22:
178:) alternate between precise scoring and free improvisation for part or all of their duration. However, these different strategies are used to maximise the musical potential of the whole, rather than drawing attention to the distinction between improvisational and notational methods of composition—as Barrett himself puts it: "As a listener I generally prefer to concentrate on what music is doing rather than how it was done".
1901:
158:). Barrett's compositional techniques, which derive equally and indistinguishably from serial, stochastic and intuitive methods, have since the mid-1980s made extensive use of computer programs he has developed himself. He regards free improvisation as a method of composition rather than as a different or opposed kind of musical activity.
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169:
series extrapolates some of FURT's characteristic forms of texture and co-ordination into the octet context of the fORCH ensemble. The results of these more experimental and collaborative projects have exerted an increasing influence on
Barrett's other compositional work, which remains mostly fully
107:
of the Hague Royal
Conservatory in 1996, where he worked until 2001. In 2009 he resumed teaching regularly at the institute. Having moved from London to Amsterdam in 1993, he lived in Berlin from 2001 to 2013, initially as a guest of the
213:
is itself a conglomerate work lasting over two hours in performance, consisting of 20 components in four interwoven cycles which may also be performed singly or in various combinations. Since the completion of
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100:. Most of his compositions since the 1990s have involved both acoustic and electronic resources, combined in many different ways. In 2005 he and Obermayer formed the electroacoustic octet fORCH.
1946:
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series of compositions explores diverse ways of using composed frameworks as a point of departure for improvisation, particularly with larger groups, while the
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in 1980, he began to study music, taking private lessons with Peter
Wiegold, and soon thereafter participating in the 1984
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1976:
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76:, most often in the electronic duo FURT with Paul Obermayer, formed in 1986, but also since 2003 as a member of the
935:
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Many of
Barrett's works are grouped into series, and have extra-musical associations—particularly with the writers
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57:
53:
709:
SKEIN – RB with Frank
Gratkowski, Achim Kaufmann, Wilbert de Joode, Okkyung Lee and Tony Buck (Leo Records 2014)
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112:'s (DAAD) "Berliner Künstlerprogramm", except between 2006 and 2009 when he was a professor of composition at
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715:"Music for cello and electronics" (double CD, Aeon 2016). Arne Deforce (cello) and Yutaka Oya (piano)
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group of
British composers because of the intricate notation of his scores. He is equally active in
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He taught composition at
Middlesex University from 1989 to 1992, and electronic composition at the
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450:(2012–14) for flugelhorn/piccolo trumpet, percussion, electric lap steel guitar and electronics
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Electro-Acoustic
Ensemble. Since 1990 about half of his compositions have been written for the
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Fox, Christopher. 1995. "Music as
Fiction: A Consideration of the Work of Richard Barrett".
238:(based on a cycle of poems written for him by Simon Howard) for various ensembles including
231:
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Since 2003 he has been working on an eight-part cycle of compositions collectively entitled
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interference, abglanzbeladen/auseinandergeschrieben, basalt, air, knospend-gespaltener
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120:. While no longer an active member he remains aligned with revolutionary socialism.
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he has completed a number of other projects which continue long-term associations—
838:. Autumn 2005. "Resistance and Reflection: Richard Barrett in the 21st Century".
426:(2011–12) for solo Redgate-Howarth system oboe, also (2016) for soprano saxophone
52:. After completing his first bachelor's degree in genetics and microbiology from
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590:. ELISION Ensemble conducted by Simon Hewett (ABC Classics 1999, reissued 2009)
154:, and ideas from physics, mythology, astrology and philosophy (in the texts of
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Freeman, Robin. September 1994. "Richard
Barrett, compositeur maudit manqué",
438:(2013) 8-channel electronic music composed in collaboration with Kees Tazelaar
147:
702:
Richard Barrett, Jon Rose (violin/tenor violin), Meinrad Kneer (contrabass):
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and with a projected total duration of over six hours, of which the first (
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951:, 13, no. 1 ("Aspects of Complexity in Recent British Music"): 147–157.
116:. Barrett has often been politically outspoken, and in 1990 joined the
45:
549:. ELISION Ensemble conducted by Sandro Gorli (Etcetera 1993)—contains
699:(NMC 2012). ELISION and Cikada ensembles conducted by Christian Eggen
657:. ELISION Ensemble conducted by Sandro Gorli (NMC 2009) – reissue of
613:
679:(Psi 2009). RB with Sarah Nicolls, ELISION, Champ d'Action—contains
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He is currently based in The Hague, Netherlands. In 2019 his book
33:
20:
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336:(1992–97) for two vocalists, 9 instrumentalists and electronics
470:(2015) for three groups of improvising musicians and conductor
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135:
in 1989. He also won the Chamber Music category of the 2003
68:. In the late 1980s he became associated with the so-called
938:. September 1993. "British Music at Darmstadt, 1982–1992".
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462:(2014–15) for three instrumental trios and electronics
408:(2005–11) for alto saxophone, accordion and contrabass
1877:
982:
Toop, Richard. 1991. "Richard Barrett in Interview".
963:
Hewitt, Ivan. March 1994. "Fail Worse, Fail Better".
253:
was published by Vision Edition, followed in 2023 by
855:
Unasked Questions: An Interview with Richard Barrett
170:
notated, although several compositions (for example
1527:
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456:(2012–14) for horn, trombone, tuba and electronics
551:Ne songe plus à fuir, EARTH, Another heavenly day
414:(2005–11) for voices, instruments and electronics
123:Barrett won the Kranichsteiner Musikpreis at the
354:(1990–2003) for voices, ensemble and electronics
1947:Gaudeamus Composition Competition prize-winners
975:. 1988. "Four Facets of the 'New Complexity'".
790:The New Grove Dictionary of Music and Musicians
1574:
1040:
779:Warnaby, John (2001). "Barrett, Richard". In
712:fORCH: "spukhafte Fernwirkung" (Treader 2015)
342:(1996–99) for electric guitar and electronics
226:for ELISION—as well as inaugurating new ones—
8:
689:Richard Barrett and Han-earl Park (guitar):
530:(2015–2023) for 8 performers and electronics
488:(2015–2017) for 16 musicians and electronics
476:(2013–16) for six performers and electronics
390:(2006–09) for 17 instruments and electronics
894:Barrett, Richard, 2009. Liner notes for CD
494:(2016–17) for 4 instruments and electronics
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1047:
1033:
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480:everything has changed/nothing has changed
378:(2004–08) for cello, piano and electronics
242:, soundinitiative and Fonema Consort, and
209:) have so far been completed (July 2016).
60:where there were fruitful encounters with
125:Internationale Ferienkurse für Neue Musik
58:Internationale Ferienkurse für Neue Musik
506:(2017–18) for percussion and electronics
1884:
1057:Gaudeamus International Composers Award
766:
319:Tract IIc "The Light Gleams an Instant"
1020:with interview and performance footage
997:United Music Publishers biography page
623:(NMC 2007). ELISION soloists—contains
518:(2017–19) for trombone and electronics
348:(1998–2002) for cello and electronics
275:(1987–88) for trombone and percussion
234:and two three-hour works in progress
7:
640:Ute Wassermann and Richard Barrett:
793:(2nd ed.). London: Macmillan.
432:(2011–12) for cello and electronics
372:(2003–07) for piano and electronics
444:(2013–14) for three percussionists
396:(2000– ) for improvising ensembles
84:, most notably the extended works
14:
1972:21st-century Welsh male musicians
1962:20th-century Welsh male musicians
1899:
1887:
867:"British Composer Award Winners"
536:(2022–23) for flute and ensemble
524:(2015–17) for vocalising harpist
366:(2002–06) for clarinet and piano
329:Tract IIe "As Heard so Murmured"
110:German Academic Exchange Service
914:. July 1997. "Richard Barrett:
150:, but also the Chilean painter
131:, in 1986, and was awarded the
1967:20th-century British musicians
1957:21st-century British composers
1952:20th-century British composers
883:Interview with Richard Barrett
305:I "ㅡ" (1984–96) for solo piano
1:
230:for the Belgrade-based group
222:for cellist Arne Deforce and
960:, new series, no. 190:41–46.
944:, new series, no. 186:21–25.
932:, new series, no. 201:55–57.
724:'s Electro-Acoustic Ensemble
677:Adrift—3 compositions 2007/8
384:(2005– ) for the fORCH octet
281:(1983–88) for string quartet
32:(born 7 November 1959) is a
869:, britishcomposerawards.com
299:(1994–95) for bass clarinet
1993:
885:". Paristransatlantic.com.
500:(2017–18) electronic music
16:Welsh composer (born 1959)
1601:
949:Contemporary Music Review
360:(1999–2004) for orchestra
257:from the same publisher.
54:University College London
1756:Gottfried Michael Koenig
420:(2005–12) for solo flute
269:(1985–86) for solo cello
114:Brunel University London
853:Lenz, Veronika, 2005. "
706:(Creative Sources 2013)
693:(Creative Sources 2012)
644:(Creative Sources 2008)
512:(2018) electronic music
482:(2013–17) for orchestra
402:(2006–10) for orchestra
293:(1991–94) for orchestra
287:(1988–93) for 9 players
183:resistance & vision
172:transmission, Blattwerk
137:British Composer Awards
118:Socialist Workers Party
1932:Musicians from Swansea
1816:Second Viennese School
1425:Lefteris Papadimitriou
1302:Claus-Steffen Mahnkopf
969:135, no. 1813:148–151.
571:BBC Symphony Orchestra
561:Live in Amsterdam 1994
309:Tract IIa "Hypothesis"
26:
1848:Karlheinz Stockhausen
1806:Einojuhani Rautavaara
1225:Christian Dethleffsen
1016:Video documentary on
844:146, no. 1892: 57–69.
816:. 10 February 2005. "
661:with the addition of
105:Institute of Sonology
48:, Wales and attended
24:
1942:Welsh male composers
1791:Krzysztof Penderecki
1746:Josef Matthias Hauer
1686:André Boucourechliev
1641:Osvaldas Balakauskas
918:; Michael Finnissy:
898:. Psi Records 09.10.
588:Opening of the Mouth
541:Selected discography
528:natural causes act 2
486:natural causes act 3
334:Opening of the Mouth
267:Ne songe plus à fuir
255:Transforming Moments
251:Music of Possibility
86:Opening of the Mouth
44:Barrett was born in
25:Barrett in June 2015
1977:Psi Records artists
1711:Niccolò Castiglioni
1435:Christopher Trapani
1407:Dmitri Kourliandski
1148:Hans-Joachim Hespos
739:The Moment's Energy
324:Tract IId "Lacunae"
66:Hans-Joachim Hespos
1766:Witold Lutosławski
1731:Luigi Dallapiccola
1626:Hans Erich Apostel
1249:Stefan Dragostinov
1219:Maurice Weddington
74:free improvisation
27:
1875:
1874:
1826:Arnold Schoenberg
1556:
1555:
1535:Annika Socolofsky
1494:Alexander Khubeev
1464:Marko Nikodijević
1385:Yannis Kyriakides
1368:Michel van der Aa
1318:Jörg Birkenkötter
1312:Asbjørn Schaathun
1160:Jean-Yves Bosseur
984:Sounds Australian
966:The Musical Times
922:; Anthony Payne:
841:The Musical Times
731:The Eleventh Hour
681:adrift, codex VII
62:Brian Ferneyhough
1984:
1904:
1903:
1902:
1892:
1891:
1890:
1883:
1858:Charles Wuorinen
1843:Nikos Skalkottas
1736:Karel Goeyvaerts
1616:Louis Andriessen
1583:
1576:
1569:
1560:
1476:Konstantin Heuer
1336:Michael Oesterle
1324:David del Puerto
1156:Maurice Benhamou
1132:Mario Bertoncini
1110:Pauline Oliveros
1096:Misha Mengelberg
1090:Lars Johan Werle
1084:Louis Andriessen
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1004:Official website
936:Fox, Christopher
912:Anderson, Julian
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836:Whittall, Arnold
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599:(Matchless 2002)
376:Nacht und Träume
314:Tract IIb "Husk"
279:I open and close
232:Ensemble Studio6
203:nacht und träume
82:ELISION Ensemble
1992:
1991:
1987:
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1937:Welsh composers
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1911:
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1906:Classical music
1900:
1898:
1888:
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1878:
1876:
1871:
1811:Humphrey Searle
1786:Juan Carlos Paz
1706:Jacques Calonne
1656:Richard Barrett
1631:Kees van Baaren
1606:Hans Abrahamsen
1597:
1587:
1557:
1552:
1523:
1512:Sebastian Hilli
1470:Yoshiaki Onishi
1452:
1413:Sampo Haapamäki
1391:Palle Dahlstedt
1373:
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1285:Richard Barrett
1279:Michael Jarrell
1243:Șerban Nichifor
1189:
1152:Costin Miereanu
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993:
986:, no. 29:27–31.
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906:Further reading
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498:Vermilion Sands
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133:Gaudeamus Prize
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30:Richard Barrett
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1168:Ralph Lundsten
1164:Tona Scherchen
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1128:Joep Straesser
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1011:FURT's website
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991:External links
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261:Selected works
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236:natural causes
205:) and eighth (
144:Samuel Beckett
70:New Complexity
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1696:Martin Boykan
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1676:Luciano Berio
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1325:
1322:
1319:
1316:
1313:
1310:
1307:
1303:
1300:
1299:
1297:
1293:
1286:
1283:
1280:
1277:
1274:
1271:
1268:
1265:
1262:
1259:
1256:
1253:
1250:
1247:
1244:
1241:
1238:
1235:
1232:
1231:Robert Saxton
1229:
1226:
1223:
1220:
1217:
1214:
1211:
1208:
1205:
1202:
1199:
1198:
1196:
1192:
1185:
1182:
1179:
1176:
1173:
1169:
1165:
1161:
1157:
1153:
1149:
1146:
1143:
1139:
1138:Alfred Janson
1136:
1133:
1129:
1126:
1123:
1120:
1117:
1114:
1111:
1108:
1105:
1101:
1097:
1094:
1091:
1088:
1085:
1082:
1079:
1076:
1073:
1070:
1069:
1067:
1063:
1058:
1050:
1045:
1043:
1038:
1036:
1031:
1030:
1027:
1021:
1019:
1014:
1012:
1009:
1005:
1000:
998:
995:
994:
990:
985:
981:
978:
974:
973:Toop, Richard
971:
968:
967:
962:
959:
958:
953:
950:
946:
943:
942:
937:
934:
931:
930:
925:
921:
917:
913:
910:
909:
905:
897:
891:
888:
884:
880:
875:
872:
868:
863:
860:
856:
850:
847:
843:
842:
837:
832:
829:
825:
824:
819:
815:
810:
807:
802:
800:9780195170672
796:
792:
791:
786:
785:Tyrrell, John
782:
775:
773:
771:
767:
760:
755:
754:
750:
747:
744:
741:
740:
736:
733:
732:
728:
727:
726:
725:
723:
714:
711:
708:
705:
701:
698:
695:
692:
688:
686:
682:
678:
675:
672:
671:
666:
664:
660:
659:Chamber Works
656:
653:
650:
646:
643:
639:
636:
635:spin networks
632:
630:
626:
622:
619:
616:
615:
610:
607:
606:
605:dead or alive
601:
598:
597:
592:
589:
586:
583:
579:
576:
575:Arturo Tamayo
573:conducted by
572:
568:
565:
562:
558:
556:
552:
548:
547:Chamber Works
545:
544:
540:
535:
532:
529:
526:
523:
520:
517:
514:
511:
508:
505:
502:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
468:
464:
461:
458:
455:
452:
449:
446:
443:
440:
437:
434:
431:
428:
425:
422:
419:
416:
413:
410:
407:
404:
401:
398:
395:
394:codex I – ...
392:
389:
386:
383:
380:
377:
374:
371:
368:
365:
362:
359:
356:
353:
350:
347:
344:
341:
338:
335:
332:
330:
327:
325:
322:
320:
317:
315:
312:
310:
307:
304:
301:
298:
295:
292:
289:
286:
283:
280:
277:
274:
271:
268:
265:
264:
260:
258:
256:
252:
247:
246:for ELISION.
245:
241:
237:
233:
229:
225:
221:
217:
212:
208:
204:
200:
196:
192:
188:
184:
179:
177:
173:
168:
164:
159:
157:
153:
152:Roberto Matta
149:
145:
140:
138:
134:
130:
126:
121:
119:
115:
111:
106:
101:
99:
95:
91:
87:
83:
79:
75:
71:
67:
63:
59:
55:
51:
50:Olchfa School
47:
39:
37:
35:
31:
23:
19:
1863:
1831:Anton Webern
1796:George Perle
1761:Ernst Krenek
1751:Ben Johnston
1726:Henry Cowell
1671:Erik Bergman
1655:
1621:Denis ApIvor
1500:Anthony Vine
1482:Tobias Klich
1362:Geoff Hannan
1358:Kumiko Omura
1340:Jesus Torres
1306:Paolo Aralla
1284:
1273:Karen Tanaka
1237:Fabio Vacchi
1213:Daniel Lentz
1207:John McGuire
1116:Arne Mellnäs
1078:Otto Ketting
1018:CONSTRUCTION
1017:
983:
976:
964:
955:
948:
939:
927:
924:Time's Arrow
923:
919:
915:
895:
890:
879:Gilmore, Bob
874:
862:
849:
839:
831:
823:The Guardian
821:
814:Service, Tom
809:
788:
751:
745:
737:
729:
719:
718:
703:
696:
690:
684:
680:
676:
668:
662:
658:
654:
648:
641:
634:
629:transmission
628:
624:
621:transmission
620:
612:
603:
594:
587:
581:
566:
560:
554:
550:
546:
533:
527:
521:
515:
509:
503:
497:
491:
485:
479:
473:
465:
459:
453:
447:
441:
435:
429:
423:
417:
412:CONSTRUCTION
411:
405:
399:
393:
387:
381:
375:
369:
363:
357:
351:
345:
340:transmission
339:
333:
328:
323:
318:
313:
308:
302:
296:
290:
284:
278:
272:
266:
254:
250:
248:
243:
235:
227:
223:
219:
216:CONSTRUCTION
215:
211:CONSTRUCTION
210:
207:CONSTRUCTION
206:
202:
201:), seventh (
198:
194:
190:
186:
182:
180:
175:
171:
166:
162:
160:
155:
141:
122:
102:
97:
94:CONSTRUCTION
93:
89:
85:
43:
29:
28:
18:
1922:1959 births
1611:Gilbert Amy
1590:Twelve-tone
1488:Anna Korsun
1346:Régis Campo
1255:Mauro Cardi
1142:Ton Bruynèl
1100:Per Nørgård
1072:Peter Schat
979:no. 32:4–8.
818:Just Say No
722:Evan Parker
697:DARK MATTER
647:FURT plus:
563:(X-OR 1995)
388:Mesopotamia
352:DARK MATTER
240:Musikfabrik
195:Mesopotamia
156:DARK MATTER
90:DARK MATTER
78:Evan Parker
1916:Categories
1821:Alban Berg
1781:Luigi Nono
1447:Ted Hearne
1441:Huck Hodge
1267:Uros Rojko
1261:Unsuk Chin
1201:Jan Vriend
1172:Leo Nilson
1122:Ib Nørholm
761:References
756:(Psi 2012)
748:(Psi 2009)
742:(ECM 2007)
734:(ECM 2004)
673:(Psi 2009)
651:(Psi 2008)
637:(Psi 2007)
617:(Psi 2006)
608:(Psi 2004)
584:(JdK 1999)
577:(NMC 1996)
448:world-line
364:Flechtwerk
224:world-line
197:), sixth (
193:), fifth (
189:), third (
148:Paul Celan
98:world-line
36:composer.
1894:Biography
1661:Jürg Baur
1646:Don Banks
1596:composers
1184:Jos Kunst
920:Red Earth
881:. 2009. "
704:colophony
655:Negatives
555:negatives
454:eiszeiten
430:life-form
382:fOKT 1 –
346:Blattwerk
285:negatives
220:life-form
129:Darmstadt
40:Biography
1701:Ole Buck
1547:Zara Ali
1352:Hang Zou
787:(eds.).
685:codex IX
534:tomorrow
516:membrane
510:disquiet
504:entoptic
474:close-up
467:codex XV
228:close-up
1880:Portals
1194:1970–89
1065:1957–69
977:Contact
753:Hasselt
691:numbers
663:codex I
633:fORCH:
442:urlicht
46:Swansea
1594:serial
1549:(2023)
1543:(2022)
1537:(2021)
1520:(2019)
1514:(2018)
1508:(2017)
1502:(2016)
1496:(2015)
1490:(2014)
1484:(2013)
1478:(2012)
1472:(2011)
1466:(2010)
1449:(2009)
1443:(2008)
1437:(2007)
1431:(2006)
1421:(2005)
1415:(2004)
1409:(2003)
1403:(2002)
1397:(2001)
1387:(2000)
1370:(1999)
1364:(1998)
1354:(1997)
1348:(1996)
1342:(1995)
1332:(1994)
1326:(1993)
1320:(1992)
1314:(1991)
1308:(1990)
1287:(1989)
1281:(1988)
1275:(1987)
1269:(1986)
1263:(1985)
1257:(1984)
1251:(1978)
1245:(1977)
1239:(1976)
1233:(1975)
1227:(1974)
1221:(1973)
1215:(1972)
1209:(1971)
1203:(1970)
1186:(1969)
1180:(1968)
1174:(1967)
1166:, and
1144:(1966)
1134:(1965)
1124:(1964)
1118:(1963)
1112:(1962)
1106:(1961)
1102:, and
1092:(1960)
1086:(1959)
1080:(1958)
1074:(1957)
916:Vanity
896:adrift
797:
667:FURT:
649:equals
642:pollen
614:OMNIVM
611:FURT:
602:FURT:
596:defekt
593:FURT:
580:FURT:
567:Vanity
559:FURT:
522:pektis
436:EQUALE
370:adrift
297:CHARON
291:Vanity
244:PSYCHE
176:adrift
1528:2020s
1457:2010s
1378:2000s
1295:1990s
957:Tempo
941:Tempo
929:Tempo
720:With
670:sense
582:angel
492:tkiva
303:Tract
273:EARTH
163:codex
34:Welsh
1865:more
1592:and
1427:and
1393:and
1360:and
1338:and
1304:and
1140:and
1130:and
795:ISBN
683:and
627:and
553:and
460:wake
424:fold
418:vale
406:cell
191:cell
174:and
167:fOKT
161:His
146:and
96:and
64:and
1868:...
1862:...
926:".
820:".
746:SET
1918::
1170:–
1162:,
1158:,
1154:,
1150:,
1098:,
857:".
783:;
769:^
569:.
400:IF
358:NO
199:IF
187:NO
139:.
127:,
92:,
88:,
1882::
1582:e
1575:t
1568:v
1048:e
1041:t
1034:v
826:.
803:.
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