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in the form of five "fundamental principles" of their constructivist practice. The
Manifesto focused largely on divorcing art from such conventions as use of lines, color, volume, and mass. In the text, Gabo and Pevsner reject the successive stylistic innovations of modern art as mere illusionism
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Editors' introduction to "The
Realistic Manifesto." In Art in Theory, 1900-2000, edited by Charles Harrison and Paul Wood, 298. Malden: Blackwell, 2003.
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81:"The Realistic Manifesto." In Art in Theory, 1900-2000, edited by Charles Harrison and Paul Wood, 299. Malden: Blackwell, 2003.
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The text was first published on August 5, 1920, in poster form, on the occasion of an exhibition with
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in Moscow. Extracts were reproduced in the first issue of
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