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Séamus Ennis

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In 1958, after his contract with the BBC was not renewed, he started doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he was relying totally on his musical ability to make a living. About this time his marriage broke down and he returned to
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was playing a tape of his own piping. Séamus asked "What year?" Brendan replied "1948". Séamus said "So I thought". For a couple of hours the younger players performed while Séamus sat in silence. Eventually he was asked to play. Slowly he took off his coat and rolled up his sleeves. He spent 20
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minutes tuning up his 130-year-old pipes. He then asked the gathering whether all the tape recorders were ready and proceeded to play for over an hour. To everyone's astonishment he then offered his precious pipes to Willie Clancy to play a set. Willie demurred but eventually gave in. Next
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Séamus never ran any school of piping but his enthusiasm infused everyone he met. In the early seventies, he shared a house with Liam O'Flynn for almost three years. Finally he bought a piece of land in Naul and lived in a mobile home there. One of his last performances was at the
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was so keen to chat to Séamus on his visits that she wrote down her own songs and handed them over as he arrived, and then got down to conversation. He had a natural empathy with the musicians and singers he met. In August 1947 he started work as an outside broadcast officer with
388:, North Dublin City. James Ennis was a member of the Fingal trio, which included Frank O'Higgins on fiddle and John Cawley on flute and performed regularly with them on the radio. At the age of thirteen, Séamus started receiving lessons on the pipes from his father. He attended a 580:. His father gave him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Séamus was in between. Séamus was a master of the slow air, knowing how to decorate long notes with taste and discreet variation. 520:
arrived from America to record Irish songs and tunes. The tables were turned as Séamus became the subject of someone else's collection. There is a photograph from 1952/53 showing Jean huddled over the tape recorder while Séamus plays Uilleann pipes.
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that would serve him well in later life. He sat an exam to become Employment Exchange clerk but was too far down the list to be offered a job. He was twenty and unemployed.
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in 1982. He died on 5 October 1982. His pipes were bequeathed to Liam O'Flynn. Radio producer Peter Browne produced a compilation of his performances, called
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for printed scores – a skill which later proved important. Colm was director of an Irish language choir, An Claisceadal, which Séamus joined. In 1942, during
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competition for warpipes and second in the uilleann pipes. He was also a prize-winning dancer. In 1916, he married Mary Josephine McCabe, an accomplished
419:. Colm immediately offered him a job at The Three Candles Press. There Séamus learned all aspects of the printing trade. This included writing down slow 1328: 617:"Séamus Ennis is my mentor. He made me realise music is magic and a spiritual experience. It cannot be taught in any university. It is beyond that." 2214: 2174: 1102: 648: 384:. They had six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus was born on 5 May 1919 in Jamestown in 1333: 2209: 2189: 1020: 600:(Liam Óg Ó Floinn) was asked to play them, and so on, round the room. The second unforgettable session was in Dowlings' pub in Prosperous in 2179: 2159: 2144: 1924: 667:
was opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore's song '
2169: 2164: 2154: 1248: 871: 2184: 108: 2065: 1514: 42: 535:. He moved to London to work with producer Brian George. In 1952 he married Margaret Glynn. They had two children, the organist 497: 89: 2194: 1870: 1848: 1813: 1785: 1675: 1369: 1212: 61: 1449: 1253: 835: 46: 2108: 1075: 1313: 68: 2204: 2070: 1189: 1095: 427:, shortages and rationing meant that things became difficult in the printing trade. Professor Seamus Ó Duilearge of the 1303: 2149: 1929: 1916: 1414: 1394: 633: 332:
playing and was partly responsible for the revival of the instrument during the twentieth century, having co-founded
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and a friend of the Ennis family. In 1938 Séamus confided in Colm that he intended to move to England to join the
35: 1730: 1238: 1217: 428: 337: 1640: 1519: 1174: 360:. In 1908, James Ennis had been in a pawn-shop in London. He bought a bag containing the pieces of a set of old 1944: 1834: 1737: 1633: 722: 501: 2080: 1484: 1323: 57: 1778: 1504: 1489: 1338: 1088: 671:.' This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul. 424: 301: 1647: 1612: 1598: 1479: 1042: 924: 897: 592: 325: 219: 861: 1855: 1792: 1584: 1534: 1159: 577: 365: 208: 1760: 1668: 1509: 1318: 2139: 2134: 2050: 1960: 1934: 1827: 1799: 1654: 1308: 784: 668: 431:
hired the 23-year-old to collect songs. He was given "pen, paper and pushbike" and a salary of three
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and ran until 1958. Meeting up with Alan Lomax again, Séamus was largely responsible for the album
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From 1942 to 1947, working for the Irish Folklore Commission, Séamus collected songs in west
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and Christopher. His job was to record the traditional music of England,
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for the first time. There was an air of authority in his voice. In 1951,
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Going to the Well for Water: The Seamus Ennis Field Diary 1942-1946
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Going to the Well for Water: The Seamus Ennis Field Diary 1942-1946
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Two events will live in legend among pipers. The first was in
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is named in his honour. The Séamus Ennis Arts Centre in
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and was ill for some time. In 1964, he performed at the
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was there, as well as most of the future members of
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January 2021 766:Séamus Ennis – Ceol, Scéalta agus Amhráin 109:Learn how and when to remove this message 855: 853: 851: 847: 779:Irish Pipe and Tin Whistle Songs (1994) 997: 483:enabled him to transcribe much of the 320:; 5 May 1919 – 5 October 1982) was an 547:and Ireland and to present it on the 7: 47:adding citations to reliable sources 2220:20th-century Irish uilleann pipers 802:Traditional Dance Music of Ireland 500:. He was a presenter and recorded 14: 826:as track eight on the third CD. 730:Irish Pipe and Tin Whistle Songs 659:Séamus Ennis Road in his native 372:. In 1912, he came first in the 23: 2215:Broadcasters from County Dublin 2175:20th-century Irish male singers 1786:Conversations with Eamon Dunphy 1019:Saravanan, T. (29 March 2013). 34:needs additional citations for 836:List of Irish music collectors 820:70 year anniversary boxed set 1: 932:The Seán Reid Society Journal 773:Anthologies (various artists) 760:Two Centuries of Celtic Music 2210:Musicians from County Dublin 2190:Green Linnet Records artists 531:Late in 1951, he joined the 328:. He was most noted for his 279:The Halfpenny Bridge Quartet 787:20th Anniversary Collection 748:Forty Years of Irish Piping 704:Forty Years of Irish Piping 692:The Ace and Deuce of Piping 634:Willie Clancy Summer School 559:(volume on Ireland) on the 551:. The programme was called 2236: 2180:20th-century musicologists 2160:Irish folk-song collectors 2145:Irish male uilleann pipers 1021:"Striking the right chord" 698:Ceol, Scéalta agus Amhráin 572:Ireland. He suffered from 2165:Tradition Records artists 2155:Irish tin whistle players 2094: 1118: 980:"Catherine Ennis (Organ)" 860:Michael B. Bakan (2007). 736:Feidhlim Tonn Rí's Castle 435:per week. Off he went to 429:Irish Folklore Commission 338:Irish Folklore Commission 132: 2185:Claddagh Records artists 2109:RTÉ Raidió na Gaeltachta 2098:Other RTÉ radio stations 2066:Mícheál Ó Muircheartaigh 1835:The Marian Finucane Show 1054:composed by his father. 958:"Séamus Ennis Biography" 723:The Best of Irish Piping 686:The Bonny Bunch of Roses 557:Folk and Primitive Music 1676:Today with Claire Byrne 652:Seamus Ennis statue in 209:Irish Traditional Music 2195:20th-century flautists 2170:RTÉ Radio 1 presenters 1599:The Collins Collection 1480:Proinsias Mac Aonghusa 1004:: CS1 maint: others ( 923:Seán Donnelly (2002). 814:The Wandering Minstrel 754:The Return from Fingal 742:The Wandering Minstrel 656: 638:The Return from Fingal 619: 317: 145:Background information 2081:Radio Éireann Players 1856:The Ryan Tubridy Show 1793:The Dave Fanning Show 1585:Bowman Sunday Morning 1515:Seán Óg Ó Ceallacháin 651: 640:, spanning 40 years. 578:Newport Folk Festival 487:collection of songs. 326:Irish music collector 324:musician, singer and 220:Irish music collector 1961:Philip Boucher-Hayes 1828:The John Murray Show 1800:The Derek Davis Show 1314:Sinéad Ní Uallacháin 1120:Presenters and shows 960:. Tara Music Company 904:. Musical Traditions 589:Na Píobairí Uilleann 413:Irish Street Ballads 392:, Cholmcille, and a 334:Na Píobairí Uilleann 43:improve this article 2205:People from Finglas 1648:The Ray D'Arcy Show 1520:Pádraic Ó Neachtain 1304:Áine Ní Bhreisleáin 1043:Breandán Breathnach 898:Breandán Breathnach 823:Three Score and Ten 593:Breandán Breathnach 485:John Lorne Campbell 479:. 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"Séamus Ennis"
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Ennis in 1955
Finglas
Dublin
Naul
County Dublin
Irish Traditional Music
Irish music collector
Uilleann pipes
tin whistle
fiddle
vocals
Tradition
Green Linnet
Claddagh
Liam O'Flynn
Sonny Brogan
Seán Keane
Irish
Irish

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