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67:(cadences), and finally two ornamented versions of the upper voice of a four-part madrigal. Each of the first three sections is presented in different modes and focuses on a different technique of ornamentation when transcribing vocal works for instruments. The book gives detailed information on the importance of a proper transcription and is meant to be played similar to an
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each start with slow motifs, usually outlining a triad to establish the tonic of the piece. Each piece progresses from a simple, slow melody to very fast and quick scalar runs that can span several octaves. As the runs get faster, they cadence with half-step-like trills. After the cadence, the melody
119:, which is to say thirty-two to the value of one whole note"), but most modern interpretations of the piece play the eighth notes faster depending on how many are written into a measure. Usually the more eighth notes in a measure the faster they are played.
115:), a symbol that Bassano takes pains to explain in his preface "Ai lettori" (to the readers): "intenderete in questa mia opera quadruplicata cioè trentadue al valor de una Semibreve" ("meant in this, my work, a
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with most notes resembling the whole notes, half notes, quarter notes, eighth notes, sixteenth notes, and thirty-second notes of modern notation. The smallest subdivision is the thirty-second note (
34:(Ricercars, passages and cadences to facilitate practicing accomplished diminutions on all kinds of instruments; and also various passages for just the voice) is a didactic work written by
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starts slowly again and then quickly races back into its flashy runs until it cadences again with another set of half-step trills. This sequence will happen multiple times throughout each
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Ricercate, passaggi et cadentie per potersi essercitar nel diminuir terminatamente con ogni sorte d’istrumento; et anco diversi passaggi per la semplice voce
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164:, but the flashy runs are much more elaborate and drawn out, and nearly all of them end with the same half-step cadential trills seen in the
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99:(cadences), with up to ten diminutions each, and concludes with two different ornamented versions of the upper voice of
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107:, from his First Book of Madrigals for four voices (1550). The collection is written in a late phase of
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38:. It was first published in 1585 and was one of the few works that Bassano wrote under the tutelage of
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Horsley, Imogen. "Improvised
Embellishments in the Performance of Renaissance Polyphonic Music".
71:. The book purports to be playable on any treble instrument, but is most likely intended for the
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consist mainly of short but fast runs that are separated by one or more semibreves. The
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Music
History during the Renaissance Period, 1520–1550: A Documented Chronology
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Music
History during the Renaissance Period, 1520–1550: A Documented Chronology
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starts in a different mode but follows a structure similar to the others. The
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Arnold, Denis, and Fabio
Ferraccioli. "Bassano: (4) Giovanni Bassano".
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The book consists of four parts: the first consists of eight
195:(Venice: Giacomo Vincenzi & Ricciardo Amadino, 1585): .
234:. Venice: Giacomo Vincenzi & Ricciardo Amadino, 1585.
290:. Oxford and New York: Oxford University Press, 2011.
309:The New Grove Dictionary of Music and Musicians
304:. Madison: Fairleigh Dickinson UP, 2001. Print.
253:The New Grove Dictionary of Music and Musicians
268:Journal of the American Musicological Society
263:. London: Macmillan Publishedrs, 2001. Print.
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315:. London: Macmillan Publishers, 1980. Print.
332:International Music Score Library Project
148:Passaggi diminuiti and cadentie diminuite
277:A Performer's Guide to Renaissance Music
279:. Bloomington: Indiana UP, 2007. Print.
208:(Westport, CT: Praeger, 2004): . Print.
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241:. Westport, CT: Praeger, 2004. Print.
75:as Bassano himself was a cornettist.
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144:ends with this trill-like cadence.
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297:. New York: Norton, 1959. Print.
327:Ricercate, passaggi et cadentie
232:Ricercate, passaggi et cadentie
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193:Ricercate Passaggi et Cadentie
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61:, then a group of ornamented
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288:Oxford Companion to Music
295:Music in the Renaissance
274:Kite-Powell, Jeffery T.
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302:Monteverdi in Venice
237:Gangwere, Blanche.
230:Bassano, Giovanni.
160:are similar to the
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204:Blanche Gangwere,
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293:Reese, Gustave.
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123:Ricercate
93:diminuiti
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97:cadentie
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79:Details
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172:Notes
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