84:
The rondeña spread enormously throughout
Andalusia in the 19th century, to such an extent that numerous foreign observers, touring the region at the time, referred to it later in their writings.
156:(singers) like Fosforito, Antonio de Canillas, Alfredo Arrebola, Jacinto Almadén, Juan de la Loma, Enrique Orozco, Antonio Ranchal, Rafael Romero, José Menese and Cándido de Málaga.
81:
According to the experts, the name does not derive from "nocturnal rounds", as some have suggested, but is based solely on the name of the town Ronda.
127:
In dance, having had no time signature at one time, the rondeña displays a rhythm of wild abandon. Some dancers have used the rhythm of the
235:
240:
64:
originating in Málaga, the rondeña antedated flamenco proper and became incorporated into it during the 19th century.
99:
ornamentation, and generally the tempo is somewhat slower than was previously the case. It is a composition with an
141:
Among its higher representer we can find: Miguel
Borrull senior, who was one of its forerunners, and
149:
230:
142:
32:
103:
224:
113:
38:
112:), and the lyrics are frequently about rustic life. A verse consists of four
133:, which has many similarities but, being rondeña, more open and evocative.
50:
129:
116:
lines which sometimes become five through repetition of the second line.
108:
74:
42:
96:
17:
54:
46:
78:
and it is said that it is "the oldest fandango actually known".
95:
The rondeña has evolved in recent times, with a decrease in
204:. Ed. Serv. Publicaciones de la Universidad de Cádiz. 1988.
145:, the first big interpreter to ennoble the genre.
195:Diccionario Enciclopédico Ilustrado del Flamenco
211:. Club Internacional del libro, Madrid. 1988.
8:
216:Paso a Paso. Los palos del flamenco. Rondeña
148:Once in the 20th Century, we can highlight
7:
72:The rondeña has its origin in the
25:
1:
182:que al son de las malagueñas
173:se me alegra el pensamiento.
202:Geografía del Cante Flamenco
170:porque, en oyendo rondeñas,
45:originating in the town of
257:
164:Rondeñas vienen cantando,
167:sobre la cama me siento,
200:MANFREDI CANO, Domingo.
189:Recommended bibliography
185:me voy quedando dormío.
176:Las rondeñas malagueñas
179:cántamelas, primo mio,
60:In common with other
241:Culture of Andalusia
49:in the province of
236:Province of Málaga
75:fandango malagueño
207:NÚÑEZ, Faustino.
152:as a player, and
16:(Redirected from
248:
209:Todo el Flamenco
160:Popular rondeñas
21:
256:
255:
251:
250:
249:
247:
246:
245:
221:
220:
197:. Ed. Cinterco.
191:
162:
150:Manolo Sanlúcar
139:
125:
93:
70:
23:
22:
15:
12:
11:
5:
254:
252:
244:
243:
238:
233:
223:
222:
219:
218:
212:
205:
198:
190:
187:
161:
158:
138:
135:
124:
118:
104:time signature
92:
86:
69:
66:
24:
14:
13:
10:
9:
6:
4:
3:
2:
253:
242:
239:
237:
234:
232:
229:
228:
226:
217:
213:
210:
206:
203:
199:
196:
193:
192:
188:
186:
183:
180:
177:
174:
171:
168:
165:
159:
157:
155:
151:
146:
144:
143:Ramón Montoya
136:
134:
132:
131:
122:
119:
117:
115:
111:
110:
105:
102:
98:
90:
87:
85:
82:
79:
77:
76:
67:
65:
63:
58:
56:
52:
48:
44:
40:
36:
35:
30:
19:
215:
208:
201:
194:
184:
181:
178:
175:
172:
169:
166:
163:
153:
147:
140:
128:
126:
120:
114:octosyllabic
107:
100:
94:
88:
83:
80:
73:
71:
61:
59:
39:musical form
33:
28:
26:
225:Categories
97:melismatic
154:cantaores
137:Exponents
231:Flamenco
123:(Dances)
43:flamenco
130:taranto
91:(Songs)
68:History
29:Rondeña
18:Rondena
109:compás
101:ad lib
51:Málaga
214:DVD:
121:Baile
89:Cante
62:palos
55:Spain
47:Ronda
31:is a
34:palo
53:in
41:of
37:or
227::
57:.
27:A
106:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.