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910:", which was given to Byrne by Frantz. "Once in a Lifetime" borrows heavily from preachers' diatribes. While some critics deemed the song "a kind of prescient jab at the excesses of the 1980s", Byrne disagreed with this categorization and commented that its lyrics were meant to be taken literally: "We're largely unconscious. You know, we operate half awake or on autopilot and end up, whatever, with a house and family and job and everything else, and we haven't really stopped to ask ourselves, 'How did I get here?'."
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1169:& Brian Eno (except "Houses In Motion" and 'The Overload", written by David Byrne, Brian Eno & Jerry Harrison)". Frantz, Harrison, and Weymouth disputed the credits, especially for a process they had partly funded. According to Weymouth, Byrne told Kalman to doctor the credits on Eno's advice. Later editions credit all band members. Frantz recalled in 2009 that he and Weymouth "felt very burned by the credits dispute".
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653:. Eno's production techniques and personal approach were key to the record's conception. The process was geared to promote the expression of instinct and spontaneity without overtly focusing on the sound of the final product. Eno compared the creative process to "looking out to the world and saying, 'What a fantastic place we live in. Let's celebrate it.'"
1253:. According to writer David Sheppard, "it was received as a great cultural event as much as a vivid art-pop record." Unusually, the album's press release included a bibliography submitted by Byrne and Eno citing books by Chernoff and others to provide context for how the songs were conceived. “I didn't read those books,” said an incensed Weymouth.
1921:, but learnt from Harrison that Talking Heads had instead recorded themselves playing the parts repetitively. Greenwood said: "And that's why it's not exhausting to listen to because you're not hearing the same piece of music over and over again. You're hearing it slightly different every time. There's a lesson there."
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font. M&Co. complied, with Kalman coming up with the idea of inverting the "A"s in "TALKING HEADS". Weymouth and Frantz decided to use the joint credit acronym C/T for the artwork, while Bender and Fisher used initials and code names because the project was not an official MIT venture. The design
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instead. Byrne has said, "Besides not being all that melodic, the music had something to say that at the time seemed new, transcendent, and maybe even revolutionary, at least for funk rock songs." The image of the warplanes was relegated to the back of the sleeve and the doctored portraits became the
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Talking Heads and Eno originally agreed to credit all songs in alphabetical order to "David Byrne, Brian Eno, Chris Frantz, Jerry
Harrison and Tina Weymouth" after failing to devise an accurate formula for the split, but the album was released with the label credit: "all songs written by David Byrne
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The first side contains the more rhythmic songs, "Born Under
Punches (The Heat Goes On)", "Crosseyed and Painless", and "The Great Curve", which include long instrumental interludes. "The Great Curve" contains extended guitar solos by Belew, the first contributions that he made during his day in the
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until convinced that he was no longer "hearing nonsense". After he was satisfied, Harrison invited Nona
Hendryx to Sigma Sound to record backing vocals for the album. She was advised extensively on her vocal delivery by Byrne, Frantz, and Weymouth, and often sang in a trio with Byrne and Eno. Brass
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The tracks made Byrne rethink his vocal style and he tried singing to the instrumental songs, but sounded "stilted". Few vocal sections were recorded in the
Bahamas. The lyrics were written when the band returned to the U.S., in New York City and California. Harrison booked Talking Heads into Sigma
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by recording jams, isolating the best parts, and learning to play them repetitively. The basic tracks focused wholly on rhythms and were all performed in a minimalist method using only one chord. Each section was recorded as a long loop to enable the creation of compositions through the positioning
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had one of the first computer-designed record jackets. Psychoanalyst
Michael A. Brog has called its front cover a "disarming image, which suggests both splitting and obliteration of identity", and which introduces the listener to the album's recurring theme of "identity disturbance"; he has said,
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alone took up several rooms. Weymouth and Fisher shared a passion for masks and used the concept to experiment with the portraits. The faces were blotted out with blocks of red. As Eno wanted to be featured on the cover art as well, Weymouth considered superimposing Eno's face on top of all four
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Eno arrived in the
Bahamas three weeks after Byrne. While reluctant to work with the band again after collaborating on their previous two albums, he changed his mind after hearing the instrumental demo tapes. The band and Eno experimented with the communal African way of making music, in which
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In 2022, Harrison and Belew united for three concert dates for the album's 40th anniversary, in which they played all of the album and several more
Talking Heads songs. In 2023, they expanded the project to a full North American tour, and included material from Belew's period in the Talking
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in 1978. Byrne joined the duo and
Harrison there in early 1980. The band members realized that songwriting had thus far been largely Byrne's responsibility, and that they had become tired of the notion of being a singer and a backing band; the ideal they aimed for, according to Byrne, was
709:, Harrison and Eno spent their time tweaking the compositions recorded in the Bahamas, and Frantz and Weymouth often did not show up at the studio. Doubts began to surface about whether the album would be completed, which were assuaged only after the recruitment of guitarist
1243:. Only these two performances were initially planned, but Sire Records decided to support the nine-member band on an extended tour. After the promotional tour, the band went on hiatus for several years, leaving the individual members to pursue a variety of side projects.
581:"sacrificing our egos for mutual cooperation". Byrne also wanted to escape "the psychological paranoia and personal torment" that he had been feeling and writing about in New York. Instead of writing music to Byrne's lyrics, the group performed extended instrumental
544:, a married couple, discussed leaving Talking Heads after Weymouth suggested that Byrne was too controlling. Frantz did not want to leave, and the two took a long vacation in the Caribbean to ponder the state of the band and their marriage. They became involved in
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in 1970 to study native percussion and wrote about how
Africans have complicated conversations through drum patterns. One song, "The Great Curve", exemplifies the African theme with the line "The world moves on a woman's hips", which Byrne used after reading
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Byrne included a bibliography with the album press kit along with a statement that explained how the album was inspired by
African mythologies and rhythms. The release stressed that the major inspiration for the lyrics was John Miller Chernoff's
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percussionist Steven Scales, and backing vocalist Dolette MacDonald. The larger group performed soundchecks in Frantz's and Weymouth's loft by following the rhythms established by Worrell, who had studied at the
941:"The Great Curve" includes two lengthy solos by Adrian Belew's synthesiser-treated guitar, African-inspired percussion, and brass interludes. It features the line "The world moves on a woman's hips", inspired by
656:
Sections and instrumentals were recorded one at a time in a discontinuous process. Loops played a key part at a time when computers could not yet adequately perform such functions. Talking Heads developed
891:, into the lyric "Look at the hands of a government man". Although the unorthodox guitar solo has often been credited to Adrian Belew, it was in fact performed by Byrne (manipulating a Lexicon Prime Time
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and released on his Kravenworks label. She described herself as a longtime fan of the song "Once in a Lifetime", and wanted to pay tribute to the album by emphasizing its inspiration from African music.
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called the band's new music a "rock-funk sound with dramatic, near show-stopping force". On August 27, the expanded Talking Heads performed a showcase of tracks to an 8,000-person full house at the
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for the LP sleeve. Weymouth, who was skeptical of hiring a designing firm, vetoed Kalman's ideas and held firm on the MIT images. The designing process made the band members realize that the title
724:. Belew performed on the tracks that would become "Crosseyed and Painless", "The Great Curve", "Listening Wind" and "The Overload"; in 2022, he recalled that "all of parts were done in one day".
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throughout the studio process after watching a Japanese game show of the same name. According to Harrison, the band's ambition was to blend rock and African genres rather than simply imitate
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s Barry Walsh labeled its results "simply magical" after the band turned rock music into a more global entity in terms of its musical and lyrical scope. In a 2008 review, Sean Fennessey of
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Byrne has described the album's final mix as a "spiritual" piece of work, "joyous and ecstatic and yet it's serious"; he has pointed out that, in the end, there was "less Africanism in
5502:
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1620:, called the record one "in which David Byrne conquers his fear of music in a visionary Afrofunk synthesis—clear-eyed, detached, almost mystically optimistic". Michael Kulp of the
462:
was acclaimed by critics, who praised its sonic experimentation, rhythmic innovations, and merging of disparate genres into a cohesive whole. The album reached number 19 on the US
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1092:. The idea for the back cover included simple portraits of the band members. Weymouth attended MIT regularly during the summer of 1980 and worked with Bender's colleague,
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overdubs. In August 1980, half of the album was mixed by Eno, engineer John Potoker, and Harrison in New York City, while the other half was mixed by Byrne and Jerden at
642:
Recording sessions started at Compass Point Studios in July 1980. The album's creation required additional musicians, particularly percussionists. Talking Heads used the
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included it in its unnumbered shortlist of the 10 best records issued that year. It figured highly in other end-of-year best album lists, notably at number two, behind
1053:, used by the US Navy, in which Weymouth's father had served, inspired the initial cover art, later used on the back of the LP sleeve after the album name change.
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told them that "the things one doesn't intend are the seeds for a more interesting future", encouraging them to experiment, improvise and make use of "mistakes".
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than we implied ... but the African ideas were far more important to get across than specific rhythms". According to Eno, the record uniquely blends funk with
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called the album a "dense amalgam of African percussion, funk bass and keyboards, pop songs, and electronics." The album contains eight songs with a "striking
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and professional design in art and advertisements. He offered his services for free to create publicity, and discussed using unconventional materials such as
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of each riff with corresponding bars of its counterpart. "Houses in Motion" incorporates long brass performances by Hassell, while "Listening Wind" features
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1666:: "Talking Heads were connecting with an audience ready to follow their musical evolution, and the album was so inventive and influential." In the 1995
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was too dense for a quartet to perform live. The band expanded to nine musicians for the tours in support of the album, with Harrison recruiting Belew,
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1768:"So they congregated in a Nassau studio with Brian Eno and created a record without precedent ... Both daringly experimental and pop-accessible,
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in New York and arranged to record with him at Compass Point, but he did not show up to the sessions. After a few sessions at Compass Point, engineer
879:" borrows from "preaching, shouting and ranting". The expression "And the Heat Goes On", used in the title and repeated in the chorus, is based on a
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The "rhythmical rant" in "Crosseyed and Painless"—"Facts are simple and facts are straight. Facts are lazy and facts are late"—was influenced by
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headline Eno read in the summer of 1980, while Byrne rewrote the song title "Don't Worry About the Government" from Talking Heads' debut album,
533:' secondary facility in New York City; Talking Heads would later record at Sigma and employ Hendryx as a backing vocalist on Harrison's advice.
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481:". It has been featured in several publications' lists of the best albums of the 1980s and of all time, and is often considered Talking Heads'
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felt it was a brave and absorbing attempt to locate a common ground in the era's divergent and often hostile musical genres; he concluded, "
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rhymes in the style of Eno, who believed that lyrics were never the center of a song's meaning. Byrne continuously listened to his recorded
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Brog, Michael A. (June 2002). ""Living Turned Inside Out": The Musical Expression of Psychotic and Schizoid Experience in Talking Heads'
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front cover. Kalman later suggested that the planes were not removed altogether because they seemed appropriate during the then-ongoing
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at the request of Byrne, Harrison, and Eno. Belew was advised to add guitar solos to the Compass Point tracks, making use of numerous
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wrote, "Just about every LP Talking Heads has released in the last four years has wound up on virtually every critics' best of list.
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1096:, on the computer renditions of the ideas. The process was tortuous because computer power was limited in the early 1980s and the
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and used on the album. Like Davies, Jerden was unhappy with the fast pace at which Eno wanted to record, but he did not complain.
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456:. The band hired additional members for a promotional tour, after which they went on a year-long hiatus to pursue side projects.
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s list of The 50 Greatest Albums Of The '80s, and at number 68 in the publication's Greatest Albums Of All Time list. In 1997,
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The second side features more introspective songs. "Once in a Lifetime" pays homage to early rap techniques and the music of
934:
705:, after convincing the owners that the band's work could bring them a new clientele. In New York City, Byrne struggled with
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lyrics. Gans instructed Byrne to be freer with his lyrical content, advising him that "rational thinking has its limits".
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Byrne recorded the rough mixes to a cassette tape and improvised over them on a portable tape recorder. He tried to create
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I wanted to have more interesting interviews," said Byrne. "It was my way to say here are the things I want to talk about.
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concluded, "Talking Heads took African polyrhythms to NYC and made a return trip with elegant, alien post-punk in tow."
1165:"The image is in bleak contrast to the title with the obscured images of the band members unable to 'remain in light'."
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3207:""It's Still a Record That Stands up Today, Very, Very Well:" Adrian Belew and Jerry Harrison Talk 'Remain in Light'"
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was released worldwide on October 8, 1980, and received its world premiere, airing in its entirety, on October 10 on
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influences, with Belew adding textural content via the Electric Mistress and " the sound up and down while working a
501:
In January 1980, the members of Talking Heads returned to New York City after touring in support of their 1979 album
5459:
1636:, suggested that it confirmed Talking Heads' position as "America's most venturesome rock band". Sandy Robertson of
1018:. The track was originally called "Weird Guitar Riff Song" because of its composition. It was conceived as a single
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and new wave. None of the compositions include chord changes, relying instead on the use of different harmonies and
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wrote that the album deserved the tag "classic" like each of the band's three previous full-length releases, while
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made the band realize that the musical landscape was changing. Before the studio sessions began, the band's friend
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deemed the album "culturally, historically, or aesthetically significant" and selected it for preservation in the
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in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter
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5127:"Jonny Greenwood talks A Moon Shaped Pool, Radiohead's ever-changing setlists, Talking Heads, and more -- listen"
5043:"The 80 Greatest Albums of 1980 What came out of all this was, arguably, the greatest year for great albums ever"
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in its "80 Greatest Albums of 1980" list; the publication also ranked it number 39 on its updated list of the "
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Weymouth and Frantz conceived the cover art with the help of Massachusetts Institute of Technology researcher
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1958:, except "Born Under Punches (The Heat Goes On)" and "Crosseyed and Painless", written by David Byrne and
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in September 1985 after shipping 500,000. Over one million copies of the album have been sold worldwide.
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847:, which examined the musical enhancement of life in rural African communities. Chernoff travelled to
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5180:"Angélique Kidjo on the Myth of Cultural Appropriation and Covering Talking Heads' Remain in Light"
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1672:, Jeff Salamon praised Eno for reining in any excessive appropriations of African music. In 2004,
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Zink Media, LLC (d/b/a Discogs), 4145 SW Watson Avenue, Suite 350, Beaverton, Oregon, USA 97005.
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Palmer, Robert (December 19, 1980). "The Pop Life: The 10 best of the albums issued in 1980".
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yields scary, funny music to which you can dance and think, think and dance, dance and think,
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as one of its "100 Essential Albums Of The 20th Century". In 2000 it was voted number 227 in
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4274:"Talking Heads: 77/More Songs About Buildings and Food/Fear of Music/Remain in Light (WEA)"
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982:. "Spidery riffs" and layered tracks of bass guitar and percussion are used extensively.
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Michael A. Brog, in that there is no extended thought process that can be followed in its
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became the band and Eno's template for the album. According to Weymouth, the emergence of
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and the volume control on my guitar". Closing track "The Overload" features "tribal-cum-
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3683:"'The business is an exciting mess': Edward Helmore Talks to Brian Eno and David Byrne"
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credits read "HCL, JPT, DDD, WALTER GP, PAUL, C/T". The final mass-produced version of
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religious ceremonies, practiced native percussion instruments, and socialised with the
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5448:. Vol. 93, no. 51. December 26, 1981. p. YE-8 – via Google Books.
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Lewis, John (November 2007). "The Making Of ... Once in a Lifetime by Talking Heads".
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1658:'s William Ruhlmann wrote that Talking Heads' musical transition, first witnessed in
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and academic literature on Africa. The album artwork was conceived by the bassist,
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This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century
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named the record at number 88 during its "100 Greatest Albums" countdown, while
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Kulp, Michael (November 12, 1980). "Talking Heads: new mixture of pop styles".
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3081:"Tom Tom Club's Chris Frantz On David Byrne, Brian Eno And Lee 'Scratch' Perry"
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listed the album sixth on its list of the "Best Albums of the 1980s". In 2020,
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critics' poll, which aggregates the votes of hundreds of prominent reviewers.
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5285:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 304.
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the fourth-best album of the 1980s. In 1993, it was included at number 11 in
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Tina Weymouth and Tibor Kalman designed the logotype used on the album cover.
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stepped in to replace him. Frantz credited Stanley with helping to create "
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or merging of loops in different ways. Byrne likened the process to modern
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Robinson, Lisa (June 18, 1981). "Ronstadt will return to Broadway stage".
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Rockwell, John (October 5, 1980). "New Territory for The Talking Heads".
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studio. Belew performed the solo with the aid of four effects pedals: an
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left following an argument with Eno over the fast pace of recording, and
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Frantz and Weymouth ended their holiday by purchasing an apartment above
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as inspiration, the couple created a collage of red warplanes flying in
1046:
5698:
5693:
4554:
Robertson, Sandy (October 11, 1980). "Talking Heads: Remain In Light".
2718:
1865:", as the highest of four Talking Heads releases on the list. In 2006,
1226:
1089:
804:
745:
1875:
at number 27 in its list of the "40 Best Albums of the 80s". In 2012,
1857:
included it in its unnumbered shortlist of "50 Essential Pop Albums".
5207:"Jerry Harrison and Adrian Belew Announce Remain in Light Tour Dates"
1124:
549:
5154:"Angelique Kidjo Gives New Life To Talking Heads' 'Remain In Light'"
3387:
Fennessey, Sean (September 2008). "Talking Heads: Remain In Light".
1221:
The expanded band's first appearance was on August 23, 1980, at the
702:
669:
According to Frantz, the band had met with Jamaican reggae producer
5503:"American album certifications – Talking Heads – Remain in light"
5460:"Canadian album certifications – Talking Heads – Remain in light"
4880:
staff (December 1999). "100 Essential Albums of the 20th Century".
5478:"British album certifications – Talking Heads – Remain in light"
4819:
staff (September 25, 1993). "The 50 Greatest Albums Of The '80s".
3021:
staff (November 12, 2003). "The 500 Greatest Albums of All Time".
1905:
1810:
collated worldwide data from renowned critics, artists, and radio
1176:
1142:
1045:
848:
763:
626:
49:
5679:
5417:"Album Top 40 slágerlista (fizikai hanghordozók) – 2023. 41. hét"
5232:
5704:
1019:
627:
406:
5708:
3107:
Mix Masters Platinum: Engineers Reveal Their Secrets to Success
409:
with electronics, recording instrumental tracks as a series of
5157:
5099:
4841:
4821:
4709:
1850:
1734:
5359:
The Complete Book of the British Charts: Singles & Albums
3407:
Generation Ecstasy: Into the World of Techno and Rave Culture
693:
unit, one of the first of its kind, was obtained by engineer
1101:
portraits to insinuate his egotism, but decided against it.
915:
1811:
1590:
The album attained widespread critical acclaim on release.
2719:"National Recording Registry Picks Are "Over the Rainbow""
3360:
Are We Not New Wave?: Modern Pop at the Turn of the 1980s
1115:
and his company M&Co. Kalman was a fervent critic of
507:, and took time off to pursue personal interests. Singer
4839:
staff (October 2, 1993). "Greatest Albums Of All Time".
3896:
3894:
3892:
3890:
3843:
3841:
3839:
3837:
3835:
3833:
3831:
3818:
3816:
3814:
3789:
3787:
3785:
3783:
3657:"Musicheads Essentials: Talking Heads – Remain in Light"
3490:"Counterbalance No. 35 Talking Heads' 'Remain in Light'"
3279:
3277:
3264:
3262:
3260:
3258:
3233:
3231:
3229:
3179:
3177:
3175:
3162:
3160:
3158:
3038:
3036:
3034:
2986:
2984:
2971:
2969:
2967:
2965:
2963:
4639:
staff (December 13, 1980). "1980 Melody Maker Albums".
4058:
Can't Slow Down: How 1984 Became Pop's Blockbuster Year
2826:
2824:
2811:
2809:
2807:
2782:
2780:
2778:
1861:
placed it at number 129 in its December 2015 issue of "
4440:(February 2006). "The Geeks Shall Inherit the Earth".
3631:"10 records to introduce you to the world of art-rock"
3574:
On Some Faraway Beach: The Life and Times of Brian Eno
1263:
in February 1981 after shipping 50,000 copies, and by
1181:
Talking Heads hired five additional musicians for the
5442:"Billboard's 1981 Year-End Charts: Number One Awards"
2620:
Sales+streaming figures based on certification alone.
1022:
before the band added a second; Eno alternated eight
364:. The band's third and final album to be produced by
6277:
United States National Recording Registry recordings
4789:
The Mojo Collection: The Greatest Albums of All Time
3865:
Kalman, Tibor; Hall, Peter; Bierut, Michael (1998).
2223:– keyboards, bass guitar, percussion, backing vocals
6149:
6124:
6092:
6060:
5923:
5870:
5845:
5778:
5615:. London: Flame Tree Publishing. pp. 222–223.
2138:
2130:
2053:
2045:
1990:
1982:
1229:, for an audience of 70,000; Robert Hilburn of the
1131:was "too flippant" for the music, and they adopted
316:
245:
196:
184:
172:
156:
108:
84:
76:
61:
48:
34:
4994:staff (August 2006). "40 Best Albums of the 80s".
4707:staff (December 13, 1980). "Best Albums of 1980".
4571:"Top Album Picks: Talking Heads–Remain In Light".
1849:in its Top 100 Albums Of The 1980s list. In 2003,
1189:Brian Eno advised Talking Heads that the music on
776:was one of several inspirations for the lyrics on
413:grooves. Session musicians included the guitarist
5879:Popular Favorites 1976–1992: Sand in the Vaseline
4039:"WDFM to air premiere of Talking Heads' newest".
3488:Mendelsohn, Jason; Klinger, Eric (May 27, 2011).
1962:; all music is composed by Talking Heads (Byrne,
6282:United States National Recording Registry albums
5357:Warwick, Neil; Kutner, Jon; Brown, Tony (2004).
2217:– keyboards, guitars, percussion, backing vocals
4619:staff (December 13, 1980). "The Best of 1980".
3741:
3739:
2616:Shipments figures based on certification alone.
1766:
1151:Weymouth advised Kalman that she wanted simple
2229:– keyboards, drums, percussion, backing vocals
5886:Once in a Lifetime: The Best of Talking Heads
5720:
3715:Rip it Up and Start Again: Postpunk 1978-1984
3326:"Phish Take on Remain in Light for Halloween"
3200:
3198:
3196:
3194:
3192:
638:using stylised methods and sonic experiments.
8:
5327:
5325:
5323:
4300:Cameron, Keith (July 2020). "New Feelings".
3938:
3936:
3860:
3858:
3856:
3363:. University of Michigan Press. p. 14.
1772:may be the Talking Heads' defining moment."
1558:
1508:
1470:
1420:
1382:
1337:
1299:
574:, where Talking Heads and Eno had recorded
5727:
5713:
5705:
4402:Salamon, Jeff (1995). "Talking Heads". In
3946:(CD booklet and case back cover). London:
3001:
2999:
2911:
2909:
2545:
2508:
2464:
2368:
2303:John Potoker – additional engineer, mixing
1274:
1077:. The planes are an artistic depiction of
1061:and his ArcMac team (the precursor to the
326:
40:
31:
5507:Recording Industry Association of America
4122:Recording Industry Association of America
4056:Matos, Michaelangelo (December 8, 2020).
3596:
3594:
3013:
3011:
2748:
2746:
2744:
2742:
2636:Everything That Happens Will Happen Today
1903:as a major influence on their 2000 album
1265:Recording Industry Association of America
332:Artwork originally created as front cover
4750:
4748:
3074:
3072:
3070:
3068:
2923:
2921:
2124:
2039:
1976:
860:. He also studied straight speech, from
4397:
4395:
4089:Canadian Recording Industry Association
3566:
3564:
3483:
3481:
3382:
3380:
2990:
2845:
2843:
2841:
2839:
2830:
2655:
2612:
2327:– mastering at Sterling Sound, New York
1642:praised the record's innovation, while
1261:Canadian Recording Industry Association
740:, who had worked with Byrne and Eno on
5854:The Name of This Band Is Talking Heads
5554:The American Journal of Psychoanalysis
5333:"Talking Heads – Remain In Light"
5178:Currin, Grayson Haver (June 7, 2018).
4725:"The 1980 Pazz & Jop Critics Poll"
4165:
4163:
4026:
3981:
3964:
3953:
3912:
3900:
3847:
3822:
3805:
3793:
3774:
3283:
3268:
3249:
3237:
3183:
3166:
3042:
2975:
2949:
2938:
2882:
2880:
2878:
2876:
2874:
2815:
2798:
2786:
1941:Heads-influenced 1980s incarnation of
1081:planes in honor of Weymouth's father,
956:
845:African Rhythm and African Sensibility
634:, here photographed in 2007, produced
515:, the record's producer, on the album
229:The Name of This Band Is Talking Heads
29:1980 studio album by Talking Heads
6083:Born Under Punches (The Heat Goes On)
6002:This Must Be the Place (Naive Melody)
5397:from the original on November 1, 2023
5316:(11). Toronto: RPM. December 9, 1981.
5107:from the original on December 1, 2017
5069:"The 500 Greatest Albums of All Time"
4085:"CRIA: Search Certification Database"
3577:. Chicago Review Press. p. 346.
2753:Rees, Dafydd; Crampton, Luke (1991).
2001:Born Under Punches (The Heat Goes On)
1738:. It featured at number three—behind
1732:, by Christgau, and at number six by
1280:
877:Born Under Punches (The Heat Goes On)
875:Like the other tracks, album opener "
450:Massachusetts Institute of Technology
380:in New York in July and August 1980.
290:Born Under Punches (The Heat Goes On)
7:
4272:Courtney, Kevin (January 13, 2006).
3925:Hendrickson, Kim (Producer) (2018).
3517:"The Definitive Guide to Dance-Rock"
2690:Cataldo, Jennie (November 8, 2018).
2321:Kendall Stubbs – additional engineer
2169:"Double Groove" (Unfinished Outtake)
1698:was named the best album of 1980 by
5794:More Songs About Buildings and Food
3994:Hilburn, Robert (August 25, 1980).
3296:Jackson, Josh (September 8, 2016).
1863:The 500 Greatest Albums of All Time
577:More Songs About Buildings and Food
5593:(May 1982). "Talking Heads Talk".
4678:"Pazz & Jop 1980: Dean's List"
4237:Christgau's Record Guide: The '80s
3996:"Heatwave Rock Festival in Canada"
3681:Helmore, Edward (March 27, 2009).
3079:Marszalek, Julian (June 3, 2009).
2852:"The business is an exciting mess"
2850:Helmore, Edward (March 27, 2009).
2692:"Talking Heads' 'Remain in Light'"
2370:Weekly sales chart performance of
2180:"Right Start" (Unfinished Outtake)
2147:"Fela's Riff" (Unfinished Outtake)
1928:released a song-for-song cover of
1276:Retrospective professional ratings
701:Sound, which focused primarily on
525:produced an album for soul singer
393:. Drawing influence from Nigerian
360:, released on October 8, 1980, by
25:
6069:Thank You for Sending Me an Angel
5638:Wilcox, Tyler (October 3, 2016).
5254:"Talking Heads – Remain In Light"
5152:Moore, Marcus J. (May 31, 2018).
4588:Walsh, Barry (November 6, 2004).
4367:The New Rolling Stone Album Guide
4172:"Remain in Light – Talking Heads"
3629:Saunders, Luke (March 12, 2020).
3324:Kaufman, Gil (November 1, 1996).
3135:"1978 Lexicon 224 Digital Reverb"
1560:
1510:
1472:
1422:
1384:
1339:
1301:
469:album chart and number 21 on the
452:'s computers and design company,
308:Released: November 1981 (Germany)
6224:
6223:
4590:"Talking Heads: Remain In Light"
4322:"Talking Heads: Remain In Light"
4232:"Talking Heads: Remain in Light"
3603:"Talking Heads: Remain in Light"
3601:Brooks, Dan (October 21, 2018).
3542:"Top art pop albums of the '80s"
3540:Cashen, Calvin (March 8, 2016).
2312:Jack Nuber – additional engineer
2195:Those involved in the making of
1579:
1574:
1569:
1564:
1559:
1529:
1524:
1519:
1514:
1509:
1491:
1486:
1481:
1476:
1471:
1441:
1436:
1431:
1426:
1421:
1403:
1398:
1393:
1388:
1383:
1353:
1348:
1343:
1338:
1320:
1315:
1310:
1305:
1300:
1104:The rest of the artwork and the
1000:Strat-o-Blaster reverb unit, an
957:Problems playing this file? See
931:
787:has been variously described as
436:lyrical style inspired by early
5613:A Brief History of Album Covers
5387:"Lista prodaje 43. tjedan 2023"
5283:Australian Chart Book 1970–1992
4577:. October 18, 1980. p. 66.
4306:. No. 320. pp. 68–69.
4045:. October 10, 1980. p. 18.
3867:Tibor Kalman: Perverse Optimist
3457:Wilcox, Tyler (April 2, 2015).
3205:Bosso, Joe (October 25, 2022).
2663:Strong, Martin Charles (1995).
2510:Year-end chart performance for
2484:Croatian International Albums (
1891:500 Greatest Albums of All Time
868:'s testimony to the stories of
5676:(streamed copy where licensed)
5095:"No more Thom for guitar rock"
4862:. September 19, 1997. p.
4494:"The Year of the Lollapalooza"
4330:. No. 935. Archived from
3432:"The Top 100 Post-Punk Albums"
2358:MIT Architecture Machine Group
2131:
2046:
1983:
1:
6182:My Life in the Bush of Ghosts
5482:British Phonographic Industry
4760:"Top 100 Albums of the 1980s"
4409:Spin Alternative Record Guide
4201:"Talking Heads On The Record"
3871:Princeton Architectural Press
3655:Seel, Steve (April 5, 2012).
3298:"The 50 Best New Wave Albums"
2887:Karr, Rick (March 27, 2000).
2466:Weekly chart performance for
2158:"Unison" (Unfinished Outtake)
1924:In 2018, the Beninese singer
1669:Spin Alternative Record Guide
1541:Spin Alternative Record Guide
1503:The Rolling Stone Album Guide
742:My Life in the Bush of Ghosts
518:My Life in the Bush of Ghosts
295:Released: August 1981 (Japan)
6262:Albums produced by Brian Eno
4356:(2004). "Talking Heads". In
4004:. p. G1. Archived from
3571:Sheppard, David (May 2009).
2458:
2444:
2434:
2424:
2414:
2404:
666:: "We were human samplers."
473:, and produced the singles "
6140:Everyone's Getting Involved
5914:Bonus Rarities and Outtakes
5233:"REMAIN IN LIGHT 2023 TOUR"
4758:staff (November 20, 2002).
4446:. No. 105. p. 82.
4139:Note: User search required.
4118:"RIAA: Gold & Platinum"
4106:Note: User search required.
2496:Hungarian Physical Albums (
2354:Carol Bokuniewics – artwork
1838:at number two, behind only
1662:, came to full fruition in
491:National Recording Registry
432:, but adopted a scattered,
6298:
5016:"Best Albums of the 1980s"
4470:. No. 332. p. 55
2666:The Great Rock Discography
1954:All lyrics are written by
1909:. The Radiohead guitarist
1259:was certified Gold by the
1004:, and an Electro-Harmonix
356:by the American rock band
6219:
5900:The Best of Talking Heads
5742:
5680:Remain in Light 2023 Tour
4931:Hoye, Jacob, ed. (2003).
2755:Rock Movers & Shakers
2613:
2598:
2583:
2568:
2560:
2557:
2554:
2547:Sales certifications for
2525:
2520:
2517:
2495:
2483:
2476:
2473:
2449:
2439:
2429:
2419:
2409:
2399:
2387:
2380:
2377:
2330:Tina Weymouth – cover art
2176:
2165:
2154:
2143:
2135:
2126:2006 reissue bonus tracks
2110:
2099:
2088:
2073:
2058:
2050:
2025:
2010:
1995:
1987:
1652:should be no exception."
1288:
1285:
597:individual parts mesh as
341:
337:
325:
321:
256:
241:
204:
65:October 8, 1980
39:
6205:Sounds from True Stories
5640:"Talking Heads' Road to
4933:VH1: 100 Greatest Albums
4903:All Time Top 1000 Albums
4856:"100 Best Albums Ever".
4787:Irwin, Jim, ed. (2001).
3747:Erlewine, Stephen Thomas
3410:. Routledge. p. 3.
3404:Reynolds, Simon (2013).
3357:Cateforis, Theo (2011).
3105:Droney, Maureen (2003).
2542:Certifications and sales
2411:New Zealand Albums Chart
2333:Chris Frantz – cover art
1825:All Time Top 1000 Albums
1784:s Ryan Schreiber in 2002
1365:Christgau's Record Guide
1212:New England Conservatory
623:Recording and production
5932:Love → Building on Fire
5567:10.1023/A:1015181228250
5014:staff (March 5, 2012).
4406:; Marks, Craig (eds.).
3929:. Criterion Collection.
2266:José Rossy – percussion
837:stream-of-consciousness
825:Stephen Thomas Erlewine
744:, was hired to perform
448:, with the help of the
434:stream-of-consciousness
401:, they blended African
5995:Burning Down the House
5974:Crosseyed and Painless
5611:Draper, Jason (2008).
5524:Bowman, David (2001).
2421:Norwegian Albums Chart
2016:Crosseyed and Painless
1774:
1186:
1148:
1054:
1016:the Velvet Underground
943:Robert Farris Thompson
920:
854:Robert Farris Thompson
781:
639:
303:Crosseyed and Painless
269:Released: January 1981
6189:No Talking, Just Head
6044:(Nothing But) Flowers
4460:(December 11, 1980).
4320:(November 13, 2003).
2931:(LP sleeve). London:
2893:National Public Radio
2401:Canadian Albums Chart
2345:– cover art assistant
2339:– cover art assistant
2318:– additional engineer
2309:– additional engineer
1207:Ashford & Simpson
1195:Parliament-Funkadelic
1180:
1173:Promotion and release
1146:
1049:
947:African Art in Motion
919:
858:African Art in Motion
767:
630:
564:Compass Point Studios
428:Byrne struggled with
383:After the release of
374:Compass Point Studios
6257:Talking Heads albums
6133:Live Phish Volume 15
6009:Girlfriend Is Better
5946:Take Me to the River
5393:. October 16, 2023.
5103:. November 1, 2000.
5075:. September 22, 2020
4937:Simon & Schuster
4676:(February 9, 1981).
4492:(February 9, 1981).
4416:. pp. 394–395.
4372:Simon & Schuster
4128:on September 4, 2015
2889:"Once In A Lifetime"
2643:Live Phish Volume 15
2431:Swedish Albums Chart
2360:– computer rendering
2300:David Byrne – mixing
2234:Additional musicians
1691:Accolades and legacy
1203:Busta "Cherry" Jones
831:feel", according to
601:. Nigerian musician
421:, and the trumpeter
6267:Sire Records albums
5953:Life During Wartime
5815:Speaking in Tongues
5049:. November 11, 2020
4713:(pull-out section).
4645:(pull-out section).
4523:The Daily Collegian
4334:on November 2, 2007
4170:Ruhlmann, William.
4042:The Daily Collegian
3956:cite AV media notes
3529:(10). October 2005.
3338:on February 2, 2017
2941:cite AV media notes
2724:Library of Congress
2551:
2514:
2470:
2374:
2248:– electric guitar,
2127:
2092:"Seen and Not Seen"
2042:
1979:
1277:
1138:Iran hostage crisis
1042:Packaging and title
671:Lee "Scratch" Perry
593:" as a foundation.
531:Sigma Sound Studios
487:Library of Congress
444:, and the drummer,
378:Sigma Sound Studios
376:in the Bahamas and
6115:Storytelling Giant
5981:Once in a Lifetime
5893:Once in a Lifetime
5701:(list of releases)
5213:. November 1, 2022
4733:. February 9, 1981
4659:The New York Times
4540:The New York Times
4060:. Hachette Books.
3963:Unknown parameter
3438:. October 22, 2018
2948:Unknown parameter
2546:
2509:
2465:
2369:
2297:– engineer, mixing
2291:– producer, mixing
2253:guitar synthesizer
2125:
2064:Once in a Lifetime
2040:
1977:
1720:The New York Times
1633:The New York Times
1275:
1271:Critical reception
1187:
1185:promotional tours.
1149:
1055:
921:
782:
722:guitar synthesizer
683:Once in a Lifetime
640:
475:Once in a Lifetime
282:Released: May 1981
264:Once in a Lifetime
6237:
6236:
6101:Stop Making Sense
5861:Stop Making Sense
5787:Talking Heads: 77
5599:. pp. 36–39.
5306:"RPM 50 Albums".
4730:The Village Voice
4683:The Village Voice
4674:Christgau, Robert
4499:The Village Voice
4490:Christgau, Robert
4462:"Remain In Light"
4228:Christgau, Robert
4095:on April 12, 2009
4001:Los Angeles Times
3729:978-0-571-25227-5
3584:978-1-4091-0593-0
3417:978-1-136-78317-3
3370:978-0-472-03470-3
2626:
2625:
2621:
2617:
2539:
2538:
2507:
2506:
2463:
2462:
2390:Kent Music Report
2272:– trumpets, horns
2257:
2187:
2186:
2121:
2120:
2036:
2035:
2029:"The Great Curve"
1754:The Village Voice
1744:Bruce Springsteen
1709:The Absolute Game
1617:The Village Voice
1588:
1587:
1232:Los Angeles Times
1223:Heatwave festival
1006:Electric Mistress
936:
927:"The Great Curve"
888:Talking Heads: 77
862:Watergate scandal
770:Watergate scandal
768:The testimony of
345:
344:
237:
236:
16:(Redirected from
6289:
6272:Worldbeat albums
6227:
6226:
6196:Damage I've Done
6150:Related articles
5988:Houses in Motion
5822:Little Creatures
5729:
5722:
5715:
5706:
5653:
5634:
5600:
5586:
5543:
5511:
5510:
5499:
5493:
5492:
5490:
5488:
5474:
5468:
5467:
5456:
5450:
5449:
5438:
5432:
5431:
5429:
5427:
5413:
5407:
5406:
5404:
5402:
5391:Top of the Shops
5383:
5377:
5376:
5365:. p. 1085.
5354:
5348:
5347:
5345:
5343:
5329:
5318:
5317:
5303:
5297:
5296:
5275:
5269:
5268:
5263:
5261:
5250:
5244:
5243:
5241:
5239:
5229:
5223:
5222:
5220:
5218:
5203:
5197:
5196:
5194:
5192:
5175:
5169:
5168:
5166:
5164:
5149:
5143:
5142:
5140:
5138:
5123:
5117:
5116:
5114:
5112:
5091:
5085:
5084:
5082:
5080:
5065:
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5039:
5033:
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5030:
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5008:
5002:
5001:
4988:
4982:
4981:
4979:
4977:
4957:
4951:
4950:
4928:
4922:
4921:
4906:(3rd ed.).
4894:
4888:
4887:
4874:
4868:
4867:
4853:
4847:
4846:
4833:
4827:
4826:
4813:
4807:
4806:
4784:
4778:
4777:
4775:
4773:
4752:
4743:
4742:
4740:
4738:
4721:
4715:
4714:
4701:
4695:
4694:
4692:
4690:
4670:
4664:
4663:
4653:
4647:
4646:
4633:
4627:
4626:
4613:
4607:
4606:
4604:
4602:
4585:
4579:
4578:
4568:
4562:
4561:
4551:
4545:
4544:
4534:
4528:
4527:
4517:
4511:
4510:
4508:
4506:
4486:
4480:
4479:
4477:
4475:
4454:
4448:
4447:
4434:
4428:
4427:
4399:
4390:
4389:
4370:(4th ed.).
4362:Hoard, Christian
4358:Brackett, Nathan
4350:
4344:
4343:
4341:
4339:
4314:
4308:
4307:
4297:
4291:
4290:
4288:
4286:
4269:
4263:
4262:
4260:
4258:
4224:
4218:
4217:
4215:
4213:
4193:
4187:
4186:
4184:
4182:
4167:
4158:
4157:
4147:
4141:
4137:
4135:
4133:
4124:. Archived from
4114:
4108:
4104:
4102:
4100:
4091:. Archived from
4081:
4075:
4074:
4053:
4047:
4046:
4036:
4030:
4024:
4018:
4017:
4015:
4013:
4008:on June 28, 2022
3991:
3985:
3979:
3973:
3972:
3966:
3961:
3959:
3951:
3940:
3931:
3930:
3922:
3916:
3910:
3904:
3898:
3885:
3884:
3862:
3851:
3845:
3826:
3820:
3809:
3803:
3797:
3791:
3778:
3772:
3766:
3765:
3763:
3761:
3743:
3734:
3733:
3706:
3700:
3699:
3697:
3695:
3678:
3672:
3671:
3669:
3667:
3652:
3646:
3645:
3643:
3641:
3626:
3620:
3619:
3617:
3615:
3598:
3589:
3588:
3568:
3559:
3558:
3556:
3554:
3537:
3531:
3530:
3513:
3507:
3506:
3504:
3502:
3485:
3476:
3475:
3473:
3471:
3459:"Invisible Hits"
3454:
3448:
3447:
3445:
3443:
3428:
3422:
3421:
3401:
3395:
3394:
3384:
3375:
3374:
3354:
3348:
3347:
3345:
3343:
3334:. Archived from
3321:
3315:
3314:
3312:
3310:
3293:
3287:
3281:
3272:
3266:
3253:
3247:
3241:
3235:
3224:
3223:
3221:
3219:
3202:
3187:
3181:
3170:
3164:
3153:
3152:
3150:
3148:
3143:. September 2006
3131:
3125:
3124:
3102:
3096:
3095:
3093:
3091:
3076:
3063:
3062:
3052:
3046:
3040:
3029:
3028:
3015:
3006:
3003:
2994:
2988:
2979:
2973:
2958:
2957:
2951:
2946:
2944:
2936:
2925:
2916:
2913:
2904:
2903:
2901:
2899:
2884:
2869:
2868:
2866:
2864:
2847:
2834:
2828:
2819:
2813:
2802:
2796:
2790:
2784:
2773:
2772:
2750:
2737:
2736:
2734:
2732:
2727:. March 29, 2017
2715:
2709:
2708:
2706:
2704:
2687:
2681:
2680:
2660:
2619:
2615:
2584:United Kingdom (
2552:
2515:
2471:
2378:Chart (1980/81)
2375:
2278:– backing vocals
2255:
2133:
2128:
2103:"Listening Wind"
2079:Houses in Motion
2048:
2043:
1985:
1980:
1917:was composed of
1871:magazine placed
1803:
1785:
1783:
1758:
1680:
1612:Robert Christgau
1584:
1583:
1582:
1578:
1577:
1573:
1572:
1568:
1567:
1563:
1562:
1534:
1533:
1532:
1528:
1527:
1523:
1522:
1518:
1517:
1513:
1512:
1496:
1495:
1494:
1490:
1489:
1485:
1484:
1480:
1479:
1475:
1474:
1446:
1445:
1444:
1440:
1439:
1435:
1434:
1430:
1429:
1425:
1424:
1408:
1407:
1406:
1402:
1401:
1397:
1396:
1392:
1391:
1387:
1386:
1358:
1357:
1356:
1352:
1351:
1347:
1346:
1342:
1341:
1325:
1324:
1323:
1319:
1318:
1314:
1313:
1309:
1308:
1304:
1303:
1278:
1216:Juilliard School
1110:graphic designer
1108:were crafted by
1051:Grumman Avengers
988:Electro-Harmonix
976:counter-melodies
938:
937:
918:
870:African American
829:free-associative
821:psychedelic funk
760:Music and lyrics
756:in Los Angeles.
754:Eldorado Studios
479:Houses in Motion
372:was recorded at
330:
309:
306:
296:
293:
283:
280:
277:Houses in Motion
270:
267:
251:Remain in Light
206:
205:
168:
167:
163:
148:psychedelic funk
80:July–August 1980
72:
70:
44:
32:
21:
6297:
6296:
6292:
6291:
6290:
6288:
6287:
6286:
6242:
6241:
6238:
6233:
6215:
6175:King's Lead Hat
6168:How Music Works
6145:
6120:
6088:
6056:
6051:Sax and Violins
6016:Road to Nowhere
5919:
5866:
5841:
5808:Remain in Light
5774:
5738:
5733:
5694:Remain in Light
5665:Remain in Light
5660:
5642:Remain in Light
5637:
5623:
5610:
5607:
5605:Further reading
5589:
5549:Remain in Light
5546:
5540:
5523:
5520:
5515:
5514:
5501:
5500:
5496:
5486:
5484:
5476:
5475:
5471:
5458:
5457:
5453:
5440:
5439:
5435:
5425:
5423:
5415:
5414:
5410:
5400:
5398:
5389:(in Croatian).
5385:
5384:
5380:
5373:
5356:
5355:
5351:
5341:
5339:
5331:
5330:
5321:
5305:
5304:
5300:
5293:
5277:
5276:
5272:
5259:
5257:
5252:
5251:
5247:
5237:
5235:
5231:
5230:
5226:
5216:
5214:
5205:
5204:
5200:
5190:
5188:
5177:
5176:
5172:
5162:
5160:
5151:
5150:
5146:
5136:
5134:
5133:. June 13, 2016
5125:
5124:
5120:
5110:
5108:
5093:
5092:
5088:
5078:
5076:
5067:
5066:
5062:
5052:
5050:
5041:
5040:
5036:
5026:
5024:
5010:
5009:
5005:
4990:
4989:
4985:
4975:
4973:
4959:
4958:
4954:
4947:
4939:. p. 194.
4930:
4929:
4925:
4918:
4910:. p. 107.
4896:
4895:
4891:
4876:
4875:
4871:
4855:
4854:
4850:
4835:
4834:
4830:
4815:
4814:
4810:
4803:
4795:. p. 507.
4793:Canongate Books
4786:
4785:
4781:
4771:
4769:
4754:
4753:
4746:
4736:
4734:
4723:
4722:
4718:
4703:
4702:
4698:
4688:
4686:
4672:
4671:
4667:
4655:
4654:
4650:
4635:
4634:
4630:
4615:
4614:
4610:
4600:
4598:
4587:
4586:
4582:
4570:
4569:
4565:
4553:
4552:
4548:
4536:
4535:
4531:
4519:
4518:
4514:
4504:
4502:
4488:
4487:
4483:
4473:
4471:
4456:
4455:
4451:
4436:
4435:
4431:
4424:
4401:
4400:
4393:
4386:
4352:
4351:
4347:
4337:
4335:
4316:
4315:
4311:
4299:
4298:
4294:
4284:
4282:
4279:The Irish Times
4271:
4270:
4266:
4256:
4254:
4252:
4244:. p. 395.
4226:
4225:
4221:
4211:
4209:
4206:Chicago Tribune
4199:(May 6, 1990).
4195:
4194:
4190:
4180:
4178:
4169:
4168:
4161:
4149:
4148:
4144:
4131:
4129:
4116:
4115:
4111:
4098:
4096:
4083:
4082:
4078:
4068:
4055:
4054:
4050:
4038:
4037:
4033:
4025:
4021:
4011:
4009:
3993:
3992:
3988:
3980:
3976:
3962:
3952:
3944:Remain in Light
3942:
3941:
3934:
3924:
3923:
3919:
3911:
3907:
3899:
3888:
3881:
3873:. p. 415.
3864:
3863:
3854:
3846:
3829:
3821:
3812:
3804:
3800:
3792:
3781:
3773:
3769:
3759:
3757:
3751:"Talking Heads"
3745:
3744:
3737:
3730:
3722:. p. 163.
3720:Faber and Faber
3710:Reynolds, Simon
3708:
3707:
3703:
3693:
3691:
3680:
3679:
3675:
3665:
3663:
3654:
3653:
3649:
3639:
3637:
3628:
3627:
3623:
3613:
3611:
3600:
3599:
3592:
3585:
3570:
3569:
3562:
3552:
3550:
3539:
3538:
3534:
3515:
3514:
3510:
3500:
3498:
3487:
3486:
3479:
3469:
3467:
3456:
3455:
3451:
3441:
3439:
3430:
3429:
3425:
3418:
3403:
3402:
3398:
3386:
3385:
3378:
3371:
3356:
3355:
3351:
3341:
3339:
3323:
3322:
3318:
3308:
3306:
3295:
3294:
3290:
3282:
3275:
3267:
3256:
3248:
3244:
3236:
3227:
3217:
3215:
3204:
3203:
3190:
3182:
3173:
3165:
3156:
3146:
3144:
3133:
3132:
3128:
3121:
3104:
3103:
3099:
3089:
3087:
3078:
3077:
3066:
3054:
3053:
3049:
3041:
3032:
3017:
3016:
3009:
3004:
2997:
2989:
2982:
2974:
2961:
2947:
2937:
2929:Remain in Light
2927:
2926:
2919:
2914:
2907:
2897:
2895:
2886:
2885:
2872:
2862:
2860:
2849:
2848:
2837:
2829:
2822:
2814:
2805:
2797:
2793:
2785:
2776:
2769:
2761:. p. 519.
2759:Billboard Books
2752:
2751:
2740:
2730:
2728:
2717:
2716:
2712:
2702:
2700:
2689:
2688:
2684:
2677:
2669:. p. 809.
2662:
2661:
2657:
2652:
2631:
2618:
2599:United States (
2562:Certified units
2549:Remain in Light
2544:
2512:Remain in Light
2478:
2468:Remain in Light
2441:UK Albums Chart
2382:
2372:Remain in Light
2367:
2197:Remain in Light
2193:
2188:
2122:
2037:
1951:
1930:Remain in Light
1926:Angélique Kidjo
1915:Remain in Light
1911:Jonny Greenwood
1901:Remain in Light
1887:Remain in Light
1873:Remain in Light
1845:Daydream Nation
1836:Remain in Light
1801:
1795:Remain in Light
1787:
1781:
1776:
1770:Remain in Light
1756:
1696:Remain in Light
1693:
1678:
1664:Remain in Light
1650:Remain in Light
1623:Daily Collegian
1602:Remain in Light
1580:
1575:
1570:
1565:
1530:
1525:
1520:
1515:
1492:
1487:
1482:
1477:
1442:
1437:
1432:
1427:
1404:
1399:
1394:
1389:
1377:The Irish Times
1354:
1349:
1344:
1332:Chicago Tribune
1321:
1316:
1311:
1306:
1273:
1257:Remain in Light
1247:Remain in Light
1191:Remain in Light
1183:Remain in Light
1175:
1162:Remain in Light
1133:Remain in Light
1079:Grumman Avenger
1044:
968:Remain in Light
964:
963:
955:
953:
952:
951:
950:
939:
932:
929:
922:
916:
902:, specifically
872:former slaves.
864:co-conspirator
785:Remain in Light
778:Remain in Light
762:
659:Remain in Light
636:Remain in Light
625:
499:
485:. In 2017, the
471:UK Albums Chart
460:Remain in Light
370:Remain in Light
349:Remain in Light
333:
312:
307:
300:
299:
294:
287:
286:
281:
274:
273:
268:
261:
260:
232:
223:
220:Remain in Light
214:
165:
161:
160:
152:
102:, New York City
95:Nassau, Bahamas
68:
66:
57:
35:Remain in Light
30:
23:
22:
18:Remain In Light
15:
12:
11:
5:
6295:
6293:
6285:
6284:
6279:
6274:
6269:
6264:
6259:
6254:
6244:
6243:
6235:
6234:
6232:
6231:
6220:
6217:
6216:
6214:
6213:
6208:
6201:
6200:
6199:
6185:
6178:
6171:
6164:
6159:
6153:
6151:
6147:
6146:
6144:
6143:
6136:
6128:
6126:
6125:Tribute albums
6122:
6121:
6119:
6118:
6111:
6104:
6096:
6094:
6090:
6089:
6087:
6086:
6079:
6072:
6064:
6062:
6058:
6057:
6055:
6054:
6047:
6040:
6033:
6030:Wild Wild Life
6026:
6019:
6012:
6005:
5998:
5991:
5984:
5977:
5970:
5963:
5956:
5949:
5942:
5935:
5927:
5925:
5921:
5920:
5918:
5917:
5910:
5903:
5896:
5889:
5882:
5874:
5872:
5868:
5867:
5865:
5864:
5857:
5849:
5847:
5843:
5842:
5840:
5839:
5832:
5825:
5818:
5811:
5804:
5797:
5790:
5782:
5780:
5776:
5775:
5773:
5772:
5765:
5762:Jerry Harrison
5758:
5751:
5743:
5740:
5739:
5734:
5732:
5731:
5724:
5717:
5709:
5703:
5702:
5690:
5684:Jerry Harrison
5677:
5659:
5658:External links
5656:
5655:
5654:
5635:
5621:
5606:
5603:
5602:
5601:
5587:
5561:(2): 163–184.
5544:
5538:
5519:
5516:
5513:
5512:
5494:
5469:
5451:
5433:
5408:
5378:
5371:
5349:
5319:
5298:
5291:
5270:
5245:
5224:
5198:
5170:
5144:
5118:
5086:
5060:
5034:
5021:Slant Magazine
5003:
4983:
4970:Slant Magazine
4963:staff (2003).
4952:
4945:
4923:
4916:
4889:
4886:. p. 162.
4869:
4848:
4828:
4808:
4801:
4779:
4744:
4716:
4696:
4665:
4662:. p. C19.
4648:
4628:
4608:
4595:Slant Magazine
4580:
4563:
4546:
4543:. p. D24.
4529:
4512:
4481:
4449:
4438:Shapiro, Peter
4429:
4422:
4404:Weisbard, Eric
4391:
4384:
4354:Sheffield, Rob
4345:
4318:Edwards, Gavin
4309:
4292:
4264:
4250:
4242:Pantheon Books
4219:
4188:
4159:
4142:
4109:
4076:
4066:
4048:
4031:
4029:, p. 181.
4019:
3986:
3984:, p. 180.
3974:
3932:
3917:
3915:, p. 174.
3905:
3903:, p. 177.
3886:
3879:
3852:
3850:, p. 178.
3827:
3825:, p. 172.
3810:
3808:, p. 173.
3798:
3796:, p. 183.
3779:
3777:, p. 182.
3767:
3735:
3728:
3701:
3673:
3647:
3621:
3590:
3583:
3560:
3547:The Concordian
3532:
3508:
3477:
3449:
3423:
3416:
3396:
3393:. p. 104.
3376:
3369:
3349:
3316:
3288:
3286:, p. 179.
3273:
3271:, p. 176.
3254:
3252:, p. 175.
3242:
3240:, p. 171.
3225:
3188:
3186:, p. 170.
3171:
3169:, p. 374.
3154:
3126:
3119:
3113:. p. 51.
3097:
3064:
3047:
3045:, p. 168.
3030:
3027:. p. 126.
3007:
2995:
2980:
2978:, p. 169.
2959:
2917:
2905:
2870:
2835:
2820:
2818:, p. 167.
2803:
2801:, p. 164.
2791:
2789:, p. 165.
2774:
2767:
2738:
2710:
2682:
2675:
2654:
2653:
2651:
2648:
2647:
2646:
2639:
2630:
2627:
2624:
2623:
2611:
2610:
2607:
2604:
2596:
2595:
2592:
2589:
2581:
2580:
2577:
2574:
2566:
2565:
2559:
2556:
2543:
2540:
2537:
2536:
2533:
2523:
2522:
2519:
2505:
2504:
2501:
2493:
2492:
2489:
2481:
2480:
2475:
2461:
2460:
2457:
2447:
2446:
2443:
2437:
2436:
2433:
2427:
2426:
2423:
2417:
2416:
2413:
2407:
2406:
2403:
2397:
2396:
2393:
2385:
2384:
2379:
2366:
2363:
2362:
2361:
2355:
2352:
2346:
2340:
2334:
2331:
2328:
2322:
2319:
2316:Steven Stanley
2313:
2310:
2304:
2301:
2298:
2292:
2280:
2279:
2273:
2267:
2264:
2258:
2243:
2231:
2230:
2224:
2218:
2215:Jerry Harrison
2212:
2192:
2189:
2185:
2184:
2181:
2178:
2174:
2173:
2170:
2167:
2163:
2162:
2159:
2156:
2152:
2151:
2148:
2145:
2141:
2140:
2137:
2134:
2123:
2119:
2118:
2115:
2114:"The Overload"
2112:
2108:
2107:
2104:
2101:
2097:
2096:
2093:
2090:
2086:
2085:
2082:
2075:
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2067:
2060:
2056:
2055:
2052:
2049:
2038:
2034:
2033:
2030:
2027:
2023:
2022:
2019:
2012:
2008:
2007:
2004:
1997:
1993:
1992:
1989:
1986:
1968:Jerry Harrison
1952:
1950:
1947:
1932:, produced by
1855:Slant Magazine
1765:
1761:Pazz & Jop
1740:London Calling
1729:London Calling
1692:
1689:
1675:Slant Magazine
1586:
1585:
1556:
1548:
1547:
1544:
1536:
1535:
1506:
1498:
1497:
1468:
1460:
1459:
1456:
1448:
1447:
1418:
1410:
1409:
1380:
1372:
1371:
1368:
1360:
1359:
1335:
1327:
1326:
1297:
1291:
1290:
1287:
1283:
1282:
1272:
1269:
1199:Bernie Worrell
1174:
1171:
1083:Ralph Weymouth
1043:
1040:
954:
940:
930:
925:
924:
923:
914:
913:
912:
761:
758:
707:writer's block
679:Steven Stanley
624:
621:
605:'s 1973 album
557:Sly and Robbie
553:rhythm section
523:Jerry Harrison
521:. Keyboardist
498:
495:
430:writer's block
352:is the fourth
343:
342:
339:
338:
335:
334:
331:
323:
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46:
45:
37:
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28:
24:
14:
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10:
9:
6:
4:
3:
2:
6294:
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5957:
5954:
5950:
5947:
5943:
5940:
5939:Psycho Killer
5936:
5933:
5929:
5928:
5926:
5922:
5916:
5915:
5911:
5909:
5908:
5907:Talking Heads
5904:
5902:
5901:
5897:
5895:
5894:
5890:
5888:
5887:
5883:
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5880:
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5833:
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5826:
5824:
5823:
5819:
5817:
5816:
5812:
5810:
5809:
5805:
5803:
5802:
5801:Fear of Music
5798:
5796:
5795:
5791:
5789:
5788:
5784:
5783:
5781:
5779:Studio albums
5777:
5771:
5770:
5769:Tina Weymouth
5766:
5764:
5763:
5759:
5757:
5756:
5752:
5750:
5749:
5745:
5744:
5741:
5737:
5736:Talking Heads
5730:
5725:
5723:
5718:
5716:
5711:
5710:
5707:
5700:
5696:
5695:
5691:
5689:
5685:
5681:
5678:
5675:
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5667:
5666:
5662:
5661:
5657:
5651:
5650:
5645:
5643:
5636:
5632:
5628:
5624:
5622:9781847862112
5618:
5614:
5609:
5608:
5604:
5598:
5597:
5592:
5588:
5584:
5580:
5576:
5572:
5568:
5564:
5560:
5556:
5555:
5550:
5545:
5541:
5539:0-380-97846-6
5535:
5531:
5530:HarperCollins
5527:
5522:
5521:
5517:
5508:
5504:
5498:
5495:
5483:
5479:
5473:
5470:
5465:
5461:
5455:
5452:
5447:
5443:
5437:
5434:
5422:
5418:
5412:
5409:
5396:
5392:
5388:
5382:
5379:
5374:
5372:1-84449-058-0
5368:
5364:
5363:Omnibus Press
5360:
5353:
5350:
5338:
5334:
5328:
5326:
5324:
5320:
5315:
5311:
5310:
5302:
5299:
5294:
5292:0-646-11917-6
5288:
5284:
5280:
5274:
5271:
5267:
5255:
5249:
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5234:
5228:
5225:
5212:
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5202:
5199:
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5181:
5174:
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5159:
5155:
5148:
5145:
5132:
5128:
5122:
5119:
5106:
5102:
5101:
5096:
5090:
5087:
5074:
5073:Rolling Stone
5070:
5064:
5061:
5048:
5047:Rolling Stone
5044:
5038:
5035:
5023:
5022:
5017:
5013:
5007:
5004:
4999:
4998:
4993:
4987:
4984:
4976:September 15,
4972:
4971:
4966:
4962:
4956:
4953:
4948:
4946:0-7434-4876-6
4942:
4938:
4934:
4927:
4924:
4919:
4917:0-7535-0493-6
4913:
4909:
4905:
4904:
4899:
4898:Larkin, Colin
4893:
4890:
4885:
4884:
4879:
4873:
4870:
4865:
4861:
4860:
4852:
4849:
4845:. p. 29.
4844:
4843:
4838:
4832:
4829:
4825:. p. 19.
4824:
4823:
4818:
4812:
4809:
4804:
4802:1-84195-067-X
4798:
4794:
4790:
4783:
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4757:
4751:
4749:
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4706:
4700:
4697:
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4684:
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4675:
4669:
4666:
4661:
4660:
4652:
4649:
4644:
4643:
4638:
4632:
4629:
4625:. p. 31.
4624:
4623:
4618:
4612:
4609:
4597:
4596:
4591:
4584:
4581:
4576:
4575:
4567:
4564:
4560:. p. 27.
4559:
4558:
4550:
4547:
4542:
4541:
4533:
4530:
4526:. p. 12.
4525:
4524:
4516:
4513:
4501:
4500:
4495:
4491:
4485:
4482:
4469:
4468:
4467:Rolling Stone
4463:
4459:
4453:
4450:
4445:
4444:
4439:
4433:
4430:
4425:
4423:0-679-75574-8
4419:
4415:
4414:Vintage Books
4411:
4410:
4405:
4398:
4396:
4392:
4387:
4385:0-7432-0169-8
4381:
4377:
4373:
4369:
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4333:
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4327:Rolling Stone
4323:
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4281:
4280:
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4268:
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4251:0-679-73015-X
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4220:
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4177:
4173:
4166:
4164:
4160:
4156:. p. 45.
4155:
4154:
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4143:
4140:
4127:
4123:
4119:
4113:
4110:
4107:
4099:September 15,
4094:
4090:
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4080:
4077:
4073:
4069:
4067:9780306903373
4063:
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4052:
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3965:|people=
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3111:Berklee Press
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3024:Rolling Stone
3020:
3019:Rolling Stone
3014:
3012:
3008:
3002:
3000:
2996:
2993:, p. 39.
2992:
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2875:
2871:
2859:
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2853:
2846:
2844:
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2840:
2836:
2833:, p. 38.
2832:
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2800:
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2558:Certification
2553:
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2524:
2518:Chart (1981)
2516:
2513:
2502:
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2474:Chart (2023)
2472:
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2222:
2221:Tina Weymouth
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2203:Talking Heads
2200:
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2028:
2024:
2020:
2017:
2013:
2009:
2005:
2002:
1998:
1994:
1981:
1975:
1973:
1972:Tina Weymouth
1969:
1965:
1961:
1957:
1949:Track listing
1948:
1946:
1944:
1938:
1935:
1931:
1927:
1922:
1920:
1916:
1912:
1908:
1907:
1902:
1898:
1894:
1893:" that year.
1892:
1888:
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1882:Rolling Stone
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1859:Rolling Stone
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1660:Fear of Music
1657:
1653:
1651:
1647:
1646:
1641:
1640:
1635:
1634:
1630:, writing in
1629:
1628:John Rockwell
1625:
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1613:
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1281:Review scores
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1234:
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1129:Melody Attack
1126:
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1111:
1107:
1102:
1099:
1095:
1091:
1088:
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1080:
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1072:
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1067:Melody Attack
1064:
1063:MIT Media Lab
1060:
1059:Walter Bender
1052:
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1033:
1029:
1025:
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1017:
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999:
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992:
989:
983:
981:
977:
973:
969:
962:
960:
948:
945:'s 1974 book
944:
928:
911:
909:
905:
901:
900:early hip-hop
896:
894:
893:digital delay
890:
889:
884:
883:
882:New York Post
878:
873:
871:
867:
863:
859:
855:
850:
846:
840:
838:
834:
833:psychoanalyst
830:
826:
822:
818:
814:
810:
806:
802:
798:
794:
790:
786:
779:
775:
771:
766:
759:
757:
755:
751:
747:
743:
739:
734:
730:
725:
723:
720:
716:
715:effects units
712:
708:
704:
698:
696:
692:
691:reverberation
688:
684:
680:
676:
672:
667:
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651:African music
648:
647:Melody Attack
645:
644:working title
637:
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587:Fear of Music
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417:, the singer
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6211:Tom Tom Club
6203:
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6108:True Stories
6106:
6099:
5912:
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5898:
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5884:
5877:
5871:Compilations
5859:
5852:
5834:
5829:True Stories
5827:
5820:
5813:
5807:
5806:
5799:
5792:
5785:
5767:
5760:
5755:Chris Frantz
5753:
5746:
5692:
5688:Adrian Belew
5664:
5647:
5641:
5612:
5596:Mother Jones
5594:
5591:Pareles, Jon
5558:
5552:
5548:
5525:
5518:Bibliography
5497:
5485:. Retrieved
5472:
5464:Music Canada
5454:
5445:
5436:
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5411:
5399:. Retrieved
5381:
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5313:
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5301:
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5273:
5265:
5260:September 8,
5258:. Retrieved
5248:
5236:. Retrieved
5227:
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5210:
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5189:. Retrieved
5183:
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4902:
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4728:
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4681:
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4640:
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4126:the original
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4093:the original
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4006:the original
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3943:
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3688:The Guardian
3686:
3676:
3664:. Retrieved
3660:
3650:
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3573:
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3535:
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3336:the original
3329:
3319:
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3301:
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3216:. Retrieved
3212:GuitarPlayer
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3138:
3129:
3106:
3100:
3088:. Retrieved
3056:
3050:
3022:
3018:
3005:Brog, p. 166
2991:Pareles 1982
2933:Sire Records
2928:
2915:Brog, p. 167
2896:. Retrieved
2861:. Retrieved
2857:The Guardian
2855:
2831:Pareles 1982
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2754:
2729:. Retrieved
2722:
2713:
2701:. Retrieved
2695:
2685:
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2658:
2641:
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2343:Scott Fisher
2307:Rhett Davies
2282:
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2276:Nona Hendryx
2263:– percussion
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2246:Adrian Belew
2233:
2232:
2227:Chris Frantz
2202:
2201:
2196:
2194:
1964:Chris Frantz
1953:
1943:King Crimson
1939:
1934:Jeff Bhasker
1929:
1923:
1914:
1913:had assumed
1904:
1900:
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1197:keyboardist
1190:
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1103:
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1085:, who was a
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1028:Arabic music
1013:
984:
980:pedal points
967:
965:
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897:
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880:
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711:Adrian Belew
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675:Rhett Davies
668:
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586:
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575:
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538:Chris Frantz
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516:
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502:
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415:Adrian Belew
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362:Sire Records
354:studio album
348:
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6252:1980 albums
6157:Discography
6093:Filmography
6061:Other songs
6023:And She Was
5846:Live albums
5748:David Byrne
5670:Adobe Flash
5487:December 4,
5426:October 18,
5401:November 1,
5279:Kent, David
5217:February 1,
5131:Consequence
5027:January 25,
4965:"Vitalpop!"
4474:October 30,
4458:Tucker, Ken
4374:. pp.
4285:November 8,
4257:January 25,
4212:November 9,
4181:January 25,
4153:The Gazette
4027:Bowman 2001
3982:Bowman 2001
3913:Bowman 2001
3901:Bowman 2001
3848:Bowman 2001
3823:Bowman 2001
3806:Bowman 2001
3794:Bowman 2001
3775:Bowman 2001
3760:December 3,
3694:January 24,
3666:January 24,
3661:The Current
3614:October 21,
3501:January 24,
3470:December 5,
3342:January 24,
3309:October 31,
3284:Bowman 2001
3269:Bowman 2001
3250:Bowman 2001
3238:Bowman 2001
3218:October 26,
3184:Bowman 2001
3167:Bowman 2001
3085:The Quietus
3043:Bowman 2001
2976:Bowman 2001
2816:Bowman 2001
2799:Bowman 2001
2787:Bowman 2001
2703:December 1,
2388:Australia (
2295:Dave Jerden
2270:Jon Hassell
2209:David Byrne
1956:David Byrne
1840:Sonic Youth
1828:. In 2002,
1702:, ahead of
1106:liner notes
904:Kurtis Blow
738:Jon Hassell
695:Dave Jerden
599:polyrhythms
509:David Byrne
483:magnum opus
423:Jon Hassell
403:polyrhythms
391:David Byrne
100:Sigma Sound
6246:Categories
5342:August 25,
5137:August 13,
4737:August 25,
4689:August 25,
4601:August 25,
4505:August 25,
4338:October 9,
3495:PopMatters
3442:August 28,
2898:August 25,
2863:August 25,
2650:References
2325:Greg Calbi
2283:Production
1974:) and Eno.
1592:Ken Tucker
1201:, bassist
1157:sans-serif
1155:in a bold
1153:typography
1036:industrial
994:distortion
959:media help
908:The Breaks
801:dance-rock
617:David Gans
608:Afrodisiac
497:Background
317:Back cover
200:chronology
128:dance-rock
69:1980-10-08
5674:Radio3Net
5649:Pitchfork
5631:227198538
5446:Billboard
5256:. Discogs
5185:Pitchfork
4765:Pitchfork
4756:Pitchfork
4574:Billboard
4197:Kot, Greg
3967:ignored (
3635:Happy Mag
3608:Pitchfork
3464:Pitchfork
3147:April 30,
3090:April 19,
2952:ignored (
2731:March 29,
2697:The World
2529:Billboard
2521:Position
2479:position
2453:Billboard
2383:position
2351:– artwork
2289:Brian Eno
2240:Brian Eno
2191:Personnel
1960:Brian Eno
1899:credited
1897:Radiohead
1885:included
1834:featured
1831:Pitchfork
1789:In 1989,
1779:Pitchfork
1749:The River
1724:The Clash
1712:, and by
1704:the Skids
1645:Billboard
1453:Pitchfork
1121:sandpaper
1117:formalism
1098:mainframe
1075:Himalayas
1073:over the
1071:formation
1065:). Using
1002:equalizer
996:unit, an
972:punk rock
866:John Dean
823:. Critic
813:avant-pop
797:worldbeat
793:post-punk
774:John Dean
632:Brian Eno
603:Fela Kuti
513:Brian Eno
465:Billboard
399:Fela Kuti
397:musician
366:Brian Eno
191:Brian Eno
138:worldbeat
123:post-punk
6229:Category
5960:I Zimbra
5575:12085527
5395:Archived
5337:Ultratop
5281:(1993).
5238:March 7,
5211:JamBands
5105:Archived
5079:March 7,
4900:(2000).
4864:Features
4772:June 11,
4364:(eds.).
4230:(1990).
4176:AllMusic
4012:June 28,
3755:AllMusic
3712:(2009).
3640:June 28,
3553:June 28,
3331:MTV News
2629:See also
2609:500,000
2594:100,000
2569:Canada (
2041:Side two
1978:Side one
1718:, while
1656:AllMusic
1295:AllMusic
991:Big Muff
895:unit).
856:'s book
817:Afrobeat
809:art rock
789:new wave
733:scatting
664:sampling
591:I Zimbra
536:Drummer
454:M&Co
395:Afrobeat
186:Producer
143:art rock
133:afrofunk
118:New wave
77:Recorded
62:Released
52: by
5924:Singles
5699:Discogs
5583:6496084
4866:insert.
4376:802–803
4132:May 18,
3950:. 2006.
2935:. 1980.
2579:50,000
2564:/sales
2555:Region
1759:s 1980
1227:Ontario
1090:Admiral
1087:US Navy
1009:flanger
998:Alembic
805:art pop
746:trumpet
736:player
703:R&B
687:Lexicon
613:hip-hop
589:track "
572:Bahamas
477:" and "
411:looping
247:Singles
233:(1982)
224:(1980)
215:(1979)
67: (
6076:Heaven
5967:Cities
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5581:
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5421:MAHASZ
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4617:Sounds
4557:Sounds
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2365:Charts
2250:Roland
2199:were:
2139:Length
2054:Length
1991:Length
1970:, and
1793:named
1700:Sounds
1639:Sounds
1289:Rating
1286:Source
1125:velour
819:, and
719:Roland
717:and a
568:Nassau
550:reggae
157:Length
85:Studio
6162:Songs
6037:Blind
5836:Naked
5682:with
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5579:S2CID
5012:Slant
4961:Slant
4443:Uncut
3303:Paste
3058:Uncut
2606:Gold
2591:Gold
2576:Gold
2136:Title
2051:Title
1988:Title
1919:loops
1906:Kid A
1877:Slant
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5571:PMID
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5428:2023
5403:2023
5367:ISBN
5344:2009
5287:ISBN
5262:2024
5240:2023
5219:2023
5193:2018
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4739:2009
4691:2009
4603:2009
4507:2009
4476:2020
4418:ISBN
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4287:2015
4259:2011
4246:ISBN
4214:2020
4183:2011
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4062:ISBN
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3969:help
3875:ISBN
3762:2016
3724:ISBN
3696:2017
3668:2017
3642:2020
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3503:2017
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3149:2015
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2954:help
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2865:2009
2763:ISBN
2733:2017
2705:2023
2671:ISBN
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