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135:: "the orchestration is full and vigorous, the brass specially bold and refreshing, and there is not a dull bar .... It is a charming and spirited work repeated calls". Both of these early works were performed subsequently at concerts in Bristol, Cheltenham, Oxford, London, Dresden and Chicago. It has been suggested that her father's position as a bishop enabled her to have some of her works performed at the
63:. Her father had no interest in music and it was predominantly her mother, an amateur singer who had been involved with the founding both of London's Handel Society (1882–1939) and of the Gloucester Philharmonic Society, who encouraged young Rosalind's talent. At the age of six "she exhibited an extraordinary facility in music, singing, and harmonising correctly by ear". She took lessons from
86:
of the
Brompton Oratory. She was a member of the International Society of Musicians and the National Society of Professional Musicians, as well as an ARAM. But despite her relative success in the last two decades of the century as a composer and performer, by the early 1900s she began disappearing
142:
Her ambitious works for chorus and orchestra were cast in a traditional, broadly
Romantic vein. But towards the end of the century she began to turn her attention to chamber music, possibly hoping that there would be more opportunities for it to be performed. The Piano Trio No 1 in G received its
155:
and
Charles Ould. Her songs and chamber works were regularly performed at the festivals and were generally well-received. She composed rapidly: "I get a whole movement in my head before I touch paper. I hardly ever alter my compositions."
139:(held in rotation in Gloucester, Hereford and Worcester.) However, the majority of new composers used patronage from established musicians or other influential people in order to obtain festival premieres.
159:
Comparatively little of
Ellicott's work has survived to this day apart from a few songs and instrumental works, although both piano trios have been issued in modern recordings.
898:
893:
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Walter
Macfarren, Michael Balfe, Rosalind Ellicott, Samuel Coleridge-Taylor, Roger Quilter & Edgar Bainton ROMANTICS IN ENGLAND MUSIC FOR CELLO & PIANO
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805:(Creative Commons Licence Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0) not suitable for uploading to Knowledge (XXG))
858:
78:. While at the Academy she discovered her voice and took soprano solo parts in oratorios and cantatas and was a frequent soloist at the
35:(November 14, 1857 – April 5, 1924) was an English composer, considered one of the leading female composers of her generation.
868:
749:
730:
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305:"The sweet blue eyes of springtime". (Die blauen Frühlingsaugen.) Song; poem by H. Heine. English translation by C. Rowe (1881)
773:
439:
21:
789:
635:"English Piano Trios - DIVINE ART DDA25158 [JF] Classical Music Reviews: January 2020 - MusicWeb-International"
308:"From my sad tears are springing". (Aus meinen Thränen.) Song; poem by H. Heine. English translation by C. Rowe (1881)
634:
818:
372:
Sources differ on this; some state that she died in London, not in
Seasalter, although the year given is the same.
143:
first performance in
Bristol at the end of 1889, with the composer as pianist. The second trio was given at the
64:
351:
was recorded by Joseph
Spooner (cello) and Michael Jones (piano) at Potton Hall, Suffolk, 21–23 May 2008. (
75:
506:
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on 29 October 1903. The Piano
Quartet in B minor and the Violin Sonata were both introduced at the same
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67:, the cathedral organist, from age 12, tried writing songs at 13 and then a sonata at 16.
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330:
The Piano Trio No 1 in G major (circa 1889) has been recorded by the Trio Anima Mundi on
83:
721:
The
Pandora guide to women composers: Britain and the United States 1629–present
832:
719:
696:
152:
148:
661:
Release Date: 10/11/2005 Label: Meridian Records Catalog #: 84478 Spars Code: DDD
337:
The Piano Trio No 2 in D minor (1891) was recorded by the Summerhayes Piano Trio. (
314:"Verlust": solo song; words by Heine, English Translation by J. Troutbeck. (1884)
151:
concert in London on 28 April 1900, performed by Sybil Palliser, Edie Reynolds,
88:
271:: a choral ballad (men's voices) with orchestral accompaniment ad. lib. (1894)
123:
In 1886 Ellicott found success at the Gloucester Festival with the orchestral
56:
447:
92:
286:"Sing to me". Duet for Soprano & Tenor; words by R. S. Hichens (1887)
742:
Three Choirs: Gloucester, Hereford, Worcester; a history of the festival
589:
Music Dictionary Featuring The Grove Dictionary of Music & Musicians
292:"Peace be around thee". Four-part Song; words written by T. Moore (1888)
760:
Women composers during the British musical renaissance, 1880–1918
60:
289:"Radiant Sister of the Day". A Four-part Song; words by Shelley (1887)
52:
110:
20:
100:
82:. She also studied composition for seven years from 1885 under
295:"Bring the bright Garlands". Part-Song; words by Moore (1889)
95:
in 1924. She is buried near her parents in the churchyard of
47:, the daughter of Constantia Annie Ellicott (née Becher) and
320:"A Dream of the Sea". Song; words by R. S. Hichens (1889)
311:"To the Immortals". Song; words by D. F. Blomfield (1883)
87:
from the public eye. She moved to the south coast after
698:
Women composers: music through the ages: volume eight
610:"Most widely held works by Rosalind Frances Ellicott"
718:
695:
473:(10223). Worcester, England: 6. 21 September 1889.
353:Romantics in England – Music for Cello & Piano
317:"I love thee". Song; words by R. S. Hichens (1887)
265:: a cantata for soli, chorus and orchestra (1892)
659:English Romantic Trios / Summerhayes Piano Trio
427:(40455). London, England: 10. 24 February 1914.
400:Provincial Music Festival in England, 1784–1914
491:(13529). Bristol, England. 22 September 1891.
8:
211:A Sketch for violin with piano accompaniment
702:(Partitur ed.). New York: G.K. Hall.
537:(7634). London, England. 5 September 1889.
393:
391:
389:
223:A Reverie for Violoncello & Pianoforte
823:International Music Score Library Project
482:
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70:From 1874 to 1876 she studied piano with
511:Grove Music Online. Oxford Music Online
500:
498:
385:
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243:Sonata in D for violin and piano (1900)
776:. Arts and Humanities Research Council
7:
899:19th-century British women composers
894:20th-century British women composers
884:20th-century English women musicians
879:Alumni of the Royal Academy of Music
235:Six Pieces for Violin and Pianoforte
533:"THE GLOUCESTER MUSICAL FESTIVAL".
489:The Bristol Mercury and Daily Post
14:
864:British women classical composers
694:Schleifer, Martha Furman (2006).
231:Piano Trio No 2 in D minor (1891)
25:An 1890 portrait of Ellicott, by
874:19th-century classical composers
819:Free scores by Rosalind Ellicott
192:Fantasia for piano and orchestra
240:Piano Quartet in B minor (1900)
904:20th-century English composers
889:19th-century British composers
854:19th-century English musicians
1:
487:"MISS ELLICOTT INTERVIEWED".
585:"ELLICOTT, ROSALIND FRANCES"
507:"Ellicott, Rosalind Frances"
131:, a lyrical cantata. Of her
849:English classical composers
790:"Rosalind Frances Ellicott"
680:, accessed 15 December 2020
665:, accessed 15 December 2020
402:. Ashgate Publishing, Ltd.
228:Piano Trio No 1 in G (1889)
216:String Quartet in Bb (1884)
920:
859:English Romantic composers
639:Musicweb-international.com
471:Berrow's Worcester Journal
469:"MISS ROSALIND ELLICOTT".
398:Dr Pippa Drummond (2013).
246:Sonata for cello and piano
794:National Portrait Gallery
513:. Oxford University Press
355:: Dutton, 2009. CDLX7225)
33:Rosalind Frances Ellicott
869:Musicians from Cambridge
678:www.duttonvocalion.co.uk
562:, 1 December 1903, p 813
758:Fuller, Sophie (1998).
740:Boden, Anthony (1992).
717:Fuller, Sophie (1994).
65:Samuel Sebastian Wesley
762:: University of London
438:Dr David C.F. Wright.
339:English Romantic Trios
127:and then in 1889 with
120:
76:Royal Academy of Music
29:
535:The Pall Mall Gazette
523:Subscription required
269:King Henry of Navarre
137:Three Choirs Festival
115:Rosalind Ellicott by
114:
80:Three Choirs Festival
43:Ellicott was born in
24:
774:"Concert Programmes"
550:, January 1990, p 27
334:, DIVINE ART DDA2515
145:Gloucester Guildhall
27:Herbert Rose Barraud
725:. London: Pandora.
440:"ROSALIND ELLICOTT"
332:English Piano Trios
219:String Quartet in F
811:Grove Music Online
744:. Stroud: Sutton.
663:www.arkivmusic.com
574:, June 1900, p 399
121:
97:Birchington-on-Sea
72:Frederick Westlake
30:
345:, 2005. CDE84478)
263:The Birth of Song
186:Festival Overture
180:Dramatic Overture
125:Dramatic Overture
117:Elliott & Fry
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423:"Mrs Ellicott".
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343:Meridian Records
275:To the Immortals
174:Concert Overture
49:Charles Ellicott
16:English composer
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91:and died in
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844:1924 deaths
839:1857 births
325:Discography
89:World War I
833:Categories
380:References
300:Solo songs
281:Part songs
168:Orchestral
57:Gloucester
815:(extract)
425:The Times
199:To Spring
197:Overture
93:Seasalter
45:Cambridge
799:31 March
780:31 March
619:31 March
594:31 March
517:31 March
454:31 March
825:(IMSLP)
821:at the
644:23 July
349:Reverie
257:Elysium
205:Chamber
133:Elysium
129:Elysium
119:(c1870)
74:at the
61:Bristol
748:
729:
706:
406:
251:Choral
237:(1891)
225:(1888)
213:(1883)
194:(1895)
188:(1893)
182:(1886)
176:(1886)
53:Bishop
51:, the
813:entry
360:Notes
163:Works
107:Music
99:, in
801:2014
782:2014
746:ISBN
727:ISBN
704:ISBN
646:2020
621:2014
596:2014
519:2014
456:2014
404:ISBN
101:Kent
59:and
39:Life
55:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
