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239:; an impression of this was sold in 1824 in the collection of Sir Mark Sykes for £81 18/-.; the same print was sold at the dispersal of the Stowe Granger... in 1849 (when a great number of Elstracke's engravings were disposed of) for £33'. 10/-., and in March 1884, at the sale of the Dent collection, was purchased for the
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Baziliωlogia; a Booke of Kings, beeing the true and liuely
Effigies of all our English kings from the Conquest vntill this present, with their seuerall coats of Armes, Impreses, and Devises: And a briefe Chronologie of their liues and deaths, elegantly grauen in
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is ascribed to
Elstracke, in which case he must have lived on into the reign of the latter king. It is not known when he died.: the latest known mention in the historical record is 1625.
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was first engraved by
Elstracke with the hand resting on a skull, which was subsequently altered to a cat; in its original state it is extremely rare.
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One of the rarest of
Elstracke's engravings, and the most highly prized by collectors during the 19th century, is the double whole-length portrait of
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Portuguese ships anchored in the harbour of St Helena Island in May 1589 from Jan Huygen von
Linschoten's
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Mary Queen of Scots with her husband Henry Stuart Lord
Darnley, engraved by Elstracke in 1603
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Renold (or
Reginold) was born in 1570. He was the son of Josephe Elstrage of "Lukeland" (
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Griffiths, Antony (2004). "Elstrack, Renold (b. 1570, d. in or after 1625)".
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King James I of
England and VI of Scotland in Parliament by Renold Elstrack.
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Among other notabilities whose portraits were engraved by
Elstracke were:
87:(1570 – after 1625), was one of the earliest native engravers in England.
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Reginold was ten months old in 1571, when his father settled in
England (
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sitting in parliament is dated 1624, and there is a similar print of
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Among other rare engravings by Elstracke were similar portraits of
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Elstracke's major production was the set of engravings of the
514:. Vol. 17. London: Smith, Elder & Co. p. 336.
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Elstracke also engraved numerous frontispieces. A print of
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The title-page, with different portraits, was used for the
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Elstracke's first known pieces come from a translation of
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had introduced new patterns and styles from abroad (
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Richard Whittington with Skull, by Renold Elstracke
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262:(Dent sale, £23.), and
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