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piece, with occasional runs and passagework, not unlike a toccata, found from the late fifteenth to the mid-sixteenth century, after which time this type of piece came to be called a toccata; and from the second half of the sixteenth century onward, a sectional work in which each section begins
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In the sixteenth century, the word ricercar could refer to several types of compositions. Terminology was flexible, even lax then: whether a composer called an instrumental piece a
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491:, fourth edition, edited by Don Michael Randel, 729–31. Harvard University Press Reference Library. Cambridge: Belknap Press for Harvard University Press, 2003.
264:, or a ricercar was clearly not a matter of strict taxonomy but a rather arbitrary decision. Yet ricercars fall into two general types: a predominantly
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A performing edition of
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type, was to prove the more important historically, and eventually developed into the fugue.
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or study that explores a technical device in playing an instrument, or singing.
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of a following piece. A ricercar may explore the permutations of a given
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In its most common contemporary usage, it refers to an early kind of
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Examples of both types of ricercars can be found in the works of
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468:Journal of the American Musicological Society
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524:Petrucci Music Library Ricercar Collection
448:. New York, W.W. Norton & Co., 1947.
430:. New York, W.W. Norton & Co., 1954.
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408:"Ricercar," "Fugue," "Counterpoint" in
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27:For cars referred to as "ricers", see
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285:(c. 1480–after 1538) was known for
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178:function to "search out" the
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332:The Musical Offering
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210:harpsichord
203:note values
158:Renaissance
29:Rice burner
649:Categories
340:References
287:polyphonic
266:homophonic
600:Imitation
564:polyphony
176:preludial
171:ricercare
95:ricercare
18:Ricercari
605:Ricercar
517:ricercar
327:J.S.Bach
306:See also
262:fantasia
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36:ricercar
615:Subject
258:canzona
254:toccata
162:Baroque
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140:-chər-
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595:Fugue
580:Catch
575:Canon
360:(PDF)
325:from
228:cello
199:fugue
192:etude
188:motif
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562:and
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260:, a
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