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Rico Bell

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While working on his painting and music after art school, Bell lived an itinerant life working on farms and riding, raising, and selling horses and, later, enjoyed a successful career as a museum and gallery exhibition designer in England. In the 1970s he was a regular performer at The Lamp Light in
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of the 18th and 19th centuries and he has developed a variety of techniques to "age" the paintings, making the portraits appear old like the original naive paintings appear today. His themes are often rooted in nature, work and community and have featured the rural milieus of his native England,
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In 1983, Bell began singing and playing accordion with the Mekons and was on the band’s first U.S. tour in 1986 but stopped touring regularly with the band soon afterward. In 1995 he was back on the road and his contributions are found on every Mekons release since 1984 except
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and the American West and portray subjects such as farm workers, cattle herders and farm animals. His work has been exhibited in galleries and museums in the U.S. and U.K. including the
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which he joined in 1983. A singer and multi-instrumentalist with the Mekons, Bell has also released three well-received solo recordings with the Chicago-based alternative country label,
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Like Costello and many other British musicians at the time, Bell’s music changed as the 1970s progressed and the punk revolution exploded. After moving to
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and doing some session singing in London, Bell toured with the Leeds-based Goth band,
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based artist and musician best known for his work as a member of the British
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and he has contributed illustrations to a number of publications including
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while much of his recent work features imagery from his adopted home of
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from the article and its talk page, especially if potentially
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Along with three other members of the Mekons (Kevin Lycett,
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Salon.com article: "No Pistols, No Who, No Rolling Stones"
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American Society of Composers, Authors and Publishers 349:’s Next Wave Festival in 1995 and collaborated with 647: 243: 239: 229: 219: 205: 197: 179: 171: 166: 143: 407:named Declan MacManus who later found fame as 574: 8: 422:band, recording vocals for a solo album by 581: 567: 559: 151: 140: 58:about living persons that is unsourced or 129:Learn how and when to remove this message 157:Rico Bell performing with the Mekons at 451: 7: 554:Magazine: "Mekons Turn Twenty-Five" 518:Bloodshot Records: Eric "Rico" Bell 359:Museum of Contemporary Art, Chicago 656:The Quality of Mercy Is Not Strnen 366:Wallasey School of Arts and Crafts 14: 25: 736:Journey to the End of the Night 353:on her lesbian pirate operetta 343:Theater Project for a Rock Band 1: 490:"Pussy, King of the Pirates" 36:biography of a living person 63:must be removed immediately 824: 808:21st-century accordionists 355:Pussy, King of the Pirates 793:Bloodshot Records artists 596: 347:Brooklyn Academy of Music 150: 744:OOOH! (Out of Our Heads) 680:The Mekons Honky Tonkin' 523:The Mekons' Fan Web Site 704:The Curse of the Mekons 696:The Mekons Rock 'n Roll 299:Dark Side of the Mersey 295:The Return of Rico Bell 610:J. Mitch Flacko/Flacco 536:The Mekons' Press Site 434:, in the early 1980s. 167:Background information 50:Please help by adding 798:English accordionists 672:The Edge of the World 488:(18 September 1997). 783:Musicians from Leeds 720:Retreat from Memphis 440:Retreat from Memphis 56:Contentious material 418:and forming a punk/ 184:Alternative country 803:The Mekons members 531:Photos: The Mekons 460:"BEEN A LONG TIME" 364:A graduate of the 770: 769: 432:The March Violets 335:Hello Cruel World 291:Bloodshot Records 261: 260: 234:Bloodshot Records 161:on July 11, 2015. 139: 138: 131: 113: 39:needs additional 815: 688:So Good It Hurts 664:Fear and Whiskey 583: 576: 569: 560: 505: 504: 502: 500: 482: 476: 475: 473: 471: 456: 303:Been a Long Time 271:Eric John Bellis 257: 254: 252: 250: 249:bloodshotrecords 222: 155: 141: 134: 127: 123: 120: 114: 112: 71: 52:reliable sources 29: 28: 21: 16:English musician 823: 822: 818: 817: 816: 814: 813: 812: 773: 772: 771: 766: 643: 592: 587: 514: 509: 508: 498: 496: 484: 483: 479: 469: 467: 458: 457: 453: 448: 345:as part of the 311: 264: 247: 220: 162: 159:the Hideout Inn 146: 135: 124: 118: 115: 72: 70: 49: 30: 26: 17: 12: 11: 5: 821: 819: 811: 810: 805: 800: 795: 790: 785: 775: 774: 768: 767: 765: 764: 756: 748: 740: 732: 724: 716: 708: 700: 692: 684: 676: 668: 660: 651: 649: 645: 644: 642: 641: 636: 631: 626: 624:Susie Honeyman 621: 619:Tom Greenhalgh 616: 614:Steve Goulding 611: 608: 603: 597: 594: 593: 588: 586: 585: 578: 571: 563: 557: 556: 548: 543: 538: 533: 525: 520: 513: 512:External links 510: 507: 506: 494:Chicago Reader 477: 450: 449: 447: 444: 409:Elvis Costello 392:The New Yorker 319:Tom Greenhalgh 310: 307: 263:Musical artist 262: 259: 258: 245: 241: 240: 237: 236: 231: 227: 226: 223: 217: 216: 207: 203: 202: 199: 195: 194: 181: 177: 176: 173: 169: 168: 164: 163: 156: 148: 147: 144: 137: 136: 60:poorly sourced 33: 31: 24: 15: 13: 10: 9: 6: 4: 3: 2: 820: 809: 806: 804: 801: 799: 796: 794: 791: 789: 788:Living people 786: 784: 781: 780: 778: 762: 761: 757: 754: 753: 749: 746: 745: 741: 738: 737: 733: 730: 729: 725: 722: 721: 717: 714: 713: 712:I Love Mekons 709: 706: 705: 701: 698: 697: 693: 690: 689: 685: 682: 681: 677: 674: 673: 669: 666: 665: 661: 658: 657: 653: 652: 650: 646: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 609: 607: 604: 602: 599: 598: 595: 591: 584: 579: 577: 572: 570: 565: 564: 561: 555: 553: 552:Rolling Stone 549: 547: 544: 542: 539: 537: 534: 532: 530: 529:Rolling Stone 526: 524: 521: 519: 516: 515: 511: 495: 491: 487: 481: 478: 465: 461: 455: 452: 445: 443: 441: 435: 433: 429: 425: 421: 417: 412: 410: 406: 402: 396: 394: 393: 388: 384: 383:Royal Academy 380: 375: 371: 367: 362: 360: 356: 352: 348: 344: 340: 336: 332: 328: 324: 323:Mekons United 320: 316: 308: 306: 304: 300: 296: 292: 288: 284: 280: 276: 272: 268: 256: 246: 242: 238: 235: 232: 228: 224: 218: 215: 211: 208: 206:Instrument(s) 204: 200: 196: 193: 189: 188:rock and roll 185: 182: 178: 174: 170: 165: 160: 154: 149: 142: 133: 130: 122: 111: 108: 104: 101: 97: 94: 90: 87: 83: 80: –  79: 75: 74:Find sources: 68: 64: 61: 57: 53: 47: 46: 42: 37: 32: 23: 22: 19: 758: 750: 742: 734: 726: 718: 710: 702: 694: 686: 678: 670: 662: 654: 639:Dave Trumfio 629:Jon Langford 600: 551: 528: 497:. 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Retrieved 463: 454: 439: 436: 424:Martin Barre 413: 397: 390: 363: 354: 342: 339:Vito Acconci 334: 333:(2001), and 330: 326: 322: 315:Jon Langford 312: 302: 298: 294: 270: 266: 265: 225:1983–present 221:Years active 125: 116: 106: 99: 92: 85: 73: 62: 45:verification 38: 18: 634:Sally Timms 428:Jethro Tull 351:Kathy Acker 331:Art-Tube 01 301:(1999) and 78:"Rico Bell" 777:Categories 606:Lu Edmonds 590:The Mekons 446:References 405:Birkenhead 395:magazine. 379:California 287:the Mekons 279:California 255:/rico-bell 198:Occupation 119:March 2019 89:newspapers 752:Punk Rock 601:Rico Bell 370:Liverpool 283:punk rock 267:Rico Bell 214:Harmonica 210:Accordion 192:punk rock 175:Leeds, UK 145:Rico Bell 41:citations 470:13 March 420:new wave 401:Wallasey 374:folk art 329:(2001), 325:(1996), 305:(2002). 297:(1995), 201:Musician 67:libelous 760:Natural 541:Artwork 416:Bristol 357:at the 273:) is a 253:/artist 244:Website 103:scholar 763:(2007) 755:(2004) 747:(2002) 739:(2000) 731:(1998) 723:(1994) 715:(1993) 707:(1991) 699:(1989) 691:(1988) 683:(1987) 675:(1986) 667:(1985) 659:(1979) 648:Albums 499:13 May 387:London 309:Career 269:(born 230:Labels 180:Genres 172:Origin 105:  98:  91:  84:  76:  464:ASCAP 368:near 327:OOOH! 285:band 110:JSTOR 96:books 34:This 501:2020 472:2023 317:and 277:and 251:.com 82:news 43:for 426:of 385:in 341:’s 293:: 779:: 728:Me 492:. 462:. 411:. 275:UK 212:, 190:, 186:, 54:. 582:e 575:t 568:v 503:. 474:. 132:) 126:( 121:) 117:( 107:· 100:· 93:· 86:· 69:. 48:.

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Learn how and when to remove this message
Rico Bell performing with the Mekons at the Hideout Inn on July 11, 2015.
the Hideout Inn
Alternative country
rock and roll
punk rock
Accordion
Harmonica
Bloodshot Records
bloodshotrecords.com/artist/rico-bell
UK
California
punk rock
the Mekons
Bloodshot Records
Jon Langford
Tom Greenhalgh

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