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hence may have been avoiding the physical act of love for these nearly two years only in order to protect himself. If that is so then his voicing of moral qualms may be dishonest: his behaviour with Rosie (below) is evidence for this; the
Narrator's reference to Goya's terrifying "saurian rats", however, suggests that Briggs' impotence may have honest roots.
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for an adulterous get-away. Though he 'd long put off moving their relation to that level, he is yet disappointed, claiming to have thought it was going to be what he wanted. The precise nature of the disappointment is hinted at by Huxley's narrator, who tells us Briggs is basically impotent and
288:, who in 1366 had mystically married Jesus. Having to sex it up, he elaborated a character from a suitor mentioned in her letters. His script has been reworked three times by others before getting to production, but the lover-character remains; Lublin hopes to get
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Rosie appears in a fetching black sweater and tartan skirt. The narrator notes the "technically perfect" look with which she greets Briggs, and is reminded of other upwardly-mobile kittens in history and literature: of
303:—mirrors his disenchantment with what in Hollywood passes for the creative process. "When you finally get what you want," he tells his friend, Huxley's narrator, "it's never what you thought it was going to be."
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It has been noted that Briggs is a reader of letters. He would in all likelihood have read Fanny Brawne's letters to Keats, published ten years before Brigg's encounter with Tallis.
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310:) upon southern California; this finally breaks when Briggs instinctively reads a script by a Mojave recluse (rejected by Lublin) after the Narrator reads him part of it.
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Brigg's relationship with Elaine began as his involvement in the
Catherine script was concluding. His long avoidance of its physical consummation—i.e. of technical
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Briggs is—or was—serious about art; he deplores popular escapism as an abuse of it. He knows exactly how many tens of millions of dollars were raked in by
256:). He has just been denied a raise, a disappointment with repercussions for his love life. The industry is tightening its belt; Hollywood mogul
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Briggs thinks of himself as a
Romantic -- "as all the Romantic poets rolled into one", according to his fellow, the unnamed narrator of the
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389:'s evil landscapes, though it was the foreground matter that had compelled him to buy his lover a reproduction of the work.
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Yet of these fatal figures it is
Shelley who resonates most in Brigg's life, and not for the manner of his death but for
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Briggs writes for Lou Lublin
Productions. (Huxley wrote screen versions of 19th century English novels for producers
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That she is disquieteningly “simultaneously innocent and knowing” foretells (by seven years) the words of another,
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in the kitchen of the
Cottonwood Ranch. The song would be a year-long hit for Huxley's compatriot the vocalist
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Completing the picture of pre-nubile predation, Rosie's cousin Katie is annoyed by her laziness.
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has announced to the press that those under him may well see their salaries reduced by half.
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regarding his infant son and pregnant 19-yr-old wife
Harriet. (But on the bright side,
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for the part (an unlikely prospect, as 1948 will see him starring in several films by
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Briggs is first made aware of Rosie when he hears her singing the popular song
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in New
Zealand, a place of some importance in Tallis's screenplay.
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Please help to demonstrate the notability of the topic by citing
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527:, New York: Harper and Row, 1948; p.1 (Bantam edition, 1958)
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He has no automobile of his own, but uses his wife Miriam's
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Another symbol of spiritual death is the long drought (or
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596:Characters in British novels of the 20th century
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322:The Goya that Briggs wanted his lover to have
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224:Briggs is famous for his fascinating smile.
284:In early 1946 he began scripting a life of
330:section of Huxley's novel—specifically as
170:reliable, independent, third-party sources
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188:Learn how and when to remove this message
118:Learn how and when to remove this message
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164:by replacing them with more appropriate
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147:too closely associated with the subject
342:, recklessly following his heart; as
203:is a fictional screenwriter living in
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397:Briggs has recently taken Elaine to
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67:"Robert Briggs" character
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33:general notability guideline
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40:reliable secondary sources
29:The topic of this article
367:with which Huxley closes
31:may not meet Knowledge's
385:remind Briggs of one of
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454:Harry Fetherstonhaugh
381:of the south-western
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490:Notes and references
250:a life of Mme. Curie
477:unreliable narrator
458:South Downs mansion
452:, installed at Sir
201:Robert "Bob" Briggs
446:Gaspard de Coligny
442:France Antarctique
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286:Catherine of Siena
279:Ardennes Offensive
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601:Fictional writers
438:Ninon de l'Enclos
314:Romantic Identity
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514:Huxley, p.8
473:masochistic
424:lest he be
294:John Huston
268:convertible
44:independent
585:Categories
369:the Script
162:improve it
152:verifiable
78:newspapers
52:redirected
213:dystopian
166:citations
42:that are
450:Emy Lyon
444:founder
426:interned
399:Acapulco
301:adultery
178:May 2022
108:May 2022
466:Morphil
364:AdonaĂŻs
348:Beddoes
340:Shelley
215:satire
156:neutral
92:scholar
56:deleted
379:buttes
338:; as
328:Tallis
308:drouth
275:Amanda
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406:Rosie
344:Byron
332:Keats
265:Buick
99:JSTOR
85:books
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