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died in 1603, and so can accurately be termed an
Elizabethan actor. The Robert Browne who is the subject of this article had a career that extended through the first two decades of the seventeenth century, and in that sense can, as a differentiation, be called a Jacobean actor.
111:, who had built for the 'Englische Komoedianten', in Kassel 1605, a roofed theatre, the oldest extant such building in Germany, although nowadays used as a wildlife museum; in 1606 and 1607. In 1618 he was with English players in Nuremberg in May, in
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in the 1592–94 period. He was in
Germany again from 1601 through 1607, and once more in 1618–20. This does not mean Browne was consistently abroad during those years; rather he passed back and forth between England and the Continent.
79:(1583). He was one of the English actors who performed on the Continent, especially in Germany, where English actors were especially favored. (Some names are known: Thomas Sackville, a
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in partnership. Browne had a more substantive involvement in theatre investment and management in 1610, when he became one of the patentees of the
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later that year; he was in
Nuremberg in February 1603. He was in Frankfurt again in 1606; he and other English actors were under the patronage of
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and investor of the later sixteenth and early seventeenth centuries. He was also part of a long-standing confusion in the scholarship of
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Catalog on the
Wolfenbüttel exhibition: Vom herzoglichen Hoftheater zum bürgerlichen tourneetheater. H.-H. Grote (1992), p. 19.
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175:, in 1594. Their son Robert was christened on 19 October 1595, their daughter Jane on 2 December 1599. The family resided in
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83:; John Broadstreet, a "springer", accompanied by Richard Jones, a musician). Browne worked in Holland in 1590, and for
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The historical records of
English Renaissance drama contain repeated mentions of "Robert Browne." Early scholars like
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and
Herbert Berry, demonstrated that two different men of the same name had been confused and conflated together.
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Born in 1563, Robert Browne's acting career began by the time he was twenty years old, when he was a member of
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and Edwin
Nunzeger interpreted the records to indicate a single individual. Later scholars, principally
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A Dictionary of Actors and of Others
Associated with the Representation of Plays in England before 1642
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in June and July, and in
Frankfurt in the autumn. He spent the winter of 1619–20 in
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Willem
Schrickx, "English Actors at the Courts of Wolfenbüttel, Brussels and Graz",
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Browne married Cicely (or Sisely) Sands (or Saunders), the sister of actor
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The Boar's Head Theatre: An Inn-yard Theatre of the Elizabethan Age
127:, King and Queen of Bohemia. He was back in Germany in early 1620.
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Willem Schrickx, "'Pickleherring' and English Actors in Germany",
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147:. Browne did not keep the share for long; rather he sold it to
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Children of the Queen's Revels: A Jacobean Theatre Repertory
209:, 4 Volumes, Oxford, Clarendon Press, 1923; Vol. 2, p. 304.
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where many actors and theatre people of the time lived.
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C. J. Sisson, "Mr. and Mrs. Brown of the Boar's Head",
143:, died in 1608, he left Robert Browne his share in the
327:, Cambridge, Cambridge University Press, 2005; p. 29.
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The Biographical Index of English Drama Before 1660
222:, New Haven, Yale University Press, 1929; pp. 60-3.
186:After Browne's death, his widow would marry actor
103:Browne was in Frankfurt in September 1602, and in
19:(1563 – c. 1622) was an English actor and
248:, Stanley Wells, ed., London, Routledge, 1972.
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261:, Washington, D.C., Folger Books, 1986.
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378:16th-century English male actors
363:17th-century English male actors
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393:17th-century theatre managers
388:16th-century theatre managers
296:, Vol. 33 (1980), pp. 153-68.
283:, Vol. 36 (1983), pp. 135-48.
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259:The Boar's Head Playhouse
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