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Red Meat (film)

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writer Nathan Rabin called it, "yet another darkly comic drama about men behaving badly and the weak-willed, masochistic women they hurt in the process." He further adds, "the director (a man, despite his first name) saves most of his venom for his two male antiheroes, but women don't fare a whole
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is the kind of overly theatrical first film that threatens to talk itself to death with dialogue that is frequently too literary, and above all, betrays its maker’s fervent conviction that he has something profound to express about the human condition and is, by golly, going to hammer it home no
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called it "fat on dialogue" but "slim on insight into relationships." Thomas states, "much of the film is set in a restaurant where Chris encounters his friend Victor (James Frain), who suddenly disappeared some time ago. Once Victor sits down with Chris and Stefan they regale him with their
315:. Burnett described the script as being dark and deeply personal, and he harbored "only the vaguest hopes of directing it." Shortly after the completion of the screenplay, a small production company offered to buy it and for David Burton Morris to direct it. Morris's 1988 film 369:
matter what. Yet Burnett offers no fresh take on the horrors of the contemporary mating game, and invoking a sense of mortality to throw into perspective all the petty, rotten ways in which men can treat women is somehow less staggering in its impact than obviously intended."
325:. However, another production company called Treehouse Films was also interested and already had financing in place for the project. They gave Burnett the added incentive of letting him direct the film himself. The film would be shot in 29: 364:
interminable, dreary encounters with women, which are shown in flashback. Then Victor tells them what’s been going on with him, involving a radically different experience with a dying woman (Lara Flynn Boyle)." He further adds, "
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lot better: Each is either a ditsy, bubble-headed tramp or a prim, disapproving moralist. Burnett directs with a fair amount of visual style, but all the stylistic flair in the world wouldn't make
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At a restaurant, male friends Chris, Stefan and Victor recount recent experiences they've had with women.
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s ham-fisted voyage into the male psyche any less familiar or unpleasant."
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reimagined and repurposed scenes from an unpublished first novel, titled
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is described as having been an influence on Burnett in the writing of
483:"'Red Meat' Is Fat on Dialogue, Slim on Insight Into Relationships" 311:, which was written ten years before, while Burnett was living in 206: 405:"Hidden Auteur: An Allison Burnett Retrospective, Part Three" 299:
When writing the screenplay for what would eventually become
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in France, and in November of that year it aired on the
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Index


Allison Burnett
John Slattery
James Frain
Stephen Mailer
Traci Lind
Lara Flynn Boyle
Jennifer Grey
Heidi Lenhart
Andrea Roth
The Asylum
black
comedy-drama
Allison Burnett
Stephen Mailer
John Slattery
James Frain
Lara Flynn Boyle
Jennifer Grey
Heidi Lenhart
Traci Lind
Andrea Roth
Allison Burnett
New York City
Patti Rocks
Los Angeles
Slamdance Film Festival
Cannes Film Festival
Sundance Channel
Los Angeles Times

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