Knowledge (XXG)

Robert Easton (bass)

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74:, having a leg amputated. He was in hospital for more than three years, and while he was there a colleague singled his voice out as an instrument of great promise. That view was confirmed by a well-known singing teacher, Signor Bozzelli , and after being invalided out of the army Easton trained as a singer, studying under 19: 154:
said that Easton "added to Fafner's fearsome presence a tremendously resonant voice and set some of the other singers a good example in clear enunciation". In the 1937 Covent Garden season Easton sang Titurel in
91:, Easton's career began at the leading British music festivals, "where his strong, vibrant bass was much in demand". By 1921 he was singing, to good notices, in major venues including the 170:
In addition to opera and concert work, Easton was well-known for singing popular ballads, both in recitals and on record. In the mid-1920s he began to make records for the
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company and made a long series of well-received discs of ballads and of more ephemeral material, as well as more serious music such as Handel arias, all, according to
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described his adjudications as "wise and well-informed", and added "His jovial personality and fund of good stories made him a racy companion at these events".
178:, "showing his excellent diction and imposing voice". He was a favourite singer of Beecham's who cast him as Méphistophélès in his 1929 recording of 218:
The solo lines composed for him set the words, "The reason is, your spirits are attentive" and "Is fit for treasons, stratagems and spoils".
454: 444: 54:, premiered and recorded in 1938. In his later years he was a respected and sought-after adjudicator for singing competitions. 171: 63: 44:
In concert and on record Easton performed many popular ballads, and was one of the original sixteen soloists in
222:, the dedicatee, conducted the premiere and he and the soloists reassembled to record the work for Columbia at 449: 208: 45: 109: 233:
Easton continued to sing for many years, and was in demand as an adjudicator at singing competitions.
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during six successive opera seasons and toured with the British National Opera Company. In
188: 71: 92: 219: 179: 125: 70:, Sunderland. When he was seventeen he joined the army. He was severely wounded in the 226:
studios ten days later. The recording has been reissued in a digital transfer for CD.
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of the mid-twentieth century. He was known both in the concert hall, where he sang in
428: 415: 197: 183: 130: 223: 162: 148:(Fasolt) "were as splendid a pair of giants as I have ever heard". The reviewer in 145: 141: 100: 192: 18: 201: 75: 66:, on 8 June 1898. He joined a church choir at the age of six, and studied at 150: 96: 87: 157: 34: 128:'s Covent Garden seasons in the 1930s Easton's roles included Fafner in 241: 37:
and other choral works, and in opera, appearing in bass roles at the
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On 5 October 1938 Easton was one of the original sixteen singers in
17: 187:, and as Schaunard in a 1935 recording of the final act of 108:. He told a reporter in 1929 that he had recently sung in 294:"Robert Easton 'Discovered' in Military Hospital", 120:Easton had a parallel operatic career. He sang at 117:on seven successive evenings all round Britain. 29:(8 June 1898 – 26 May 1987) was a British 95:, London. He became known for his singing in 8: 360:Turner, W. J. "The Ring at Covent Garden", 460:20th-century British male opera singers 314: 312: 310: 308: 306: 304: 253: 200:(singing as "Lisa Perli") as Mimì and 411: 409: 356: 354: 7: 418:(2001). Notes to Dutton CD CDBP 9707 277: 275: 273: 399:"Record Month for the Gramophone", 14: 39:Royal Opera House, Covent Garden 318:"Obituary: Mr Robert Easton", 1: 476: 455:Musicians from Sunderland 335:, 16 February 1921, p. 10 244:aged 88, on 26 May 1987. 348:, 19 December 1929, p. 6 331:"Concerts of the Week", 285:, 24 December 1943, p. 5 22:Easton in the late 1920s 445:British operatic basses 386:"Covent Garden Opera", 373:"Covent Garden Opera", 362:Illustrated London News 298:, 13 January 1945, p. 3 403:, 7 October 1936, p. 8 390:, 23 April 1937, p. 12 267:, 3 January 941, p. 26 209:Ralph Vaughan Williams 144:wrote that Easton and 68:Bede Collegiate School 46:Ralph Vaughan Williams 23: 364:, 16 May 1936, p. 888 346:Sunderland Daily Echo 322:, 28 May 1987, p. 20 281:Chesterfield Items", 21: 377:, 10 May 1935, p. 12 80:Harry Plunket Greene 27:Robert Miller Easton 344:"A Singer's Life", 62:Easton was born in 126:Sir Thomas Beecham 24: 296:Coatbridge Leader 214:Serenade to Music 51:Serenade to Music 467: 419: 413: 404: 397: 391: 384: 378: 371: 365: 358: 349: 342: 336: 329: 323: 316: 299: 292: 286: 283:Derbyshire Times 279: 268: 258: 231:Second World War 475: 474: 470: 469: 468: 466: 465: 464: 425: 424: 423: 422: 414: 407: 398: 394: 385: 381: 372: 368: 359: 352: 343: 339: 330: 326: 317: 302: 293: 289: 280: 271: 261:"Robert Easton" 259: 255: 250: 240:Easton died in 161:, conducted by 72:First World War 60: 58:Life and career 12: 11: 5: 473: 471: 463: 462: 457: 452: 450:British basses 447: 442: 437: 427: 426: 421: 420: 416:Jacobs, Arthur 405: 392: 379: 366: 350: 337: 324: 300: 287: 269: 252: 251: 249: 246: 220:Sir Henry Wood 59: 56: 41:and on tour. 13: 10: 9: 6: 4: 3: 2: 472: 461: 458: 456: 453: 451: 448: 446: 443: 441: 438: 436: 433: 432: 430: 417: 412: 410: 406: 402: 396: 393: 389: 383: 380: 376: 370: 367: 363: 357: 355: 351: 347: 341: 338: 334: 328: 325: 321: 315: 313: 311: 309: 307: 305: 301: 297: 291: 288: 284: 278: 276: 274: 270: 266: 262: 257: 254: 247: 245: 243: 238: 236: 232: 227: 225: 221: 217: 215: 210: 205: 203: 199: 198:Dora Labbette 195: 194: 190: 186: 185: 181: 177: 173: 168: 167: 164: 160: 159: 153: 152: 147: 143: 140:, The critic 139: 138: 133: 132: 131:Das Rheingold 127: 123: 122:Covent Garden 118: 116: 115: 111: 107: 106: 102: 98: 94: 90: 89: 85:According to 83: 81: 77: 73: 69: 65: 57: 55: 53: 52: 47: 42: 40: 36: 32: 28: 20: 16: 400: 395: 387: 382: 374: 369: 361: 345: 340: 332: 327: 319: 295: 290: 282: 264: 256: 239: 234: 228: 212: 206: 204:as Rodolfo. 191: 182: 175: 169: 165: 163:Fritz Reiner 156: 149: 146:Ludwig Weber 142:W. J. Turner 135: 129: 119: 112: 103: 93:Queen's Hall 86: 84: 61: 49: 43: 26: 25: 15: 440:1987 deaths 435:1898 births 265:Radio Times 202:Heddle Nash 105:The Seasons 429:Categories 248:References 229:After the 99:, such as 76:Dinh Gilly 64:Sunderland 388:The Times 375:The Times 320:The Times 235:The Times 193:La bohème 189:Puccini's 176:The Times 151:The Times 137:Siegfried 97:oratorios 88:The Times 35:oratorios 180:Gounod's 172:Columbia 158:Parsifal 110:Handel's 401:The Era 333:The Era 114:Messiah 101:Haydn's 242:Surrey 224:EMI's 196:with 184:Faust 134:and 78:and 31:bass 211:'s 82:. 48:'s 431:: 408:^ 353:^ 303:^ 272:^ 263:, 216:. 166:.

Index

Youngish white man, clean-shaven, with full head of dark hair, seated in left profile, wearing lounge suit and collar and tie
bass
oratorios
Royal Opera House, Covent Garden
Ralph Vaughan Williams
Serenade to Music
Sunderland
Bede Collegiate School
First World War
Dinh Gilly
Harry Plunket Greene
The Times
Queen's Hall
oratorios
Haydn's
The Seasons
Handel's
Messiah
Covent Garden
Sir Thomas Beecham
Das Rheingold
Siegfried
W. J. Turner
Ludwig Weber
The Times
Parsifal
Fritz Reiner
Columbia
Gounod's
Faust

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