188:
trying to make a living, they decide to accumulate money to buy a soccer ball. Jorge also needs to sell enough to buy medicine for his sick mother. He goes to
Copacabana, is bumped into and his can of peanuts falls into the sea. Without the goods to sell, Jorge starts begging and gets money, but other boys try to rob him, and when he gets rid of them, he is run over. Paulinho goes to Quinta da Boa Vista and his lizard, Catarina, escapes to the zoo. He retrieves it, but the guard of the place chases him away and throws his pet into a serpentarium. Resigned, Paulinho leaves for Maracanã, where he meets the rogue Miro and his partner Zé who, eager to enter the stadium and watch the game, take the whole boy's money and sell the remaining peanuts. Zeca, in turn, decides to go to Corcovado, but he is noticed by the explorer of minors who works there, an unscrupulous old man who chases him, forcing him to make a risky escape. Sujinho, on the other hand, with no money and no peanuts, is escorted to his house by a policeman. Sheriff does well in sales and manages to enter Maracanã, after circumventing security. He and Zeca end the day happy to have gotten the money.
330:
191:
Minor characters and other stories are told in parallel. The one that highlights the contrast in the careers of two players, Foguinho's revelation for football and Daniel's decadence. There is also the pregnancy of a migrant from the
Northeast, whose boyfriend hesitates to make a commitment, and the
187:
One Sunday, five boys from the favela go to different parts of the city to sell peanuts. Zeca, Sujinho, Jorge, Paulinho and Xerife interconnect the focused stories, covering five touristic points: Copacabana, Sugar Loaf
Mountain, Corcovado, Quinta da Boa Vista and Maracanã Stadium. In addition to
401:
426:
416:
391:
367:
411:
406:
293:
266:
431:
396:
360:
441:
436:
283:
256:
421:
353:
168:
35:
65:
45:
61:
81:
69:
386:
99:
172:
318:
289:
262:
234:
337:
57:
329:
89:
380:
204:
85:
176:
312:
171:. It is dos Santos' first feature work, inspired by the Italian
192:
arrival of a colonel from the interior to visit
Corcovado.
341:
167:) is a 1955 Brazilian film written and directed by
150:
142:
132:
109:
95:
77:
53:
41:
31:
21:
16:1955 film directed by Nelson Pereira dos Santos
336:This article related to a Brazilian film is a
285:Historical Dictionary of South American Cinema
237:.... Italian tourist at the Sugarloaf Mountain
361:
8:
258:Latin American Cinema: A Comparative History
402:Films directed by Nelson Pereira dos Santos
255:Rodríguez, Paul A. Schroeder (2016-03-08).
368:
354:
18:
247:
175:, and is considered a precursor of the
7:
326:
324:
417:Films shot in Rio de Janeiro (city)
392:Films set in Rio de Janeiro (city)
340:. You can help Knowledge (XXG) by
14:
427:Films scored by Radamés Gnattali
328:
412:Brazilian black-and-white films
407:1950s Portuguese-language films
216:Modesto de Souza .... landowner
1:
282:Rist, Peter H. (2014-05-08).
213:Ana Beatriz .... Maria Helena
288:. Rowman & Littlefield.
261:. Univ of California Press.
458:
323:
201:Roberto Batalin .... Pedro
219:Cláudia Morena .... Alice
169:Nelson Pereira dos Santos
73:Nelson Pereira dos Santos
49:Nelson Pereira dos Santos
36:Nelson Pereira dos Santos
26:
210:Jece Valadão .... Miro
432:1950s Brazilian films
397:Brazilian drama films
442:Brazilian film stubs
314:Rio, 100 Degrees F.
161:Rio, 100 Degrees F.
66:Louis-Henri Guitton
437:Films set in slums
103:Alexandre Gnatalli
22:Rio, 100 Degrees F
349:
348:
158:
157:
46:Arnaldo de Farias
449:
422:1955 drama films
370:
363:
356:
332:
325:
300:
299:
279:
273:
272:
252:
228:Jackson de Souza
125:
123:
100:Radamés Gnatalli
62:Ciro Freire Cúri
19:
457:
456:
452:
451:
450:
448:
447:
446:
377:
376:
375:
374:
309:
304:
303:
296:
281:
280:
276:
269:
254:
253:
249:
244:
198:
185:
135:
128:
121:
119:
112:
105:Cláudio Santoro
104:
102:
88:
84:
82:Roberto Batalin
72:
68:
64:
60:
48:
17:
12:
11:
5:
455:
453:
445:
444:
439:
434:
429:
424:
419:
414:
409:
404:
399:
394:
389:
379:
378:
373:
372:
365:
358:
350:
347:
346:
333:
322:
321:
308:
307:External links
305:
302:
301:
294:
274:
267:
246:
245:
243:
240:
239:
238:
235:Mauro Mendonça
232:
229:
226:
225:Antônio Novais
223:
220:
217:
214:
211:
208:
202:
197:
194:
184:
181:
156:
155:
152:
148:
147:
144:
140:
139:
136:
133:
130:
129:
127:
126:
115:
113:
110:
107:
106:
97:
93:
92:
79:
75:
74:
70:Pedro Kosinski
55:
51:
50:
43:
39:
38:
33:
29:
28:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
454:
443:
440:
438:
435:
433:
430:
428:
425:
423:
420:
418:
415:
413:
410:
408:
405:
403:
400:
398:
395:
393:
390:
388:
385:
384:
382:
371:
366:
364:
359:
357:
352:
351:
345:
343:
339:
334:
331:
327:
320:
316:
315:
311:
310:
306:
297:
295:9780810880368
291:
287:
286:
278:
275:
270:
268:9780520963535
264:
260:
259:
251:
248:
241:
236:
233:
230:
227:
224:
222:Ivone Miranda
221:
218:
215:
212:
209:
206:
203:
200:
199:
195:
193:
189:
182:
180:
178:
174:
170:
166:
165:Rio, 40 Graus
163:(Portuguese:
162:
153:
149:
145:
141:
137:
131:
117:
116:
114:
108:
101:
98:
94:
91:
87:
83:
80:
76:
71:
67:
63:
59:
58:Mário Barroso
56:
52:
47:
44:
40:
37:
34:
30:
27:Rio, 40 Graus
25:
20:
342:expanding it
335:
313:
284:
277:
257:
250:
205:Glauce Rocha
190:
186:
164:
160:
159:
134:Running time
111:Release date
90:Jece Valadão
86:Glauce Rocha
231:Sady Cabral
177:Cinema Novo
173:Neo-Realism
138:100 minutes
54:Produced by
32:Directed by
387:1955 films
381:Categories
242:References
179:movement.
154:Portuguese
42:Written by
207:.... Rosa
183:Synopsis
151:Language
96:Music by
78:Starring
143:Country
120: (
292:
265:
146:Brazil
338:stub
319:IMDb
290:ISBN
263:ISBN
196:Cast
122:1955
118:1955
317:at
383::
369:e
362:t
355:v
344:.
298:.
271:.
124:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.