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The Asylum

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174:, which capitalize on the popularity of major studio films with similar titles and premises. The Asylum's business model revolves around producing as many low-budget films as quickly as possible, which earn around $ 150,000 to $ 250,000 in profit. Since the company produces dozens of films every year, this model generates millions of dollars, and the company claims to have never lost money on a film. The Asylum spends around 4-6 months making a film, and since the company is not affiliated with any industry 278: 787:. This means their employees will sometimes work upwards of 22 hours a day. Whereas most major studios shoot one page from the script a day, The Asylum shoots around 10 to 12 pages a day. Due to the demanding work schedule, The Asylum often hires filmmakers with several years of experience. Around $ 150,000 of a film's budget is allocated to hiring lesser known actors that would appeal to specific audiences. For example, Rimawi notes that former 839:
consumers, but instead gives consumers more options to watch. The Asylum is upfront about some of their duplicitous marketing strategies. In a 2010 blog post, The Asylum urged fans to add the studio's film to their Netflix queues in order to increase the perception of public demand. The blog post said, "This isn't about trying to get you to watch our movie. This is about gaming the system. This is about taking a stand. Against math."
762: 704:. This model is so successful, that Rimawi claims that they have never lost money on a film. Rimawi stated, "One of the reasons we've remained in business for 25 years is that we make a movie for exactly less than we think we can earn from it ... People say all the time, 'Why don't you make a $ 20 million original production?' And our answer is because we'd like to stay in business." 568: 430:, The Asylum started producing low-budget films to capitalize on the popularity of similar major studio films. The Asylum marketed their films as "tie-ins", although journalists and critics often referred to them as rip-offs or mockbusters. Among the company's early releases within this business model were 870:
believes that The Asylum's cynical business model is merely a microcosm of the American film industry. Hudson wrote, "Sure, The Asylum makes knock-offs, but so does Hollywood. So does fashion. If culture is a constant exchange of ideas, commerce is the booze that lubricates that discussion. Consider
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compared The Asylum to "pollution in Hollywood, in that you've just got to live with it". Despite their reputation, Bales argues that The Asylum's popularity is multifaceted, and not the result of deceitful marketing tactics. To this extent, some journalists have postulated that consumer interest in
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spawned five sequels, and when combined with merchandising and licensing sales, nearly quadrupled The Asylum's revenue from three years earlier. According to Bales, "Up until that point, even with the notoriety that we had, if you'd speak to anyone and be like, 'Hey, I'm a filmmaker, have you seen
807:. But we'll go after Johnny Depp's cousin. That's fair game." Rimawi further added, "I'm guessing that many of our main actors do this because they have bills to pay, and they want to be in and out as inconspicuously as possible. But the repeat guys have made their peace with what they're doing." 711:
from freelance screenwriters based on a story concept that the studio's distribution affiliates want. As journalist Amanda Hess explained, "If a Japanese DVD company wants a submarine, and Blockbuster needs a monster, the Asylum will make a sailors-meet-sea creature movie, then tweak the concept
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The Asylum's business model revolves around producing as many low-budget films as quickly as possible. Their films usually have a budget of $ 250,000 to $ 500,000, and earn $ 150,000 to $ 250,000 in profit. Since The Asylum produces dozens of films every year, this model generates millions of
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was "Enough Said". Latt described The Asylum's marketing strategy as "a parody of the studio system". Whenever The Asylum makes a mockbuster, they tie the release of their film to coincide with the release of the larger film it's based on. Bales argues that this is not an attempt to deceive
526:(VOD) services in the early 2010s, The Asylum focused on digital distribution. Since VOD services would often categorize their films in alphabetical order, The Asylum added numbers or typographical symbols to the beginning of their film titles in order to been seen first, such as 712:
further to sell to all its potential platforms." The studio then chooses the best pitch, and the chosen screenwriter produces a draft within 10 days. Asylum films are almost always serious in tone despite the far-fetched plots. The first script for
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only occasionally features shape-shifting robots and devotes more time to a lesbian subplot. Latt said this is because the studio's writers only have a brief outline of what the larger film is going to be about from promotional material.
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Marketing campaigns often hype up the absurdity of the film's premise and the studio's overall business model. In 2012, Asylum films would open with the text, "15 years. 100 films. You're Welcome". In a similar vein, the tagline for
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was also working on a film adaptation of the novel. Latt was prepared to end production until Blockbuster ordered 100,000 copies of the film, roughly seven to eight times the normal order for Asylum films. Latt's film, titled
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The Asylum has garnered a discordant and at times controversial reputation within the film industry. Nearly all of their films have been panned by critics, and their mockbusters are often belittled as shameless
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would routinely offer filmmakers more money. This led to a change in their business model in 2002, with a focus on in-house productions. Their goal was to produce one film per month, starting with the 2002
402:, a film that closely resembles another film with a similar title and premise in order to capitalize on its popularity. Around the same time, Latt began working on an adaptation of the 1898 novel 910:. Roth wrote, "The more puffed-up and self-serious and dumb Hollywood blockbusters become, the more they demand to see their goofiness mirrored by cheap, unpretentious, equally dumb knockoffs." 814:, which includes its own editing bays and visual effects studios. The visual effects for their films are often poorly rendered, and a constant source of ridicule from critics. Tom Breihan of 1767: 1990: 1165: 4838: 1542: 1578: 4853: 185:
Initially founded as a distribution company for low-budget drama films, The Asylum switched to in-house productions in the mid-2000s due to competition from larger studios like
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ends with a giant snake eating the train. According to Nichsolson, "That's what people who see that kind of movie want to see, and studios don't have the guts to do it."
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According to The Asylum's website, the studio has released more than 500 films, including 300 original films. Their catalog encompasses virtually every major
1611: 852:. Breihan wrote, "It takes a certain punk-rock panache for a company to unapologetically position itself as a parasite on the movie business." Film producer 1293: 1235: 4813: 4803: 648: 824:
special-effects team ... At their best, Asylum's in-house effects team can manage something slightly more lifelike than what you'd see on the average
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as an example, as he felt that its usage of dinosaurs and dragons as antagonists was intended to mock the action sequences and animal jokes in the
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ordered 100,000 copies, which inspired The Asylum to focus on mockbusters. This led to a partnership with the television channel
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argues that The Asylum's mockbusters succeed in satirizing the larger films they are based on. Roth used The Asylum film
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as an example of a large studio film that disappointed viewers with a predictable ending, whereas The Asylum mockbuster
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became the studio's largest source of revenue, with an entire channel dedicated to Asylum films. Another VOD service,
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The Asylum was founded in 1997 by David Latt, David Rimawi, and Sherri Strain. Rimawi and Strain had been fired by
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If The Asylum is making a mockbuster, they will target larger films that are based on works or characters in the
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said that The Asylum wanted every comedic line removed and left a strongly worded note that reiterated that
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revolves around a group of survivors who escort a man who is immune to the zombie virus to the last known
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episode." The Asylum employs 15 visual effects artists, and they are often working on six films at once.
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said that The Asylum caters to its audience by leaning into the absurdity of their film plots. She used
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dollars. From October 2011 to October 2012, The Asylum's revenue totaled $ 12,000,000 for a 15 percent
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we became known." Latt added, "We still talk about how to exploit it in every production meeting."
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horror films. The Asylum struggled to break into the distribution market, as larger companies like
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company called Chimera Multimedia. Latt and Rimawi had previously worked together on the 1992 film
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The Asylum spends around 4-6 months making a film. It starts with The Asylum soliciting 100-word
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about a teen pregnancy. The company's initial goal was to distribute low-budget drama films like
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Asylum films come from a desire to watch campy films, in particular those that fall under the "
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co-hosts held a dramatic reading of some of the film's lines, and the mayor of Los Angeles
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were too high, and decided that The Asylum's next potential television series, titled
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jokingly wrote, "From the looks of things, also goes after the cousins of the
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in 2004. Although the film was marketed as an adaptation of the 1872 novella
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is an American independent film production and distribution company based in
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ran for five seasons on Syfy, and was followed by the spinoff series
628: 255: 2280: 1569:"'Z Nation' Canceled By Syfy After Five Seasons, Announced Online" 780: 760: 566: 276: 175: 1758:"How 'Sharknado' Went From AFM Pitch Session to Global Sensation" 3383: 2381: 736: 555: 479: 222: 210: 2067: 2057: 2640: 2632: 2184: 1425:"Commentary: Fox takes action against 'Day the Earth Stopped'" 550:, as VOD services prioritized films with theatrical releases. 345:. Strain left the company in 2002, and was replaced by former 1284:"Inside The Asylum: The Outlaw Studio That Changed Hollywood" 940:. Rimawi stated, "The only thing we haven't done is straight 1230: 810:
Post-production is handled at The Asylum's headquarters in
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are popular among European audiences. In an interview with
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Pomerantz, Dorothy (October 22, 2012). "Schlock And Awe".
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Some journalists have defended The Asylum. Greg Hudson of
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anything I've made?' the answer would be, 'No,' but with
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The Asylum's biggest success came in 2013 with the film
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that lifts sharks out of the ocean and drops them over
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letter against The Asylum for the similarities between
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that lifts sharks out of the ocean and drops them over
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featured a lot of self-aware humor, but screenwriter
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Vol. 190, no. 7. pp. 50–52. 8: 4854:Privately held companies based in California 1803: 1801: 1799: 1797: 1795: 1793: 1791: 1789: 1787: 1785: 627:, Syfy commissioned The Asylum to produce a 254:, Syfy commissioned The Asylum to produce a 28: 4829:Entertainment companies based in California 1991:"Paranormal Activity vs. Paranormal Entity" 1851: 1849: 1847: 1562: 1560: 928:, although the studio primarily focuses on 675:. Bales felt that the production costs for 3973: 2906: 2656: 2628: 2579: 2506: 2391: 2295: 2216: 2151: 2108: 2086: 2072: 2064: 1277: 1275: 1273: 34: 27: 1718: 1454: 1452: 1415: 1413: 1337: 1335: 1333: 1331: 1271: 1269: 1267: 1265: 1263: 1261: 1259: 1257: 1255: 1253: 651:research lab. Journalists often compared 4849:Non-theatrical film production companies 4844:Mass media companies established in 1997 1984: 1982: 1980: 1978: 1944: 1942: 1940: 1938: 1904: 1902: 1716: 1714: 1712: 1710: 1708: 1706: 1704: 1702: 1700: 1698: 1329: 1327: 1325: 1323: 1321: 1319: 1317: 1315: 1313: 1311: 1282:Dixon, Wheeler Winston (July 25, 2013). 897:Sir Arthur Conan Doyle's Sherlock Holmes 803:, Latt stated, "We know not to go after 390:poster, which came out the year before. 189:. In 2005, The Asylum released the film 1490: 1488: 1101: 394:writer Wheeler Winston Dixon described 4834:Film distributors of the United States 4824:Companies based in Burbank, California 4809:American companies established in 1997 1398:from the original on December 24, 2020 381:poster bore a striking resemblance to 3185:Motion Picture Corporation of America 1664: 1662: 1602:"Syfy Renews Zombie Drama 'Z Nation'" 1600:O'Connell, Mikey (October 21, 2014). 1581:from the original on January 29, 2023 1437:from the original on November 8, 2023 1379: 1377: 1375: 1373: 1371: 1369: 1367: 1365: 1363: 1219: 1217: 1215: 1213: 1211: 1209: 1207: 1205: 1203: 1149: 1147: 1145: 1143: 1141: 1139: 1137: 1135: 1133: 1131: 1129: 1127: 1125: 7: 1951:"The Asylum: They Are What They Are" 1832:from the original on October 1, 2023 1633:Moylan, Brian (September 12, 2014). 1461:"Asylum's 'mockbusters' turn profit" 1201: 1199: 1197: 1195: 1193: 1191: 1189: 1187: 1185: 1183: 1123: 1121: 1119: 1117: 1115: 1113: 1111: 1109: 1107: 1105: 536:. The Asylum also released the film 16:American film studio and distributor 4556:Distributors Corporation of America 4441:American Film Manufacturing Company 2034:from the original on March 29, 2024 2003:from the original on April 22, 2024 1963:from the original on April 22, 2024 1923:from the original on April 22, 2024 1737:from the original on March 25, 2024 1614:from the original on March 24, 2024 1567:Haring, Bruce (December 22, 2018). 1509:from the original on March 23, 2024 1473:from the original on March 23, 2024 1296:from the original on March 20, 2024 1238:from the original on March 21, 2024 250:. In response to the popularity of 4785:List of American animation studios 1545:from the original on June 21, 2022 362:, The Asylum's first hit film was 14: 4814:American independent film studios 4804:1997 establishments in California 4683:Pacific International Enterprises 4546:De Laurentiis Entertainment Group 4273:Commonwealth United Entertainment 1870:from the original on May 25, 2021 1856:Patterson, John (July 30, 2009). 1818:Breihan, Tom (October 10, 2012). 1770:from the original on June 8, 2024 1756:Ritman, Alex (November 1, 2018). 1647:from the original on June 8, 2024 1168:from the original on June 4, 2023 1154:Ritman, Alex (November 1, 2022). 623:In response to the popularity of 243:, and led to the creation of the 4481:Boxoffice International Pictures 1669:Solomon, Dan (August 23, 2011). 1531:Stelter, Brian (July 12, 2013). 1047:Nazis at the Center of the Earth 827:Hercules: The Legendary Journeys 593:. The over-the-top premise went 239:. The over-the-top premise went 4698:Producers Releasing Corporation 4024:Selznick International Pictures 2614:American International Pictures 2097:in the United States and Canada 1384:Potts, Rolf (October 7, 2007). 1039:Mega Shark Versus Giant Octopus 4536:Compass International Pictures 4531:Cinerama Releasing Corporation 1949:Hudson, Greg (July 28, 2015). 1723:Hess, Amanda (July 10, 2013). 1090:(television series, 2014–2018) 1015:H. G. Wells' War of the Worlds 986:(television series, 2019–2021) 428:H. G. Wells' War of the Worlds 416:H. G. Wells' War of the Worlds 293:, and Latt was working for an 264:, which ran for five seasons. 192:H. G. Wells' War of the Worlds 1: 4770:Weintraub Entertainment Group 4349:Empire International Pictures 4111:21st Century Film Corporation 3354:40 Acres and a Mule Filmworks 2745:Ubisoft Film & Television 2200:United International Pictures 2141:United International Pictures 1224:Katz, David (July 11, 2013). 687:went up for sale at the 2022 508:The Day the Earth Stood Still 491:The Day the Earth Stood Still 4541:Crown International Pictures 4303:Paramount Famous Productions 4116:Atlantic Entertainment Group 2362:National Geographic Partners 2264:Flagship Entertainment Group 1495:Tate, Ryan (July 19, 2013). 482:for a television release of 4658:Lubin Manufacturing Company 4420:Warner Independent Pictures 4278:Famous Players Film Company 4227:Independent Moving Pictures 3957:Wonderland Sound and Vision 3262:Sidney Kimmel Entertainment 1989:Roth, David (May 4, 2010). 1909:Vorel, Jim (July 5, 2013). 959:Abraham Lincoln vs. Zombies 766:Sharknado 2: The Second One 649:Centers for Disease Control 512:United States trademark law 426:Inspired by the success of 58:; 27 years ago 4870: 4385:Lorimar Film Entertainment 4186:Samuel Goldwyn Productions 4171:Metro Pictures Corporation 4131:Dimension Pictures (1970s) 4034:Twentieth Century Pictures 3900:The Hideaway Entertainment 3180:Morgan Creek Entertainment 3021:Chicken & Egg Pictures 1725:"Escaped From The Asylum!" 917: 18: 4782: 4728:Section Eight Productions 4611:Global Road Entertainment 4395:National General Pictures 4232:Interscope Communications 4191:Trans World Entertainment 3725:Montecito Picture Company 3424:Bedford Falls Productions 3409:Bad Hat Harry Productions 3272:Dark Castle Entertainment 2961:Artemis Rising Foundation 2931:Allied Artists Film Group 2909: 2885:Village Roadshow Pictures 2244:Castle Rock Entertainment 2190:MTV Entertainment Studios 1007:The Day the Earth Stopped 749:was a clear imitation of 631:television series called 504:The Day the Earth Stopped 485:The Day the Earth Stopped 291:Village Roadshow Pictures 258:television series called 33: 4748:This Is That Productions 4196:United Artists Releasing 4156:Hemdale Film Corporation 3845:Shangri-La Entertainment 3770:Outerbanks Entertainment 3700:Lightstorm Entertainment 3680:Kennedy/Marshall Company 3006:Brillstein Entertainment 2810:FilmNation Entertainment 2705:Dark Horse Entertainment 2700:CondĂ© Nast Entertainment 920:List of The Asylum films 821:Pirates of the Caribbean 772:, Dante Palminteri, and 4616:Grand National Pictures 4591:Fireworks Entertainment 4506:Castle Hill Productions 4415:Warner Bros.-Seven Arts 4380:First National Pictures 4354:First Independent Films 4166:Louis B. Mayer Pictures 3830:Roth/Kirschenbaum Films 3775:Overbrook Entertainment 3705:LuckyChap Entertainment 3665:Jerry Bruckheimer Films 3534:Evolution Entertainment 3504:Di Bonaventura Pictures 3135:Lakeshore Entertainment 2478:Sony Pictures Kids Zone 2424:PlayStation Productions 2414:Sony Pictures Releasing 1895:. p. 2, Section M. 843:Reputation and analysis 724:was not a comedy film. 283:chief operating officer 213:, and with the rise of 21:Asylum (disambiguation) 4663:Madison 23 Productions 4638:Jensen Farley Pictures 4586:Dramatic Feature Films 4446:Art Star Scene Studios 4410:Seven Arts Productions 4323:United States Pictures 4181:Samuel Goldwyn Company 3920:Valhalla Entertainment 3434:Blinding Edge Pictures 3369:A Very Good Production 3098:MarVista Entertainment 2986:Blue Fox Entertainment 2735:Scholastic Corporation 2446:Worldwide Acquisitions 2434:Sony Pictures Classics 1763:The Hollywood Reporter 1607:The Hollywood Reporter 1161:The Hollywood Reporter 1031:King of the Lost World 776: 695:Approach to filmmaking 576: 433:King of the Lost World 398:as The Asylum's first 286: 4723:Scotti Bros. Pictures 4526:Cinemation Industries 4521:Christie Film Company 4516:Champion Film Company 4318:Sunn Classic Pictures 4060:Artisan Entertainment 3925:Vertigo Entertainment 3695:Kingdom Story Company 3685:Ketchup Entertainment 3464:Chernin Entertainment 3349:21 Laps Entertainment 3066:Entertainment Studios 3041:Dolphin Entertainment 2991:Blumhouse Productions 2966:BayView Entertainment 2860:New Republic Pictures 2845:Lantern Entertainment 2229:Warner Bros. 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850:cash grabs 731:, such as 587:waterspout 561:Titanic II 472:(based on 460:(based on 448:(based on 436:(based on 400:mockbuster 351:Paul Bales 313:Bellyfruit 304:Bellyfruit 285:Paul Bales 233:waterspout 160:The Asylum 118:Paul Bales 94:Key people 29:The Asylum 4743:ThinkFilm 4251:Paramount 4205:Universal 4048:Lionsgate 4004:Fox Faith 3735:Music Box 3720:Monkeypaw 3675:KatzSmith 3643:Jax Media 3429:Big Beach 3414:Bad Robot 3344:XYZ Films 3145:levelFILM 3115:IFC Films 2903:companies 2793:Mad Solar 2688:companies 2669:STX Films 2648:(backing) 2641:A24 Films 2330:Lucasfilm 2270:HBO Films 2249:CNN Films 2185:BET Films 2038:March 28, 2007:April 10, 1967:April 11, 1927:April 11, 1874:March 27, 1836:March 25, 1825:Grantland 1774:March 25, 1741:March 25, 1651:March 24, 1618:March 24, 1585:March 24, 1549:March 23, 1513:March 23, 1477:March 23, 1441:March 23, 1402:March 21, 1354:0015-6914 1300:March 21, 1242:March 21, 1172:March 21, 1055:Sharknado 874:Boxoffice 861:" label. 836:Sharknado 816:Grantland 800:Grantland 785:SAG-AFTRA 722:Sharknado 714:Sharknado 625:Sharknado 618:Sharknado 613:Sharknado 582:Sharknado 573:Sharknado 439:King Kong 349:employee 273:1997–2009 252:Sharknado 248:franchise 246:Sharknado 228:Sharknado 180:SAG-AFTRA 149:theasylum 135:Divisions 105:president 4631:Allspark 4141:Filmways 4009:Fox Film 3865:Studio 8 3825:Rideback 3805:Playtone 3730:Mr. Mudd 3593:GK Films 3529:Electric 3509:District 3314:Vertical 2805:Endeavor 2756:partners 2208:(13.01%) 2032:Archived 2001:Archived 1961:Archived 1921:Archived 1868:Archived 1830:Archived 1768:Archived 1735:Archived 1645:Archived 1612:Archived 1579:Archived 1543:Archived 1507:Archived 1471:Archived 1435:Archived 1396:Archived 1294:Archived 1236:Archived 1166:Archived 1087:Z Nation 790:Baywatch 677:Z Nation 663:Z Nation 653:Z Nation 645:Z Nation 634:Z Nation 552:Pluto TV 546:) in 10 498:filed a 371:Carmilla 261:Z Nation 219:Pluto TV 4627:Hasbro 4436:Alchemy 4126:Cinecom 3710:Malpaso 3638:Imagine 3359:87North 3088:FotoKem 2720:Netflix 2571:(18.9%) 2174:Miramax 1466:Variety 914:Catalog 768:actors 709:pitches 673:Netflix 609:Twitter 466:), and 268:History 144:Website 71:Founder 61: ( 53:Founded 47:Private 4429:Others 3977:Disney 3952:30West 3394:Apatow 3309:Utopia 2370:(50%) 2104:Majors 1352:  1345:Forbes 1082:(2007) 1074:(2010) 1066:(2006) 1058:(2013) 1050:(2012) 1042:(2009) 1034:(2005) 1026:(2012) 1018:(2005) 1010:(2008) 1002:(2006) 994:(2013) 978:(2013) 970:(2012) 962:(2012) 954:(2012) 936:, and 781:guilds 629:zombie 575:series 388:'s 379:'s 256:zombie 176:guilds 3051:Decal 2754:Slate 2554:(50%) 2548:(43%) 2376:(16%) 2364:(73%) 2358:(80%) 2342:(20%) 2281:TruTV 2266:(49%) 2202:(50%) 2176:(49%) 2143:(50%) 1996:Slate 1956:Sharp 1916:Paste 1502:Wired 942:drama 926:genre 904:film 891:Slate 867:Sharp 600:Today 595:viral 319:like 241:viral 199:film 4332:Sony 3715:Marv 3623:Icon 3384:AGBO 3195:Neon 2840:LAMF 2788:Bron 2730:Roku 2382:Hulu 2040:2024 2009:2024 1969:2024 1929:2024 1876:2024 1838:2024 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Index

Asylum (disambiguation)

Private
Burbank, California
president
CEO
Paul Bales
COO
Divisions
theasylum.cc
Burbank, California
direct-to-video
mockbusters
guilds
SAG-AFTRA
Lionsgate Films
H. G. Wells' War of the Worlds
Steven Spielberg
War of the Worlds
Blockbuster
Syfy
video on demand
Pluto TV
Tubi
Sharknado
waterspout
Los Angeles
viral
Sharknado franchise
zombie

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