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185:, among others, into the collection. From 1948 Sedlmaier concentrated on the planning and execution of the necessary building measures; from 1950 onwards, larger exhibitions could be shown again. In 1958 the Kunsthalle was reopened with the expanded collection. In the same year he was awarded the
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and to make exhibitions possible by means of suitable themes. Under the motto "Zur Kunst der deutschen Stämme" , he organized the exhibitions "Schlesische Künstler" (1940), "Gäste aus der
Reichshauptstadt" (1942) and "Fränkische Künstler" (1944), which were supported by public funds. After the
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during the summer semester. In the winter semester 1945/1946 the institute was moved back to Kiel. Sedlmaier, Lilli
Martius and Arthur Haseloff held lectures and Sedlmaier made special efforts to rebuild the Kunsthalle and restore the collection. This made it possible to integrate works by
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During the Second World War, Sedlmaier tried to maintain the teaching activities. In 1942, he organized a study trip to Prague, Vienna, Salzburg, Munich and
Augsburg on the subject of "German Baroque and Rococo Art". As director of the Kunsthalle, he tried to avoid confrontation with the
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134:. His teaching activities focused on the art of the international Baroque and ornamental art as well as architecture, painting and sculpture of the German Middle Ages.
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In teaching and research, Sedlmaier was primarily concerned with questions of regional medieval art. Among his students were
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Wolfgang v. d. Auveras Schönborn-Grabmäler im Mainfränkischen Museum und die
Grabmalkunst der Schönborn-Bischöfe
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Kunstgeschichte in Kiel. 100 Jahre
Kunsthistorisches Institut der Christian-Albrechts-Universität, 1893–1993.
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in 1933/1934. His research focus shifted to the study of architecture and fine arts in northern
Germany.
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Schönborn-Grabmäler im Mainfränkischen Museum und die
Grabmalkunst der Schönborn-Bischöfe.
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Richard
Sedlmaier als Festschrift zum 70. Geburtstag am 10. August 1960 gewidmet
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Dissertation. University of Würzburg 1917. Heitz & Mundel, Strassburg 18917.
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38:, Sedlmaier was the son of the merchant Adalbert Sedlmaier and his wife Auguste
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Kunsthistorischen
Institut der Christian-Albrechts-Universität zu, Kiel 1994,
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Commanders Crosses of the Order of Merit of the Federal Republic of Germany
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70:. In 1916 he was awarded the title of Dr. phil. in Würzburg with the work
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Richard Sedlmaier (1890-1963) : Kriegsjahre und Wiederaufbauphase
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at the Museum of Art History of the University of Würzburg. In 1923
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Richard Sedlmaier (1890–1963). Kriegsjahre und Wiederaufbauphase.
333:. Freunde Mainfränkischer Kunst und Geschichte, Würzburg 1955.
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In 1939 Sedlmaier took over the chair of art history at the
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at the Art History Institute of the University of Würzburg.
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Westholsteinische Verlags-Anstalt, Heide in Holstein 1956.
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the exhibition activities had to be stopped in 1944.
46:in 1909. From 1909 to 1916 he studied art history,
444:Karl Schönherr und das österreichische Volksstück
234:Order of Merit of the Federal Republic of Germany
305:Schleswig-Holsteinischer Kunstverein, Kiel 1952.
246:Grundlagen der Rokoko-Ornamentik in Frankreich.
430:Grundlagen der Rokoko-Ornamentik in Frankreich
72:Grundlagen der Rokoko-Ornamentik in Frankreich
252:Schönherr und das österreichische Volksstück.
42:Hagen. He grew up in Würzburg and passed his
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161:in 1945, where Sedlmaier was represented by
22:(10 August 1890 – 1 June 1963) was a German
592:Academic staff of the University of Rostock
270:Die fürstbischöfliche Residenz zu Würzburg.
189:for his "services to art and art studies".
458:Die fürstbischöfliche Residenz zu Würzburg
518:Literature by and about Richard Sedlmaier
254:Verlagsdruckerei Würzburg, Würzburg 1920.
597:Academic staff of the University of Kiel
530:on the Website of the University of Kiel
384:28/29). Boyens, Heide in Holstein 1960,
96:In 1927 he was appointed professor with
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124:Christian-Albrechts-Universität zu Kiel
349:Sedlmaier was editor of the magazines
297:Deutsche Malerei des 20. Jahrhunderts.
272:2 volumes. Georg Müller, Munich 1928.
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538:Catalogus Professorum Rostochiensium
343:Alt-Kiel und die Kieler Landschaft.
487:Alt-Kiel und die Kieler Landschaft
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143:destruction of the Kunsthalle by
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293:, Berlin 1931. 2nd edition 1943.
399:In Hans-Dieter Nägelke (ed.):
310:Johann Wolfgang van der Auwera
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280:Deutsche Lande Deutsche Kunst
355:Mecklenburgische Bilderhefte
219:in 1958 and died in 1963 in
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119:was one of his students.
85:he began a thesis on the
522:German National Library
411:, pp. 56–62.
54:at the universities of
366:Fritz Fuglsang (ed.):
299:Kunsthalle, Kiel 1951.
187:Federal Cross of Merit
622:Artists from Würzburg
617:Writers from Würzburg
587:German art historians
322:. With a foreword by
291:Deutscher Kunstverlag
179:Ernst Ludwig Kirchner
102:University of Rostock
16:German art historian
215:. Sedlmaier became
89:and became private
77:. From 1917 he was
324:Max H. von Freeden
223:at the age of 72.
194:Wolfgang J. Müller
140:Reichskulturkammer
87:Würzburg Residence
30:living and working
534:Richard Sedlmaier
528:Richard Sedlmaier
395:Maren Hasenpath:
213:Alfred Kamphausen
209:Wolfgang Teuchert
145:air raids on Kiel
20:Richard Sedlmaier
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612:1963 deaths
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476:on WorldCat
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303:Emil Nolde.
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83:habilitated
48:archaeology
581:Categories
416:References
361:Literature
339:Olaf Klose
175:Emil Nolde
75:doctorates
524:catalogue
390:0078-1037
221:Tegernsee
159:Schleswig
278:(series
217:emeritus
91:lecturer
68:Würzburg
36:Würzburg
34:Born in
571:Germany
545:Portals
520:in the
276:Rostock
100:at the
79:curator
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232:1958:
227:Awards
64:Berlin
56:Munich
44:Abitur
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337:with
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257:with
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126:from
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98:chair
405:ISBN
386:ISSN
353:and
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60:Wien
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559:Art
536:on
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