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57:. The painting depicts the war that resulted from the Roman abduction of the young Sabine women in an effort to remedy the shortage of women in the newly founded city of Rome. In retaliation Acron, the king of the neighbouring tribe, the Caeninenses, declared war upon the Romans. He and his tribesmen were mercilessly defeated and their city sacked by the Romans.
28:, 1812, tempera on canvas, 276 x 530cm, "Romulus, then, after making a vow that if he should conquer and overthrow his adversary, he would carry home the man's armour and dedicate it in person to Jupiter, not only conquered and overthrew him, but also routed his army in the battle which followed, and took his city as well" Plutarch,
146:, is also the same save that Ingres omitted the inscription. The warrior to the extreme left of the Sabines, whose stance derives from the antique, finds a fairly confirming echo in Ingres' victorious Romulus. It has also been suggested that the pose of Romulus was inspired by a fragment of a Roman bas-relief after a work by
186:, where it was hung in the Amphithéatre d'Honneur, until 1969 when it was deposited at the Louvre. In January 2017 it returned to the Ecole des Beaux-arts for restoration before being re-installed in the newly restored Amphithéatre d'Honneur (May 2017).
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174:) and was intended as decoration of the empress's second salon. In 1815 the Romulus was taken out of the Quirinale and brought to the Palazzo di San Giovanni in Laterano. In 1857 it was given by
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of 1799. The figure of Ingres' slain Acron closely matches that of his master's dead Sabine. The shield, depicting the she-wolf and infant twins
Romulus and Remus characteristic of the
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tradition. At 276 x 530cm it is one of Ingres’ largest paintings and this grand scale is consistent with his previous classical subject paintings, such as
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In the painting there is an element of stunted action which creates a somewhat icy and unemotional aspect which is a feature of the
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It is not just from the ancient world that Ingres took his inspiration. Elements of the painting recall the work of
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Plutarch and
Bernadotte Perrin. 1914. Lives. Cambridge, Massachusetts: Harvard University Press.
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Plutarch, and
Bernadotte Perrin. 1914. Lives. Cambridge, Massachusetts: Harvard University Press.
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The subject, style and size of the piece make it clear that this piece embodies the
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from the east pediment of the
Parthenon. Acropolis, Athens, 438–432 BC
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is a painting completed in 1812 by the French
Neoclassical artist
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Hauptman, William (2006). Ingres. Milan: Continents
Editions.
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Virgil reading The Aeneid before
Augustus, Livia and Octavia
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Vigne, Georges (1995). Ingres. Paris: Abbeville Press. 103
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that was emerging forcefully in the early 19th century.
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to evoke the matte quality of ancient Roman frescos.
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170:'s residence, the Palazzo Monte Cavallo (now the
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136:has several points of similarity with David's
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46:. Ingres' source for this subject comes from
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784:Luigi Cherubini and the Muse of Lyric Poetry
561:Joan of Arc at the Coronation of Charles VII
473:Don Pedro of Toledo Kissing Henry IV's Sword
760:Portrait of Madame Marcotte de Sainte-Marie
744:Portrait of Caroline Murat, Queen of Naples
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87:. The canvas is cast in the form of a long
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489:Henry IV Receiving the Spanish Ambassador
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752:Portrait of Madame Jacques-Louis Leblanc
241:"Statue; pediment | British Museum"
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279:The Journal of the Walters Art Gallery
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918:Paintings based on works by Plutarch
908:Paintings in the Beaux-Arts de Paris
139:The Intervention of the Sabine Women
121:The Intervention of the Sabine Women
792:Portrait of Comtesse d'Haussonville
680:Portrait of Marie-Françoise Rivière
481:Aretino and Charles V's Ambassador
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800:Portrait of Baronne de Rothschild
696:Napoleon I on His Imperial Throne
537:The Martyrdom of Saint Symphorian
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325:, Paris, Fernand Nathan, 1980 (
851:Self-Portrait at Seventy-Eight
768:Portrait of Amédée de Pastoret
736:Portrait of Madame de Senonnes
513:The Dauphin's Entry Into Paris
497:The Death of Leonardo da Vinci
150:, a classical Greek sculptor.
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808:Portrait of Madame Moitessier
688:Mademoiselle Caroline Rivière
672:Portrait of Philibert Rivière
383:Jean-Auguste-Dominique Ingres
293:Wildenstein, Georges (1956).
44:Jean-Auguste-Dominique Ingres
40:(Romulus, Conqueror of Acron)
720:Portrait of Charles Marcotte
776:Portrait of Monsieur Bertin
712:Portrait of Madame Duvaucey
433:Romulus' Victory Over Acron
158:The painting—together with
134:Romulus' Victory Over Acron
38:Romulus' Victory Over Acron
26:Romulus' Victory Over Acron
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824:Portrait of Madame Ingres
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154:Commissioning and history
95:frieze. Ingres also uses
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728:Portrait of Paul Lemoyne
545:The Illness of Antiochus
457:Raphael and La Fornarina
182:who presented it to the
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529:The Apotheosis of Homer
589:The Half-Length Bather
505:Roger Freeing Angelica
417:Oedipus and the Sphinx
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859:Antwerp Self-Portrait
843:Self-Portrait Aged 24
605:La Dormeuse de Naples
521:The Vow of Louis XIII
162:—was commissioned by
144:Roman foundation myth
118:Jacques-Louis David,
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61:Style and composition
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629:Odalisque with Slave
597:The Valpinçon Bather
184:Ecole des Beaux-Arts
465:Paolo and Francesca
449:The Dream of Ossian
160:The Dream of Ossian
130:Jacques-Louis David
69:Head of a horse of
425:Jupiter and Thetis
336:Robert Rosenblum,
168:Napoleon Bonaparte
164:General de Miollis
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84:Jupiter and Thetis
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392:List of paintings
172:Palazzo Quirinale
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645:The Turkish Bath
637:Venus Anadyomene
613:Grande Odalisque
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180:Napoleon III
176:Pope Pius IX
166:in 1811 for
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79:Neoclassical
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862:(1864-1865)
819:(1851–1853)
811:(1844–1856)
553:The Odyssey
468:(1814–1819)
892:Categories
621:The Source
202:References
110:Influences
683:(1805–06)
656:Portraits
401:paintings
93:Parthenon
624:(c 1820)
399:History
190:See also
52:Life of
48:Plutarch
870:Museums
148:Phidias
97:tempera
54:Romulus
854:(1858)
846:(1806)
827:(1859)
803:(1848)
795:(1845)
787:(1842)
779:(1832)
771:(1826)
763:(1826)
755:(1823)
747:(1814)
739:(1814)
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723:(1810)
715:(1807)
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444:(1812)
436:(1812)
428:(1811)
420:(1808)
412:(1801)
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338:Ingres
329:
323:Ingres
295:Ingres
124:, 1799
89:frieze
71:Selene
581:Nudes
342:ISBN
327:ISBN
178:to
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