47:
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the human life to members of the
Franciscan Order. Four figures are located at the level of the niche of Saint Francis. The outer figures are Caryatids, and those closest to the niche, with a naked chest and wings next to the head, are representation of Hermes. Two half figures are located above the niche; they have the upper part of the female body with acanthus leaves below. The female forms, which resemble mermaids, hold a crown with a
132:
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is in a niche at the upper center of the complex façade; it is likely of limestone imported from
Portugal used in numerous churches in the same period. The uppermost section of the facade has the symbol of the skull, a symbol associated with Saint Francis, which represents death and the fragility of
335:
Electricians carrying out renovations on the church in the 1932 discovered the original
Baroque exterior of the church. The Neoclassical façade was removed and the granite Baroque exterior renovated in its present form in 1939. The church is also noted for its collection of roca saints, which are
463:
The cloister of the Church of the Third Order of Saint
Francis is located to the south of the structure. It is smaller and simpler than the cloister of the adjacent São Francisco Church and Convent. It bounds the nave on one side and the São Francisco Church and Convent on the opposite side; the
360:
Church of the Third Order of Saint
Francis sits behind a small churchyard on Igreja da Ordem Terceira slightly removed from the Terreiro do Jesus. The churchyard features an iron fence and masonry pillars. The church consists of a complex featuring a nave with two side corridors surmounted by
296:
The Order of the Third Order of San
Francisco arrived in Bahia in 1635. The order erected its first church in 1644 and was demolished and replaced by the present structure. A competition was held for its design, and on December 18, 1701, the Fathers of the Third Order chose
454:
imported from
Portugal; unlike other churches that feature pavements in strict geometric forms, it has curved tracing and irregular lines. The chancel arch is richly decorated in gilded woodcarving and has the Franciscan coat of arms at top.
449:
The chancel of the Third Order church has a vaulted ceiling with sash windows; unlike other chancels in
Salvador, its ceiling is painted a simple blue with small decorative stars. The pavement of the chancel is richly decorated with
305:, Portugal. The cornerstone of the church was laid on January 1, 1702, and the structure was completed on June 22, 1703. The façade was completed in 1705, but its elaborate construction probably continued well into the 18th century.
524:
Church of the Third Order of Saint
Francis was listed as a historic structure by the National Historic and Artistic Heritage Institute in 1938. The structures were registered under the Book of Historical Works, Inscription no. 89.
484:, or room of saints. The room contains twenty-three niches, constructed in 1844, to house wood sculptures of saints. The processional saints, revered by the Franciscan order, and niches are the work of the master woodcarver
388:
All parts of the church complex are decorated with azulejos, paintings, marble, and sculpture. The tribunes of the left wing are linked by galleries. The rich paintings on the ceiling of the nave were completed in 1831 by
569:. 17° Encontro Nacional da Associação Nacional de Pesquisadores em Artes Plásticas Panorama da Pesquisa em Artes Visuais (in Portuguese). Santa Maria, RS, Brazil: Associação Nacional de Pesquisadores em Artes Plásticas.
308:
The church was closed to the public and renovated in the late 1820s. The primitive interior of the church was replaced with
Neoclassical elements. New altars were created between 1827 and 1828 by the master wood carver
464:
cloister of the corridor has a small entrance to the adjacent building. Its corridors are richly lined in azulejos, similarly to the cloister of the São Francisco Church; its columns are of local Bahian sandstone.
916:
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The richly decorated Plateresque-style façade is carved from limestone with sandstone elements. The nave is accessed via a richly decorated central portal with two side doors. A statue of
931:
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limestone was imported at great expense from Portugal and is utilized in the decorative flooring of the nave, chancel, and sacristy. The rear of the church leads to an
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367:) a large patio with galleys, a large sacristy behind the high altar. The entrance hall has a collection of paintings depicting the life of Saint Francis by
46:
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completed in the gilding in 1830. The ornate Plateresque façade was covered with a simple Neoclassical facade. The church is also noted for its
352:
773:. Pequeno guia das igrejas da Bahia, 2. Salvador, Bahia: Diretoria do Arquivo, Divulgação e Estatística da Prefeitura do Salvador. 1949.
273:
854:
Mentalidade e estética na Bahia colonial: a venerável Ordem Terceira de São Francisco de Assis da Bahia e o frontispício da sua igreja
798:
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332:(1778–1856) composed a work for full orchestra for the dedication mass. Its score is now stored in the archive of the church.
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The sacristy contains a large sacristy cabinet, lavabo, and richly lined with azulejo tiles. The lavabo is of marble and
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368:
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793:(in Portuguese). Rio de Janeiro, Brasil Porto, Portugal: Versal Editores Edições Afrontamento. pp. 104–113.
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413:
660:. Rio de Janeiro, RJ: Expressão e Cultura Pedidos pelo reembolso postal, EXPED-Expansão Editorial. p. 62.
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limestone imported from Portugal; its design is of polychromatic inlay in white, red, light pink, and yellow
377:, a large meeting room for the Brotherhood, is richly decorated with paintings and azulejos. Polychromatic
405:
17:
814:
Silva, Zenaide C. G. (2017). "Lioz—a Royal Stone in Portugal and a Monumental Stone in Colonial Brazil".
719:
O uso da fachada-retábulo no Brasil colonial: a Ordem Terceira de São Francisco da Penitência de Salvador
409:
313:. Torres was commissioned to complete 77 pieces, including candlesticks, crosses, bouquets and jars.
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of the Franciscan Order with stylized birds to the left and right. The lavabo was imported from
831:
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823:
630:. Brasília, Brazil: Ministério das Relações Exteriores, Governo Federal. pp. 95–112.
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393:(1780–1833). The sacristy is noted for its well-preserved azulejo tiles and marble
328:
Church of the Third Order of Saint Francis reopened to the public on July 5, 1935.
408:. Azulejos in the church complex also depict the marriage of Prince José, later
285:
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878:
856:(in Portuguese), Salvador: Secretaria da Cultura e Turismo do Estado da Bahia,
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The church has over 27,000 azulejos, noted for some of the only depictions of
77:
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595:. Heritage of Portuguese Influence/Património de Influência Portuguesa
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in 1720; its design shows Portuguese, Arab, and Japanese influence.
139:
Location of the Church of the Third Order of Saint Francis in Brazil
754:(in French). Vol. 2. Sao Paulo: Museu de Arte. pp. 33–34.
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Igrejas históricas de Salvador = Historical churches in Salvador
472:
The right (north) lateral corridor leads to a room to house the
272:(IPHAN) in 1941. The church was constructed as an annex to the
437:("do penitence"), a reference to Matthew 3:2 or Matthew 4:17 (
288:
called the façade of the Third Order church "magnificent."
791:
O lioz português : de lastro de navio a arte na Bahia
725:. Rio de Janeiro: Faculdade de São Bento do Rio de Janeiro
689:"Igreja da Ordem Terceira de São Francisco (Salvador, BA)"
257:
in Brazil. The church is one of the main elements of the
51:
Façade of the Church of the Third Order of Saint Francis
397:. A sitting room is noted for its carved wooden altar.
235:
Igreja da Ordem Terceira de São Francisco da Penitência
917:
18th-century Roman Catholic church buildings in Brazil
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of the city. It was listed as a historic structure by
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The church is open to the public and may be visited.
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National Institute of Historic and Artistic Heritage
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852:Ana Palmira Bittencourt Santos Casimiro (1996),
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691:. Brasilia, Brazil: IPHAN. 2017. Archived from
563:O "Clássico e Singelo" José De Cerqueira Torres
8:
932:1709 establishments in the Portuguese Empire
593:"Church of the Third Order of Saint Francis"
752:L'architecture religieuse baroque au Brésil
927:Portuguese colonial architecture in Brazil
912:Roman Catholic churches in Salvador, Bahia
284:, an example unique in Brazil. The writer
223:Church of the Third Order of Saint Francis
45:
33:Church of the Third Order of Saint Francis
29:
18:Church of the Third Order of Saint Francis
231:Igreja da Ordem Terceira de São Francisco
39:Igreja da Ordem Terceira de São Francisco
508:. The center of the lavabo has an inlay
301:(late 16th century – 1719), a native of
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325:furniture, both from the 18th century.
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27:18th-century church in Salvador, Bahia
765:
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656:Carrazzoni, Maria Elisa, ed. (1980).
560:Freire, Luiz Alberto Ribeiro (2008).
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789:Silva, Zenaide C. Gonçalves (2008).
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348:Detail of Plateresque-style façade
276:. It is noted for its distinctive
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922:National heritage sites of Bahia
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274:São Francisco Church and Convent
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1:
591:Lins, Eugénio Ávila (2012).
361:tribunes; a Room of Saints (
255:Third Order of Saint Francis
486:Joaquim Francisco de Mattos
259:Historic Center of Salvador
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433:below inscribed in Latin,
828:10.1007/s12371-017-0267-7
414:Mariana Victoria of Spain
369:Bento José Rufino Capinam
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356:View of nave and chancel
330:Damião Barbosa de Araújo
311:José de Cerqueira Torres
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750:Bazin, Germain (1956).
626:Vilaron, André (2007).
426:Saint Francis of Assisi
171:12.974421°S 38.508821°W
658:Guia dos bens tombados
504:and black marble from
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176:-12.974421; -38.508821
149:Geographic coordinates
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237:) is an 18th-century
410:Joseph I of Portugal
261:and lies within the
937:Franciscan churches
478:saints, called the
266:World Heritage Site
167: /
439:Poenitentiam agite
406:earthquake of 1755
385:at a lower level.
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727:. Retrieved
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693:the original
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597:. Retrieved
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510:coat of arms
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374:Sala da Mesa
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193:Architect(s)
187:Architecture
89:Municipality
884:Catholicism
816:Geoheritage
506:Mem Martins
286:Jorge Amado
278:Plateresque
174: /
63:Affiliation
906:Categories
862:Q106367896
729:2020-02-25
699:2017-11-17
599:2017-02-19
537:References
321:tiles and
241:church in
227:Portuguese
162:38°30′32″W
159:12°58′28″S
836:1867-2477
416:in 1729.
340:Structure
323:jacaranda
858:Wikidata
492:Sacristy
459:Cloister
243:Salvador
93:Salvador
84:Location
68:Catholic
57:Religion
870:Portals
445:Chancel
431:cartela
383:ossuary
319:azulejo
292:History
280:-style
233:, also
109:Country
896:Brazil
860:
834:
797:
664:
634:
529:Access
420:Façade
412:, and
402:Lisbon
395:lavabo
282:façade
263:UNESCO
251:Brazil
205:Church
113:Brazil
723:(PDF)
567:(PDF)
514:Macao
303:Porto
247:Bahia
211:Style
103:Bahia
99:State
78:Roman
832:ISSN
795:ISBN
662:ISBN
632:ISBN
502:lioz
498:lioz
475:roça
452:lioz
379:lioz
221:The
215:Plat
202:Type
74:Rite
824:doi
441:).
908::
830:.
820:11
818:.
779:^
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225:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
