87:(1990); she was appointed full professor of music in 1993. In 2009, she won the American Musicological Society's Slim award which "recognizes an outstanding musicological article published in the previous year by a scholar beyond the early stages of her or his career" and was made an honorary member of the AMS.
94:(of the Frankfurt school), as she argued that music could not be dissected and fully analyzed out of context, i.e. without understanding its place in society. In recent years, Subotnik’s interests have turned to Tin Pan Alley and American musical theatre as well as critical theory.
51:(MA 1965, PhD 1973), under her advisor Edward Lippman. Her dissertation was on Albert Lortzing and the Social Analysis of German Popular Opera. While at Columbia, she also took classes with Paul Henry Lang, Jacques Barzun, and Lionel Trilling.
39:. David E. Rosengard was a math teacher who would later become the assistant superintendent of the Boston public schools. Subotnik graduated first in her class from
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83:(1977). Later, she was a visiting associate professor of music at the Graduate Center, CUNY (1986–7), joining the faculty of
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Subotnik was born in 1942 to Bruna Hazan (1909–2004) and David E. Rosengard (1910–1988) in
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Early in her career, Subotnik's academic interests focused on the German philosopher
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Rose
Subotnik married Dan Subotnik in 1969. Dan Subotnik is a professor of law at
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Subotnik began her teaching career as an assistant professor of musicology at the
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63:, and has written extensively on tax, race and gender. They have two children.
147:, ed. Josh Ellenbogen and Aaron Tugendhaft (Stanford University Press, 2011)
136:"Shoddy Equipment for Living?: Deconstructing the Tin Pan Alley Song," in
47:(BA 1963). Upon graduation, she entered a PhD program in musicology at
140:, ed. Raymond Knapp, Steven Baur and Jacqueline Warwick (Ashgate, 2008)
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129:“Afterword: Towards the Next Paradigm of Musical Scholarship,” in
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Deconstructive
Variations: Music and Reason in Western Society
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Musicological
Identities: Essays in Honor of Susan McClary
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Developing
Variations: Style and Ideology in Western Music
253:"AMS—Awards presented at the Philadelphia Annual Meeting"
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Beyond
Structural Listening: Postmodern Modes of Hearing
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http://research.brown.edu/research/profile.php?id=10316
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Toxic
Diversity: Race, Gender, and Law Talk in America
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to
English-speaking musicologists in the late 1970s.
23:, generally credited with introducing the writing of
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http://www.oxfordmusiconline.com/public/book/omo_gmo
19:(née Rosengard; born 1942) is a leading American
216:The New Grove Dictionary of Music and Musicians
75:(1973–80). She received fellowships from the
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143:"How Many Ways Can You Idolize a Song?," in
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43:(1959) and then first in her class at
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106:(University of Minnesota Press, 1991)
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122:"Adorno and the New Musicology," in
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308:American women musicologists
117:Selected Additional Writings
318:21st-century American women
313:Boston Latin Academy alumni
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124:Adorno: A Critical Reader
41:Girls' Latin High School
17:Rose Rosengard Subotnik
303:American musicologists
191:Subotnik, Dan (2005).
73:University of Chicago
158:Women in musicology
49:Columbia University
273:Brown University,
67:Professional life
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180:. 1975.
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