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Roman Pyatkovka

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since the early 1930s. In contrast to Socialist Realism which portrayed scenes of a harmonious communist society, photographers of the Kharkiv School challenged the prevailing status quo with a socially challenging contemporary aesthetic. Pyatkovka’s use of overlays and hand-colouring helped define this new style, one which would continue to push artistic boundaries both during and after the more artistically varied Perestroyka years. In 1989 he joined the National Society of Photo Artists of Ukraine (NSPAU).
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is a leading exponent of Ukrainian conceptual photography most strongly associated with the Kharkiv School of Fine Art Photography. Pyatkovka pioneered a style of photography which challenged the prevailing ethos of Socialist Realism, the style which had dominated Soviet photography and filmmaking
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images. Pyatkovka, at the time an underground photographer, juxtaposed these state-approved images with his works, risking imprisonment. Pyatkovka’s aim is for the viewer to reconsider and reflect upon this period of Russian history through these contrasting images. It was this project that won him
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One of Pyatkovka's more noted exhibitions presents a small selection of works from his big series "Soviet Photo" (2012). These vivid images consist of pictures and pages from "Советское фото" (Soviet Photo)
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from 1926 to 1992. Much like most publications at the time, the magazine was state-run and loaded with
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Post-Photography: The Artist with a Camera by Robert Shore.
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may be in need of reorganization to comply with Knowledge's
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the Conceptual Photographer of the Year award at the 2013
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Hannu Eerikainenen. Naneli Esckola "Toisin Nakijat"
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Multimedia Art Museum
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Nürnberg, Germany
magazine
Soviet Union
Communist
Sony World Photography Awards

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