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Robert Reed (artist)

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in the 1970s to create Black identity art. As Reed would state in a 1986 interview "I think of myself as an artist who is Black. An artist who goes to the same well as Black identity artists for metaphors for experiences that I have had in the stereotype Black experience. I know what it is to automatically go to the back of the bus. I know what it is to be spat on. And you find some other way or representing that." However, Reed was, for the most part, overlooked during the Black Arts movement of the 1960s and 1970s. He continued to work in a self-imposed obscurity due in part to his persistence in developing his personal visual and symbolic language of abstraction; and in part to the tragic and untimely death both his mother and sister, his only sibling, in 1965 which left him deeply reclusive about both his personal and artistic life.
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personalized symbols to create a language of abstraction. He employs abstract symbols, color and deeply textured brushwork to create his iconic imagery. As Reed would explain, fragments, paths, cultural and universal signs and symbols, remembered childhood images and places are organized into his imagery. His abstractions are referential and have their basis in "real" form that exists solidly in the real world in real space. His work includes paintings, drawings, monotypes, prints and collages.
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Throughout his academic career, Reed continued to be a prolific artist producing new bodies of work every 8 to 10 years. His artistic career began in the 1960s and found early success with a one-man show at the Whitney Museum of American Art in 1973. A committed abstractionist, he resisted pressure
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In recognition of Reed's contribution to undergraduate teaching, the Robert Reed Scholarship Fund at the Yale School of Art was established and the Yale School of Art building, GO1 classroom was named in his honor as the "Robert Reed Studio" where Reed's admonition to his basic drawing students is
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book. Reed's job was doing the mixing for the plates. The plates were given to Reed and his job was to take the colors and mix them in silkscreen ink and to record the color recipes. Albers would come in regularly and say "Yes" and "No" keeping tabs on Reed's work. The recipes would then go to the
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for 45 years. In 1987, Reed was appointed to Yale School of Art's tenured permanent faculty making him, at the time of his death, the School's first and only African-American to be so appointed in the School's then 145 year history. In his artwork, Reed is known for his geometric abstraction and
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Reed's 45-year teaching career at the Yale School of Art began in 1969 as assistant professor of painting, followed by appointment to the tenured permanent faculty as professor of painting in 1987, a position he held until his death in 2014.
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In further recognition of his contribution to the Yale School of Art, a solo retrospective exhibition of his work was held in 2015, "Robert Reed: Non-Stop Painting", curated by Robert Storr, former dean, Yale School of Art.
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While a student at Yale, Reed was selected to attend Yale Norfolk Summer School of Art in 1960. Reed credited this summer experience as being pivotal to his development as an artist. There he meet another student,
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He authored several art education programs including Acre, Spokane, Washington; Site, Cancun, Mexico; SIX: Summer In Experiment, Saratoga, New York; and The Institute for Studio Studies, Auvillar, France.
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Reed's career as an art educator began as an assistant professor at the Minneapolis College of Art and Design in 1962. This was followed by his appointment as assistant professor at
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Reed served as juror or curator for numerous shows including the Creative Arts Workshop in New Haven, Connecticut, Silvermine Arts Center in New Canaan, and Artspace in New Haven.
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From 1970 to 1975, Reed served as director of the Yale Summer School of Art. Over the five years of his directorship, he assembled a summer faculty of artists which included
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His work was also included among the 407 artists exhibited in the 2015 inaugural exhibition "America Is Hard To See" for the opening of the new
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Reed was an ardent adherent of Albers's pedagogy and Foundation Studies in art which Reed continued to advocate throughout his teaching career.
1184: 510: 397: 385: 314: 240: 1072: 545: 1174: 1179: 270:(1970s): the use of symbolic color as a reaction to his Interaction of Color experience in which color is a character and landscape; 1149: 342: 701: 1159: 357: 306: 464: 805: 282:(1990s), a personal exploration of the people and places of Reed's remembered childhood home of Charlottesville, Virginia; 334: 318: 478: 326: 822: 372: 168: 32: 603: 350: 338: 57: 224:
Reed was a guest artist and lecturer at over 60 colleges and universities throughout the country and in Europe.
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Reed died of cancer in New Haven, Connecticut, on December 26, 2014. Reed is buried at the historic
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from the 1980s pays homage to Paulo Uccello's sixteenth century paintings of Battles of San Romano;
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Plum Nellie, Sea Stone, 1972 acrylic on canvas 72" x 72" Collection: Whitney Museum of American Art
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Reed was born in Charlottesville, Virginia, in 1938. He attended segregated public elementary (
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Yale University, William Devane Medalist for outstanding undergraduate teaching 2014;
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Reed's works are in the permanent collections of a number of museums, including the
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Galactic Journal, Washington Park 1999–2009 acrylic on canvas 84" x 144"
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Reed is the recipient of a number of awards and honors including:
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inscribed at the entry "Drawing is a search, not a destination".
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Yale Norfolk School or Art 1948-2015 by Sam Messer | Blurb Books
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fraternity since 1956 having served as president of his line.
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who was a colleague at Skidmore College in the mid-1960s.
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http://www.artcyclopedia.com/artists/reed_robert.html
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Corp., absolutearts.com, World Wide Arts Resources.
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The most recognizable of Reed's bodies of work are:
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In later years, he was influenced by 783: 1195:21st-century African-American artists 1190:20th-century African-American artists 1145:People from Charlottesville, Virginia 398:Virginia Center for the Creative Arts 386:Minneapolis College of Art and Design 315:Hirshhorn Museum and Sculpture Garden 7: 494: 492: 459: 457: 455: 453: 301:Collections, awards, and exhibitions 235:College of Fine Arts 2010–2012; the 978:"Yale News, Reed Classroom Tribute" 651:. pp. 4, 44 – via Blurb. 741:"School Colors, Book Her Tea" 702:"The Hirshhorn Museum Collections" 14: 1170:21st-century American printmakers 1165:20th-century American printmakers 465:"Yale News, Memoriam Robert Reed" 384:Honorary Doctorate of Fine Arts, 241:Virginia Center for Creative Arts 1102:https://www.robertreedstudio.com 544:Zimmer, William (May 14, 2000). 1071:Naik, Rohan (January 2, 2015). 1155:Morgan State University alumni 499:Messer, Sam (March 17, 2016). 358:Whitney Museum of American Art 307:Whitney Museum of American Art 1: 1032:"Yale Art School Honors Reed" 648:ROBERT REED The Antibes Years 410:Dartmouth Artist in Residence 1185:African-American printmakers 1100:Robert Reed Artist website: 335:Ogden Museum of Southern Art 319:Minneapolis Institute of Art 142:in preparing Albers's first 327:Yale University Art Gallery 16:American artist (1938–2014) 1211: 806:"Ogden Museum, Collection" 373:National Academy of Design 169:Saratoga Springs, New York 1175:Yale School of Art alumni 663:"Collection: Robert Reed" 645:Whetstone, Susan (2019). 58:Charlottesville, Virginia 30: 1180:Skidmore College faculty 1120:https://www.ncaaarts.org 878:pbk.yalecollege.yale.edu 339:Detroit Institute of Art 333:, Charlottesville, Va.; 98:Early life and education 1150:Yale University faculty 931:studioart.dartmouth.edu 621:"Robert Reed 1938-2014" 379:College Art Association 343:African American Museum 311:National Academy Museum 957:yalealumnimagazine.com 483:Artforum International 375:fellow, New York, 2009 360:, New York, New York. 351:Perez Art Museum Miami 297: 256: 77:New Haven, Connecticut 1160:Artists from Virginia 681:www.artcyclopedia.com 625:Robert Reed 1938–2014 438:Grove Street Cemetery 295: 254: 171:, from 1965 to 1969. 87:Robert James Reed Jr. 44:Robert James Reed Jr. 829:. September 10, 2013 771:www.absolutearts.com 677:"Robert Reed Online" 353:, FL; among others. 349:, Waco, TX, and the 331:Fralin Museum of Art 182:, Arnold Bittleman, 147:silkscreen company. 144:Interaction of Color 998:. November 16, 2015 745:artgallery.yale.edu 341:, Detroit, MI; the 1052:. October 16, 2015 874:"DeVane Medalists" 550:The New York Times 345:, Dallas, TX; the 325:, Minneapolis, M; 321:, Minneapoli, MN; 317:, Washington, DC; 298: 257: 112:Yale School of Art 91:Yale School of Art 512:978-1-367-86628-7 329:, New Haven, CT; 323:Walker Art Center 239:, 1987–1990, and 84: 83: 69:December 26, 2014 25:Robert James Reed 1202: 1088: 1087: 1085: 1083: 1068: 1062: 1061: 1059: 1057: 1042: 1036: 1035: 1028: 1022: 1021: 1014: 1008: 1007: 1005: 1003: 988: 982: 981: 974: 968: 967: 965: 963: 949: 943: 942: 940: 938: 933:. 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Index


Charlottesville, Virginia
New Haven, Connecticut
Yale School of Art
Jefferson
Morgan State
Yale School of Art
Josef Albers
Neil Welliver
Jon Schueler
Philip Guston
Özer Kabas
Street Hall
Skidmore College
Saratoga Springs, New York
Philip Guston
Erwin Hauer
Gabor Peterdi
Joan Snyder
Chuck Close
Al Held
Lester Johnson
Judy Pfaff
Romare Bearden
Sam Gilliam
Lyme Academy
MacDowell Colony
Virginia Center for Creative Arts

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