370:. Hitchcock explained the decision by saying, "I've never really cared much for going in and recording in the studio, so it seemed like the easiest solution was to have the studio come to record with us." The band rehearsed at the house over the summer and then when it came time to record, the group and their respective wives, family and friends all stayed at the house while production took place. Most of the recording was done in the living room, where the furniture had been removed and carpets pulled up. The kitchen was chosen for the vocals because of its good acoustics.
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Hitchcock has said that he does not like the record. Although he thinks the songs are good he was not happy with the result. He partly blames this on how unsettled his life was at that time, saying: "I was ... at a bit of a fault line in my life. I was going back and forth across the
Atlantic all the
31:
353:
A promotional version of the album titled "Spectre: Robyn
Hitchcock Explains the Songs on 'Respect'" was released by A&M records. On this version each song is preceded by a brief spoken commentary by Robyn exploring the track's lyrical themes and song structure.
346:
The album has a
Hitchcock oil painting on its front cover entitled "Red Lemon Days", which was the original title for the album. The release includes a Hitchcock written short story, "Moose Mark and the Prince of Cones", in its inlay.
374:
time, and wasn’t really properly focused on how it came out." The extended time it took to record the album meant that he lost focus and since then has made a point of making records in short two- or three-day bursts.
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343:"Respect" was the group's fourth and final studio album under contract to A&M, and Hitchcock's last record with the Egyptians. The album contains ten Hitchcock originals.
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Morris
Windsor - harmonies, digital drums, percussion, cheese grater on "Wafflehead", sauce and frying pans on "Driving Aloud", acoustic 12-string on "Then You're Dust"
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The album was written and recorded in the period following the death of
Hitchcock's father, and several songs reflect this explicitly, particularly the opening track.
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Andy
Metcalfe - harmonies, bass guitar, keyboards, computer, water jug on "Wafflehead", wine glasses and harmony serpent guitar on "Arms of Love"
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Robyn
Hitchcock - vocals, guitar, harmonica and phone calls, vocal bass drum on "Wafflehead"
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The album was recorded using a mobile studio, hired from the BBC, at
Hitchcock's home in
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and his sixth with backing band, the
Egyptians, released on A&M in 1993.
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Roddy
Lorrimer - trumpet on "Arms of Love" and "The Wreck of the Arthur Lee"
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Electra Strings on "The Wreck of the Arthur Lee" and "The Yip Song"
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493:"Respect – Robyn Hitchcock / Robyn Hitchcock & the Egyptians"
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662:"Spectre - Robyn Hitchcock Explains The Songs On "Respect""
522:"Robyn Hitchcock and the Egyptians: Respect (A&M)"
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1135:Robyn Hitchcock & The Egyptians: Greatest Hits
16:1993 album by Robyn Hitchcock & The Egyptians
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466:BBC Transcription Unit Recording Engineers
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1001:Give It to the Thoth Boys – Live Oddities
1103:The Man Downstairs: Demos & Rarities
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442:Bill Lyons - shawm on "When I Was Dead"
404:"Serpent at the Gates of Wisdom" — 4:09
154:
7:
401:"Driving Aloud (Radio Storm)" — 3:59
398:"The Wreck of the Arthur Lee" — 3:29
1029:Live at the Cambridge Folk Festival
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629:The New Rolling Stone Album Guide
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104:Robyn Hitchcock and the Egyptians
44:Robyn Hitchcock and the Egyptians
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724:. bullz-eye.com. 2 October 2006
1215:Albums produced by John Leckie
1142:Uncorrected Personality Traits
618:(2004). "Robyn Hitchcock". In
1:
331:is the tenth studio album by
289:The Rolling Stone Album Guide
722:"Robyn Hitchcock interview"
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584:"Robyn Hitchcock: Respect"
1022:Storefront Hitchcock L.P.
407:"Then You're Dust" — 2:30
162:
159:
110:
28:
786:Black Snake Diamond Röle
462:Caroline Lavelle - cello
453:Sonia Slany - 1st violin
395:"When I Was Dead" — 3:34
389:"The Moon Inside" — 4:28
994:Gotta Let This Hen Out!
800:I Often Dream of Trains
1220:A&M Records albums
1210:Robyn Hitchcock albums
392:"Railway Shoes" — 3:35
693:"Hitchcock interview"
456:Ann Wood - 2nd violin
386:"Arms of Love" — 4:19
383:"The Yip Song" — 3:08
54:23 February 1993 (US)
1160:I Wanna Go Backwards
1015:Storefront Hitchcock
1008:The Kershaw Sessions
634:Simon & Schuster
558:Entertainment Weekly
551:(26 February 1993).
459:Jocelyn Pook - viola
431:Additional personnel
239:Entertainment Weekly
150:Professional ratings
1068:Invisible Hitchcock
596:on 24 February 2007
410:"Wafflehead" — 4:03
151:
880:with The Egyptians
695:. edwebproject.org
149:
1192:
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821:Jewels for Sophia
582:(15 April 1993).
580:McDonnell, Evelyn
520:(25 March 1993).
473:Peregrine Andrews
449:Electra Strings:
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1177:Related articles
1089:Obliteration Pie
933:with The Venus 3
895:Element of Light
856:The Man Upstairs
849:Love from London
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632:(4th ed.).
624:Hoard, Christian
620:Brackett, Nathan
616:Considine, J. D.
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592:. Archived from
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870:Shufflemania!
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664:. discogs.com
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647:0-7432-0169-8
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589:Rolling Stone
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378:Track listing
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368:Isle of Wight
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251:Rolling Stone
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155:Review scores
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1113:Compilations
1101:
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1075:Mossy Liquor
1073:
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1061:Groovy Decoy
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793:Groovy Decay
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726:. Retrieved
697:. Retrieved
666:. Retrieved
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598:. Retrieved
594:the original
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562:. Retrieved
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549:Sandow, Greg
543:
531:. Retrieved
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500:. Retrieved
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39:Studio album
18:
1205:1993 albums
1036:Robyn Sings
986:Live albums
909:Queen Elvis
814:Moss Elixir
778:Solo albums
636:. pp.
435:Musicians:
135:Moss Elixir
97:John Leckie
1199:Categories
1121:Gravy Deco
1096:Shadow Cat
478:References
339:Background
106:chronology
888:Fegmania!
553:"Respect"
518:Kot, Greg
415:Personnel
358:Recording
1152:Box sets
728:13 April
699:14 April
626:(eds.).
497:AllMusic
364:Yarmouth
169:AllMusic
92:Producer
59:Recorded
51:Released
41: by
923:Respect
835:Spooked
638:378–380
600:23 July
564:23 July
533:23 July
502:23 July
366:on the
328:Respect
139:(1996)
130:(1993)
126:Respect
121:(1991)
85:A&M
24:Respect
668:2 June
644:
163:Rating
160:Source
965:with
828:Luxor
80:Label
68:Genre
730:2010
701:2010
670:2023
642:ISBN
602:2022
566:2022
535:2022
504:2022
62:1992
807:Eye
1201::
709:^
678:^
640:.
622:;
586:.
555:.
524:.
495:.
244:A−
763:e
756:t
749:v
732:.
703:.
672:.
650:.
604:.
568:.
537:.
506:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
