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is the product not of a poet but of a personality. I was supposed to be reviewing it, but to do so for a poetry journal would imply that it deserves to be taken seriously as poetry. Besides, I was too distracted by the pathological attitude of its faux-naΓ―ve author, and too offended by its editor's
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stated: "So: Hollie McNish is a terrible poet. Or: Hollie McNish is a wonderful poet. Leave her alone, OK? As ever, the people who care, or pretend to care, about poetry cannot make up their collective mind. This time round, it is an essay in the latest issue of the poetry magazine
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exemplary bad faith, to ignore the broader questions it provokes." Although the article began from this point Watts also discussed the work of poets such as
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Trinity poets : an anthology of poems by members of
Trinity College, Cambridge from the sixteenth to twenty-first century
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Trinity Poets: An
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as a result of this article. Responses to the article also appeared elsewhere β an article written for
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22:(born 1983) is a British poet. Her first collection of poetry,
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First
Collection Poetry Prize: Shortlist Announced 2017
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Manchester: Carcanet, 2017. Edited by Adrian Poole and
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