Knowledge (XXG)

Roy Mitchell (theatre practitioner)

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391: 31: 177:. In 1974 Moore wrote "in 1929, Roy Mitchell was a voice crying in the near-wilderness of Canada" and called him "the seer who said it all on our own doorstep nearly half a century ago." A later scholar wrote that Mitchell's "vision ... did not fully come to pass in his lifetime, nor did it subsequently." 431:
said, "It is not too much to say that Mr. Mitchell is a genius in the art of stage production. Thoroughly imbued with a sense of the importance of the theatrical art to the community (it is no exaggeration to say that he conceives of it as a form of religion), he is perfectly willing to place all
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announcement of the wedding described Mitchell as "author, lecturer, theatrical director, theosophical leader and onetime newspaperman" and Taylor as a "well-known artist and sculptress." In 1929 they moved to New York City. Mavor Moore wrote, "Mitchell left for New York to teach and write about
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was his last Hart House production. After two seasons, and disagreements with the Board of Syndics about concentrating on Canadian plays, he left. He spent two years on the west coast of Canada, then returned to Toronto, where for a while he taught scene design at the Ontario College of Art.
373:. There he developed a system of phonetic notation that allowed people to sing folk songs in other languages. He formed a seven-member singing group called The Consort (Jocelyn Taylor was a member) that sang songs in forty languages and dialects. 943:
Day, Moira (2015). "Treading the Arduous Road to Eleusis, Nationalism, and Feminism in Early Post-World War I Canada: Roy Mitchell's 1920 The Trojan Women". In Bosher, Kathryn; Macintosh, Fiona; McConnell, Justine; Rankine, Patriche (eds.).
246:(in 1916). These productions, directed by Mitchell, "introduced skeptical Toronto audiences to the principles of theatrical modernism," and the Arts and Letters Players "became the foremost group in Toronto's amateur theatre." 36: 269:
said his "connection with the Theosophical Society made his name prominent throughout Canada." Theosophy was important in his theatre work, and this was reflected in productions such as
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on the monastic community." Scott Duschene, who edited a critical edition of the book in 2020, wrote that "while imbued with the spirit of the little theatre movement in Canada,
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Badir, Patricia (Spring 2012). "'This little academe, still and contemplative in living art': Shakespeare, Modernism, and the Arts and Letters Club of Toronto".
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Mitchell was born in Michigan in 1884 to Canadian parents. The family returned to Canada in 1886 and moved to Toronto in 1889, where Mitchell attended
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The Canadian Theosophist: 1920-2007, index 1920-26 v1-6, 1927-28 v8, 1937-1938 v18, 1954-57 v35-7, 1959-67, 1974-2007
325: 1018:"An Impossible Ambition"?: Roy Mitchell's Creative Idealism and the Spiritual Nexus Between Theatre and Theosophy 289: 963:"A Golf Club for the Golden Age: English Canadian Theatre Historiography and the Strange Case of Roy Mitchell" 157:
in Canada and the United States. He was involved in the creation and was the first artistic director of the
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in 1908, and there formed the Arts and Letters Players, which put on many shows at the club. The first was
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Through the 1920s he lectured extensively on Theosophy and little theatre in Canada and the United States.
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said it "constructs a vision of the theatre that foreshadows, often in clairvoyant detail, the ideas of
190: 162: 87: 1020:(PhD thesis). University of Illinois at Urbana-Champaign – via ProQuest Dissertations and Theses. 1207: 1202: 1025:
Lacombe, Michele (1982). "Theosophy and the Canadian Idealist Tradition: A Preliminary Exploration".
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Mitchell wrote books and articles about theatre and Theosophy. Some of his articles appeared in
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Mitchell knew Vincent Massey from the Arts and Letters Club, and worked with him in creating the
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Moore, Mavor (27 October 1984). "Little-known giant of the theatre was one of our own".
30: 1109: 1098: 451: 447: 443: 166: 130: 1196: 1054: 935: 733: 731: 494:, with illustrations by Jocelyn Taylor (Toronto: National Council of Education, 1925) 438:
was published in 1929, with illustrations by his wife and colleague Jocelyn Taylor.
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The Exile of the Soul: The Case for Two Souls in the Constitution of Every Man
480:, with illustrations by J. E. H. MacDonald (Toronto: J.M. Dent and Sons, 1919) 1046: 860: 1173: 500:(New York: John Daly, 1929), with illustrations by Jocelyn Taylor; see also 338: 310: 261:. He joined the Toronto Theosophical Society in 1910 and wrote a handbook, 250: 1002: 919: 193:. He became a journalist and worked at various newspapers, including the 1038: 1081:
Moore, Mavor (Winter 1974). "Canada's Great Theatre Prophet: Roy Who?".
927: 504:, edited by Scott Duschene (Ottawa: University of Ottawa Press, 2020) 1122:. 1926-05-15. p. 18 – via ProQuest Historical Newspapers. 541:, edited by John L. Davenport (Buffalo, NY: Prometheus Books, 1983) 253:," a belief shared with other Arts and Letters Club members such as 432:
his knowledge and experience at the disposal of other producers."
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In 1930 Mitchell was appointed to the Faculty of Dramatic Art at
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Clara Thomas Archives & Special Collections, York University
333:, with music by Willan; Mitchell did the set and lighting design 288:. In 1917 he was technical director for the first season of the 1064:
The Great Adventure: 100 Years at The Arts & Letters Club
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Theatre Research in Canada / Recherches théâtrales au Canada
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Theatre Research in Canada / Recherches théâtrales au Canada
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Theatre Research in Canada / Recherches théâtrales au Canada
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Theatre Research in Canada / Recherches théâtrales au Canada
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J. E. H. MacDonald illustration of Shakespeare's Puck, from
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In 1934, Mitchell and his wife joined the faculty of the
149:(4 February 1884 – 27 July 1944) was a Canadian-American 811: 809: 706: 704: 702: 342:
by Shakespeare, with music by Willan and set design by
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Journal of Canadian Studies/Revue d'Ă©tudes canadiennes
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Mitchell married Jocelyn Taylor on 17 May 1926 at the
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An Index to The Canadian Theosophist: Volumes 1 to 78
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The School Theatre: A Handbook of Theory and Practice
826: 824: 136: 126: 113: 93: 83: 65: 44: 21: 946:The Oxford Handbook of Greek Drama in the Americas 737: 1066:. Toronto: The Arts and Letters Club of Toronto. 689: 687: 685: 35:Portrait of Roy Mitchell taken in 1910, from the 885: 284:in 1916 to study and work in theatre, mostly in 521:Through Temple Doors: Studies in Occult Masonry 466:is equally steeped in the world of theosophy." 634: 1107:"Roy Mitchell: Active Backer of Stage Arts". 8: 1033:(2). University of Toronto Press: 100–118. 380:, known then as the Banff School of Drama. 366:the theatre Canada was not yet ready for." 515:Theosophic Study and A White Lotus Address 29: 18: 1118:"Roy Mitchell to Marry Jocelyn Taylor". 710: 661: 592: 1127:"Taking the Curse Off Amateur Acting". 873: 815: 800: 752: 722: 649: 619: 565: 558: 954:10.1093/oxfordhb/9780199661305.013.013 230:, and the North American premieres of 200:Mitchell was a founding member of the 16:Canadian-American theatre practitioner 830: 788: 776: 764: 676: 577: 7: 529:(Toronto: Blavatsky Institute, 1951) 523:(Toronto: Blavatsky Institute, 1945) 517:(Toronto: Blavatsky Institute, 1945) 502:Creative Theatre: A Critical Edition 486:(Toronto: Blavatsky Institute, 1923) 378:Banff Centre for Arts and Creativity 1140:"Roy Mitchell: Prophet in Our Past" 843:Day, Moira; Potts, Marilyn (1987). 693: 535:(Westwood, NJ: Kindle Press, 1969) 387:. He and Taylor had no children. 14: 1218:Canadian male non-fiction writers 477:Shakespeare for Community Players 421:Shakespeare for Community Players 396:Shakespeare for Community Players 383:Mitchell died on 27 July 1944 in 202:Arts and Letters Club of Toronto 153:who played an important role in 39:held at the Archives of Ontario. 1016:Kivisto, Mikko William (2009). 59:Fort Gratiot Township, Michigan 273:at Hart House and in his book 1: 1138:Usmiani, Renate (Fall 1987). 961:Duchesne, Scott (Fall 1997). 1233:University of Toronto alumni 423:(1919) has illustrations by 359:Church of St. Mary Magdalene 187:Harbord Collegiate Institute 1238:New York University faculty 1062:McBurney, Margaret (2007). 948:. Oxford University Press. 1254: 1213:Canadian theatre directors 1170:Roy Mitchell fonds (F0368) 533:The Creative Spirit of Art 458:on the open space, and of 165:, and was an influence on 290:Greenwich Village Theatre 214:in 1911; others included 28: 1180:The Canadian Theosophist 1178:Mitchell's writings for 1113:. 1944-07-28. p. 5. 985:Duchesne, Scott (2006). 415:The Canadian Theosophist 249:Mitchell was an "ardent 1133:: 80–81. December 1920. 1084:Canadian Theatre Review 140:Jocelyn Taylor (1926– ) 399: 1228:Canadian Theosophists 1223:American Theosophists 1003:10.3138/tric.27.2.227 920:10.1353/shq.2012.0000 908:Shakespeare Quarterly 393: 191:University of Toronto 163:University of Toronto 147:Roy Matthews Mitchell 88:University of Toronto 1039:10.3138/jcs.17.2.100 410:Theatre Arts Monthly 326:Love's Labour's Lost 151:theatre practitioner 527:Theosophy in Action 484:Theosophy in Action 427:. A review in the 385:Canaan, Connecticut 371:New York University 331:William Shakespeare 263:Theosophy in Action 232:Rabindranath Tagore 212:Maurice Maeterlinck 77:Canaan, Connecticut 1120:Toronto Daily Star 739:Toronto Daily Star 425:J. E. H. MacDonald 400: 363:Toronto Daily Star 317:and set design by 297:Hart House Theatre 280:Mitchell moved to 267:Toronto Daily Star 224:The Workhouse Ward 216:The Shadowy Waters 159:Hart House Theatre 37:M.O. Hammond fonds 1172:available at the 450:on audiences, of 286:Greenwich Village 144: 143: 1245: 1158: 1156: 1155: 1134: 1130:Canadian Bookman 1123: 1114: 1103: 1092: 1077: 1058: 1021: 1012: 1010: 1009: 981: 979: 978: 957: 939: 892: 887:Canadian Bookman 883: 877: 871: 865: 864: 840: 834: 828: 819: 813: 804: 798: 792: 786: 780: 774: 768: 762: 756: 750: 744: 735: 726: 720: 714: 708: 697: 691: 680: 674: 665: 659: 653: 647: 641: 632: 623: 617: 596: 590: 581: 575: 569: 563: 498:Creative Theatre 464:Creative Theatre 446:on movement, of 436:Creative Theatre 429:Canadian Bookman 313:, with music by 306:The Trojan Women 275:Creative Theatre 271:The Trojan Women 120:Creative Theatre 116: 103:theatre director 72: 55:February 4, 1884 54: 52: 33: 19: 1253: 1252: 1248: 1247: 1246: 1244: 1243: 1242: 1193: 1192: 1182:are indexed in 1166: 1161: 1153: 1151: 1137: 1126: 1117: 1106: 1095: 1080: 1074: 1061: 1024: 1015: 1007: 1005: 984: 976: 974: 960: 942: 905: 901: 896: 895: 884: 880: 872: 868: 842: 841: 837: 829: 822: 814: 807: 799: 795: 787: 783: 775: 771: 763: 759: 751: 747: 736: 729: 721: 717: 709: 700: 692: 683: 675: 668: 660: 656: 648: 644: 633: 626: 618: 599: 591: 584: 576: 572: 564: 560: 555: 472: 405: 344:Merrill Denison 259:Merrill Denison 237:The Post Office 183: 114: 109: 84:Alma mater 79: 74: 70: 61: 56: 50: 48: 40: 24: 17: 12: 11: 5: 1251: 1249: 1241: 1240: 1235: 1230: 1225: 1220: 1215: 1210: 1205: 1195: 1194: 1191: 1190: 1176: 1165: 1164:External links 1162: 1160: 1159: 1135: 1124: 1115: 1110:Globe and Mail 1104: 1099:Globe and Mail 1093: 1078: 1072: 1059: 1022: 1013: 997:(2): 227–244. 982: 958: 940: 902: 900: 897: 894: 893: 878: 876:, p. 170. 866: 835: 820: 805: 793: 791:, p. 104. 781: 769: 757: 745: 727: 725:, p. 103. 715: 698: 681: 666: 654: 642: 636:Globe and Mail 624: 597: 582: 570: 568:, p. 162. 557: 556: 554: 551: 550: 549: 536: 530: 524: 518: 512: 495: 487: 481: 471: 468: 454:on ritual, of 404: 401: 348: 347: 334: 321: 240:(in 1914) and 182: 179: 167:Vincent Massey 155:little theatre 142: 141: 138: 134: 133: 131:Little theatre 128: 124: 123: 117: 111: 110: 108: 107: 104: 101: 97: 95: 91: 90: 85: 81: 80: 75: 73:(aged 60) 67: 63: 62: 57: 46: 42: 41: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1250: 1239: 1236: 1234: 1231: 1229: 1226: 1224: 1221: 1219: 1216: 1214: 1211: 1209: 1206: 1204: 1201: 1200: 1198: 1189: 1185: 1181: 1177: 1175: 1171: 1168: 1167: 1163: 1149: 1145: 1141: 1136: 1132: 1131: 1125: 1121: 1116: 1112: 1111: 1105: 1102:. p. E3. 1101: 1100: 1094: 1090: 1086: 1085: 1079: 1075: 1073:9780969458821 1069: 1065: 1060: 1056: 1052: 1048: 1044: 1040: 1036: 1032: 1028: 1023: 1019: 1014: 1004: 1000: 996: 992: 988: 983: 972: 968: 964: 959: 955: 951: 947: 941: 937: 933: 929: 925: 921: 917: 914:(1): 77–107. 913: 909: 904: 903: 898: 891:, p. 80. 890: 888: 882: 879: 875: 870: 867: 862: 858: 854: 850: 846: 839: 836: 832: 827: 825: 821: 818:, p. 65. 817: 812: 810: 806: 803:, p. 79. 802: 797: 794: 790: 785: 782: 779:, p. 91. 778: 773: 770: 767:, p. 77. 766: 761: 758: 755:, p. 49. 754: 749: 746: 742: 740: 734: 732: 728: 724: 719: 716: 712: 711:Duchesne 2006 707: 705: 703: 699: 695: 690: 688: 686: 682: 679:, p. 81. 678: 673: 671: 667: 664:, p. 13. 663: 662:McBurney 2007 658: 655: 651: 646: 643: 639: 637: 631: 629: 625: 621: 616: 614: 612: 610: 608: 606: 604: 602: 598: 594: 593:Duchesne 1997 589: 587: 583: 580:, p. 71. 579: 574: 571: 567: 562: 559: 552: 548: 544: 540: 537: 534: 531: 528: 525: 522: 519: 516: 513: 511: 510:9780776626628 507: 503: 499: 496: 493: 492: 488: 485: 482: 479: 478: 474: 473: 469: 467: 465: 461: 457: 453: 449: 445: 441: 437: 433: 430: 426: 422: 418: 416: 412: 411: 402: 397: 392: 388: 386: 381: 379: 374: 372: 367: 364: 360: 355: 352: 345: 341: 340: 335: 332: 328: 327: 322: 320: 319:Arthur Lismer 316: 315:Healey Willan 312: 308: 307: 302: 301: 300: 298: 293: 291: 287: 283: 282:New York City 278: 276: 272: 268: 264: 260: 256: 255:Lawren Harris 252: 247: 245: 244: 239: 238: 233: 229: 225: 221: 217: 213: 209: 208: 203: 198: 196: 195:Toronto World 192: 189:and then the 188: 180: 178: 176: 172: 171:Herman Voaden 168: 164: 160: 156: 152: 148: 139: 135: 132: 129: 125: 121: 118: 112: 105: 102: 99: 98: 96: 92: 89: 86: 82: 78: 69:July 27, 1944 68: 64: 60: 47: 43: 38: 32: 27: 20: 1179: 1152:. Retrieved 1147: 1143: 1128: 1119: 1108: 1097: 1088: 1082: 1063: 1030: 1026: 1017: 1006:. Retrieved 994: 990: 975:. Retrieved 970: 966: 945: 911: 907: 886: 881: 874:Kivisto 2009 869: 852: 848: 838: 816:Kivisto 2009 801:Kivisto 2009 796: 784: 772: 760: 753:Kivisto 2009 748: 738: 723:Lacombe 1982 718: 657: 652:, p. 8. 650:Kivisto 2009 645: 635: 620:Usmiani 1987 573: 566:Kivisto 2009 561: 538: 532: 526: 520: 514: 501: 497: 490: 483: 476: 470:Bibliography 463: 435: 434: 428: 420: 419: 414: 408: 406: 395: 382: 375: 368: 362: 356: 350: 349: 337: 324: 304: 303:March 1920: 294: 279: 274: 270: 266: 262: 248: 241: 235: 228:Lady Gregory 223: 215: 205: 199: 197:until 1915. 184: 146: 145: 119: 115:Notable work 71:(1944-07-27) 23:Roy Mitchell 1208:1944 deaths 1203:1884 births 1091:(1): 68–71. 456:Peter Brook 440:Mavor Moore 323:June 1920: 251:Theosophist 220:W. B. Yeats 175:Mavor Moore 94:Occupations 1197:Categories 1154:2022-03-11 1008:2022-03-11 977:2022-03-12 899:References 831:Moore 1984 789:Badir 2012 777:Badir 2012 765:Badir 2012 677:Badir 2012 578:Moore 1974 547:0879752335 346:and Lismer 336:June 1921 100:Journalist 51:1884-02-04 1055:151837097 1047:1911-0251 936:154849216 861:1913-9101 460:Grotowski 351:Cymbeline 339:Cymbeline 311:Euripides 181:Biography 106:professor 928:41350170 694:Day 2015 207:Interior 127:Movement 452:Guthrie 403:Writing 161:at the 1070:  1053:  1045:  934:  926:  859:  545:  508:  448:Brecht 444:Artaud 398:(1919) 243:Chitra 137:Spouse 122:(1929) 1051:S2CID 932:S2CID 924:JSTOR 855:(1). 553:Notes 1186:and 1068:ISBN 1043:ISSN 889:1920 857:ISSN 741:1926 638:1944 543:ISBN 506:ISBN 413:and 257:and 173:and 66:Died 45:Born 1150:(2) 1035:doi 999:doi 973:(2) 950:doi 916:doi 329:by 309:by 234:'s 226:by 218:by 210:by 1199:: 1146:. 1142:. 1087:. 1049:. 1041:. 1031:17 1029:. 995:27 993:. 989:. 971:18 969:. 965:. 930:. 922:. 912:63 910:. 851:. 847:. 823:^ 808:^ 730:^ 701:^ 684:^ 669:^ 627:^ 600:^ 585:^ 417:. 277:. 222:, 169:, 1157:. 1148:8 1089:1 1076:. 1057:. 1037:: 1011:. 1001:: 980:. 956:. 952:: 938:. 918:: 863:. 853:8 833:. 743:. 713:. 696:. 640:. 622:. 595:. 53:) 49:(

Index


M.O. Hammond fonds
Fort Gratiot Township, Michigan
Canaan, Connecticut
University of Toronto
Little theatre
theatre practitioner
little theatre
Hart House Theatre
University of Toronto
Vincent Massey
Herman Voaden
Mavor Moore
Harbord Collegiate Institute
University of Toronto
Toronto World
Arts and Letters Club of Toronto
Interior
Maurice Maeterlinck
W. B. Yeats
Lady Gregory
Rabindranath Tagore
The Post Office
Chitra
Theosophist
Lawren Harris
Merrill Denison
New York City
Greenwich Village
Greenwich Village Theatre

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