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coloured, have no joints and have perforations that outline their figures and costumes. The puppeteer manipulates the puppets using a split bamboo stick that runs down the middle of the puppet. The puppeteers magnify the shadows by holding the puppets away from the screen. These puppets are treated ceremonially, being blessed before they are first used and are cremated and the ashes strewn in a river when they become worn out and unusable. Another feature of the puppets is that the puppet form of Rabana is much larger than that of Rama with greater dramatic impact and casts an impressive shadow on the screen.
31:
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413:. Performances have little by way of dance or fight sequences, the action being limited by the jointless nature of the puppets, but the dramatic effect is elevated by the use of poetic language, music and the religious themes narrated. A full performance takes an entire week with a night each for each of the seven
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poles. A complete performance requires as many as 700 puppets with multiple puppets being used to depict a diversity of moods for individual characters. Besides these puppets, there are others that set the background and the stock characters of the village barber and his grandson. The puppets are not
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has its origins in the Rabana Chhaya. In recent years it has seen changes in both content and performances with contemporary social and health issues also forming the themes of the performances. A rare art form, efforts have been made under the
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Rabana Chhaya performances are held at night, the shadow of the puppets being projected onto a white curtain against the light of an oil lamp. The performance begins with the breaking of a
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83:. That it has been named after the villain of the Ramayana. Alternately it has been suggested that it was not named after Rama as he is an incarnation of the god
409:, a kind of tambourine. The dialogues and the songs in the performance are accompanied by lively, rhythmic music that combines elements of folk and classical
377:. The story of the performance is narrated in prose by a narrator, called gayak, who is accompanied by two singers. The performers traditionally belong to the
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community and the singing is accompanied by musical instruments including
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is thought to have emerged from India and the
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and it would have been inauspicious to refer to him as a shadow.
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110:, range from 6 inches to 2 feet in height and are mounted on
485:. Berkeley: University of California Press. pp. 39–40.
482:
The Two-headed Deer: Illustrations of the Rāmāyaṇa in Orissa
677:. Cambridge: Cambridge University Press. p. 107.
650:. Cambridge: Cambridge University Press. p. 305.
68:' and is named after the eponymous evil king of the
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570:. New Delhi: Abhinav Publications. pp. 72–72.
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704:. New Delhi: Abhinav Publications. p. 75.
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623:. Delhi: Cosmo Publications. p. 5860.
540:. London: Bloomsbury Methuen. p. 415.
537:The Methuen Drama Dictionary of the Theatre
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436:Indira Gandhi National Centre for the Arts
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674:The Cambridge Guide to Asian Theatre
701:History of Indian Theatre, Volume 1
698:Varadpande, Manohar Laxman (1987).
479:Williams, Joanna Gottfried (1996).
106:used in Rabana Chhaya are made of
27:Shadow puppetry from Odisha, India
25:
99:Sita, wife of Rama, Rabana Chhaya
1497:
1496:
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64:literally means 'the shadow of
620:Indian Encyclopaedia, Volume 1
1:
1429:Bronze & Bell metal works
735:. 22 May 2011. Archived from
366:and with invocations to the
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34:Ravana tries to kidnap Sita
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671:Brandon, James R. (1993).
442:to revive and promote it.
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617:Kapoorv, Subodh (2002).
644:Stanton, Sarah (1996).
512:. Sangeet Natak Akademi
733:The New Indian Express
729:"From flicker to glow"
534:Law, Jonathan (2011).
100:
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564:Ghosh, Sampa (2006).
421:Influence and changes
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1454:Kalinga architecture
739:on January 16, 2014
1156:Odia Hindu wedding
425:Puppet theatre in
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81:Biswanatha Khuntia
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1521:Puppetry in India
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1306:Bomkai (Sonepuri)
1219:Manabasa Gurubara
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1115:Prahallada Nataka
1079:Play, theatre and
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786:Culture of Odisha
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231:Sangita Muktabali
16:(Redirected from
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1526:Odia culture
1447:Architecture
1280:Paika akhada
1273:Martial arts
1095:Bharata Lila
847:Chaiti ghoda
741:. Retrieved
737:the original
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248:Gita Govinda
240:Compositions
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217:Gita Prakasa
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193:Gopalakrusna
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132:Odissi music
119:Performances
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1531:Shadow play
1392:Handicrafts
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1366:Pattachitra
1352:Handicrafts
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1264:Snana Jatra
1259:Sitalsasthi
1239:Ratha Jatra
1105:Dhanu Jatra
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922:Naga nrutya
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857:Chutkuchuta
837:Bagha Nacha
301:Instruments
293:Charjyapada
144:Mahāprabhu
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1419:Stoneworks
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1301:Berhampuri
1194:Durga Puja
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1174:Bali Jatra
1100:Dasakathia
982:Sakhi Nata
952:Laudi nata
942:Sambalpuri
872:Dhan Koela
867:Danda Nata
743:16 January
602:16 January
516:16 January
463:References
401:) and the
368:Hindu gods
187:Kabisurjya
166:Dinakrusna
146:Jagannātha
1486:Anka year
1321:Habaspuri
1289:Handlooms
1184:Deepabali
1166:Festivals
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801:Classical
389:castanets
181:Abhimanyu
153:Composers
78:Odia poet
49:state of
45:from the
1536:Ramayana
1502:Category
1404:Tarakasi
1350:Arts and
1336:Pasapali
1124:Puppetry
1081:puppetry
1060:Khanjani
947:Samprada
842:Chadheia
446:See also
405:khanjani
384:ramatali
268:Chautisa
201:Shāstras
176:Banamali
161:Jayadeva
108:deerskin
74:Ramayana
1472:Panjika
1409:Ganjapa
1399:Chandua
1199:Nuakhai
1149:Wedding
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877:Dhuduki
862:Dalkhai
809:Gotipua
399:cymbals
375:Ganesha
364:coconut
309:Mardala
288:Pallabi
283:Malasri
278:Bhajana
258:Chhanda
104:Puppets
91:Puppets
57:History
1434:Dhokra
1381:Idital
1326:Kotpad
1070:Dhumpa
1055:Odissi
1028:Paraja
1013:Kandha
1008:Gadaba
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937:Ranapa
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887:Jhumar
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431:Wayang
415:kandas
394:kabuji
273:Janana
263:Champu
171:Bhanja
112:bamboo
85:Vishnu
66:Ravana
51:Odisha
1459:Deula
1110:Jatra
1047:Music
1033:Saura
1003:Desia
977:Patua
897:Karma
852:Chhau
793:Dance
440:Delhi
379:Bhata
72:epic
70:Hindu
1414:Clay
1359:Arts
1331:Ikat
1244:Raja
1023:Onra
1018:Koya
962:Lila
927:Pala
829:Folk
745:2014
706:ISBN
679:ISBN
652:ISBN
625:ISBN
604:2014
572:ISBN
542:ISBN
518:2014
487:ISBN
373:and
371:Rama
324:Khol
319:Bina
314:Benu
391:),
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438:,
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