3638: 3634: 3631: 3627: 3624: 3620: 3617: 3613: 3610: 3606: 3603: 3599: 3596: 3592: 3589: 3585: 3582: 3578: 3575: 3571: 3568: 3564: 3561: 3557: 3554: 3550: 3547: 3543: 3540: 3536: 3533: 3529: 3526: 3522: 3519: 3515: 3512: 3508: 3505: 3501: 3498: 3494: 3491: 3487: 3484: 3480: 3477: 3473: 3470: 3466: 3463: 3459: 3456: 3452: 3449: 3445: 3442: 3438: 3435: 3431: 3428: 3424: 3421: 3417: 3414: 3410: 3407: 3403: 3400: 3396: 3393: 3389: 3386: 3382: 3379: 3375: 3372: 3368: 3365: 3361: 3358: 3354: 3351: 3347: 3344: 3340: 3337: 3333: 3330: 3326: 3323: 3319: 3316: 3312: 3309: 3305: 3302: 3298: 3295: 3291: 3288: 3284: 3283: 3281: 3279: 3275: 3272: 3270: 3266: 3252: 3251: 3246: 3240: 3239: 3234: 3228: 3227: 3222: 3216: 3215: 3210: 3204: 3203: 3198: 3192: 3191: 3186: 3180: 3179: 3174: 3168: 3167: 3162: 3156: 3155: 3150: 3149: 3147: 3143: 3136: 3132: 3129: 3125: 3122: 3118: 3115: 3111: 3108: 3104: 3101: 3097: 3094: 3090: 3087: 3083: 3080: 3076: 3073: 3069: 3066: 3062: 3059: 3055: 3052: 3048: 3045: 3041: 3038: 3034: 3031: 3027: 3024: 3020: 3017: 3013: 3010: 3006: 3003: 2999: 2996: 2992: 2989: 2985: 2982: 2978: 2975: 2971: 2968: 2964: 2961: 2957: 2954: 2950: 2947: 2943: 2940: 2936: 2935: 2933: 2931: 2927: 2920: 2916: 2913: 2909: 2906: 2902: 2899: 2895: 2892: 2888: 2885: 2881: 2878: 2874: 2871: 2867: 2864: 2860: 2857: 2853: 2850: 2846: 2843: 2839: 2836: 2832: 2829: 2825: 2822: 2818: 2815: 2811: 2808: 2804: 2801: 2797: 2794: 2790: 2787: 2783: 2780: 2776: 2773: 2769: 2766: 2762: 2759: 2755: 2752: 2748: 2745: 2741: 2738: 2734: 2731: 2727: 2724: 2720: 2717: 2713: 2710: 2706: 2703: 2699: 2696: 2692: 2689: 2685: 2682: 2678: 2677: 2675: 2673: 2669: 2666: 2664: 2663:Literary arts 2660: 2653: 2649: 2646: 2642: 2639: 2635: 2632: 2628: 2625: 2621: 2615: 2614: 2608: 2607: 2605: 2604:Neoplasticism 2601: 2598: 2594: 2591: 2587: 2584: 2580: 2575: 2571: 2570: 2568: 2567:Functionalism 2564: 2561: 2557: 2552: 2548: 2544: 2543: 2537: 2533: 2532: 2526: 2525: 2523: 2522:Expressionism 2519: 2516: 2512: 2509: 2505: 2502: 2498: 2495: 2494:Ashcan School 2491: 2487: 2486: 2480: 2476: 2475: 2469: 2466: 2462: 2461: 2459: 2455: 2451: 2444: 2439: 2437: 2432: 2430: 2425: 2424: 2421: 2409: 2408:Dennis Hopper 2406: 2404: 2401: 2399: 2396: 2395: 2393: 2389: 2382: 2378: 2375: 2371: 2368: 2364: 2363: 2361: 2357: 2350: 2349: 2345: 2342: 2341: 2337: 2334: 2333: 2329: 2326: 2325: 2321: 2318: 2317: 2313: 2310: 2309: 2305: 2302: 2301: 2297: 2294: 2293: 2289: 2288: 2286: 2282: 2278: 2271: 2266: 2264: 2259: 2257: 2252: 2251: 2248: 2242: 2239: 2237: 2236: 2231: 2229: 2225: 2222: 2220: 2216: 2213: 2211: 2208: 2206: 2203: 2200: 2197: 2195: 2191: 2188: 2186: 2183: 2180: 2176: 2175: 2171: 2169:July 11, 2008 2168: 2164: 2161: 2158: 2154: 2151: 2149: 2147: 2143: 2141: 2139: 2135: 2133: 2131: 2127: 2125: 2122: 2121: 2117: 2102: 2098: 2092: 2089: 2084: 2078: 2075: 2070: 2064: 2061: 2056: 2050: 2047: 2042: 2036: 2033: 2030: 2025: 2022: 2019: 2014: 2011: 2007: 2003: 1997: 1994: 1990: 1989: 1984: 1978: 1975: 1971: 1970: 1965: 1959: 1956: 1952: 1951: 1946: 1940: 1937: 1933: 1932: 1927: 1921: 1918: 1914: 1913: 1908: 1905:J. Hoberman, 1902: 1899: 1895: 1894: 1893:Hyperallergic 1889: 1883: 1880: 1875: 1871: 1865: 1862: 1857: 1853: 1847: 1844: 1840: 1839: 1834: 1828: 1825: 1822: 1818: 1815: 1810: 1807: 1804: 1799: 1796: 1793: 1788: 1785: 1782: 1777: 1774: 1770: 1764: 1761: 1758: 1753: 1750: 1747: 1742: 1739: 1736: 1731: 1728: 1725: 1723: 1716: 1713: 1710: 1709: 1702: 1699: 1696: 1691: 1688: 1684: 1681: 1676: 1673: 1670: 1665: 1662: 1659: 1654: 1651: 1648: 1643: 1640: 1637: 1633: 1630: 1628: 1621: 1618: 1615: 1610: 1607: 1603: 1602: 1597: 1591: 1588: 1585: 1580: 1577: 1570: 1567: 1562: 1556: 1542:on 2006-09-29 1538: 1531: 1524: 1521: 1518:Association." 1514: 1511: 1507: 1502: 1497: 1494: 1490: 1486: 1480: 1477: 1474: 1469: 1466: 1463: 1458: 1455: 1444: 1440: 1434: 1431: 1420: 1416: 1410: 1407: 1395: 1389: 1386: 1375: 1371: 1367: 1363: 1356: 1354: 1352: 1348: 1337: 1333: 1329: 1325: 1318: 1316: 1314: 1312: 1310: 1306: 1303: 1298: 1295: 1292: 1287: 1284: 1277: 1272: 1268: 1265: 1262: 1259: 1255: 1252: 1249: 1245: 1244: 1240: 1238: 1237: 1236: 1232: 1231:Life on Mars, 1224:Contributions 1223: 1219: 1215: 1212: 1208: 1204: 1202: 1198: 1196: 1192: 1190: 1186: 1183: 1179: 1176: 1173: 1170: 1166: 1163: 1162: 1158: 1153: 1150: 1147: 1144: 1141: 1138: 1135: 1132: 1129: 1126: 1123: 1120: 1117: 1114: 1111: 1108: 1105: 1104: 1100: 1097: 1096: 1092: 1089: 1088: 1084: 1081: 1080: 1076: 1073: 1072: 1068: 1065: 1064: 1060: 1057: 1054: 1051: 1048: 1045: 1042: 1039: 1038: 1034: 1031: 1030: 1026: 1023: 1020: 1017: 1014: 1011: 1008: 1005: 1004: 1000: 997: 996: 992: 991: 987: 985: 983: 978: 977: 972: 971:It's All True 968: 966: 963: 959: 955: 954: 949: 945: 944: 943:Hyperallergic 938: 937: 932: 928: 924: 923:It's All True 914: 912: 908: 904: 900: 896: 888: 886: 884: 876: 874: 872: 868: 864: 860: 856: 848: 846: 844: 840: 836: 832: 828: 824: 820: 816: 812: 808: 804: 800: 796: 792: 788: 784: 779: 777: 773: 769: 764: 762: 761: 756: 755:Dennis Hopper 752: 747: 745: 744: 739: 731: 729: 727: 718: 716: 714: 710: 706: 702: 697: 695: 691: 687: 683: 679: 675: 670: 668: 664: 660: 656: 652: 648: 644: 640: 635: 633: 629: 628: 623: 622:Dennis Hopper 619: 615: 611: 607: 603: 599: 595: 591: 587: 583: 582: 577: 573: 569: 565: 560: 558: 557:Dennis Hopper 554: 553: 548: 544: 540: 539:felt-tip pens 536: 532: 528: 524: 521: 520:San Francisco 516: 514: 513:peanut butter 510: 506: 505:Stan Brakhage 501: 499: 495: 491: 485: 483: 482: 477: 473: 472:Massachusetts 462: 454: 452: 450: 446: 442: 441: 435: 433: 429: 428: 423: 422: 416: 414: 413:It's All True 409: 405: 404: 399: 398: 393: 389: 385: 380: 378: 374: 370: 366: 362: 361:Wally Hedrick 358: 354: 350: 346: 341: 339: 335: 331: 327: 323: 322: 321:Pines of Rome 317: 313: 309: 308: 299: 298: 293: 289: 287: 283: 278: 274: 270: 265: 263: 259: 254: 250: 246: 238: 236: 234: 230: 226: 222: 218: 214: 206: 204: 202: 198: 194: 190: 186: 182: 178: 174: 170: 162: 159: 155: 151: 147: 146: 142: 136: 132: 128: 124: 120: 116: 112: 108: 105: 101: 98: 94: 91: 87: 82: 78: 77:San Francisco 68: 64: 59: 42: 38: 31: 19: 5656: 5649: 5396:Ecomodernism 5304: 5292: 5280: 5268: 5256: 5244: 5234:The Firebird 5232: 5220: 5208: 5196: 5184: 5172: 4591: 4581:Citizen Kane 4579: 4570:Fallingwater 4560:Villa Savoye 4547: 4535: 4523: 4511: 4499: 4489:Black Square 4487: 4475: 4463: 4451: 4439: 4427: 4415: 4307:Le Corbusier 4235:Architecture 3248: 3236: 3224: 3214:Mrs Dalloway 3212: 3200: 3188: 3176: 3164: 3152: 3037:Lowell (Amy) 2403:Collage film 2359:Music videos 2348:Valse Triste 2346: 2338: 2330: 2322: 2314: 2306: 2298: 2290: 2277:Bruce Conner 2276: 2234: 2224:Bruce Conner 2190:Bruce Conner 2178: 2173: 2166: 2156: 2146:The Guardian 2145: 2137: 2129: 2104:. Retrieved 2100: 2091: 2077: 2063: 2049: 2035: 2024: 2013: 2005: 1996: 1986: 1977: 1967: 1958: 1948: 1939: 1929: 1920: 1910: 1901: 1891: 1882: 1873: 1864: 1855: 1846: 1836: 1827: 1809: 1798: 1787: 1776: 1768: 1763: 1752: 1741: 1730: 1722:Harriet Blog 1721: 1715: 1707: 1701: 1690: 1675: 1664: 1653: 1642: 1626: 1620: 1609: 1599: 1590: 1579: 1569: 1544:. Retrieved 1537:the original 1523: 1513: 1505: 1496: 1488: 1484: 1479: 1468: 1457: 1446:. Retrieved 1442: 1433: 1422:. Retrieved 1418: 1409: 1397:. Retrieved 1388: 1377:. Retrieved 1365: 1339:. Retrieved 1327: 1297: 1286: 1270: 1263: 1253: 1247: 1234: 1230: 1227: 1151: 1145: 1139: 1133: 1127: 1121: 1115: 1109: 1101: 1093: 1087:Valse Triste 1085: 1077: 1069: 1061: 1055: 1049: 1043: 1035: 1027: 1021: 1015: 1009: 1001: 993: 981: 974: 970: 969: 962:Bikini Atoll 957: 951: 941: 934: 922: 920: 902: 892: 880: 852: 842: 834: 830: 826: 822: 818: 806: 798: 794: 786: 780: 775: 771: 767: 765: 758: 748: 741: 737: 735: 725: 722: 708: 698: 689: 684:imagery and 671: 659:Throne Angel 658: 654: 636: 631: 625: 620:). In 1966, 605: 601: 589: 579: 571: 567: 563: 561: 550: 547:lithographed 517: 508: 507:in his book 502: 497: 493: 489: 486: 479: 458: 449:What'd I Say 438: 436: 431: 425: 419: 417: 412: 401: 395: 383: 381: 377:George Herms 373:Carlos Villa 369:Jess Collins 342: 325: 319: 311: 305: 303: 295: 266: 257: 242: 210: 169:Bruce Conner 168: 167: 152:(assemblage) 149: 143: 139:Notable work 71:(2008-07-07) 69:July 7, 2008 34:Bruce Conner 5693:2008 deaths 5688:1933 births 5651:Romanticism 5608:Remodernism 5489:Incoherents 5348:Avant-garde 5339:Armory Show 4946:Maeterlinck 4849:Villa-Lobos 4835:Szymanowski 4814:Stockhausen 4751:LutosƂawski 4469:(1909–1910) 3269:Visual arts 3242:(1928–1940) 3158:(1913–1927) 2681:Apollinaire 2645:Synchromism 2485:Art Nouveau 1443:www.nga.gov 1419:www.nga.gov 1040:(1963–1967) 988:Filmography 948:J. Hoberman 913:, in 1995. 867:Oakland, CA 815:David Byrne 791:Terry Riley 751:music video 647:Edmund Shea 618:Terry Riley 610:the Beatles 598:Miles Davis 468: 1962 461:Jean Conner 445:Ray Charles 353:Manuel Neri 286:consumerism 269:assemblages 201:photography 161:Jean Conner 150:Rat Bastard 127:photography 5682:Categories 5538:Maximalism 5473:Literature 5148:Wiesenthal 5050:Cunningham 5043:Balanchine 5023:Witkiewicz 4995:Strindberg 4981:Pirandello 4953:Mayakovsky 4828:Stravinsky 4800:Schoenberg 4612:Performing 4537:Metropolis 4328:Mendelsohn 4133:Rossellini 4126:Richardson 3937:Fassbinder 3923:Eisenstein 3860:Cassavetes 3616:Modigliani 3490:Goncharova 3476:Giacometti 2870:Dos Passos 2672:Literature 2631:Surrealism 2542:Die BrĂŒcke 2398:Toni Basil 2332:Crossroads 2300:Cosmic Ray 2106:2021-04-22 1886:John Yau, 1546:2012-12-22 1448:2024-01-24 1424:2024-01-24 1379:2020-11-09 1341:2020-11-09 1278:References 1159:Exhibition 1071:Crossroads 1003:Cosmic Ray 958:Crossroads 903:Crossroads 839:Toni Basil 807:Crossroads 760:Easy Rider 743:Crossroads 651:photograms 586:Toni Basil 440:Cosmic Ray 357:Joan Brown 273:Surrealist 177:assemblage 111:assemblage 81:California 50:1933-11-18 5587:Pulp noir 5545:Modernity 5410:Film noir 5134:St. Denis 5057:Diaghilev 4793:Schaeffer 4716:Hindemith 4688:Dutilleux 4660:Boulanger 4465:The Dance 4161:Tarkovsky 4154:Sternberg 3986:Hitchcock 3902:Dovzhenko 3818:Antonioni 3763:Stieglitz 3602:Metzinger 3553:Kokoschka 3532:Kandinsky 2946:Aldington 2939:Akhmatova 2856:Marinetti 2849:Mansfield 2800:Hemingway 2638:Symbolism 2457:Movements 2450:Modernism 2381:Mea Culpa 2367:Mongoloid 2308:Breakaway 2006:KQED Arts 1625:Photo of 1374:0362-4331 1336:0362-4331 1233:the 2008 1211:Vancouver 1103:Mea Culpa 1095:Mongoloid 1029:Breakaway 984:there.". 950:, in the 871:engraving 843:Breakaway 823:Mea Culpa 811:Brian Eno 787:Mongoloid 707:, titled 701:monograph 686:symbology 682:religious 639:punk rock 594:Jay DeFeo 581:Breakaway 345:Jay DeFeo 277:Victorian 213:McPherson 207:Biography 189:sculpture 115:sculpture 89:Education 5669:Category 5270:Fountain 5174:Don Juan 5113:Nijinsky 5009:Wedekind 4988:Piscator 4883:Anderson 4807:Scriabin 4723:Honegger 4377:Sullivan 4363:Saarinen 4356:Rietveld 4349:Niemeyer 4321:Melnikov 4251:Bunshaft 4182:Truffaut 4147:Sjöström 4091:Pudovkin 4063:Minnelli 4028:Kurosawa 4021:Kuleshov 3951:Flaherty 3777:Vuillard 3756:Steichen 3714:Rousseau 3679:Pissarro 3658:O'Keeffe 3623:Mondrian 3574:Malevich 3567:Magritte 3539:Kirchner 3483:van Gogh 3434:Doesburg 3413:Delaunay 3406:Delaunay 3329:BrĂąncuși 3315:Boccioni 3278:Painting 3128:Williams 3051:MallarmĂ© 2967:Cendrars 2877:Platonov 2835:Lawrence 2828:Koestler 2765:Flaubert 2758:Faulkner 2723:Bulgakov 2652:Tonalism 2613:De Stijl 2597:Lettrism 2583:Futurism 2474:Art Deco 2383:" (1981) 2376:" (1981) 2369:" (1978) 2124:Homepage 1817:Archived 1632:Archived 1555:cite web 1399:1 August 889:Archives 713:de Young 667:inkblots 432:Art News 310:(1958). 193:painting 148:(film), 119:painting 5324:Related 5186:Ubu Roi 5141:Tamiris 5127:Sokolow 5106:Massine 4974:Osborne 4967:O'Neill 4960:O'Casey 4918:Chekhov 4904:Beckett 4890:Anouilh 4874:Theatre 4821:Strauss 4779:Russolo 4758:Milhaud 4737:Janáček 4709:GĂłrecki 4702:Feldman 4681:Debussy 4674:Copland 4632:Antheil 4370:Steiner 4293:Johnson 4272:Guimard 4265:Gropius 4112:Resnais 4014:Kubrick 3944:Fellini 3930:Epstein 3916:Edwards 3881:Cocteau 3867:Chaplin 3839:Bresson 3832:Bergman 3811:Aldrich 3804:Akerman 3749:Soutine 3721:Schiele 3672:Picasso 3665:Picabia 3595:Matisse 3469:Gauguin 3441:Duchamp 3399:Kooning 3378:Claudel 3371:Chirico 3364:Chagall 3357:CĂ©zanne 3350:Cassatt 3322:Bonnard 3308:Bellows 3301:Balthus 3178:Ulysses 3100:Stevens 3093:Seferis 2912:Unamuno 2751:Forster 2730:Chekhov 2695:Beckett 2624:Orphism 2590:Imagism 2574:Bauhaus 2560:Fauvism 2465:Acmeism 2292:A Movie 995:A Movie 897:at the 738:A Movie 674:inkblot 653:called 543:mandala 533:at the 332:at the 326:A Movie 312:A Movie 307:A Movie 297:A Movie 221:Wichita 197:collage 185:drawing 145:A Movie 131:drawing 123:collage 5310:(1953) 5298:(1928) 5286:(1921) 5274:(1917) 5262:(1913) 5250:(1912) 5238:(1910) 5226:(1905) 5222:Salome 5214:(1902) 5202:(1899) 5190:(1896) 5178:(1888) 5155:Wigman 5085:Graham 5078:Fuller 5071:Fokine 5064:Duncan 5016:Wilder 5002:Toller 4939:Kaiser 4911:Brecht 4897:Artaud 4856:Webern 4842:VarĂšse 4772:Partch 4744:Ligeti 4667:Boulez 4639:BartĂłk 4597:(1943) 4585:(1941) 4573:(1936) 4563:(1931) 4553:(1929) 4541:(1927) 4529:(1925) 4517:(1923) 4505:(1920) 4493:(1915) 4481:(1912) 4457:(1907) 4445:(1889) 4433:(1887) 4421:(1886) 4398:Wright 4384:Tatlin 4342:Neutra 4244:Breuer 4210:Welles 4196:Vertov 4119:Renoir 4070:Murnau 4056:Marker 4049:Lupino 4007:Keaton 3993:Hubley 3979:Godard 3965:Fuller 3909:Dreyer 3888:Dassin 3846:Buñuel 3742:Sisley 3735:Signac 3728:Seurat 3700:Renoir 3518:Hopper 3420:Demuth 3343:Calder 3336:Braque 3287:Albers 3254:(1929) 3230:(1926) 3218:(1925) 3206:(1924) 3194:(1922) 3182:(1922) 3170:(1915) 3121:ValĂ©ry 3107:Thomas 3072:Pessoa 3016:George 3009:Elytis 3002:Éluard 2988:Desnos 2960:Cavafy 2930:Poetry 2891:Proust 2884:Porter 2786:Hamsun 2744:Döblin 2737:Conrad 2709:Breton 2688:Barnes 2508:Cubism 2351:(1977) 2343:(1976) 2335:(1976) 2327:(1973) 2319:(1967) 2316:Report 2311:(1966) 2303:(1961) 2295:(1958) 1372:  1334:  1228:2008 1167:2014: 1154:(2008) 1148:(2006) 1130:(2004) 1118:(1995) 1112:(1982) 1106:(1981) 1098:(1978) 1090:(1977) 1082:(1976) 1074:(1976) 1066:(1973) 1058:(1969) 1052:(1967) 1046:(1967) 1037:Report 1032:(1966) 1024:(1966) 1018:(1965) 1012:(1964) 1010:Vivian 1006:(1961) 998:(1958) 833:, and 776:Report 768:Report 655:Angels 568:Vivian 564:Report 494:Vivian 481:Report 300:(1958) 284:, and 217:Kansas 199:, and 173:artist 157:Spouse 83:, U.S. 60:, U.S. 5480:Post- 5466:Music 5165:Works 5120:Shawn 5099:Laban 5034:Dance 4932:Jarry 4925:Ibsen 4863:Weill 4786:Satie 4695:Falla 4653:Berio 4623:Music 4408:Works 4335:Nervi 4279:Horta 4258:GaudĂ­ 4217:Wiene 4189:Varda 4175:Trnka 4084:Pabst 4042:Losey 4000:Jones 3972:Gance 3895:Deren 3874:Clair 3853:CarnĂ© 3825:Avery 3707:Rodin 3693:Redon 3651:Nolde 3644:Munch 3637:Moore 3630:Monet 3581:Manet 3560:LĂ©ger 3525:Kahlo 3504:Grosz 3462:Ernst 3455:Ensor 3392:Degas 3145:Works 3135:Yeats 3114:Tzara 3086:Rilke 3079:Pound 3058:Moore 3030:Lorca 3023:Jacob 2995:Eliot 2974:Crane 2953:Auden 2919:Woolf 2905:Svevo 2898:Stein 2863:Musil 2821:Kafka 2814:Joyce 2807:Hesse 2793:HaĆĄek 2716:Broch 2551:Music 2284:Films 1540:(PDF) 1533:(PDF) 982:there 877:Death 732:Films 384:Child 258:Venus 5092:Holm 4765:Nono 4730:Ives 4646:Berg 4614:arts 4391:Mies 4314:Loos 4300:Kahn 4224:Wood 4203:Vigo 4168:Tati 4140:Sirk 4035:Lang 3958:Ford 3795:Film 3784:Wood 3609:MirĂł 3588:Marc 3546:Klee 3511:Höch 3497:Gris 3448:Dufy 3385:DalĂ­ 3065:Owen 2981:H.D. 2842:Mann 2779:Gide 2772:Ford 2702:Bely 2515:Dada 2194:IMDb 1658:LUKE 1561:link 1401:2022 1370:ISSN 1332:ISSN 1213:, BC 1128:Luke 835:Luke 813:and 783:Devo 772:Sell 726:King 643:Devo 632:Luke 566:and 375:and 181:film 66:Died 40:Born 4077:Ozu 3686:Ray 3427:Dix 3294:Arp 2226:at 2192:at 2177:in 1503:: 865:in 861:of 809:), 801:), 789:), 612:' " 600:'s 447:' " 318:'s 251:in 5684:: 5648:← 2217:, 2099:. 2004:, 1985:, 1966:, 1947:, 1928:, 1909:, 1890:, 1872:. 1854:. 1835:, 1598:, 1557:}} 1553:{{ 1441:. 1417:. 1368:. 1364:. 1350:^ 1330:. 1326:. 1308:^ 1209:, 841:, 829:, 821:, 669:. 634:. 588:; 465:c. 430:, 424:, 371:, 367:, 363:, 359:, 355:, 347:, 340:. 215:, 203:. 195:, 191:, 187:, 183:, 179:, 129:, 125:, 121:, 117:, 113:, 109:, 95:, 79:, 5661:→ 2442:e 2435:t 2428:v 2379:" 2372:" 2365:" 2269:e 2262:t 2255:v 2109:. 2085:. 2071:. 2057:. 1876:. 1858:. 1563:) 1549:. 1451:. 1427:. 1403:. 1382:. 1344:. 817:( 793:( 785:( 52:) 48:( 20:)

Index

Rat Bastard Protective Association
McPherson, Kansas
San Francisco
California
University of Nebraska
University of Colorado
Experimental film
assemblage
sculpture
painting
collage
photography
drawing
A Movie
Jean Conner
artist
assemblage
film
drawing
sculpture
painting
collage
photography
McPherson
Kansas
Wichita
Wichita State University
University of Nebraska
bachelor of fine arts
Brooklyn Museum Art School

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑