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Return to Ithaca (novel)

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404:, describes the book as setting the Odysseus figure into modern time, its subtitle "A novel about present time" emphasising its contemporary focus. She states that Johnson takes off Odysseus's heroic halo and lets him be a reflective person who feels divided and unsure. Published just after the Second World War, Johnson has made Odysseus a tired warrior who just wants to go home and live in peace. Nordgren writes that the novel describes Odysseus's dizzying, wandering, adventurous homeward journey, meeting nymphs and monsters, and his wife Penelope's long wait on Ithaca. She calls the novel's structure interesting, with its simultaneous and parallel events in somewhat mythic style, a "metafiction" and a narrative in Johnson's own time. As such it is a rewarding book, and an excellent way in, in Nordgren's opinion, to Johnson's novels. 377:(Myth and Reality. The Problem of Storytelling in Eyvind Johnson's Novel 'Return to Ithaca') examined in detail Johnson's treatment of the homeric myth of Odysseus. She explores Johnson's recurring theme of escape and return home, seeking to demonstrate how the fictional narrator has to escape from subjective experience using myth, so as to share his vision with his readers. What is lived is never the same as what is evoked; Mazzarella describes this as a tension between the described reality and the escaped. To make the case for this "dynamic tension", she analyses the importance of the Odysseus myth to Johnson's writing; Johnson's own statements about myth and reality in his writing; and twentieth century views of myth by writers such as the folklorist 397:- help to unpick the issue of violence, ending with Odysseus's killing of Penelope's suitors. Odysseus makes his experiences into a myth, while the narrator breaks up the myth, necessarily making Odysseus an anti-hero, to discover the ancient reality that applies in modern times. Among the ironies and the illusions of heroism are that Odysseus went to war to protect Ithaca, but that he comes home bringing violence to re-establish peace and order. Mazzarella links this to Johnson's post-Second World War Sweden, and suggests a humanistic resolution as Telemachos reacts to Nestor's cup, a symbol of both grief and longing. 277:. The novel has an ingeniously executed composition consisting of three simultaneous narratives. The first has Odysseus as the protagonist, the second centres around Penelope and the third revolves around Telemachus. The events in these three threads partially interfere with each other and finally run together. With the narrative approach, Johnson strove for a sense of simultaneity in these events and an opportunity to see the whole of reality at once, with all its complications. This was a narrative style that Johnson would later develop further in his novels. 356: 393:, all of whom influenced Johnson. Johnson's Odysseus is presented as Frazer's mythical archetype of the fated hero, but also a self-consciously Freudian figure full of memories, dreams, and reflections. In Monica Setterwall's view, the core of Mazzarella's thesis is the way the narrators - both the explicit narrator, and Odysseus himself as he tells his tale to the 27: 232: 205:
lives and stays there for seven years. In Ithaca, Penelope hesitates to remarry. She is courted by a large number of suitors whom she puts off by saying that she cannot make a decision until she has finished weaving a bedspread for her father-in-law. She weaves every day, but unpicks most of the
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found that the author had set out and almost succeeded in a paradoxical task: "The elevated must remain elevated but still be lowered to an everyday plane; the supernatural must be connected to a chain of cause and effect without ceasing to be impenetrable and marvellous; the timeless must be
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wrote that "If Homer makes the Trojan Expedition the greatest and most heroic war of history, Eyvind Johnson makes the decade following, when Odysseus was wandering home, an almost proportionate post-war depression."
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wrote that "Nowhere has Eyvind Johnson's storytelling gift been given freer rein than here; and never before has he given more convincing proof that he is the only genius among the prose writers of his generation."
575:"A Hero's Homecoming; RETURN TO ITHACA: The Odyssey Retold as a Modern Novel. By Eyvind Johnson. Translated from the Swedish by M. A. Michael. Preface by Mark Van Doren. 474 pp. New York: Themes & Hudson. $ 4" 218:
who discovers Odysseus and brings him to the king's court. After Odysseus's poignant account of his adventures, he sails back to Ithaca. Disguised as a beggar, he arrives on the island; he meets the swineherd
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The book was published in the late autumn of 1946. It was greeted with some hostility by homerologists, who objected to the amount of modern naturalistic scene description, and the
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coloured by the present without losing its character of timelessness." Vennberg also praised the style, the joy of storytelling, the portrayal of people and above all the
489: 633:[Rewriting the Odyssey in the 20th Century: Lies and Literary Creation in Naissance de l’Odyssée by Jean Giono and Strändernas svall by Eyvind Johnson]. 607: 574: 269:
view, in that Johnson has added a psychological dimension where the main characters' thoughts and doubts are depicted, among other things through
631:"Récrire l'Odyssée au XXe siècle Mensonge et création littéraire dans Naissance de l'Odyssée de Jean Giono et Strändernas svall d'Eyvind Johnson" 206:
weaving again at night. At the same time, Telemachus has begun to find out about his father. Odysseus is visited by the messenger of the gods,
709:. Diss. Skrifter utgivna av Svenska litteratursällskapet i Finland, 497. ISSN 0039-6842. Helsingfors: Svenska litteratursällskapet i Finland. 210:, who orders him to return home. Reluctantly, Odysseus sets off to sail to Ithaca, but is shipwrecked and washed ashore on a coast ruled by 527:
Setterwall, Monica (1983). " Myt och verklighet. Berättandets problem i Eyvind Johnsons roman 'Strändernas svall.' by Merete Mazzarella".
201:. The war went on for ten years, and on the way home Odysseus was delayed by many mishaps. He fetches up on an island where a woman named 743: 714: 692: 738: 733: 315:
spoke of "a significant work, without any question one of the boldest approaches in our new art of storytelling".
94: 26: 444: 615: 630: 259: 231: 311: 321: 378: 306: 202: 166: 129: 579: 536: 342: 162: 608:"Sommarklassiker: Med fokus på det närvarande. Eyvind Johnson: Strändernas svall, Bonniers 2004" 710: 702: 688: 367: 359: 300: 264: 186: 642: 468: 274: 118: 60: 411:, examines Johnson's treatment of Odysseus's deceitfulness, comparing it with Jean Giono's 270: 242: 355: 174: 135: 40: 727: 382: 326: 316: 295: 294:
presentation. On the other hand, it was warmly received by Sweden's leading critics.
177:. It has been published in many editions and translated into some twenty languages. 372:
Myt och verklighet. Berättandets problem i Eyvind Johnsons roman 'Strändernas svall
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Myt och verklighet: Berättandets problem i Eyvind Johnsons roman Strändernas svall
161:'s eagerness to meet his father. The novel is counted among the great classics of 662:
Strändernas svall: ett drama i tre akter och ett antal bilder om den återvändande
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Strändernas svall: ett drama i tre akter och ett antal bilder om den återvändande
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explores the role of the narrator in the novel, and its exploration of violence.
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it was named in 2013 as one of only five books that should be part of a Swedish
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who persuades him that he must deal with his wife's suitors and kill them.
445:"Klassikerrummet - Strändernas svall av Eyvind Johnson - P1 Kultur – podd" 667:
Return to Ithaca: a Drama in Three Acts and Some Images of the Returning
646: 291: 215: 211: 190: 154: 146: 139: 540: 394: 237: 220: 273:. The story alludes to contemporary times and the experiences of the 207: 134:'The Surge of the Shores') is a 1946 novel by Swedish author 104: 685:
Människan i tiden: Eyvind Johnsons liv och författarskap 1938-1976
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The plot recounts the events surrounding the Greek hero
142:as he returns home to Ithaca after the Trojan War. 100: 90: 82: 74: 66: 56: 46: 36: 522: 520: 518: 400:More recently, Elisabeth Nordgren, writing in 8: 19: 189:. Nineteen years earlier, he left his wife 593: 560: 509: 18: 435: 7: 606:Nordgren, Elisabeth (14 July 2004). 573:Burnham, Philip (16 November 1952). 258:, but differs from the original, in 469:"Bildningspanelens litteraturkanon" 423:In 1948 a reworked theatre version 197:to join the Greek forces attacking 185:Odysseus is ruler of the island of 687:(in Swedish). Stockholm: Bonnier. 443:Radio, Sveriges (15 August 2010). 340:Outside Sweden, Philip Burnham in 14: 669:] (in Swedish). Libris. 1948. 25: 157:'s waiting for him and his son 235:The novel is based on Homer's 138:. It is based on the story of 1: 635:Revue de littĂ©rature comparĂ©e 409:Revue de LittĂ©rature ComparĂ©e 78:Ancient Greece, Mediterranean 614:(in Swedish). Archived from 535:(3 (Summer 1983)): 276–278. 149:, his journey home from the 16:1946 novel by Eyvind Johnson 760: 683:Lindberger, Ă–rjan (1990). 629:François, Cyrille (2008). 24: 744:Novels by Eyvind Johnson 739:Swedish-language novels 413:Naissance de l’OdyssĂ©e 363: 246: 122: 31:Cover of first edition 415:on the same subject. 407:Cyrille François, in 381:, the psychoanalysts 358: 234: 647:10.3917/rlc.326.0151 529:Scandinavian Studies 312:Stockholms-Tidningen 252:is based on Homer's 734:1946 Swedish novels 512:, pp. 168–169. 490:"Strändernas svall" 389:, and the novelist 379:James George Frazer 47:Original title 21: 703:Mazzarella, Merete 580:The New York Times 364: 343:The New York Times 260:Ă–rjan Lindberger's 247: 163:Swedish literature 368:Merete Mazzarella 360:Merete Mazzarella 301:Svenska Dagbladet 133: 124:Strändernas svall 110: 109: 101:Publication place 51:Strändernas svall 20:Return to Ithaca 751: 720: 698: 671: 670: 657: 651: 650: 641:(326): 151–174. 626: 620: 619: 603: 597: 591: 585: 584: 570: 564: 558: 545: 544: 524: 513: 507: 501: 500: 498: 497: 486: 480: 479: 477: 476: 465: 459: 458: 456: 455: 440: 427:was published. 375: 330: 307:Anders Ă–sterling 275:Second World War 271:inner monologues 268: 250:Return to Ithaca 128: 114:Return to Ithaca 29: 22: 759: 758: 754: 753: 752: 750: 749: 748: 724: 723: 717: 701: 695: 682: 679: 674: 659: 658: 654: 628: 627: 623: 605: 604: 600: 594:Mazzarella 1981 592: 588: 572: 571: 567: 561:Lindberger 1990 559: 548: 526: 525: 516: 510:Lindberger 1990 508: 504: 495: 493: 488: 487: 483: 474: 472: 467: 466: 462: 453: 451: 442: 441: 437: 433: 421: 373: 353: 324: 288: 283: 262: 243:Nicolae Vermont 229: 227:Narrative style 214:. His daughter 183: 32: 17: 12: 11: 5: 757: 755: 747: 746: 741: 736: 726: 725: 722: 721: 715: 699: 693: 678: 675: 673: 672: 652: 621: 618:on 2004-09-01. 598: 586: 565: 563:, p. 170. 546: 514: 502: 481: 460: 449:Sveriges Radio 434: 432: 429: 420: 417: 352: 349: 337:exploration. 322:Aftontidningen 287: 284: 282: 279: 241:. Painting by 228: 225: 182: 179: 175:literary canon 136:Eyvind Johnson 108: 107: 102: 98: 97: 92: 88: 87: 84: 80: 79: 76: 72: 71: 68: 64: 63: 58: 54: 53: 48: 44: 43: 41:Eyvind Johnson 38: 34: 33: 30: 15: 13: 10: 9: 6: 4: 3: 2: 756: 745: 742: 740: 737: 735: 732: 731: 729: 718: 716:951-9017-66-6 712: 708: 704: 700: 696: 694:91-0-047904-7 690: 686: 681: 680: 676: 668: 664: 663: 656: 653: 648: 644: 640: 637:(in French). 636: 632: 625: 622: 617: 613: 609: 602: 599: 595: 590: 587: 582: 581: 576: 569: 566: 562: 557: 555: 553: 551: 547: 542: 538: 534: 530: 523: 521: 519: 515: 511: 506: 503: 491: 485: 482: 470: 464: 461: 450: 446: 439: 436: 430: 428: 426: 418: 416: 414: 410: 405: 403: 398: 396: 392: 388: 384: 383:Sigmund Freud 380: 376: 369: 361: 357: 350: 348: 345: 344: 338: 336: 331: 328: 323: 318: 317:Karl Vennberg 314: 313: 308: 303: 302: 297: 296:Sten Selander 293: 285: 280: 278: 276: 272: 266: 261: 257: 256: 251: 244: 240: 239: 233: 226: 224: 222: 217: 213: 209: 204: 200: 196: 192: 188: 180: 178: 176: 172: 168: 164: 160: 156: 152: 148: 143: 141: 137: 131: 126: 125: 120: 116: 115: 106: 103: 99: 96: 93: 89: 85: 81: 77: 73: 69: 65: 62: 59: 55: 52: 49: 45: 42: 39: 35: 28: 23: 706: 684: 666: 661: 655: 638: 634: 624: 616:the original 611: 601: 589: 578: 568: 532: 528: 505: 494:. Retrieved 484: 473:. Retrieved 463: 452:. Retrieved 448: 438: 424: 422: 412: 408: 406: 401: 399: 371: 365: 341: 339: 320: 310: 299: 289: 286:Contemporary 253: 249: 248: 236: 193:and his son 184: 170: 144: 123: 113: 112: 111: 50: 419:Adaptations 391:Thomas Mann 325: [ 292:anti-heroic 263: [ 255:The Odyssey 153:, his wife 75:Set in 728:Categories 496:2013-05-13 475:2013-05-13 454:2016-10-22 431:References 395:Phaeacians 195:Telemachus 159:Telemachos 151:Trojan War 612:Lysmasken 402:Lysmasken 387:Carl Jung 366:In 1981, 281:Reception 165:. In the 91:Publisher 83:Published 705:(1981). 541:40918335 492:. Libris 370:'s book 216:Nausikaa 212:Alkinoos 191:Penelope 169:program 155:Penelope 147:Odysseus 140:Odysseus 95:Bonniers 57:Language 677:Sources 238:Odyssey 221:Eumaios 203:Calypso 132:  119:Swedish 61:Swedish 713:  691:  539:  351:Modern 245:, 1893 208:Hermes 187:Ithaca 105:Sweden 37:Author 665:[ 537:JSTOR 471:. SVT 374:' 335:moral 329:] 267:] 171:Babel 70:Novel 67:Genre 711:ISBN 689:ISBN 385:and 199:Troy 181:Plot 130:lit. 86:1946 643:doi 319:in 309:in 298:in 167:SVT 730:: 610:. 577:. 549:^ 533:55 531:. 517:^ 447:. 327:sv 265:sv 127:, 121:: 719:. 697:. 649:. 645:: 639:2 596:. 583:. 543:. 499:. 478:. 457:. 117:(

Index


Eyvind Johnson
Swedish
Bonniers
Sweden
Swedish
lit.
Eyvind Johnson
Odysseus
Odysseus
Trojan War
Penelope
Telemachos
Swedish literature
SVT
literary canon
Ithaca
Penelope
Telemachus
Troy
Calypso
Hermes
Alkinoos
Nausikaa
Eumaios

Odyssey
Nicolae Vermont
The Odyssey
Ă–rjan Lindberger's

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