1218:
1477:
948:
540:
136:
465:
113:
to include Easter Sunday and take in only the close of Maundy
Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970
1092:
1088:
99:
of these days were normally anticipated on the evening of the preceding day and were celebrated on
Wednesday, Maundy Thursday and Good Friday, respectively. The
1084:
367:
1414:
388:
31:
1087:), "accingite vos et plangite sacerdotes ululate ministri altaris" ("Put on sackcloth and mourn, you priests; Wail, you ministers of the altar",
212:
338:
1398:
1460:
1501:
495:
1187:
201:
1383:
35:
100:
588:
352:
1505:
1364:
1339:
1320:
1302:
1298:
1294:
1281:
1232:
1159:
1128:
1065:
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767:
741:
715:
651:
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479:
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323:
1035:
1253:
1316:
1061:
503:
1155:
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222:
1585) include only the 18 Responsories of the second and third nocturns. Gesualdo, who set all 27, also includes a
1191:
919:
396:
216:
1425:
355:. The last two lines of are more freely based on different Gospel passages, including Mark 14:50 and Luke 24:7.
1277:
1199:
859:
840:
819:
700:
450:
312:
270:
145:
1258:
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1247:
205:
1091:) and "magnus enim dies Domini et terribilis valde" ("for the day of Yahweh is great and very awesome",
763:
415:
319:
315:, Premier répons après la première leçon du premier nocturne, H.111, for 3 voices and continuo (1680).
141:
211:
Over the three days, therefore, the responsories, like the readings, came to a total of 27. Since the
998:
711:
687:
647:
286:
193:
127:(2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary.
114:
30:
1360:
1335:
894:
123:
153:
737:
431:
The readings of the second nocturn of Maundy
Thursday are from Saint Augustine's commentary on
1521:
1456:
1450:
359:
235:
1228:
1140:
The readings of the second nocturn of Holy
Saturday are from Saint Augustine's commentary on
231:
17:
779:
The readings of the second nocturn of Good Friday are from Saint
Augustine's commentary on
383:
308:
300:
246:
197:
165:
65:
1195:
671:
621:
131:
109:
674:Παρασκευή). Thus this second set of nine responsories can appear under such titles as
1515:
974:
567:
371:
200:'s commentaries on the Psalms. The three readings of the third nocturn were from the
169:
104:
73:
1207:
1080:
265:. Compositions for its nine responsories can therefore appear under such titles as
149:
1271:, Troisième répons après la troisième leçon du second nocturne du Vendredi Saint,
1174:
663:
363:
262:
69:
530:
Troisième répons après la troisième leçon du second nocturne du
Mercredi Saint,
348:
304:
215:
were an important musical genre in their own right, many collections (such as
81:
49:
1220:"O vos omnes" by Tomás Luis de Victoria (1585) performed by The Tudor Consort
829:, for 1 voice, flutes, strings and continuo, H.129 (1690).Third of Poulenc's
161:
77:
61:
1055:
Second répons après la seconde leçon du premier nocturne de
Vendredi Saint,
455:
Premier répons après la première leçon du second nocturne du
Mercredi Saint
380:
Second répons après la seconde leçon du premier nocturne du
Mercredi Saint,
731:, Second répons après la seconde leçon du premier nocturne du Jeudi Saint,
1141:
794:
Premier répons après la première leçon du second nocturne du Jeudi Saint,
780:
670:, meaning Friday (sixth day of the week) of the Day of Preparation (from
589:
Free scores and text (Latin, translations) of "Eram quasi agnus innocens"
432:
269:. They can also be named by the day on which they were actually sung, as
189:
118:
53:
1036:
Free scores and text (Latin, translations) of "Sicut ovis ad occisionem"
1317:
Free scores and text (Latin, translations) of "Astiterunt reges terrae"
1183:
1062:
Free scores and text (Latin, translations) of "Jerusalem surge et exue"
504:
Free scores and text (Latin, translations) of "Judas mercator pessimus"
185:
1248:
The righteous perishes § Responsory "Ecce quomodo moritur justus"
1204:
Second répons après la 1ère leçon du second nocturne du
Vendredi saint
1156:
Free scores and text (Latin, translations) of "Recessit Pastor noster"
959:
Free scores and text (Latin, translations) of "Caligaverunt oculi mei"
827:
Second répons après la seconde leçon du second nocturne du Jeudi Saint
920:
Free scores and text (Latin, translations) of "Jesum tradidit impius"
397:
Free scores and text (Latin, translations) of "Tristis est anima mea"
181:
57:
1278:
Free scores and text (Latin, translations) of "Ecce quomodo moritur"
860:
Free scores and text (Latin, translations) of "Animam meam dilectam"
841:
Free scores and text (Latin, translations) of "Tenebrae factae sunt"
801:
Free scores and text (Latin, translations) of "Tamquam ad latronem"
180:
Within the liturgy, each responsory followed a reading. Each day's
1180:
1125:
Free scores and text (Latin, translations) of "Plange quasi virgo"
982:
875:
The readings of the third nocturn of Holy Saturday are taken from
551:
Free scores and text (Latin, translations) of "Unus ex discipulis"
476:
Free scores and text (Latin, translations) of "Amicus meus osculi"
344:
96:
733:
H.128, for soloists, chorus, flutes, strings and continuo (1690)
382:
H.126 (1690), for 2 voices and continuo and a setting as part of
764:
Free scores and text (Latin, translations) of "Vinea mea electa"
416:
Free scores and text (Latin, translations) of "Ecce vidimus eum"
320:
Free scores and text (Latin, translations) of "In monte Oliveti"
1021: Traditus est ad mortem ut vivificaret populum suum.
1019: Et dum male tractaretur, non aperuit os suum :
712:
Free scores and text (Latin, translations) of "Omnes amici mei"
648:
Free scores and text (Latin, translations) of "Seniores populi"
285:
The three readings of the first nocturn of Maundy Thursday are
1361:
Free scores and text (Latin, translations) of "Sepulto Domino"
1336:
Free scores and text (Latin, translations) of "Aestimatus sum"
895:
Free scores and text (Latin, translations) of "Tradiderunt me"
641:
Septième répons après la première leçon du troisième nocturne,
445:
Troisième répons après la troisième leçon du premier nocturne,
157:
1293:
The three readings of the third nocturn of Holy Saturday are
796:
H.133 (1690), for 1 voice, 2 flutes,, 2 violins and continuo
238:) set these last three times each, one setting for each day.
196:, and the second nocturn three readings from one or other of
137:
Responsoria et alia ad Officium Hebdomadae Sanctae spectantia
1256:. A german version of the text of this responsory is set as
997:
The readings of the first nocturn of Holy Saturday are from
985:. Responsories for this day can appear under such titles as
738:
Free scores and text (Latin, translations) of "Velum templi"
523:
Quatrième répons après la première leçon du second nocturne,
1229:
Free scores and text (Latin, translations) of "O vos omnes"
608:
Sixième répons après la troisième leçon du second nocturne,
1386:
Benigno Zerafa (1726-1804) and the Neapolitan Galant Style
582:
Cinquième répons après la seconde leçon du second nocturne
705:
Répons après la première leçon de ténèbres du Jeudi Saint
566:
The readings of the third nocturn of Maundy Thursday are
376:
Second répons après la seconde leçon du premier nocturne,
622:
Free scores and text (Latin, translations) of "Una hora"
1273:
H.131 (1690), for 1 voice, muted strings and continuo
1206:, H.134, for 1 voice, flutes and continuo (1690) and
1190:. Some of the most famous settings of the text are by
707:, H.144 (mid1690), for 1 voice, 2 flutes and continuo
84:
have been published under a various titles, including
686:
The readings of the first nocturn of Good Friday are
427:
Responsories of the second nocturn of Maundy Thursday
562:
Responsories of the third nocturn of Maundy Thursday
457:, H.127 (1690), for 1 voice , 2 flutes and continuo
281:
Responsories of the first nocturn of Maundy Thursday
1136:
Responsories of the second nocturn of Holy Saturday
1116: Ministri altaris, aspergite vos cinere.
1114: Accingite vos, sacerdotes, et plangite,
1106: Ululate pastores, in cinere et cilicio,
1083:, e.g. "plange quasi virgo" ("Lament like a girl",
542:"Unus ex discipulis meis" by Tomás Luis de Victoria
299:The first Maundy Thursday responsory refers to the
261:), meaning Thursday (fifth day of the week) of the
148:, 19 settings (H.111 -119, H.126 - 134 and H.144),
130:Composers who produced polyphonic settings include
27:
Responsories sung following the lessons of Tenebrae
1289:Responsories of the third nocturn of Holy Saturday
1057:H.130 (1690), for 2 voices, 2 flutes and continuo
993:Responsories of the first nocturn of Holy Saturday
950:"Caligaverunt oculi mei" by Tomás Luis de Victoria
532:H.132 (1690), for 1 voice, 2 violins and continuo
775:Responsories of the second nocturn of Good Friday
1455:. Cambridge University Press. pp. 148–149.
1017: Sicut ovis ad occisionem ductus est,
871:Responsories of the third nocturn of Good Friday
682:Responsories of the first nocturn of Good Friday
1194:(two settings for four voices: 1572 and 1585),
1097:
1010:
358:Settings of this responsory include a motet by
1027: Et inter sceleratos reputatus est.
277:("The nine responsories of Holy Wednesday").
8:
1079:This responsory has some parallels with the
378:H.112 (1680), for 2 voices and continuo and
351:. The first two lines of the responsory are
188:. The first nocturn had three readings from
1100:
1025: Tradidit in mortem animam suam,
1013:
347:speaking to his disciples in the garden of
1104: Plange quasi virgo, plebs mea.
584:, H.115 (1680), for 1 voice and continuo
1108: Quia veniet Dies Domini Magna
831:Quatre motets pour un temps de pénitence
757:Quatre motets pour un temps de pénitence
610:H.116 (1680), for 3 voices and continuo
525:H.114 (1680), for 2 voices and continuo
389:Quatre motets pour un temps de pénitence
374:, Marc-Antoine Charpentier, 2 settings:
29:
1376:
1262:. Poulenc set it as the seventh of his
1198:(five voices: 1603; six voices: 1611),
643:H.117 (1680), for 1 voice and continuo
467:"Amicus meus" by Tomás Luis de Victoria
447:H.113 (1680), for 1 voice and continuo
101:1955 reform of the Holy Week ceremonies
7:
1502:Free scores of Tenebrae Responsories
1388:(Boydell & Brewer, 2016), p. 74
60:services of the last three days of
825:(1682). Marc-Antoine Charpentier,
339:Tristis est anima mea (responsory)
95:In most places, Matins as well as
25:
1480:(Podcast). Gregorian Chant Summit
343:The second responsory represents
275:Les neuf répons du mercredi saint
230:for Lauds, and a few composers (
202:First Epistle to the Corinthians
119:vanishing altogether around 1977
86:Responsoria pro hebdomada sancta
818:This responsory is included on
1452:J.S. Bach and the German Motet
570:11:17−22, 11:23−26, 11:27−34
52:sung following the lessons of
1:
1179:The text is adapted from the
1001:, 3:22–30, 4:1–6 and 5:1–11.
970:Responsories of Holy Saturday
251:Feria V/Quinta in Cena Domini
204:on Maundy Thursday, from the
1506:Choral Public Domain Library
1365:Choral Public Domain Library
1340:Choral Public Domain Library
1321:Choral Public Domain Library
1282:Choral Public Domain Library
1233:Choral Public Domain Library
1160:Choral Public Domain Library
1129:Choral Public Domain Library
1066:Choral Public Domain Library
1040:Choral Public Domain Library
963:Choral Public Domain Library
924:Choral Public Domain Library
899:Choral Public Domain Library
864:Choral Public Domain Library
845:Choral Public Domain Library
820:p. 269 of the Lutheran
805:Choral Public Domain Library
768:Choral Public Domain Library
742:Choral Public Domain Library
716:Choral Public Domain Library
652:Choral Public Domain Library
626:Choral Public Domain Library
593:Choral Public Domain Library
555:Choral Public Domain Library
508:Choral Public Domain Library
480:Choral Public Domain Library
420:Choral Public Domain Library
401:Choral Public Domain Library
362:, appearing as No. 1 in the
324:Choral Public Domain Library
242:Maundy Thursday responsories
18:Responsory for Holy Saturday
1449:Melamed, Daniel R. (1995).
1241:Ecce quomodo moritur justus
1110: Et amara valde.
787:Tamquam ad latronem existis
690:2:8–11, 2:12–15 and 3:1–9.
668:Feria VI/Sexta in Parasceve
659:Responsories of Good Friday
220:Officium Hebdomadae sanctae
1538:
1245:
1172:
1053:Marc-Antoine Charpentier,
792:Marc-Antoine Charpentier,
639:Marc-Antoine Charpentier,
606:Marc-Antoine Charpentier,
580:Marc-Antoine Charpentier,
528:Marc-Antoine Charpentier,
521:Marc-Antoine Charpentier,
336:
289:1:1–5, 1:6–9 and 1:10–14.
90:Responsories for Holy Week
1188:Lamentations 1:12
575:Eram quasi agnus innocens
267:Feria V – In Coena Domini
1476:Algemesí (17 Feb 2019).
1401:Holy Week in the Vatican
1355:Sept répons des ténèbres
1269:Marc-Antoine Charpentier
1264:Sept répons des ténèbres
1200:Marc-Antoine Charpentier
939:Sept répons des ténèbres
914:Sept répons des ténèbres
835:Sept répons des ténèbres
822:Neu Leipziger Gesangbuch
729:Marc-Antoine Charpentier
724:Velum templi scissum est
701:Marc-Antoine Charpentier
615:Sept répons des ténèbres
496:Sept répons des ténèbres
451:Marc-Antoine Charpentier
313:Marc-Antoine Charpentier
146:Marc-Antoine Charpentier
1310:Astiterunt reges terrae
1295:Hebrews 9:11–14
676:Feria VI – In Parasceve
516:Unus ex discipulis meis
488:Judas mercator pessimus
253:(an older spelling has
213:polyphonic Lamentations
208:on the other two days.
184:was divided into three
1192:Tomás Luis de Victoria
1149:Recessit pastor noster
1121:
1101:
1032:
1014:
932:Caligaverunt oculi mei
206:Epistle to the Hebrews
42:
1259:Der Gerechte kömmt um
1254:Isaiah 57:1–2
1210:(mixed choir: 1932).
1173:Further information:
907:Jesum tradidit impius
353:Matthew 26:38
337:Further information:
332:Tristis est anima mea
46:Tenebrae responsories
33:
1403:(Dublin 1874), p. 70
1384:Frederick Aquilina,
937:Fourth of Poulenc's
877:Hebrews 4:11
853:Animam meam dilectam
813:Tenebrae factae sunt
755:Second of Poulenc's
493:Second of Poulenc's
194:Book of Lamentations
115:Liturgy of the Hours
80:settings to replace
38:Tenebrae Responsoria
1353:Sixth of Poulenc's
912:Third of Poulenc's
833:, and fifth of his
613:First of Poulenc's
307:at the foot of the
249:is called in Latin
124:Summorum Pontificum
1419:1961, pp. 631−773"
1074:Plange quasi virgo
154:Jan Dismas Zelenka
43:
409:Ecce, vidimus eum
360:Orlande de Lassus
236:Tiburtio Massaino
36:Carlo Gesualdo's
16:(Redirected from
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1489:
1487:
1485:
1478:"Aestimatus sum"
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1424:. Archived from
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1299: 9:15–18
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750:Vinea mea electa
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294:In monte Oliveti
232:Fabrizio Dentice
176:The responsories
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309:Mount of Olives
301:Agony of Christ
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247:Maundy Thursday
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198:Saint Augustine
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166:Francis Poulenc
142:Jean L'Héritier
66:Maundy Thursday
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1431:on 2020-02-17
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1168:O vos omnes
1142:Psalm 63/64
781:Psalm 63/64
664:Good Friday
439:Amicus meus
433:Psalm 54/55
368:SSATB motet
364:Drexel 4302
271:Charpentier
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70:Good Friday
1435:2019-02-12
1372:References
1006:Sicut ovis
349:Gethsemane
305:Gethsemane
228:Benedictus
217:Victoria's
82:plainchant
78:Polyphonic
1252:Based on
162:Max Reger
62:Holy Week
1522:Tenebrae
1516:Category
601:Una hora
224:Miserere
190:Jeremiah
186:nocturns
140:, 1611,
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1181:Latin
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672:Greek
345:Jesus
255:Coena
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1486:2019
1457:ISBN
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