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454:. The center of the monumental pediment has a statue of Saint Francis of Assisi in white marble. It is now covered in layers of paint and placed in the niche at the end of the first half of the 18th century. A relief of the coats of arms of the Franciscan Order is placed above the statue. The smooth tiles covering the towers are also from a later period and serve further to accentuate the main body of the façade was originally in dark sandstone. Tiles were added at a later period "to accentuate the main body of the façade".
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657:. Each panel is surrounded by an ornate frame of flora, vases, and mascarons; each panels also a Latin inscription at its base. They variously depict citizens, soldiers, pagan gods, fauna, flora, European architecture, and putti. The azulejos were manufactured in Portugal, and arrived in Bahia between 1743 and 1746; their installation was completed in 1748.
623:, Bahia, to construct the cloister by Frei Alvaro da Conceição. The cloister is circled by arches supported by stone columns, and its walkways provided shade from the harsh climate of Brazil. It served as a place for private meditation, community gatherings, interior processions; in contrast to the public use of the church.
366:
The Church of São
Francisco of Salvador is constructed of Bahian sandstone, including the walls, pilasters, and façade. Some sandstone existed on the Itapagipe Peninsula in the 18th century, but later sandstone elements were brought from Jaguaribe and Velha Boipeba in the interior of Bahia. The eight
337:
Construction on the present-day church and convent began in 1708, as evidenced by the placement of a foundation stone. The structure was completed in 1723. The interior was decorated by several artists during a great part of the 18th century. Most decoration of the church and convent were finished by
322:
to establish a convent on the site. The
Franciscans initially settled into various residences and chapels on the site of the present Franciscan church, convent, and Third Order church. Melchior de Santa Catarina sent Antônio da Ilha and Francisco de São Boaventura, Franciscan brothers, to Salvador
318:, third Bishop of Bahia. Their arrival in Bahia followed that of the Jesuits, who arrived with Tomé de Sousa, Brazil's first governor-general, and constructed their college and chapel of the Jesuits 1564. Friar Melchior de Santa Catarina, Custodian Priest of Olinda, sent an appeal in 1585 to
669:
of the São
Francisco Church and Convent is located directly behind the high altar and is accessed via chapels to either side of the chancel. It has a massive sacristy cabinet with an altar at center and other carved Baroque furniture. The walls are covered in 17th-century Portuguese
507:
The most important characteristic of the church is its exuberant inner decoration, mostly executed in the first half of the 18th century. All interior surfaces--walls, pillars, vaults and ceilings--are covered by golden sculpted gilt woodwork and paintings. The altarpieces have
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of the São
Francisco Church stands 8 metres (26 ft) on a square base of 5.5 metres (18 ft) by 5.5 metres (18 ft). The cross is dated 1807 and has an inscription Latin. The square in front of the São Francisco Church is now named for the cross, and is known as the
442:, among other buildings. Sandstone from the Boa Viagem quarry, located on the Itapagipe Peninsula, was used for the façade. The quarry was a donation to the Franciscan fathers. Like the Cathedral of Salvador, it has three portals and two flanking
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tile panels were placed around the entirety of the cloister in the final period of construction. Of the approximately 50,000 azulejos in the church and convent, 35,000 are used in the cloister. The azulejos, like
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massive columns that support the choir are of Bahian sandstone and display clasts characteristic of sandstone the region. The use of local sandstone is in contrast to the extensive use of
Portuguese
394:, while most other Franciscan churches of the region have only one aisle. Three lateral chapels are located on each of the lateral aisles. The church has a rectangular shape without protruding
653:, first published in 1607. Some panels correspond directly to prints in the book. The panels of azulejos, 37 in number, depict mythological scenes with moralistic allegories by the Roman poet
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in 1938. The structure was registered under the Book of
Historical Works, Inscription no. 1 and Book of Fine Arts, Inscription no. 11. The directive is dated March 31, 1938.
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marble, was carried to Brazil in the ballast of
Portuguese ships. The azulejos were produced in Portugal by an unknown artist. They are sometimes attributed to
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639:, but differ greatly from his other works. Thijs Weststeijn attributes them to a Portuguese team of artist working in the Netherlands, likely in Delft.
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of the aisles are covered by wooden panels with paintings. Of particular note are the carvings of eight massive
Atlanteans support the lateral altars.
1160:
1150:
953:
1155:
762:. Pequeno guia das igrejas da Bahia, 9 (2 ed.). Salvador, Bahia: Diretoria do Arquivo, Divulgação e Estatística da Prefeitura do Salvador.
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initiated the current structure in 1686, which was completed in the 18th century. The
Franciscan church and convent have the largest number of
46:
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200:
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Thijs
Weststeijn (2005). "Otto Vaenius' Emblemata Horatiana and the azulejos in the monastery of São Francisco in Salvador de Bahía".
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Thijs Weststeijn (2005). "Otto Vaenius' Emblemata Horatiana and the azulejos in the monastery of São Francisco in Salvador de Bahía".
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limestone with the motif of the Franciscan order at center, an image in the niche at top, and elaborate masks motifs at the two taps.
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arrived in Salvador in 1587 and constructed a convent and church on the site. This structure was destroyed by the Dutch during the
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of the São Francisco Church and Convent was constructed between 1707 and 1752. It consists of two stories. Stone was ordered from
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The main façade faces a large rectangular square, the Largo do Cruzeiro, with a large stone cross. The façade shows influences of
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426:, a large cloister; which serves as a meeting room for the order; sacristy; library; and numerous rooms that serve the convent.
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372:
422:. The church consists of a nave and chancel; transept; choir; lateral corridors; a vestibule which serves as an entrance; a
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342:, located immediately adjacent to the Franciscan church, was carried out in parallel between 1702 and 1870.
543:. The decoration of the church is considered one of the most complete and imposing in Portuguese-Brazilian
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539:, cover the lower parts of the walls of the main chapel and transept and depict scenes of the life of
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474:) was common to Franciscan churches in Brazil; it demarcated the sacred space of an urban area. The
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invasions of Bahia in the 17th century. The works on the current convent began in 1686 under Father
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marble, imported from Lisbon, sits in the broad square in front of the church. A large cross (
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Crossing and main chapel of the church. Note the wooden panels with paintings on the ceiling.
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901:. Vol. 3. Salvador, Brazil: Secretaria da Indústria e Comércio. 1997. pp. 17–18.
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731:. Lisbon, Portugal: Heritage of Portuguese Influence/Património de Influência Portuguesa
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1012:. Brasília, Brazil: Ministério das Relações Exteriores, Governo Federal. p. 150.
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The Franciscans soon built a convent and church, but these were destroyed during the
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De Zeventiende Eeuw: Cultuur in de Nederlanden in Interdisciplinair Perspectief
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De Zeventiende Eeuw: Cultuur in de Nederlanden in Interdisciplinair Perspectief
780:(in Portuguese). Rio de Janeiro, RJ: EXPED-Expansão Editorial. pp. 56–57.
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The São Francisco Church and Convent was listed as a historic structure by the
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The Church of São Francisco of Salvador is unusual among Franciscan houses of
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Nave of the church. Note the exuberant golden woodwork that cover all surfaces
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The artwork of the azulejos were inspired by the work of the Flemish artist
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in 1938. The convent, church, and Church of the Third Order are one of the
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840:(in Portuguese). Rio de Janeiro: Versal Editores. 2008. pp. 104–113.
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916:(in Portuguese and English). São Paulo: Metalivros. pp. 68–73.
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monuments in Brazil. It was listed as a historic structure by the
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Igrejas históricas de Salvador = Historical churches in Salvador
959:(in Portuguese). Salvador, Bahia: Fundação Gregório Mattos. 2020
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The convent of São Francisco is also an important repository of
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and the Church of Nossa Senhora da Conceição da Praia, now the
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A retórica visual do Convento de São Francisco de Salvador/BA
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Igrejas e conventos da Bahia = Churches and convents of Bahia
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following a grandiose design that took decades to complete.
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Percival Tirapeli; Wolfgang Pfeiffer; Günther Heil (1999).
323:
the same year; construction of a convent began in 1587.
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18th-century Roman Catholic church buildings in Brazil
1070:
Atlas dos monumentos históricos e artísticos do Brasil
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The church is open to the public and may be visited.
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arrived in Salvador in 1587 at the invitation of Dom
838:
O lioz português: de lastro de navio a arte na Bahia
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National Institute of Historic and Artistic Heritage
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National Institute of Historic and Artistic Heritage
553:), being a perfect example of the "golden church" (
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992:. Vitória: Universidade Federal Do Espírito Santo.
899:IPAC-BA: inventário de proteção do acervo cultural
261:sits adjacent to the convent. The friars of the
599:was also used on the columns and altars of the
290:Seven Wonders of Portuguese Origin in the World
269:invasions of Bahia in the next century; Father
564:art. The wooden ceiling of the entrance hall (
483:. Despite its location in a public space, the
1076:Inventory of the Historical Heritage of Bahia
139:Location of the Catedral Basílica de Salvador
8:
1181:1723 establishments in the Portuguese Empire
512:and concentric arches decorated with golden
235:São Francisco Church and Convent of Salvador
33:São Francisco Church and Convent of Salvador
805:. Brasília, Brazil: IPHAN. pp. 37–70.
729:"Parish Church of Our Lady of Purification"
1176:Portuguese colonial architecture in Brazil
1136:Roman Catholic churches in Salvador, Bahia
1116:Azulejo panels in the São Francisco church
340:Church of the Third Order of Saint Francis
277:, 55,000, of any church in Latin America.
259:Church of the Third Order of Saint Francis
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1166:Roman Catholic churches completed in 1723
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245:) is located in the historical centre of
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626:A monumental set of blue-and-white
801:Flexor, Maria Helena Ochi (2011).
481:Largo do Cruzeiro de São Francisco
243:Convento e Igreja de São Francisco
51:Façade of the São Francisco Church
39:Convento e Igreja de São Francisco
25:
1141:Roman Catholic churches in Brazil
1131:Historic Center (Salvador, Bahia)
1068:da Silva Telles, Augusto Carlos:
1161:Franciscan monasteries in Brazil
1151:National heritage sites of Bahia
988:Beiter, Fernando Campos (2012).
446:. The upper part of the façade (
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18:São Francisco Church and Convent
914:As mais belas igrejas do Brasil
776:Carrazzoni, Maria, ed. (1980).
292:and form integral parts of the
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651:Quinti Horati Flacci Emblemata
404:São Francisco Church of Oporto
373:Cathedral Basilica of Salvador
338:1755. The construction of the
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601:Monastery of Jesus of Setúbal
568:) was painted with scenes in
727:Lins, Eugénio Ávila (2012).
489:Third Order of Saint Francis
398:arms and a main chapel. The
954:"CRUZEIRO DE SÃO FRANCISCO"
637:Bartolomeu Antunes da Jesus
533:Bartolomeu Antunes de Jesus
300:Historic Center of Salvador
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450:) is flanked by elaborate
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440:Jesuit Church of Salvador
420:Jesuit Church of Salvador
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1072:. MEC/SEAC/FENAME. 1980.
402:seems influenced by the
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1008:Vilaron, André (2007).
758:Alves, Marieta (1964).
316:Antônio Muniz Barreiros
27:Church in Bahia, Brazil
778:Guia dos bens tombados
583:are located below the
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371:limestone used in the
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362:Interior of the church
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149:Geographic coordinates
574:José Joaquim da Rocha
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541:St Francis of Assisi
547:gilt woodwork art (
416:São Roque in Lisbon
297:World Heritage Site
187:Direction of façade
171:12.9746°S 38.5091°W
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1146:Convents in Brazil
593:John V of Portugal
535:and imported from
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410:building) and the
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332:Vicente das Chagas
310:The friars of the
271:Vicente das Chagas
216:Reference no.
176:-12.9746; -38.5091
923:978-85-85371-25-8
847:978-85-89309-17-2
510:Solomonic columns
462:A large cross in
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585:choir level
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444:bell towers
390:with three
174: /
63:Affiliation
1125:Categories
1058:Q106368072
963:2020-08-01
940:Q109590451
856:2008318676
735:2019-01-15
702:References
468:Portuguese
239:Portuguese
208:Designated
162:38°30′33″W
159:12°58′29″S
78:Roman Rite
1102:0921-142X
1050:0921-142X
880:Q63392529
872:22686393M
864:276406303
576:in 1774.
414:plans of
400:floorplan
346:Structure
249:, in the
190:Northwest
1054:Wikidata
936:Wikidata
876:Wikidata
672:azulejos
667:sacristy
661:Sacristy
613:cloister
607:Cloister
566:portaria
485:cruzeiro
476:cruzeiro
472:cruzeiro
418:and the
396:transept
282:colonial
275:azulejos
247:Salvador
93:Salvador
84:Location
68:Catholic
57:Religion
932:143916M
628:azulejo
562:Baroque
545:Baroque
529:azulejo
514:foliage
452:volutes
306:History
109:Country
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655:Horace
537:Lisbon
518:vaults
430:Façade
412:Jesuit
408:Gothic
392:aisles
294:UNESCO
255:Brazil
113:Brazil
957:(PDF)
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