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231:(PCA). Despite his past, Collins claimed that he stopped paying his Communist dues in 1939. Collins became infamous for naming people he knew to be in the Communist Party, even close friends. In all, he ultimately named 26 of his colleagues. Despite being heavily involved in the Communist movement in the 1930s, when he attended four to five meetings a week, he professed that he no longer followed their doctrine and never saw anything he did as an effort to undermine the security of the United States.
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Collins had a successful film career up until the
Hollywood 19 were called to testify before HUAC in October, 1947. At that time he agreed with the rest of the so-called unfriendly witnesses to plead the First Amendment Rights of free speech. Of the nineteen, only ten (the
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United States
Congress. Communist Infiltration of Hollywood Motion-picture Industry : Hearing before the Committee on Un-American Activities, House of Representatives, Eighty-Second Congress, First Session, 82d Cong. (1951) (testimony of Richard Collins).
97:(July 20, 1914 – February 14, 2013) was an American producer, director and screenwriter prominent in Hollywood during the 1940s, 1950s and 1960s. He worked on several notable television programs including
212:") were called and it wasn't until 1951 that Collins was called to testify before HUAC. By this time his politics had changed and he agreed to testify becoming one of the first "friendly witnesses."
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for a term and a half before moving back to New York with his family. In 1936, Collins took classes for six months with the New
Theatre League, where he joined the
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Box 6, Folder 18, Richard
Collins Papers, Ax 691, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
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Box 6, Folder 17, Richard
Collins Papers, Ax 691, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
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Box 6, Folder 16, Richard
Collins Papers, Ax 691, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
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Box 5, Folder 6, Richard
Collins Papers, Ax 691, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
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Box 4, Folder 10, Richard
Collins Papers, Ax 691, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
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Box 4, Folder 9, Richard
Collins Papers, Ax 691, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
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Box 4, Folder 3, Richard
Collins Papers, Ax 691, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
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Richard J. Collins was born on July 20, 1914, in New York City. He attended various schools in New York, Los Angeles and Paris, including the
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He wrote or co-wrote many screenplays during this period, including some that would get him in trouble with HUAC in later years, like
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Collins died at the age of 98 on February 14, 2013. He is survived by his son Michael Collins and daughter Judith Collins.
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while looking for a way into the movie and television industry. His' first position was as a script reader at
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was based on his character although he and Dorothy Comingore were long divorced before the HUAC hearings.
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Collins's first screen credit after clearing his name with HUAC was on the 1953 film
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The Complete Directory to Prime Time Network and Cable TV Shows: 1946–Present
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153:(YCL), the first of many left-wing associations he made over the years.
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307:. His big break came when he became producer of the television series
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In 1935, Collins returned to Los Angeles where he took a job at
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417:"Richard Collins obituary | Film | guardian.co.uk"
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from 1939 until 1945. One of the characters in the film
215:Collins admitted to formerly being a member of the
493:. Center for History and New Media. July 13, 2011.
346:(co-story and co-screenplay with Frank Cavett and
27:American film director, producer, and screenwriter
491:"Exploring U.S. History | Regulating Television"
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287:. Later he wrote for television, including
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45:This article includes a list of general
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223:, Hollywood Writers' Mobilization, the
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