Knowledge (XXG)

Rodolfo Bernardelli

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224: 60: 256: 271: 305: 241: 326: 288: 207: 20: 79:, winning several academic awards. In 1876, he received a stipend for study abroad. He initially intended to study in Paris, as was customary, but found himself unimpressed by the artistic milieu there, and the academies were crowded. As a result, he decided to go to his ancestral homeland and settled in Rome, where he studied with 90:
After completing his studies, he returned to Brazil in 1885. In October of that year, he held an exhibition of the works he had created in Italy and, as a result, was appointed Professor of Statuary at the Academia, succeeding his former teacher, Chaves Pinheiro, who had retired. With support from
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In any event, he served as Director for twenty-five years and held a virtual monopoly on artistic education in the capital. During his tenure, there were very few sculpture students at the school, as they were apparently discouraged at the thought of being eclipsed by him. In 1915, a group of
149:. Nevertheless, his public image was less flattering, with a significant number of critics who considered him to be vain, arrogant and mediocre. Much of that criticism derived from his dismissal of several prominent artists when he became Director of the Escola Nacional. They included 99:. When the monarchy fell, in 1889, he resigned his position in solidarity. However, by invitation of the new Republican government, he was reinstated in 1890. In that position, he collaborated on a project that converted the Academia Imperial into the 304: 121:
He was the most influential sculptor of his generation. His workshop in central Rio de Janeiro was a meeting place for numerous cultural and political figures, including
48:, also became artists, and FĂ©lix was a musician as well. Due to his parents' profession, the family moved frequently; to several places in Mexico, Chile, and eventually 187:, a progressive artists' society, was created to honor him and his brother, Henrique. A considerable number of his smaller, less monumental works were donated to the 170: 223: 506: 511: 270: 255: 56:, who invited them to live in Rio de Janeiro and become tutors to his children. By that time, Rodolfo was fourteen, and displaying artistic talent. 404:"A 'Reforma da Academia’ no RelatĂłrio do Diretor da Escola Nacional de Belas Artes, Rodolpho Bernardelli, ao Ministro da Instrução PĂșblica (1891)" 481: 325: 115: 59: 496: 76: 72: 317: 87:, he soon found himself influenced by contemporary trends, and the examples he sent back to the Academia came under criticism. 240: 165:
students and teachers managed to have him removed. His final years would pass mostly in solitude, working at his new studio in
107: 384:"A formação do escultor Rodolfo Bernardelli na Itália (1877-1885): uma análise de sua trajetória a partir de fontes primárias" 501: 100: 312: 486: 287: 277: 64: 491: 166: 192: 206: 32:(18 December 1852 – 7 April 1931) was a Mexican-born Brazilian sculptor and art professor, of Italian ancestry. 383: 92: 75:, who noticed his enthusiasm and suggested that he become a formal student. He was therefore enrolled at the 332: 436: 177: 403: 476: 471: 188: 154: 45: 41: 182: 111: 91:
the Imperial family, he received several important commissions, including monuments for Generals
53: 103:, and liberalized its teaching methods. He then became its first director; serving until 1915. 420: 367:"Rodolpho Bernardelli, um perfil do homem e do artista segundo a visĂŁo de seus contemporĂąneos" 158: 122: 80: 49: 150: 130: 142: 138: 96: 134: 110:
in Chicago. In 1904, he was part of a judging committee for choosing new façades on the
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In 1893, he was responsible for selecting the works that would represent Brazil at the
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Rodolfo Bernardelli em DezenoveVinte - Arte brasileira do século XIX e início do XX
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He was the oldest of four children born to a violinist and a dancer. His brothers,
19: 294: 126: 456: 84: 114:, and served on a commission to select an architect for the proposed 213: 58: 118:. He would contribute six ornamental statues for the Teatro. 421:"Rodolfo Bernardelli e a reforma urbana de Pereira Passos" 169:. In 1919, he was named an "Honorary Academician" at the 441:
EnciclopĂ©dia ItaĂș Cultural de Arte e Cultura Brasileiras
427:, Tomo 2. EDUR-UFRRJ / 19&20, 2010, pp. 389-397 425:
Oitocentos - Arte Brasileira do ImpĂ©rio Ă  RepĂșblica
423:. In: Valle, Arthur & Dazzi, Camila (orgs.). 30:JosĂ© Maria Oscar Rodolfo Bernardelli y Thierry 171:Real Academia de Bellas Artes de San Fernando 8: 16:Mexican-born Brazilian sculptor (1852–1931) 388:Revista de HistĂłria da Arte e Arqueologia 83:. Although he expressed a preference for 18: 398: 396: 361: 359: 357: 355: 353: 351: 347: 202: 7: 507:Brazilian people of Italian descent 52:, Brazil. There, they met Emperor 14: 512:Artists from Guadalajara, Jalisco 176:Following his death in 1931, the 443:. SĂŁo Paulo: ItaĂș Cultural, 2021 419:Silva, Maria do Carmo Couto da. 382:Silva, Maria do Carmo Couto da. 324: 303: 286: 269: 254: 239: 222: 205: 77:Academia Imperial de Belas Artes 73:Francisco Manuel Chaves Pinheiro 71:He sat in on classes taught by 101:Escola Nacional de Belas Artes 1: 108:World's Columbian Exposition 482:Mexican emigrants to Brazil 528: 63:Bernardelli in Rome; by 497:Brazilian art directors 365:Weisz, Suely de Godoy. 318:CemitĂ©rio da Consolação 193:Museu Mariano ProcĂłpio 68: 26: 502:Mexican art directors 437:"Rodolfo Bernardelli" 62: 22: 390:, 2006; 6: 123-136, 333:Pedro Álvares Cabral 189:Pinacoteca do Estado 487:Brazilian sculptors 23:Rodolfo Bernardelli 262:Doctor Montenovese 178:NĂșcleo Bernardelli 93:Manuel LuĂ­s OsĂłrio 69: 27: 492:Mexican sculptors 155:AntĂŽnio Parreiras 123:Quintino Bocaiuva 81:Giulio Monteverde 65:Francesco Santoro 50:Rio Grande do Sul 519: 444: 434: 428: 417: 411: 400: 391: 380: 374: 363: 328: 307: 290: 273: 258: 243: 226: 209: 186: 151:Victor Meirelles 131:Machado de Assis 116:Teatro Municipal 527: 526: 522: 521: 520: 518: 517: 516: 462: 461: 453: 448: 447: 435: 431: 418: 414: 402:Dazzi, Camila. 401: 394: 381: 377: 364: 349: 344: 337: 329: 320: 308: 299: 291: 282: 278:Irineu de Souza 274: 265: 259: 250: 244: 235: 227: 218: 210: 201: 180: 143:Angelo Agostini 139:Leopoldo Miguez 112:Avenida Central 97:Duque de Caxias 38: 24: 17: 12: 11: 5: 525: 523: 515: 514: 509: 504: 499: 494: 489: 484: 479: 474: 464: 463: 460: 459: 452: 451:External links 449: 446: 445: 429: 412: 392: 375: 373:, 2007; II (4) 346: 345: 343: 340: 339: 338: 330: 323: 321: 309: 302: 300: 292: 285: 283: 275: 268: 266: 260: 253: 251: 245: 238: 236: 228: 221: 219: 211: 204: 200: 199:Selected works 197: 173:, in Madrid. 159:DĂ©cio Villares 147:Pereira Passos 37: 34: 15: 13: 10: 9: 6: 4: 3: 2: 524: 513: 510: 508: 505: 503: 500: 498: 495: 493: 490: 488: 485: 483: 480: 478: 475: 473: 470: 469: 467: 458: 455: 454: 450: 442: 438: 433: 430: 426: 422: 416: 413: 410:, 2010; V (3) 409: 405: 399: 397: 393: 389: 385: 379: 376: 372: 368: 362: 360: 358: 356: 354: 352: 348: 341: 335: 334: 327: 322: 319: 315: 314: 313:Campos Salles 306: 301: 297: 296: 289: 284: 280: 279: 272: 267: 263: 257: 252: 248: 242: 237: 233: 232: 231:Saint Stephen 225: 220: 216: 215: 208: 203: 198: 196: 194: 190: 184: 179: 174: 172: 168: 162: 160: 156: 152: 148: 144: 140: 136: 132: 128: 124: 119: 117: 113: 109: 104: 102: 98: 94: 88: 86: 82: 78: 74: 66: 61: 57: 55: 51: 47: 43: 35: 33: 31: 25:(early 1900s) 21: 440: 432: 424: 415: 407: 387: 378: 370: 331: 311:The Tomb of 310: 293: 276: 261: 246: 229: 212: 175: 163: 135:Raul PompĂ©ia 120: 105: 89: 70: 39: 29: 28: 477:1931 deaths 472:1852 births 295:Dom Pedro I 181: [ 127:Olavo Bilac 466:Categories 342:References 167:Copacabana 85:Classicism 408:19&20 371:19&20 36:Biography 336:, Lisbon 247:Coquette 191:and the 54:Pedro II 46:Henrique 439:. In: 406:. In: 386:. In: 369:. In: 298:, 1923 281:, 1899 264:, 1882 249:, 1880 234:, 1879 217:, 1875 67:(1878) 214:David 185:] 42:FĂ©lix 157:and 145:and 95:and 44:and 161:. 468:: 395:^ 350:^ 316:, 195:. 183:pt 153:, 141:, 137:, 133:, 129:, 125:,

Index


FĂ©lix
Henrique
Rio Grande do Sul
Pedro II

Francesco Santoro
Francisco Manuel Chaves Pinheiro
Academia Imperial de Belas Artes
Giulio Monteverde
Classicism
Manuel LuĂ­s OsĂłrio
Duque de Caxias
Escola Nacional de Belas Artes
World's Columbian Exposition
Avenida Central
Teatro Municipal
Quintino Bocaiuva
Olavo Bilac
Machado de Assis
Raul Pompéia
Leopoldo Miguez
Angelo Agostini
Pereira Passos
Victor Meirelles
AntĂŽnio Parreiras
DĂ©cio Villares
Copacabana
Real Academia de Bellas Artes de San Fernando
NĂșcleo Bernardelli

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