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and the reflecting surface of the water. The geographic reality was, however, largely sacrificed on the altar of the Rhine romanticism. The viewer is looking due south and at this latitude, one rarely sees a low sun or a sunset in this direction. Despite these flaws, this attractive view is one of
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describes his impressions of a journey along the Rhine in 1806: "For me only those areas are beautiful, which are usually called the rough and wild, since only these are exalted, only exalted areas can be beautiful, only these excite the thoughts of nature. But nothing is able to embellish and to
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200 Jahre
Rheinromantik – Vues du bords du Rhin – Ein Rheinalbum des frühen 19. Jahrhunderts mit Aquatintastichen aus den Koblenzer Verlagen Fr. Röhling und K. Bädeker (Baedeker) in einem Band – Die bei Röhling verlegten
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drew attention to the Rhine, especially in
England, with his paintings, which were the result of several cruises on the river. The most popular romantic Rhine views, the reproductions in varying formats, such as
472:, companion guide to the Rhine Legends Route, with the famous and beautiful legends and stories of the Rhine, Moselle, Lahn and Nahe, supplemented with tourist information, J.P. Bachem Verlag, Cologne, 2005,
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Rheinlands
Wunderhorn. Sagen Geschichten und Legenden, auch Ränke und Schwänke aus den alten Ritterburgen, Klöstern und Städten der Rheinufer und des Rheingebietes, von den Quellen bis zur Mündung des Stromes
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increase the impression as much as the traces of human courage in the ruins of nature, bold castles atop wild rocks – monuments of the time of human heroes harking back to those higher heroic days of nature.
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and engravings illustrated travel books and were published as series of postcards. Between 1820 and 1830 at least 12 companies published their own series of postcards, each with separately produced imagery.
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and the Rhine-Nahe corner from the other side of the Rhine first appeared in this publication. The
English artist skillfully reinforces the effect of the view on the city with the backlit
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provided the best templates, and 50 engravers turned these into 68 representations of the Middle Rhine in "Views of the Rhine", first published in 1832.
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with its many ruins became a "must" for tourists. Many princes and wealthy individuals began to rebuild the castles; foremost among these was the
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The popular image of the romantic Rhine in the first half of the 19th century was not derived from paintings, but almost exclusively from the
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171:. Even absolutely secular constructions, such as tunnel entrances, were built in Gothic style during the Romantic and neo-Romantic periods.
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In response to the nascent industrialization with their perceived negative side effects, artists and writers turned to nature and the past.
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402:, dedicated to the German People by Carl Trog, 15 vols, Alfred Silbermann, Essen and Leipzig, 1882–83, reprinted: Mikado, Atzbach 1980,
136:(first travelogue in the romantic style) in 1795 and the British John Gardnor (etchings), who both traveled the gorge in 1787. In 1802,
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Christian
Meichelt, Kupferstecher und Maler in Basel, Lehrer in Lörrach, tätig auch für den Koblenzer Verlag Karl Bädeker (Baedeker)
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Die illustrierten Rhein-Beschreibungen. Dokumentation der Werke und
Ansichten von der Romantik bis zum Ende des 19. Jahrhunderts
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was the interpretation of the landscape conditions and history of the Rhine Valley in the cultural-historical period of the
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200 Jahre
Rheinromantik – Vues du bords du Rhin – Rheinansichten aus dem Verlag Karl Bädeker (Baedeker) in Koblenz
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159:, which was building at multiple locations simultaneously. The most outstanding work of the Romantic Rhine is
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around 1827. Bleuler's major work, "Voyage aux bords du Rhin pittoresque et de la Suisse", appeared in 1845.
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Edited by
Gertrude Cepl-Kaufmann and Hella S. Lange, Wissenschaftliche Buchgesellschaft, Darmstadt, 2006,
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Rheinromantik, Begleitpublikation zur
Ausstellung im Historischen Museum am Strom – Hildegard von Bingen
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series, depicted the whole course of the Rhine, published by the Swiss publisher and painter
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Among the artistically and technically very sophisticated publications of this time is the
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417:, with contributions from Irene Haberland and Elmar Scheure,. Bouvier Verlag, Bonn, 2007,
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made the Rhine area enormously popular in
England in 1818 with his verse narrative,
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technology and enabled accurate representations and long print runs. At the time,
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toured the valley, which was developing from a region one passed through on the
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Mit der Maus auf Rheinreise – 2000 Jahre Geschichte von Düsseldorf bis Mainz
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process, which was patented in London in 1826, which replaced the older
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the best known and most copied vistas of Bingen in the 19th century.
548:, issue 54/2002, Koblenz 2002, p. 26–55, with 30 illustrations
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Rheinreise 2002. Romantik, Reisen, Realitäten. Frauenleben am Rhein
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614:, 5th ed., Rowohlt Taschenbuchverlag, Reinbek bei Hamburg, 1988,
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to Italy into a first rank tourist destination in its own right.
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After Switzerland, with its rugged mountain valleys, the rocky
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was depicted by late 18th century travellers like the Italian
537:, published by: Landesverein Badische Heimat e.V., Freiburg.
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Friedrich Schlegel in Selbstzeugnissen und Bilddokumenten
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was the first castle to be rebuilt in the 19th century
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Bingen, engraving by Abresch after Clarkson Stanfield
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Schlegel's travel notes as a significant contribution
445:, Binger Museumshefte, vol. 2, Bad Kreuznach, 2002,
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Karl Christian Koehler: Views of the Rhine and Ahre
214:was published. The steel engraving with a view on
195:The British were leaders in the field, with their
415:Sehnsucht Rhein. Rheinlandschaften in der Malerei
374:in 1836 shortly before the conversion to a palace
107:created numerous Rhine poems. In the visual arts
124:From a tourist stopover to a tourist destination
380:The pictures 4–7 are old colored engravings by
546:Beiträge zur Rheinkunde (Rhein-Museum Koblenz)
587:Adelheid von Stolterfoth: Rhenish myths, 1835
505:Konkurrierende Frauenbilder in den Rheinsagen
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581:Josef Wewerka: Rhenish castles and legends
456:Der Rhein. Ein literarischer ReisefĂĽhrer.
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486:, J.P. Bachem Verlag, Cologne, 2007.
210:A year later "Traveling Sketches" by
55:, an example of the Rhine romanticism
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498:Viaggio sul Reno e ne' suoi contorni
470:"Rheinische Sagen & Geschichten"
293:, engraving by Ward after Tombleson
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165:Frederick William IV of Prussia
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496:Bertola de' Giorgi, Aurelio:
237:In 2002, UNESCO declared the
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648:Submovements of Romanticism
576:History of the Middle Rhine
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500:, Rimini, Albertini, 1795.
307:Heimburg in Niederheimbach
134:Aurelio de' Giorgi Bertola
116:spreads were derived from
100:Childe Harold's Pilgrimage
386:Johann Adolf von Lasinsky
239:Upper Middle Rhine Valley
153:Upper Middle Rhine Valley
638:History of the Rhineland
558:Bonner Geschichtsblätter
551:Hans Joachim Bodenbach:
540:Hans Joachim Bodenbach:
521:Hans Joachim Bodenbach:
257:"Views of the Rhine" by
175:Printing popular imagery
413:Karsten Keune (Hrsg.):
338:Ruins of the Castle at
105:Adelheid of Stolterfoth
468:Klaus-Peter Hausberg:
393:References and sources
142:Ludwig Achim von Arnim
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232:Johann Ludwig Bleuler
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583:, pictures and texts
157:Prussian royal house
441:Matthias Schmandt:
243:World Heritage Site
118:Nikolai von Astudin
610:in: Ernst Behler:
384:based on works by
382:Christian Meichelt
372:Stolzenfels Castle
212:Clarkson Stanfield
161:Stolzenfels Castle
103:. The German poet
88:Friedrich Schlegel
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49:Stolzenfels Castle
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492:978-3-7616-2069-4
478:978-3-7616-1986-5
464:978-3-534-18919-9
431:, Cologne, 1996,
427:Michael Schmitt:
261:(1840), ruins of
259:William Tombleson
205:William Tombleson
72:Rhine romanticism
16:(Redirected from
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354:Schloss Arenfels
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66:in Bacharach
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622:, p. 100 ff
398:Carl Trog:
189:lithographs
130:Rhine Gorge
76:romanticism
632:Categories
146:Grand Tour
95:Lord Byron
599:Footnotes
554:Ansichten
535:0930-7001
451:1617-0415
340:Andernach
325:Burg Maus
305:Ruins of
291:Burg Katz
185:Aquatints
114:postcards
321:Wellmich
220:Basilica
589:, texts
410:(vol 1)
228:Verdute
169:Koblenz
53:Koblenz
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216:Bingen
181:prints
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140:and
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