255:, clowning is a contemporary street art all its own, characterized by speedy, flowing limbs, feverish shakes, hipness, and confounding athletic tricks. Tommy Johnson, better known by his alias, Tommy the Clown, is a former drug dealer and a man with a mission. For Tommy, clowning is more than an aesthetic pastime: in an area besieged by drive-by shootings, drug deals and unemployment; clowning is his way of offering an optimistic alternative for youngsters, a means of self-expression and a chance to channel positive energy.
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LaChapelle situates his film deliberately within a racially specific violence. The film is dedicated to a dancer named
Quinesha (Lil Dimples) Dunford, who was killed with a 13-year old friend in a 2003 drive-by shooting, and not one of the dancers within the film is without a story like Quinesha's to
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The film is set in the outskirts of South
Central Los Angeles–areas like Inglewood and Compton that have become synonymous in the American popular imagination with deviances of all kinds, due to representations in news media, music, and film. However, LaChapelle does not begin the film in the present
258:
The second series of interviews and footage explains how the dance style known as krumping evolved from clowning and matured into its own identity. Like clowning, krumping is characterized by free, expressive exaggerated, and highly energetic movement. The youths who started krumping, known as Lil C'
311:
The documentary features original material by Flii Stylz ("Rize", "I Krump", "Beastly", and "Recognize"), Christina
Aguilera ("Soar"), and an entry by UK hip-hop star Dizzee Rascal ("Fix Up, Look Sharp"), as well as a number of traditional gospel songs, including the Edwin Hawkins Singers' "Oh Happy
286:. Most of these dancers are young, poor, and would be classified as "at risk." Director David LaChapelle follows these dancers from rehearsal to Battlezone, an annual dance competition, alternating between footage of the dancing and interviews with the dancers and their families.
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is, “a compelling, bittersweet hybrid of a movie, one celebrating an enormous and hitherto unsung underground talent, while suggesting that art goes only so far in solving the enormous challenges of the underprivileged life.”
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was written and directed by David LaChapelle. Working alongside LaChapelle were executive producers Ishbel
Whitaker, Barry Peele, Ellen Jacobson-Clarke, Stavros Merjos, and Rebecca Skinner.
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received positive reviews from critics. On Rotten
Tomatoes, the film has an 84% rating based on 91 reviews, with an average rating of 7/10. The site's consensus reads, “ The dances in
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gave the film an 80 out of 100 and stated that, “Rize is an eye-popping lensing and an appreciation of social complexities combined for an entirely satisfying experience.”
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are electric even if the documentary doesn’t go that deeply into the performers’ lives. Metacritic reports a 74 out of 100 rating based on 29 critics. Roger Ebert of the
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and Miss Prissy, saw the dance as a way for them to escape gang life and "to release anger, aggression and frustration positively, in a non-violent way."
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day. Focusing instead on the history of racial conflict in South
Central, including footage of the Watts riots of 1965 and the 1992 Rodney King riots.
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The third section of the film depicts a dance battle called The Battle Zone which takes place between clowns and krumpers at the
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in 2004. The film style and soundtrack draws creative ties between
African dance rituals and the developing style of krumping.
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The movie was released in the United States, France, Australia, Germany, United
Kingdom, New Zealand, Austria, among others.
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is a documentary following an interview schedule of two related dancing
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focuses on the
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by ED Esther A. Dagan. Galerie Amrad
African Arts Publications 1997.
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2006 – Winner, Bangkok International Film Festival: Best Documentary
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by Errol Wayne Stevens. Norman: University of Oklahoma Press 2009.
943:"Rize (2005) - International Box Office Results - Box Office Mojo"
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704:"Rize - Original Soundtrack | Songs, Reviews, Credits | AllMusic"
617:"The Clowning, Wilding-Out Battle Dancers of South Central L.A."
774:"Rize Movie Review & Film Summary (2005) | Roger Ebert"
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by Brenda Wall. African American Images: Chicago, IL 1992.
563:"'Rize' shows the strengths, limits of art to bring hope"
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Lil' Mama as herself (not to be confused with the rapper
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2004 – Sundance Film Festival: Short Filmmaking Award
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333:stated “the most remarkable thing about
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991:"Sundance Film Festival (2004)"
498:"Rize (2005) - Box Office Mojo"
797:Koehler, Robert (2005-01-26).
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1113:Documentary films about dance
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385:Ceasare "Tight Eyez" Willis
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649:"Dancing on Live Grenades"
615:Trebay, Guy (2005-06-19).
427:Termite (Shontae Williams)
967:"Aspen Shortsfest (2004)"
284:South Central Los Angeles
33:Theatrical release poster
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232:. It released in 2005.
145:June 24, 2005
591:www.thefreelibrary.com
432:Awards and nominations
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161:Running time
138:Release date
118:Jose Cancela
653:L.A. Weekly
478:The Numbers
394:Miss Prissy
245:subcultures
226:Miss Prissy
216:, starring
83:Miss Prissy
55:Marc Hawker
49:Produced by
39:Directed by
1103:2005 films
1097:Categories
1024:2016-10-18
1000:2016-10-18
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460:References
396:as herself
387:as himself
378:as himself
372:as himself
298:Soundtrack
270:Production
194:Box office
165:86 minutes
149:2005-06-24
628:0362-4331
407:Lil' Mama
316:Reception
274:The film
189:$ 700,000
100:Edited by
708:AllMusic
454:Krumping
448:See also
249:krumping
236:Synopsis
230:krumping
178:Language
108:Music by
66:Starring
803:Variety
354:Variety
181:English
170:Country
147: (
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370:Lil' C
312:Day".
294:tell.
218:Lil' C
186:Budget
73:Lil' C
1088:Rize
1074:Rize
1068:IMDb
1063:Rize
1019:IMDB
995:IMDB
971:IMDB
753:Rize
732:Rize
624:ISSN
364:Cast
345:Rize
335:Rize
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321:Rize
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224:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
