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Richard Meighen

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119: 70:), was named headmaster in 1583 and continued in the post for a remarkable 52 years, until his death in September 1635. Several members of the Meighen family (including at least two named Richard) attended the school as students. Meighen the publisher maintained a lifelong connection with the school, and published works relating to it. 406:
Early in 1641 Meighen entered into a partnership with three other stationers for the purpose of publishing law books; but he died before the planned partnership could produce any results. His widow, Mercy Meighen, received a court grant of the right to administer her late husband's estate on March
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His modern reputation as a publisher is mixed; critics do not rank him highly in terms of the quality of the texts he produced. In particular, the second Jonson folio has been condemned for its poor printing and organizational confusion.
227:— Meighen's volumes of drama are his most significant works, judged in retrospect. Meighen appears to have been only a minor partner in the 1632 Shakespeare Second Folio (he'd obtained the rights to 97:. Like many stationers of his era, Meighen concentrated on publishing and selling books, and commissioned printers to print the works he published. His first edition of William Slater's 807: 73:
Meighen was active as a publisher during the years 1615 to 1641; his shops, as his title pages specify, were "under St. Clement's Church" in the
571: 538: 411:). Mercy Meighen (died 1654) continued her late husband's business, entering a partnership with stationer Gabriell Bedell in November 1646. 551: 519: 202: 242: 136: 183: 140: 155: 685: 614: 408: 162: 105:), for example, was printed by Stansby — though Meighen also worked with most of the printers of his generation. 665: 35: 248:
In addition to the Shakespeare and Jonson folios, Meighen published a number of plays in single editions, including:
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A Dictionary of the Booksellers and Printers Who Were at Work in England, Scotland, and Ireland from 1641 to 1667,
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Yet another Richard Meighen, a son of Richard and Mercy Meighen, continued in the publishing business; he issued
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in 1630); but he was a prime mover of the 1640/41 Jonson volume, which collected most of the post-1616 plays,
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of 1663/64. William Stansby, the printer/publisher of the first Jonson folio, also printed the second.
237:, and miscellaneous works of the poet/dramatist. In publishing this volume, Meighen collaborated with 812: 390:. He also printed his share of the popular and ephemeral literature of his era, like Thomas Harper's 358: 529: 47: 761: 505: 473: 467: 419: 330: 309: 280: 224: 102: 94: 51: 90: 63: 39: 176: 781: 670: 660: 655: 561: 343: 335: 291: 238: 786: 756: 86: 705: 695: 650: 635: 317: 215:
While he issued a wide range of works of various types — including an edition of
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London, The Bibliographical Society/Blades, East & Blades, 1907; pp. 126-7.
746: 566: 67: 304: 216: 352: 66:; his father, John Meighen (son of a Richard Meighen who was a tanner in 458:
4 Volumes, Oxford, Clarendon Press, 1923; Vol. 3, pp. 221-222, 439-440.
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Meighen published posthumous first editions of the three plays of
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The True History of the Tragic Loves of Hippolito and Isabella
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of 1640/41, and was a member of the syndicate that issued the
85:." He started his career on a prestigious note, acting as 89:'s sales agent when Stansby printed and published the 62:
Meighen came from a family with strong connections to
724: 623: 595: 537: 34:eras. He is noted for his publications of plays of 513: 438:George William Fisher and John Spencer Hill, 8: 520: 506: 498: 442:London, Methuen, 1899; pp. 72-84, 97, 133. 259:Swetnam the Woman Hater Arraigned by Women 99:Palae-Albion: The History of Great Britain 418:a collected edition of Goffe's plays, in 203:Learn how and when to remove this message 431: 339:(1633), printed by Augustine Matthews; 472:Check-List or Brief Catalogue of the 7: 386:, the memoir of the minor dramatist 241:, who would publish the Shakespeare 141:adding citations to reliable sources 552:List of Shakespeare plays in quarto 478:New York (privately printed), 1919. 348:The Triumphs of the Prince D'Amour 14: 265:the second and third editions of 384:A Recantation of an Ill-Led Life 117: 808:Publishers (people) from London 128:needs additional citations for 474:Library of Henry E. Huntington 1: 470:and Philip Sanford Goulding, 440:Annals of Shrewsbury School, 382:(1633). In 1628, he issued 829: 416:Three Excellent Tragedies, 230:The Merry Wives of Windsor 342:the first quartos of Sir 36:English Renaissance drama 271:The Faithful Shepherdess 279:) and 1634 (printed by 40:second Ben Jonson folio 456:The Elizabethan Stage, 487:Henry Robert Plomer, 316:the second quarto of 359:The Platonick Lovers 329:the first quarto of 137:improve this article 530:William Shakespeare 376:The Courageous Turk 77:, and "next to the 50:collected plays in 38:; he published the 762:Augustine Matthews 539:Folios and quartos 528:Early editions of 468:George Watson Cole 331:Shackerley Marmion 281:Augustine Matthews 91:first Jonson folio 22:(died 1641) was a 795: 794: 686:Thomas Millington 275:1629 (printed by 256:of the anonymous 213: 212: 205: 187: 152:"Richard Meighen" 64:Shrewsbury School 26:publisher of the 16:English publisher 820: 782:Valentine Simmes 671:Henry Herringman 661:Philip Chetwinde 656:Nathaniel Butter 522: 515: 508: 499: 492: 485: 479: 465: 459: 449: 443: 436: 344:William Davenant 336:A Fine Companion 292:Thomas Middleton 239:Philip Chetwinde 208: 201: 197: 194: 188: 186: 145: 121: 113: 828: 827: 823: 822: 821: 819: 818: 817: 798: 797: 796: 791: 787:William Stansby 757:William Jaggard 720: 681:Richard Meighen 666:Richard Hawkins 619: 591: 533: 526: 496: 495: 486: 482: 466: 462: 450: 446: 437: 433: 428: 404: 372:The Raging Turk 307:of Middleton's 297:Michaelmas Term 283:) respectively; 267:John Fletcher's 209: 198: 192: 189: 146: 144: 134: 122: 111: 87:William Stansby 60: 58:Life and career 20:Richard Meighen 17: 12: 11: 5: 826: 824: 816: 815: 810: 800: 799: 793: 792: 790: 789: 784: 779: 774: 769: 764: 759: 754: 749: 744: 739: 734: 728: 726: 722: 721: 719: 718: 713: 708: 706:Thomas Walkley 703: 698: 696:John Smethwick 693: 688: 683: 678: 673: 668: 663: 658: 653: 651:Cuthbert Burby 648: 643: 638: 636:William Aspley 633: 627: 625: 621: 620: 618: 617: 612: 607: 601: 599: 593: 592: 590: 589: 584: 579: 574: 569: 564: 559: 554: 549: 543: 541: 535: 534: 527: 525: 524: 517: 510: 502: 494: 493: 480: 460: 452:E. K. Chambers 444: 430: 429: 427: 424: 403: 400: 364: 363: 340: 327: 318:Barten Holyday 314: 301: 284: 263: 211: 210: 125: 123: 116: 110: 107: 59: 56: 15: 13: 10: 9: 6: 4: 3: 2: 825: 814: 811: 809: 806: 805: 803: 788: 785: 783: 780: 778: 775: 773: 772:James Roberts 770: 768: 767:Nicholas Okes 765: 763: 760: 758: 755: 753: 752:Richard Field 750: 748: 745: 743: 742:Thomas Creede 740: 738: 735: 733: 730: 729: 727: 723: 717: 714: 712: 711:John Waterson 709: 707: 704: 702: 701:Thomas Thorpe 699: 697: 694: 692: 691:Thomas Pavier 689: 687: 684: 682: 679: 677: 676:William Leake 674: 672: 669: 667: 664: 662: 659: 657: 654: 652: 649: 647: 646:Edward Blount 644: 642: 639: 637: 634: 632: 629: 628: 626: 622: 616: 615:Edward Knight 613: 611: 610:Henry Condell 608: 606: 605:John Heminges 603: 602: 600: 598: 597:Early editors 594: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 550: 548: 545: 544: 542: 540: 536: 531: 523: 518: 516: 511: 509: 504: 503: 500: 490: 484: 481: 477: 475: 469: 464: 461: 457: 453: 448: 445: 441: 435: 432: 425: 423: 421: 417: 412: 410: 401: 399: 395: 393: 389: 385: 381: 377: 373: 369: 361: 360: 355: 354: 349: 345: 341: 338: 337: 332: 328: 325: 324: 319: 315: 312: 311: 306: 302: 299: 298: 293: 289: 288:second quarto 285: 282: 278: 274: 272: 268: 264: 261: 260: 255: 251: 250: 249: 246: 244: 240: 236: 232: 231: 226: 222: 218: 207: 204: 196: 185: 182: 178: 175: 171: 168: 164: 161: 157: 154: –  153: 149: 148:Find sources: 142: 138: 132: 131: 126:This section 124: 120: 115: 114: 108: 106: 104: 100: 96: 92: 88: 84: 80: 79:Middle Temple 76: 71: 69: 65: 57: 55: 53: 49: 48:Shakespeare's 45: 41: 37: 33: 29: 25: 21: 737:Thomas Cotes 732:Edward Allde 680: 631:Robert Allot 582:Second Folio 572:First Quarto 488: 483: 471: 463: 455: 447: 439: 434: 415: 413: 405: 396: 391: 388:John Clavell 383: 379: 378:(1632), and 375: 371: 368:Thomas Goffe 365: 357: 351: 347: 334: 326:(also 1630); 321: 313:(also 1630); 308: 295: 277:Thomas Cotes 269: 257: 254:first quarto 247: 228: 220: 214: 199: 193:October 2022 190: 180: 173: 166: 159: 147: 135:Please help 130:verification 127: 98: 83:Fleet Street 72: 61: 44:Second Folio 19: 18: 813:1641 deaths 777:Peter Short 716:Andrew Wise 641:John Benson 587:False Folio 577:First Folio 547:Foul papers 402:Post mortem 362:(all 1636). 323:Technogamia 310:The Phoenix 303:the second 243:Third Folio 802:Categories 747:George Eld 624:Publishers 567:Bad quarto 426:References 407:21, 1642 ( 163:newspapers 68:Shrewsbury 409:new style 374:(1631), 217:John Stow 725:Printers 532:'s works 394:(1633). 370:— 353:The Wits 32:Caroline 28:Jacobean 380:Orestes 300:(1630); 262:(1620); 235:masques 177:scholar 557:Quarto 356:, and 305:quarto 221:Annals 179:  172:  165:  158:  150:  75:Strand 24:London 562:Folio 184:JSTOR 170:books 109:Drama 81:, in 420:1656 333:'s 286:the 252:the 225:1631 156:news 103:1621 95:1616 52:1632 30:and 346:'s 320:'s 294:'s 290:of 223:in 219:'s 139:by 93:in 46:of 804:: 454:, 422:. 350:, 54:. 521:e 514:t 507:v 476:, 273:, 206:) 200:( 195:) 191:( 181:· 174:· 167:· 160:· 133:. 101:(

Index

London
Jacobean
Caroline
English Renaissance drama
second Ben Jonson folio
Second Folio
Shakespeare's
1632
Shrewsbury School
Shrewsbury
Strand
Middle Temple
Fleet Street
William Stansby
first Jonson folio
1616
1621

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