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Robert Briggs (character)

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hence may have been avoiding the physical act of love for these nearly two years only in order to protect himself. If that is so then his voicing of moral qualms may be dishonest: his behaviour with Rosie (below) is evidence for this; the Narrator's reference to Goya's terrifying "saurian rats", however, suggests that Briggs' impotence may have honest roots.
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for an adulterous get-away. Though he 'd long put off moving their relation to that level, he is yet disappointed, claiming to have thought it was going to be what he wanted. The precise nature of the disappointment is hinted at by Huxley's narrator, who tells us Briggs is basically impotent and
288:, who in 1366 had mystically married Jesus. Having to sex it up, he elaborated a character from a suitor mentioned in her letters. His script has been reworked three times by others before getting to production, but the lover-character remains; Lublin hopes to get 435:
Rosie appears in a fetching black sweater and tartan skirt. The narrator notes the "technically perfect" look with which she greets Briggs, and is reminded of other upwardly-mobile kittens in history and literature: of
303:—mirrors his disenchantment with what in Hollywood passes for the creative process. "When you finally get what you want," he tells his friend, Huxley's narrator, "it's never what you thought it was going to be." 595: 374:
It has been noted that Briggs is a reader of letters. He would in all likelihood have read Fanny Brawne's letters to Keats, published ten years before Brigg's encounter with Tallis.
169: 310:) upon southern California; this finally breaks when Briggs instinctively reads a script by a Mojave recluse (rejected by Lublin) after the Narrator reads him part of it. 299:
Brigg's relationship with Elaine began as his involvement in the Catherine script was concluding. His long avoidance of its physical consummation—i.e. of technical
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Briggs is—or was—serious about art; he deplores popular escapism as an abuse of it. He knows exactly how many tens of millions of dollars were raked in by
256:). He has just been denied a raise, a disappointment with repercussions for his love life. The industry is tightening its belt; Hollywood mogul 46:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Briggs thinks of himself as a Romantic -- "as all the Romantic poets rolled into one", according to his fellow, the unnamed narrator of the
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Yet of these fatal figures it is Shelley who resonates most in Brigg's life, and not for the manner of his death but for
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Briggs writes for Lou Lublin Productions. (Huxley wrote screen versions of 19th century English novels for producers
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That she is disquieteningly “simultaneously innocent and knowing” foretells (by seven years) the words of another,
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in the kitchen of the Cottonwood Ranch. The song would be a year-long hit for Huxley's compatriot the vocalist
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Completing the picture of pre-nubile predation, Rosie's cousin Katie is annoyed by her laziness.
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has announced to the press that those under him may well see their salaries reduced by half.
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regarding his infant son and pregnant 19-yr-old wife Harriet. (But on the bright side,
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for the part (an unlikely prospect, as 1948 will see him starring in several films by
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Briggs is first made aware of Rosie when he hears her singing the popular song
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in New Zealand, a place of some importance in Tallis's screenplay.
378: 277:, a vapid musical love story, three winters previously—during the 264: 38:
Please help to demonstrate the notability of the topic by citing
129: 15: 527:, New York: Harper and Row, 1948; p.1 (Bantam edition, 1958) 263:
He has no automobile of his own, but uses his wife Miriam's
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Another symbol of spiritual death is the long drought (or
161: 596:Characters in British novels of the 20th century 150:, potentially preventing the article from being 371:, the novel's second, main and final section). 322:The Goya that Briggs wanted his lover to have 8: 224:Briggs is famous for his fascinating smile. 284:In early 1946 he began scripting a life of 330:section of Huxley's novel—specifically as 170:reliable, independent, third-party sources 510: 508: 188:Learn how and when to remove this message 118:Learn how and when to remove this message 317: 164:by replacing them with more appropriate 495: 147:too closely associated with the subject 342:, recklessly following his heart; as 203:is a fictional screenwriter living in 428:as an enemy alien. Fields picked up 7: 397:Briggs has recently taken Elaine to 207:. His one appearance to date is in 350:, the mortality-obsessed suicide. 14: 346:, the darkly towering exile; as 145:may rely excessively on sources 134: 20: 67:"Robert Briggs" character 1: 33:general notability guideline 617: 40:reliable secondary sources 29:The topic of this article 367:with which Huxley closes 31:may not meet Knowledge's 385:remind Briggs of one of 323: 454:Harry Fetherstonhaugh 381:of the south-western 321: 490:Notes and references 250:a life of Mme. Curie 477:unreliable narrator 458:South Downs mansion 452:, installed at Sir 201:Robert "Bob" Briggs 446:Gaspard de Coligny 442:France Antarctique 324: 286:Catherine of Siena 279:Ardennes Offensive 35: 601:Fictional writers 438:Ninon de l'Enclos 314:Romantic Identity 198: 197: 190: 128: 127: 120: 102: 30: 608: 575: 572: 566: 563: 557: 554: 548: 545: 539: 534: 528: 521: 515: 512: 503: 500: 258:Schmuel Gelbfisz 242:Kenneth Macgowan 228:Hollywood career 193: 186: 182: 179: 173: 138: 130: 123: 116: 112: 109: 103: 101: 60: 24: 23: 16: 616: 615: 611: 610: 609: 607: 606: 605: 581: 580: 579: 578: 573: 569: 564: 560: 555: 551: 546: 542: 537:John Keats#Life 535: 531: 525:Ape and Essence 523:Aldous Huxley, 522: 518: 513: 506: 501: 497: 492: 481:Humbert Humbert 430:Now Is the Hour 413:Now Is the Hour 408: 395: 393:Sexual Delusion 355:his dereliction 316: 290:Humphrey Bogart 254:Sidney Franklin 230: 218:Ape and Essence 205:1940s Hollywood 194: 183: 177: 174: 159: 139: 124: 113: 107: 104: 61: 59: 37: 25: 21: 12: 11: 5: 614: 612: 604: 603: 598: 593: 583: 582: 577: 576: 567: 558: 549: 540: 529: 516: 504: 494: 493: 491: 488: 440:, mistress of 407: 404: 394: 391: 361:also his poem 315: 312: 234:Hunt Stromberg 229: 226: 196: 195: 142: 140: 133: 126: 125: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 613: 602: 599: 597: 594: 592: 591:Aldous Huxley 589: 588: 586: 571: 568: 562: 559: 553: 550: 544: 541: 538: 533: 530: 526: 520: 517: 511: 509: 505: 499: 496: 489: 487: 484: 482: 478: 474: 469: 467: 463: 462:Anna Karenina 459: 455: 451: 447: 443: 439: 433: 431: 427: 423: 422:Mario Bianche 419: 418:Gracie Fields 415: 414: 405: 403: 400: 392: 390: 388: 384: 383:Mojave desert 380: 375: 372: 370: 366: 365: 360: 356: 351: 349: 345: 341: 337: 336:dying in love 333: 329: 320: 313: 311: 309: 304: 302: 297: 295: 291: 287: 282: 280: 276: 271: 269: 266: 261: 259: 255: 251: 248:, as well as 247: 243: 239: 238:William Goetz 235: 227: 225: 222: 220: 219: 214: 210: 209:Aldous Huxley 206: 202: 192: 189: 181: 171: 167: 163: 157: 153: 149: 148: 143:This article 141: 137: 132: 131: 122: 119: 111: 100: 97: 93: 90: 86: 83: 79: 76: 72: 69: â€“  68: 64: 63:Find sources: 57: 53: 49: 45: 41: 34: 27: 18: 17: 574:Huxley, p.23 570: 565:Huxley, p.21 561: 552: 547:Huxley, p.14 543: 532: 524: 519: 502:Huxley, p.17 498: 485: 470: 434: 429: 411: 409: 396: 376: 373: 368: 362: 358: 352: 327: 325: 307: 305: 298: 283: 274: 272: 262: 246:Orson Welles 231: 223: 216: 200: 199: 184: 175: 160:Please help 144: 114: 105: 95: 88: 81: 74: 62: 556:Huxley, p.2 514:Huxley, p.8 473:masochistic 424:lest he be 294:John Huston 268:convertible 44:independent 585:Categories 369:the Script 162:improve it 152:verifiable 78:newspapers 52:redirected 213:dystopian 166:citations 42:that are 450:Emy Lyon 444:founder 426:interned 399:Acapulco 301:adultery 178:May 2022 108:May 2022 466:Morphil 364:AdonaĂŻs 348:Beddoes 340:Shelley 215:satire 156:neutral 92:scholar 56:deleted 379:buttes 338:; as 328:Tallis 308:drouth 275:Amanda 94:  87:  80:  73:  65:  48:merged 464:; of 460:; of 448:; of 406:Rosie 344:Byron 332:Keats 265:Buick 99:JSTOR 85:books 54:, or 475:and 387:Goya 377:The 252:for 244:and 154:and 71:news 456:'s 296:). 211:'s 168:to 587:: 507:^ 483:. 479:, 468:. 359:cf 334:, 281:. 270:. 240:, 236:, 221:. 50:, 191:) 185:( 180:) 176:( 172:. 158:. 121:) 115:( 110:) 106:( 96:· 89:· 82:· 75:· 58:. 36:.

Index

general notability guideline
reliable secondary sources
independent
merged
redirected
deleted
"Robert Briggs" character
news
newspapers
books
scholar
JSTOR
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too closely associated with the subject
verifiable
neutral
improve it
citations
reliable, independent, third-party sources
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1940s Hollywood
Aldous Huxley
dystopian
Ape and Essence
Hunt Stromberg
William Goetz
Kenneth Macgowan
Orson Welles
a life of Mme. Curie

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