22:
153:
type foundry. In 1884, Wiebking began working for C. H. Hanson, an engraving company. By 1893 he was in business for himself, cutting type matrices for both the
Crescent and Independent Type Foundries. In 1900, with H. H. Hardinge, he formed ‘‘Wiebking, Hardinge & Company’’ which ran the
1240:
166:, Wiebking began working once again for himself. He then designed type and cut matrices for many foundries and, from 1911 to 1926 (with a few exceptions) he cut all of the matrices for
849:
with the proviso that the department store would have the exclusive use of the font for a time before it would be offered to the public. This was the first of many collaborations by
1235:
1215:
191:, a series in name only, as three only marginally similar faces were brought together under one heading as a marketing ploy to compete with
885:, who later decided it would be too expensive to cast, it was later bought by Frederick Sherman. The mats are still extant and cast by
1196:
1135:
105:
39:
766:
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738:
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584:
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86:
43:
58:
1230:
65:
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951:
72:
1130:
MacGrew, Mac, "American Metal
Typefaces of the Twentieth Century," Oak Knoll Books, New Castle Delaware, 1993,
1060:
918:
54:
32:
1032:
1096:
1084:
1024:
947:
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475:
432:
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380:
358:
336:
310:
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258:
192:
150:
1186:
1049:
for this face were complete, but when
Wiebking was late in cutting the matrices, the order was canceled.
838:
287:
1181:
1225:
1220:
1009:
991:
978:
874:
684:
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566:
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1088:
79:
1155:
1100:
1074:
965:
807:
799:
789:
728:
680:
1073:
for a printer who lost interest in the project before completion. The design was sold to
687:
1070:
1056:
1046:
1028:
1013:
999:
982:
969:
936:
914:
900:
878:
850:
834:
292:
167:
126:
1209:
242:
122:
882:
651:). The outline faces are cut to register with the solid type for two-color work.
1113:
149:
in 1881 where his father worked as an engraver for many companies, including the
1168:
21:
1036:
886:
1063:
based on the hand-lettered logotype he had done for them twenty years before.
922:
305:
under various names, and then renamed when that foundry was bought out by
1117:
842:
146:
142:
138:
932:
779:
538:
158:. In 1914 the partnership was dissolved and Advance merged with the
701:(1922, Laclede Type Foundry), when Laclede was bought out by
15:
170:'s designs were cut by Wiebking. He taught both Goudy and
1241:
Emigrants from the German Empire to the United States
46:. Unsourced material may be challenged and removed.
950:), a private type for the Museum Press of the
1095:, matrices cut by Wiebking, cast in brass by
8:
994:), basically just a “filled in” version of
125:who was known for cutting type matrices for
925:printing firm, and named for Norman Munder.
309:. When BB&S was in turn bought out by
121:(1870–1927) was a German-American engraver
1191:David R. Godine, Publisher, Boston, 1990,
106:Learn how and when to remove this message
1236:American typographers and type designers
903:for Joseph Baron's financial newsletter.
1152:American Type Designers and Their Work.
1143:
1216:German typographers and type designers
1008:(1919, Village Letter Foundry + 1924,
990:(1918, Village Letter Foundry + 1924,
977:(1918, Village Letter Foundry + 1924,
478:when, in turn, it bought out BB&S.
329:Steelplate Gothic Extra Light Extended
7:
1077:who, evidently, did nothing with it.
670:Advertisers Gothic Condensed Outline
162:. After Western Foundry merged into
44:adding citations to reliable sources
1069:(1925), a private face designed by
833:), based on hand lettering done by
679:(1920, Laclede Type Foundry, later
466:. This was shortened to one name,
933:Klaxon Auto Warning Signal Company
802:), modeled on original samples of
14:
1006:Goudy Open Italic + Modern Italic
470:, when Western was taken over by
458:) When Advance was taken over by
403:Steelplate Gothic Heavy Condensed
395:Steelplate Gothic Light Condensed
472:Barnhart Brothers & Spindler
351:Steelplate Gothic Heavy Extended
317:) most of the line was dropped.
307:Barnhart Brothers & Spindler
279:, but attributed to Wiebking by
164:Barnhart Brothers & Spindler
20:
1055:(1921, privately cast), cut by
31:needs additional citations for
899:), a private face designed by
796:True-Cut Bodoni + Light Italic
183:Typefaces designed by Wiebking
1:
817:Type Matrices cut by Wiebking
387:Steelplate Gothic Extra Light
301:they were originally cut for
660:Advertisers Gothic Condensed
629:. The line was retained by
474:. The line was retained by
137:Robert Wiebking was born in
1114:Samples of Wiebking's fonts
881:. Originally designed for
875:Wiebking, Harding & Co.
845:department store. Cast by
841:, though commissioned by a
837:for advertisements for the
786:Bodoni Light + Light Italic
1257:
952:Metropolitan Museum of Art
893:Baron's Boston News Letter
883:Kuppenheimer & Company
713:dean of American printers.
665:Advertisers Gothic Outline
1150:Rollins, Carl Purlington
637:Advertisers Gothic series
563:Caslon Clearface + Italic
145:in 1870, he emigrated to
1061:National Biscuit Company
1045:(1921, nc), drawings by
705:this face was re-cut as
425:Steelplate Gothic Shaded
373:Steelplate Gothic Italic
313:(owners of the original
288:Steelplate Gothic series
919:Munder-Thompson Company
462:, the face was renamed
435:), known in England as
399:Steelplate Gothic Heavy
391:Steelplate Gothic Light
151:Marder, Luse, & Co.
1169:"No Bodoni Typography"
1097:American Type Founders
709:and named in honor of
476:American Type Founders
407:Steelplate Gothic Bold
311:American Type Founders
251:Engravers Roman + Bold
217:World Gothic Condensed
1187:Anatomy of a Typeface
1081:Newberry Binding Type
1033:Proctor & Collier
839:Pabst Brewing Company
237:), originally named
174:how to cut matrices.
1091:, metal patterns by
641:Western Type Foundry
627:Bold Condensed Title
615:Engravers Litho Bold
611:Western Type Foundry
567:Western Type Foundry
549:Advance Type Foundry
528:Western Type Foundry
524:Advance Type Foundry
504:Western Type Foundry
486:Western Type Foundry
460:Western Type Foundry
456:Advance Type Foundry
411:Western Type Foundry
369:Western Type Foundry
347:Western Type Foundry
325:Western Type Foundry
303:Western Type Foundry
277:Morris Fuller Benton
275:Usually credited to
160:Western Type Foundry
156:Advance Type Foundry
40:improve this article
1231:People from Schwelm
1093:R. Hunter Middleton
1039:advertising agency.
711:Norman T. A. Munder
581:Caslon Light Italic
281:R. Hunter Middleton
231:World Gothic Italic
189:World Gothic series
172:R. Hunter Middleton
129:from 1911 to 1926.
887:Dale Guild Foundry
857:Pabst Roman Italic
763:Munder Bold Italic
683:), a knock-off of
655:Advertisers Gothic
297:Copperplate Gothic
271:), later known as
1182:Lawson, Alexander
1089:Ernst F. Detterer
1021:Collier Old Style
633:after the merger.
621:who then added a
613:), later renamed
371:), later renamed
349:), later renamed
327:), later renamed
123:typeface designer
116:
115:
108:
90:
55:"Robert Wiebking"
1248:
1200:
1179:
1173:
1172:
1165:
1159:
1148:
1101:Newberry Library
1075:Lanston Monotype
966:Lanston Monotype
808:Newberry Library
729:Stephenson Blake
699:Laclede Oldstyle
111:
104:
100:
97:
91:
89:
48:
24:
16:
1256:
1255:
1251:
1250:
1249:
1247:
1246:
1245:
1206:
1205:
1204:
1203:
1180:
1176:
1167:
1166:
1162:
1158:, V. 4, p. 18.
1149:
1145:
1127:
1110:
1087:) Drawings by
1027:), designed by
1012:), designed by
981:), designed by
968:), designed by
935:), designed by
931:(1914, cut for
913:), designed by
907:Norman Capitals
823:Pabst Old Style
819:
717:Munder Venetian
707:Munder Venetian
688:Franklin Gothic
593:Invitation Text
482:Artcraft Italic
446:Artcraft series
437:Spartan Outline
291:a knock-off of
273:Tiffany Script.
208:), originally
185:
180:
135:
133:Life and career
119:Robert Wiebking
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
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1174:
1160:
1142:
1141:
1140:
1139:
1126:
1123:
1122:
1121:
1109:
1108:External links
1106:
1105:
1104:
1078:
1071:Frederic Goudy
1064:
1057:Frederic Goudy
1050:
1047:Frederic Goudy
1040:
1029:Frederic Goudy
1018:
1017:
1016:
1014:Frederic Goudy
1003:
1000:Frederic Goudy
998:, designed by
983:Frederic Goudy
972:
970:Frederic Goudy
962:Hadriano Title
959:
939:
937:Frederic Goudy
926:
915:Frederic Goudy
904:
901:Frederic Goudy
890:
866:
865:
864:
853:and Wiebking.
835:Frederic Goudy
818:
815:
814:
813:
812:
811:
793:
776:
775:
774:
760:
746:
732:
731:as ‘‘Verona’’.
727:). Copied by
714:
691:
674:
673:
672:
667:
662:
657:
647:, still later
634:
623:Bold Condensed
604:
590:
589:
588:
578:
573:, still later
560:
555:, still later
545:Caslon Catalog
535:
517:
516:
515:
497:
479:
442:
441:
440:
422:
417:, still later
384:
362:
340:
284:
262:
248:
247:
246:
228:
223:), originally
213:
184:
181:
179:
176:
168:Frederic Goudy
134:
131:
127:Frederic Goudy
114:
113:
28:
26:
19:
13:
10:
9:
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4:
3:
2:
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1234:
1232:
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1222:
1219:
1217:
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1211:
1198:
1197:0-87923-332-X
1194:
1190:
1188:
1183:
1178:
1175:
1170:
1164:
1161:
1157:
1153:
1147:
1144:
1137:
1136:0-938768-34-4
1133:
1129:
1128:
1124:
1119:
1115:
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1111:
1107:
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1098:
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1079:
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1058:
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1051:
1048:
1044:
1043:Lining Gothic
1041:
1038:
1034:
1030:
1026:
1022:
1019:
1015:
1011:
1010:Monotype Ltd.
1007:
1004:
1001:
997:
993:
992:Monotype Ltd.
989:
986:
985:
984:
980:
979:Monotype Ltd.
976:
973:
971:
967:
963:
960:
957:
953:
949:
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944:
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938:
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927:
924:
920:
916:
912:
908:
905:
902:
898:
894:
891:
888:
884:
880:
877:), design by
876:
872:
871:
867:
862:
858:
855:
854:
852:
848:
844:
840:
836:
832:
828:
824:
821:
820:
816:
809:
805:
801:
797:
794:
791:
787:
784:
783:
782:
781:
780:Bodoni Series
777:
772:
768:
764:
761:
758:
754:
750:
749:Munder Italic
747:
744:
740:
736:
733:
730:
726:
722:
718:
715:
712:
708:
704:
700:
697:
696:
695:
694:Munder series
692:
689:
686:
682:
678:
677:Square Gothic
675:
671:
668:
666:
663:
661:
658:
656:
653:
652:
650:
646:
642:
638:
635:
632:
628:
624:
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602:
598:
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586:
582:
579:
576:
572:
568:
564:
561:
558:
554:
550:
546:
543:
542:
541:
540:
539:Caslon series
536:
533:
529:
525:
521:
518:
513:
509:
505:
501:
500:Artcraft Bold
498:
495:
491:
487:
483:
480:
477:
473:
469:
465:
461:
457:
453:
450:
449:
448:
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400:
396:
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388:
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366:
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360:
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348:
344:
341:
338:
334:
330:
326:
322:
319:
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312:
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304:
300:
298:
294:
290:
289:
285:
282:
278:
274:
270:
266:
263:
260:
256:
252:
249:
244:
243:Admiral Dewey
240:
236:
232:
229:
226:
222:
218:
214:
211:
207:
203:
200:
199:
197:
194:
190:
187:
186:
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128:
124:
120:
110:
107:
99:
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
1185:
1177:
1163:
1151:
1146:
1080:
1066:
1052:
1042:
1020:
1005:
995:
988:Goudy Modern
987:
974:
961:
956:Bruce Rogers
954:designed by
941:
928:
906:
892:
868:
856:
826:
822:
806:work at the
795:
785:
778:
762:
748:
734:
716:
706:
698:
693:
676:
669:
664:
659:
654:
636:
626:
622:
614:
607:Rogers Roman
606:
592:
580:
562:
544:
537:
519:
510:still later
499:
492:still later
481:
467:
463:
451:
444:
436:
424:
406:
402:
398:
394:
390:
386:
372:
365:Perry Italic
364:
350:
342:
328:
320:
295:
286:
272:
264:
250:
241:in honor of
238:
230:
224:
216:
209:
202:World Gothic
201:
196:Globe Gothic
195:
188:
136:
118:
117:
102:
96:January 2013
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
1226:1927 deaths
1221:1870 births
1067:Marlborough
827:Pabst Roman
735:Munder Bold
520:Modern Text
315:Copperplate
265:Typo Script
1210:Categories
1125:References
1037:Cincinnati
996:Goudy Open
975:Goudy Open
379:and later
357:and later
335:and later
66:newspapers
1199:, p. 112.
923:Baltimore
599:, later
506:), later
488:), later
464:Art-Craft
452:Craftsman
178:Typefaces
1099:for the
1059:for the
804:Bodoni's
769:, later
767:BB&S
755:, later
753:BB&S
741:, later
739:BB&S
723:, later
721:BB&S
703:BB&S
685:Benton's
645:BB&S
643:, later
619:BB&S
597:BB&S
585:BB&S
571:BB&S
569:, later
553:BB&S
551:, later
532:BB&S
526:, later
508:BB&S
490:BB&S
468:Artcraft
429:BB&S
415:BB&S
413:, later
377:BB&S
355:BB&S
333:BB&S
257:, later
255:BB&S
235:BB&S
221:BB&S
206:BB&S
1118:MyFonts
1083:(1935,
1053:Nabisco
1023:(1919,
964:(1918,
946:(1914,
943:Centaur
909:(1910,
895:(1904,
873:(1903,
870:Village
859:(1903,
843:Chicago
829:(1902,
798:(1928,
788:(1923,
765:(1927,
751:(1926,
737:(1925,
719:(1924,
639:(1917,
609:(1915,
595:(1914,
583:(1922,
565:(1913,
547:(1913,
522:(1913,
502:(1913,
484:(1912,
454:(1912,
427:(1918,
323:(1907,
293:Goudy's
267:(1902,
253:(1899,
225:Tropic
147:Chicago
143:Germany
139:Schwelm
80:scholar
1195:
1134:
929:Klaxon
800:Ludlow
790:Ludlow
681:Ludlow
625:and a
431:later
321:Farley
239:Dewey
233:(1897
219:(1897
82:
75:
68:
61:
53:
1156:Print
879:Goudy
851:Goudy
343:Perry
210:Wesel
193:ATF's
87:JSTOR
73:books
1193:ISBN
1132:ISBN
1035:, a
1031:for
921:, a
917:for
530:and
59:news
1154:in
1116:by
1085:ATF
1025:ATF
948:ATF
911:ATF
897:ATF
861:ATF
847:ATF
831:ATF
825:or
771:ATF
757:ATF
743:ATF
725:ATF
649:ATF
631:ATF
617:by
601:ATF
575:ATF
557:ATF
512:ATF
494:ATF
433:ATF
419:ATF
381:ATF
375:by
359:ATF
353:by
337:ATF
331:by
269:ATF
259:ATF
42:by
1212::
1184:,
603:).
534:).
409:(
405:+
401:+
397:+
393:+
389:+
198:.
141:,
1189:,
1171:.
1138:.
1120:.
1103:.
1002:.
958:.
889:.
863:)
810:.
792:)
773:)
759:)
745:)
690:.
587:)
577:)
559:)
514:)
496:)
439:.
421:)
383:.
367:(
361:.
345:(
339:.
299:,
283:.
261:.
245:.
227:.
215:'
212:.
204:(
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
